Album Review – Caitlin Cannon’s “Love Addict”

#510.1 (Classic Country) and #570 (Americana) on the Country DDS.
Few if any songwriters exhibit the fearlessness towards the art form that country music’s Caitlin Cannon does. Unfiltered, and in certain cases, uninhibited, she’s willing to go to the places that all of our minds do—as do many of our personal histories—but that delve into subjects often banished to the shadows of polite society since they’re considered taboo or verboten. Caitlin Cannon though, she dives right in.
Far beyond the bawdy spinster that the title track of her latest album portrays, this fearlessness extends to the full range of human emotions, even if it’s primarily centered on the pleasure and pain receptors in her latest work. Love Addict is a deep exploration into the roiled body chemistry of the human experience, where the feelings of love and lust are often nebulous, chemical inductions derived from pharmaceuticals or interpersonal interactions can feel like one in the same, and where self-loathing looms ever-present.
Caitlin definitely makes a strong impression with the opening song with it’s f-bombs and references to erectile dysfunction. But as some clutch their pearls, others think, “Wow. Someone’s actually singing about what I experience.” When Cannon sang the song acapella on the massive comedy podcast Kill Tony, it killed.
When you pair “Love Addict” with the racy second single from the album “Jesus Is My Lover,” you might take the work as a sex album from cover to cover. But that’s judging the cover, not the book. Inside the subsequent chapters, Cannon delves into some serious moments of heartbreak, from the experience of being slowly ignored in “You’re Losing Me,” the fear of long-term commitment found in “I Wouldn’t Say I Love You,” and how sometimes the fear of the fall is worse than the fall itself in “The Impact.”
If anything, the first half of the album unfolds a little slowly. But this changes when you get to “Dr. Dealer,” which works both as personal psychological evaluation as it does a social commentary on the silly contours of the pharmaceutical industry. “Room 309” is a perfect specimen of classic country storytelling that’s timeless in its sentiments, and intrigues you to its real-world inspirations. The next-to-last song “My Own Company” is a master stroke of songwriting, speaking how its really ourselves who we often have the most contentious relationship with.

The fearlessness Caitlin Cannon brings to Love Addict extends to the real world. Along with her music career, she regularly engages in teaching songwriting courses to Veterans and convicted felons to help in their rehabilitation through processing their emotions and experiences in song. This in part is what Cannon does herself in the final track “Waiting,” inspired by her brother who is incarcerated. The song won the Songwriting Serenade competition in Texas in 2023, and speaks to Caitlin’s award-winning approach to the craft.
Love Addict is produced by Misa Arriaga who’s best known as the mother brain behind Kacey Musgraves and her original sound. With an all-star band of East Nashville hot shots fleshing out the vision, the album is mostly country, but unencumbered by genre when looking to give each song the attention and mood it deserves. That could be the Countrypolitan sound of “Let It Hurt Some,” the horns deployed on “Dr. Dealer,” or stripping it all back for the heartbreaking moments of “Waiting.”
Though some might surmise that Caitlin Cannon is pandering for attention by centering the racy elements of her songwriting on Love Addict, attention is exactly the ingredient that’s frankly lacking in her career. Though her champions include the legendary Pam Tillis, who appeared in Cannon’s video for “Love Addict,” and Lucinda Williams has also extended her friendship and blessings, like so many of the best songwriters of our generation, Caitlin remains scandalously under-the-radar.
Will Love Addict reset that fate? It probably should. But Caitlin Cannon is not going to dilute, filter, or candy coat her songwriting to achieve that outcome. Under the belief that songwriting is an act of mercilessly unburdening your soul and engaging in brutal honesty, she’s going to say what her heart feels, and hope the world comprehends.
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8.2/10
Stream/purchase Love Addict
May 9, 2025 @ 9:12 am
TrashCannon was one of my favorite albums of the decade so far. The writing and concept on this one are just as tight. I think if I had one critique of this album, it is a little low energy and overly concise in its sound. I loved the sonic diversity and risks taken on TrashCannon, but do appreciate the effort for a more directed focus at play here. The Impact is probably my favorite.
May 10, 2025 @ 7:36 pm
She does the innocent look so well . . . . [sounds of muffled laughter]
“TrashCannon”….wtf? ….. ♫
May 10, 2025 @ 9:01 pm
“The TrashCannon Album” is great. Got a 9.5 score here.
https://savingcountrymusic.com/album-review-caitlin-cannons-the-trashcannon-album/
May 15, 2025 @ 11:41 pm
Ick, just wise-up: Bad Art Sells like hot pancakes to hungry puppies
“Few if any songwriters exhibit the fearlessness towards the art form that country music’s Caitlin Cannon does.”
Got it?
May 16, 2025 @ 7:55 am
Way too many judgy, surface level comments on these recent features on women here. These are country music albums, and these are country music artists, and this used to be a community that took pride in supporting performers who are not getting their due. Not all music is for everyone, and if you don’t like it, leave it. It’s presented here simply because it’s music some might enjoy. But your anonymous comments don’t reflect bad on you, they reflect bad on this entire website and the community around it, and it’s myself and everyone else who has to answer for them.
May 9, 2025 @ 9:26 am
Really interesting review. Excited to check this out.
Also thanks for referencing Garrett Capps in your review of the Eric church album. Hadn’t heard of him before that but been loving his stuff this week
May 9, 2025 @ 7:28 pm
Capps’ I Love San Antone is a GREAT album!
May 9, 2025 @ 12:37 pm
I always use the term “unlike any other” to describe 1 Caitlin Cannon, and once again she fits that description with this album. Absolutely love the title track, and I Wouldn’t Say I Love You is one of the most beautiful songs I’ve ever heard. I might have made the mistake of getting a little attached to the old acoustic versions of a couple of these, but she took Jesus Is My Lover to another level of incredible!!! A+ I like Doctor Dealer, it’s a little “horny” but the pills shaking in the container do it for me. I’m not gonna lie, you all know how I roll, I saved The Alchemist from the EP and threw it in with this bunch. It’s such a great song. Caitlin is such a unique and gifted songwriter, she should be celebrated here!
May 12, 2025 @ 4:12 pm
Is that the same Misa Arriaga who plays bass and drums on Milly Raccoon’s “I’m Gonna Feed You”?
btw iirc Multi-instrumentalist Oliver Bates Craven plays the role of an objectified person in the video of Caitlin Cannon’s “Love Addict” iirc.
May 14, 2025 @ 11:26 am
Man, I wore TrashCannon out when that dropped. I love that LP. Can’t wait to hear this.
May 14, 2025 @ 2:02 pm
There is absolutely nobody out there making music like Caitlin Cannon. A true original in all the best ways.