Album Review – Low Gap’s “Geneva”


Country (#500), Appalachian (#519), with some Alt-Country (#564) on the Country DDS. AI = Clean

Straddling the border between Kentucky and Ohio, youth and maturity, divinity and sin, sobriety and drunkenness, two brothers going by the names Gus and Phin deftly explore the duality of life and man in songs that carry wisdom well beyond their years, while not overlooking the importance of a song to entertain.

They’re called Low Gap, and even though a single of theirs might’ve slid onto your radar as far back as 2021, Geneva is their very intentional debut album. It’s also a doozy, and the kind of debut every band wants to forward, but only do when they’re patient, persistent, bring forth songs that are battle tested and road worn, and the players are inherently talented and true to themselves like the Johnson brothers.

Geneva is a country album, and how could it be anything else with the thick Appalachian accent emanating from lead singer Gus Johnson. It’s the first thing you deem remarkable from the music, and it might even take some warming up to. But Gus’s tone reveals itself as a more than worthy vessel for carrying forward the message of Low Gap songs, complimented by his brother Phin’s mandolin and guitar.

It might be country overall, but Geneva is not interested in chasing some ’90s country trend, or being country for country’s sake. With the assistance of producer Eric Tuffendsam, it’s the songs that define the sound, not vice versa, with everyone involved making sure they’re proper stewards of what’s being expressed, not just heard. This results in some songs that are more alt-country or Americana leaning, giving Geneva good texture and diversity of mood.

Plenty of life lessons are interwoven into Geneva, but it begins with lessons on geography. Though many might not consider Ohio as part of the Appalachian region, its Southern tranches most certainly are. The opening song “Appalachian Ohio” is the brothers establishing their geographic identity with the area right over the border from Kentucky.

The geography lesson is carried through to the smartly-written blue collar anthem “Cuyhoga River,” which refers to the heavily polluted body of water rolling through Cleveland that’s famously caught on fire a few times, and many men from rural Appalachia worked beside hoping to escape the coal mines. “Beattyville” in Kentucky that rests at a confluence of the Kentucky River features an appearance by Julia DiGrazia, and is another standout from the record.


Early praise for the brothers usually centered around songwriting that was advanced for their age. Even though they’re still both young men, now you can praise their songwriting as advanced, period. Where sometimes young songwriters strain to convey maturity, or fail to connect with mature audiences, by being self-aware of the season of their lives, Gus and Phin craft songs that feel distinctly personal, but carry appeal for audiences of all ages.

“Don’t you know I’ve got my 20s to get my priorities in line,” Gus sings in “This Young,” and is something we most all told ourselves during our unraveling late teens. The exquisitely-written “Heroes” involves a harrowing assessment of life, death, and stardom. “I think I may go out like Cobain. Start using the stuff that killed Elvis and Hank. And I bet my songs would get radio play all the time…”

The wrestling with religion also plays a big role on Geneva whose cover image is taken from inside a church. A song like “Churches” is a fun, unabashed kiss-off to organized religion, certainly representing one perspective on the matter. But many other songs take a more nuanced approach to the mix of emotions of knowing what’s right and wrong, and wrestling with it like many youth do.

And what makes Geneva not just an enriching record, but a well-rounded one is the insistence by the brothers to also make sure the album has some fun up-tempo songs to listen to like “Churches” and “Ain’t For Me,” giving the album some vigor. Geneva is a songwriting record, but it’s also just an enjoyable listen.

It’s still early, both in 2026 and in the career of Low Gap. But so often in this singles and EP-driven moment in music, when you finally get to the debut LP, it can feel deflating. Not for Low Gap. Geneva feels like their official arrival, a pronouncement of their attempt to put songs first without sacrificing appeal, and to be one of the preeminent new bands boldly striking out of Appalachia to earn listeners around the globe.

8.5/10

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