Album Review – Dee White’s “Heart Talkin'”

Traditional Country (#510) and Country Folk (#575) on the Country DDS.
Everywhere you turn these days, everyone and everything is trying to agitate you, get your dander up, trigger you with dog whistles, because the quickest way to your undivided attention in the attention economy is unadulterated rage. Blaming others for problems is what makes the world go ’round, until it starts spinning so fast, life passes you by like a blink, and you lose yourself in the melee of everyday conflicts.
It’s doesn’t take guts and character to blurt out whatever emanates from your bowels like a bile-filled belch. What takes courage is to try and slow everything down, to listen to others, to see the humanity in someone else, and to share or partake in wise counsel. Not since the time of Don Williams and Tom T. Hall has someone accomplished this exercise so well through the medium of country music as Slapout, Alabama-native Dee White.
White’s 2025 album Heart Talkin’ is like a cool drink of water on an August afternoon. It’s like a swing on the back porch with someone you love, a cuddle on the couch with a newly-acquired puppy, reading nursery rhymes to a child as their eyes slowly close, and a close waltz on a good wooden floor.
Dee White had us all talkin’ in 2019 when he released his debut record Southern Gentleman, produced by Dan Auerbach for Warner Music Nashville. As delightful as it was, it’s Heart Talkin’ where you feel like you get to know the real Dee White, which is independent, out of the spotlight and the realm of high expectation, and being produced by the Hall of Famer Tony Brown, known for putting the spit polish on some of the greatest country records ever.

Writing or co-writing all of the album’s tracks, Dee White enacts a wholesale recalibration of life through these 11 songs for the attentive listener, but that’s not all you get. The album is bookended by a couple of punchy and entertaining songs about heartbreak (“Up The Creek Again” and “Wagon Girl”). “Million Miles” co-written with William Beckmann and Ben Chapman finds a killer half-time groove in the chorus.
But as fun and infectious as these songs are, it’s the tracks like “Little Things,” “Heart Talkin’,” and “Tools Over Toys” where Dee White does what he does best, which is calm the nerves, complimented by his vocal tone that has a soothing aspect to it perfect for diffusing tension, and resetting perspectives on the most important things in life.
And even though this album is here to take the edge off, Dee White doesn’t shy away from asserting certain things or taking strong positions, like the nature of hypocrisy in the song “All Day Singin'” recorded previously by co-writer Kendell Marvel, which is complimented by the cautionary tale of the next song “Snake.”
Without the aid of a big label or hot producer behind him, Heart Talkin’ didn’t receive the attention it deserved when released in the early summer. But as 2025 has continued on, the album has distinguished itself as one of the year’s best, and maybe one of the year’s most important. As the world feels like it’s unraveling and spinning out of control, a attentive spin through Heart Talkin’ helps slow everything down, and remind you to savor the important moments in life, however fleeting they might be.
8.3/10
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Download/stream Heart Talkin’

December 17, 2025 @ 2:56 pm
I really liked his first album and I have been listening to this one since it was released. It is a great album. Well worth a listen, I agree it deserves much more attention.
December 17, 2025 @ 3:13 pm
Yes! So glad this got reviewed. I loved his debut 6 years ago and waited patiently and he definitely delivered. Been in constant rotation since the summer. I feel like he has the potential to blow up!
December 17, 2025 @ 9:32 pm
I saw Dee white opening for Ashley McBride prolly 5-6 years ago. He was different from the norm. Great crooner voice. I remember he had this bad ass guitar player in the band. It was Daniel Donato. Really liked the first album and this one. Wish him the best. He is talented and unique.
December 19, 2025 @ 7:41 am
I saw this show when they came to Chicago. Incredible performances all around. And Daniel Donato ripped a solo that absolutely floored the crowd. It was really amazing to see.
December 20, 2025 @ 12:07 am
The first song on this album “Up The Creek Again” was co-written with Daniel Donato.
December 18, 2025 @ 8:07 am
Such a good album. I keep going back to it.
December 18, 2025 @ 2:37 pm
I wore out “Southern Gentleman” when it was released in 2019. But after years of no new songs, I forgot about Dee. Fast forward to two weeks ago when I attended Corey Smith show Georgia Theater. Didn’t know until the morning of that (i) Dee White was the opener and (ii) he released a new album. What a pleasant surprise. Dee sounds great live, even if he had to play in front of a crowd that talked (loudly) throughout his set.
December 19, 2025 @ 9:19 am
The music is a bit poppish for my taste, but what really ruins it for me is that it sounds like he’s using Auto-Tune. I know it’s a bit passe of a complaint in this day and age, but I really don’t like that mechanical sheen it gives the singing.
December 19, 2025 @ 9:42 am
I’m not really hearing Autotune on this at all, and I feel like I have a pretty refined ear for picking that up. I would be very surprised if either Dee White or Tony Brown would sign off on that. I just think Dee White has a rather naturally soft tone. I’m also not hearing “pop,” aside from maybe a classic version of country pop a la Don Williams. But to each their own.
December 19, 2025 @ 8:52 pm
No autotune.i saw him live. He has an outstanding sweet quality voice. The first impression was wow you don’t hear that too often these day. He really is like a crooner