Album Review – Jesse Lovelock and the Velvet Voices

Classic Country (#510.1) and Countrypolitan (#510.5) on the Country DDS.
If you come to country music to be spirited away to a much more simple and understandable era of human existence that’s free from the artificial—intelligent or otherwise—Jesse Lovelock and the Velvet Voices offer you free admission to a time portal that will take to immediately back to a much more inviting moment when the world and the way we expressed ourselves was decidedly more unadulterated.
For old school fans of classic country, the more boldly and thoroughly that you can embrace the past, the more potent and desirable the experience. It was Hank Williams III who once said that the older you sound, the more punk you’re being. If that’s the case, it doesn’t get more punk than Jesse Lovelock, because it’s perhaps impossible to sound any older than what is illustrated in these 14 songs.
It’s not just the songwriting style, the singing, and the instrumentation that constitute stellar reenactments of ’50s and ’60s country styles, yet in completely original compositions. It’s the distressed patina that Lovelock impresses upon these recordings that give you the experience of listening on an old 78 rpm or an AM radio back in the post War era. Though it might sound too old and hazy for ears accustomed to the pristine and saccharine sounds of the modern era, for those old soul classic country fans out there craving this stuff, the experience will be mesmerizing and immersive.
It’s not completely uncommon to hear a new album made to sound old in the throwback country realm. What’s unprecedented is to hear an album that accomplishes this feat so completely. The recording process and its results comprise their own bold artistic expression to go along with the gifted writing, and at times, inspired vocal performances by Lovelock, including on the opening track “Misty Blue,” all the way through to the 13th track “She Even Woke Me Up To Say Goodbye.”
The Golden Era of country music is alive once again in the voice and the vision that Jesse Lovelock and his co-conspirators brought to this album. Despite the mono signals and sepia tones (or perhaps because of them), the listening experience is quite cinematic, awakening silver screen panoramas in your imagination, and waves of nostalgia.

When Jake Worthington heard this record, he remarked, “Hoss this is game changing, for our genre. This is pure sonic super nova…. Your voice is captured in a way as if it couldn’t be any bigger!!! Way to go my friend! Long live country music.”
But Jake Worthington is one of the few who’ve heard it. This album won’t come through the recommendations on Spotify or Apple Music. You won’t hear it played on SiriusXM. In fact, at the moment, the only place it exists is a private Soundcloud player on Jesse Lovelock’s account as a “leaked” copy. Perhaps to keep the audience and the listening experience pure, he’s so far refused to distribute this album widely, instead opting for only those initiated with the Soundcloud link to listen.
Don’t take this to mean that every effort wasn’t expended to bring Jesse Lovelock’s vision to life. Singers Ashley Rose and Sandy Santa Cruz help enliven the album with choral harmonies. It’s clear that a painstaking effort was made to make the album both accurate to era, yet still original in scope. Is this still a niche experience? Of course. By the end of the 14 songs, can it come across a little “one note” for those whose appetite for this type of throwback country is fleeting? Sure. But nonetheless, Jesse Lovelock and the Velvet Voices feels like a creative feat of uncommon success.
Don’t be surprised if this album does end up on the DSPs eventually, along with vinyl copies and other goodies. But those who take the time to dig for the best in music are handsomely rewarded via the experience of this album, and before the rest of the world and the music business get their opportunity to get their greasy mandibles on it.
8.3/10
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To listen to Jesse Lovelock and the Velvet Voices on SoundCloud, CLICK HERE.
July 9, 2025 @ 8:47 am
I instantly like track 11, Looking Out At You
July 9, 2025 @ 9:11 am
Where is he from and is he releasing this independently? Is it his first record? Where was it recorded? So many questions, I know. I was just wondering if Soundcloud was still a thing…guess so. Love when you post about lesser known artists!
July 9, 2025 @ 9:44 am
Liking
July 9, 2025 @ 9:44 am
Signed back up with Soundcloud and it’s not there
July 9, 2025 @ 10:51 am
The playlist on SoundCloud is private, so you’ll not be able to search for it or find it through his name. You have to click on the link:
https://soundcloud.com/user-755891781/sets/jesse-lovelock-and-the-velvet/s-hkd2H2tF6Jk?
PS: He gave me permission to share the link.
July 9, 2025 @ 10:45 am
Is he independently wealthy? Does he not want people to hear it? I don’t get it. I can’t even figure out how to play it. I click on SoundCloud and see him and there is nothing to play.
July 9, 2025 @ 10:53 am
You have to click on the specific link to access since the playlist is private.
https://soundcloud.com/user-755891781/sets/jesse-lovelock-and-the-velvet/s-hkd2H2tF6Jk?
July 9, 2025 @ 10:59 am
Making an album that people can only hear via invite link is so fuckin funny lol. Looking forward to listening though, sounds cool and hopefully not too hipster
Jeremy pinnell rips
July 9, 2025 @ 11:36 am
Maybe its just because its not really available but this sounds really nice and its a shame we just cant buy it .
July 10, 2025 @ 2:30 am
…are we being fooled by an ai experiment here. No one in his right mind would record such music – because the target group is largely dead or nearly there. just calculate: if you were around 30 in the early sixties – you’d be almost a hundred years old by now that this is released. there may be some younger senior citizens enjoying it, but that’s hardly a commercially viable number. this is some jolly nice sounding freak-show, yet a freak-show nonetheless.
July 10, 2025 @ 6:55 am
This is not AI, and people need to be careful with making these kinds of accusations, which is happening flippantly more and more in a way that can injure creators just as much as AI is.
