Album Review – Kat Hasty’s “The Time of Your Life”

#550.3 (Texas Country) on the Country DDS.
Who is Kat Hasty? Where is she from? What makes her tick? What’s her life story? And why should you care? You could try searching up some slick bio or media puff piece. Or you could simply listen to her debut full band album The Time of Your Life where it’s all spelled out in uncensored, heartbreaking, hilarious, poignant, and authentic songs portraying the rough and tumble moments of an up-and-coming performer from Texas.
Hasty is a perfect specimen of how you can take the girl out of the country or Texas, but you can’t take Texas or the country out of the girl, at least not one like Kat Hasty. When we talk about “authenticity” in country music, we don’t just mean resume points of time spent on farms and ranches, or where an artist is from. It’s about the amount of distance between what they live, and what they sing. With Kat Hasty, that distance is somewhere close to zero. These songs describe the episodes of her life like they were torn out of her diary, saucy details and all.
Rewind back to before and during the pandemic, and Kat’s acoustic album Drowning in Dreams, and specifically her song “Pretty Things.” The song caught fire and had some considering her the female version of Zach Bryan. So Nashville came calling, and as a single mother from a blue collar family from West Texas, Kat answered. Hasty’s dreams are as big as anyone’s, but the last thing she was willing to do is compromise who she is and what she sings to fit someone else’s expectations. So as she proclaims in the opening song, Kat determined “This ain’t the business for me,” and high tailed it back to Texas.
The Time of Your Life is unabashedly Kat as she overshares about her struggles with impulse control, failed love interests, and her utter inability to be anything but herself. “Breaking Up The Band” is based on actual events, specifically when she fell for her lead guitar player and ultimately Yoko Ono’d her own band. “The Best We Can” is basically an autobiography of her life where she says at one point, “I’m just white trash hiding in a Pendleton sweater.”

Though the sounds are mostly country with prominent fiddle throughout the album, The Time of Your Life truly fits into the Texas music mold where it’s unafraid to veer a little bit into rock and even pop, especially in the way some of the lyrics are rendered. Hasty is clearly pulling from a wide range of influences and delivers it all with a strong confidence in herself, giving the music a swagger.
But true to her brand, this album wasn’t produced by some big named personality. The songs weren’t worked over in writing rounds on Music Row. Instead, Hasty wrote all the songs herself, and cobbled together some mercenary musicians in the Dallas area to self-produce this record in spitball fashion. To be frank, the shoestring nature of the production comes across in the finished product, with some song ideas not fully expressed in the studio effort, and the album failing to create a cohesive sound for Kat that she can call her own.
But on the flip side, there is something endearing about the homespun nature of this album, and how it speaks to the underground and Outlaw attitude Hasty brings to her music, along with her devil may care approach to life overall. And even if the production isn’t slick, the songs and the sentiments come through starkly, including how you can hear Kat’s devilish smile imbued in the inflections of her voice. Hasty makes herself very hard to hate. There’s a folk hero appeal to her.
Kat Hasty became one of those unlikely overnight success stories during the pandemic by touching a nerve and catching fire on social media. Getting sidetracked by attempting to work with Nashville has created a bit of a hiccup in her career. But now she’s back to cultivating her grassroots with blistering honesty and by being unapologetically herself.
1 3/4 Guns Up (8/10)
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May 19, 2025 @ 9:12 am
Been a huge fan of hers for a while and was waiting on this one. Its a fun album, production flaws and all. The tongue in cheek she has in her songs is good. For others unfamiliar with her definitely reccomend “Highway Song”
May 19, 2025 @ 9:17 am
Cigarettes, Disco ball, Grandma’s old couch; what’s not to love?
May 19, 2025 @ 2:30 pm
jesuschrist.. i did not read ‘couch’ correctly the first time
May 19, 2025 @ 9:47 am
If I had a tail, it’d be wagging.
May 19, 2025 @ 10:24 am
I’ve listened to it probably a dozen times since it came out on Friday. Such a great record.
May 19, 2025 @ 12:34 pm
Was looking forward to Kat’s and Ken Pomeroys from last weeks releases. This one is everything you’ve come to expect from Kat and its solid.
Ken’s……holy f’n shit. Its a beautiful collection of masterful writing and storytelling.
May 19, 2025 @ 1:54 pm
Kat Hasty in simply stunning! Thanks for reviewing the record so quickly. There’s actually nothing to add to your review. I think the carefree production is part of the album’s charm. However, I think the compact EP format suits Kat better than a long record. While I really enjoy the album, I prefer to hear it divided into parts rather than as a whole.
May 19, 2025 @ 5:48 pm
You articulated so clearly what Texas country is in this review – always underpinned by country but not afraid to veer into rock and even pop. It’s the lane I drive in most and my biggest issue has always been the lack of female representation. Sunny is great. Presley Haile is fantastic. Miranda’s last album is phenomenal. I’m holding out for Grace Tyler to get over her breakup and kick up some dust ala her older singles like “Cowboys and Tequila” and “Buckle of the Bible Belt.” Shelby Stone has promise but she can lean a bit too hard into the rock side. Then along comes this fantastic album from Ms. Hasty. I needed this.
May 19, 2025 @ 7:17 pm
Looking forward to hearing more from her. Maybe she will get to Mile 0 fest in 2026!
May 20, 2025 @ 12:39 am
…cool sense of humor there. a little less so for (catchy) melodies. rather nice shot at trying to change the image of idaho away from potatoes though.
May 20, 2025 @ 6:00 am
I thought Hasty showed some promise on her acoustic album Drowning In Dreams, so I was interested in The Time Of Your Life. I like these songs, and Kat’s personality shines through. However, as mentioned in the article, I think the self production kinda limits the album’s overall appeal. It sounds like the album is a capture of a live moment rather than a thought out studio representation. The vocals sound like someone trying to perform for an audience with over enunciation at the ends of sentences, and are too forward in the mix. These songs will probably go over better live than they turned out here.
I’m still interested in where Kat Hasty goes in the future, but for me this album didn’t really elevate her past promising but not yet there.
May 20, 2025 @ 7:39 pm
This album was worth the 5 year wait. Kat is one hell of a songwriter. I can’t see her co-writing or having 5-6 songwriters make a song with her. And I love the production. Kat found herself a great band. I hope they continue to work together. I just love Kat’s songs. There’s a reason I’ve seen her play live 15 times since 2023 (and I live in Pittsburgh lol). Midland (fiddle sounds incredible) & The West Ain’t Wild Anymore (so heartbreaking) are my favorite tracks. This album is raw & rugged just like West Texas where Kat hails from. This ain’t Nashville y’all. Don’t expect polished pop-country crap from Kat & her band. Go see her play a show & buy merch. Support independent artists!
May 20, 2025 @ 9:29 pm
Speaking of independent artists – Justin Jeansonne’s debut album, “Little Jake,” needs to be covered here. They’re playing Red Rocks with the Red Clay Strays in September!
DDS Country Soul, Gospel, & Groove (Cosmic?), Country Outlaw, Honky Tonk, & Cowboy Music
May 21, 2025 @ 6:00 am
Jeansonnes’s new album is really good. Someone everyone should check out.
May 21, 2025 @ 2:45 am
this album made me feeling old. love the cover.
May 21, 2025 @ 11:20 am
I.m loving the cover, still use my “95 F-250 pickup for work and personal use every day. Also still have my ’79 F-100 Short bed Stepside (Flareside).
Love this album!