It’s also presumptive to say there is no market for this. I’ve been running a website for nearly 20 years that caters to people who want to hear music like this.
July 10, 2025 @ 7:30 am
Wow
July 10, 2025 @ 6:17 pm
I’m in my 40’s and grew up on Patsy Cline because of my mother. I still listen to those records and love this kind of stuff. Killer.
July 10, 2025 @ 4:19 am
Only SoundCloud or YouTube means it doesn’t exist. And every song on snipe hunt will be brand new to me for this exact reason. My Napster days are over.
July 10, 2025 @ 7:44 am
Is this going to come out on any normal streaming services? Like Spotify and Deezer? Why is it in a private playlist only?
July 10, 2025 @ 9:16 am
My guess is this will eventually land on streaming services. I think the artist just wanted to keep the experience more intimate at first.
July 10, 2025 @ 8:48 am
Only available through a private playlist on SoundCloud, ringing endorsements from Jake Worthington and SCM, old timey sound and album cover. This man knows how to create a lore and I appreciate the artistry.
July 10, 2025 @ 9:31 am
This album and its feeling it envokes is already timeless. Its not about being at the beginning or end of something…Its about being in the middle.
July 10, 2025 @ 11:24 am
Whole album warms the cockles of this 73 yr old❤️. Hope he records a version of ‘Make the World Go Away’. Shades of Eddy Arnold, Jim Reeves and Jim Ed Brown😊
July 10, 2025 @ 1:29 pm
Been following Jesse’s Instagram for about a year after finding him via Paul Cauthen. He’d frequently post teaser clips of songs, with the announcement of an album coming in 2025. Since it leaked, I’ve had this playing non stop in my basement honkytonk. Incredible through and through. Listening to this makes me homesick for a time and place I’ve never been.
July 10, 2025 @ 6:36 pm
Love the voice and style of Jesse Lovelock. So did everyone I talked to. We all agreed here comes a new country western star.
July 10, 2025 @ 9:52 pm
Here we go again. Old saying “ every once an a while someone comes along” that’s this guy right here. I’m telling you he’s cooked up a statement piece. Says he produce it too? I’m frying. Comes out of nowhere to pull this shit off. Probably no connections in music world. Keep busting through doors man. I listened couple times back to back. I don’t care who’s album you put on the table next to this if you close your eyes and listen I garentee your gonna think who the fuck is this one. Man has taste. Do it again Lovelock
July 11, 2025 @ 12:47 pm
Really cool concept album. Although I don’t believe it was tracked live. For me that doesn’t take away from the fact this guy has some crazy vision.
Was checking out his instagram. barely any following. I see his old skateboarding footage from 20 years back and all this made me think about this: a concept that parallels nicely for artists like this who are great but will struggle see the light of day. Chris Cole the professional skateboarder..he had to be undeniably good at what he did to make way into that world weather people liked it or not..and they eventually all had to agree that it was just that . Undeniable. You can’t deny this record and effort although you may want to try because jumping fences and skipping lines are a real thing. You got to be buddy buddy and Corn Cobb your way in. Flip it around and start using your ears.
Here you got a guy debut self produced phenomenal concept album with a rating higher then a lot of big artists on here that I read all the time. People aren’t going to like that..Make that make sense to me? It’s just one opinion but I think Trigger has a good pulse on what’s happening and if this guy gets any amount of the team and musicianship around him that these people have, he’s going to be coming. And it’s not going to matter what anyone has to say about it.
July 13, 2025 @ 11:55 am
Following a star black in day and at night blinding,
and it’s position changing along the way voices listening and saying telling half-remembering which way is what and where are you going to go and who do you trust inside this temple crossed with falls unknown and unlearning, unlearning unlearning, to see that spark no matter place or position or purity only source, only origin, His Path inside beyond meaning,
Following a star black in day and at night blinding
July 13, 2025 @ 5:35 pm
Wow. I can tell he spent time with the Phil Spector recordings. Can’t wait to see what he releases next. Needs this reviewed by other outlets. I wonder what they will say? He created his own sound from something people left behind. Didn’t just replicate those artists of old. That is what it’s about. That’s what the greats would want.
July 13, 2025 @ 8:06 pm
👏 👏👏👏 not everyone will get it, but pretty remarkable for a first release with no history. Can’t think of one as noteworthy sense Sturgills first album. He ain’t there but he’s not far from that. This could be Saving Country Musics album of the year😲
July 14, 2025 @ 1:01 pm
I VOTE YES!
July 13, 2025 @ 8:44 pm
Album of the year? Hahahahahah yeah right. This is not country.👎
July 13, 2025 @ 10:15 pm
Many legitimate reasons someone could say they don’t like this album. Saying it’s not country is not one of them.
July 15, 2025 @ 5:24 am
what is it thrash metal then? Theres plenty of thingd trigger reviews that arguably are less country than this.
July 14, 2025 @ 1:00 pm
First time hearing and I’m impressed! Is this his first coverage he’s had of his music? All these people rave about Charley Crockett, Colter Wall, Tyler Childers and many more but this album is as good or better than ANYTHING they have put out. Challenge me on that!
July 21, 2025 @ 10:04 am
Love the album, but holy moly do I wish he’d removed the mono/muddled layer – that’s _got_ to be the only artificial thing on this album. Hopefully once the album makes its way to streaming, we can get the ‘modern’ production. I can only imagine how this would sound with that steel ringing clearly!!!