Album Review- Red Clay Strays – “Made By These Moments”
#562 (Southern rock) on the Country DDS
Whether the world is ready for them or not, the Alabama-bred roots music collective known as the Red Clay Strays are here, and surging in a way that is reminiscent of the meteoric rise of other independent-minded performers with throwback sounds reorganizing the country music world in revolutionary ways. In bold, powerful songs, the Red Clay Strays take you places most other performers are unwilling or unable to.
The appeal for the Red Clay Strays begins with frontman Brandon Coleman’s voice and delivery. He can sound like three different singers from three different genres steeped in three separate eras all in the same phrase, shape shifting so that every single note conveys the maximal amount of emotion. He has the soul of Muscle Shoals blues, the swagger of the Sun Records era, and the conviction of those old country greats all encapsulated into one. It’s impossible to not believe every propulsive note spilling from Coleman’s guts.
Considered one of the fastest-rising live acts in roots music, the band’s recorded output has also been highly admired, but perhaps slightly in arrears from where they are live, unaided by the right producer to really coax the best out of them. Their massive viral song “Wondering Why” was just as much a monster of the Tik-Tok phenomenon as anything. This meant the Red Clay Strays still needed to codify their success through a proper studio effort. They achieve this with Made By These Moments.
Though some regard producer Dave Cobb as hit and miss, he’s perhaps at his best with these projects that blur the lines between Southern roots genres, are unafraid to allow the guitars to get loud when necessary, and when a band comes into the studio battle tested from the road. All this aligned advantageously for the Red Clay Strays, with the energy of the band’s live performances captured in these studio recordings.
It’s the healing force that sad songs convey that has allowed so much of country, blues, and other roots music to withstand the onslaught of electronic influence. How an artist unburdening their own soul can act as a salve for others is one of the brilliant aspects of music, and life.
We live in an era where the American dream seems to be evaporating and the younger generations face the reality that they may not have it better off than their parents. Meanwhile, social media is a constant vector for personal criticism and measuring one’s self against others, exacerbating low estimates of self-worth.
On their new album, the Red Clay Strays venture to tackle these empty, vulnerable, and far too common moments with music that speaks to the anxiety-filled feelings of inadequacy and disconnectedness that weigh so heavy on the conscience of so many.
Written in large part by lead singer Brandon Coleman’s brother Matthew, as well as Brandon himself and guitar player Drew Nix, Made By These Moments doesn’t just labor to address these common anxieties through shared commiseration, it goes a step further by delving into the root causes, which is often a spiritual disconnect or fundamental loss of one’s sense of worth. The album then even goes a step further by attempting to offer solutions.
Many songs and albums provide self-help inadvertently. For the Red Clay Strays and Made By These Moments, it’s active and purposeful. But don’t worry, the results aren’t Stuart Smalley-style affirmations or self-important bromides that are almost mocking of one’s intelligence. They do this self-help work with deep, resonant, and impassioned musical movements that steel the attention, raise the pulse, and enliven the spirit.
The opening song “Disaster” and it’s followup “Wasting Time” will most certainly get you feeling alive. Brute force is not always how the Red Clay Strays get their message across. But they don’t shy away from this approach either. Guitar players Drew Nix and Zach Rishel, along with bass player Andrew Bishop and wildman drummer John Hall can burn down a stage when called upon. But it’s not always tempo and volume that are necessary. Some of the quietest moments from the Red Clay Strays are also some of the most eruptive, with the tension held in Brandon Coleman’s voice boiling the senses.
The band reaches it frenetic peak on the song “Ramblin’.” It sure is fun and perhaps gives the audience a chance to breathe amid all the other heavy moments, but it’s also uncharacteristically light in the writing. Credited to “Dave Cobb and the Red Clay Strays,” it’s as if a sexy guitar riff brayed out in warmup was fleshed into a song.
Also, as the effort by the Red Clay Strays unfolds, the album reveals a rather spiritual underpinning that concludes in a decidedly religious moment, however non-denominational. Believing that one of the ways to resolve the existential dread so many people feel is to believe in something bigger than one’s self, this idea is presented in part in the Drew Nix-written song “Devil In My Ear,” is addressed more directly in the Gospel-esque “On My Knees” co-written by Dave Cobb and the band, and culminates in the final song on the album also written by Drew Nix, “God Does.”
Specifically naming “God” may be a turn off to those agnostic elements of the Red Clay Strays audience while it will be embraced and welcomed by the believers. But neither should get too hung up on the word itself, and understand that the theme of this album is how the instigator of a troubled mind is often a lack of a deeper connection to one’s self, or to something bigger than one’s self, or to a sense of purpose. Whatever you want to call the higher power, embracing it is often the solution. Everything else—including imbibing in music for the short-term alleviation of suffering—leaves the work incomplete.
“If you’re looking for a prophet, I’ll tell you I ain’t,” Brandon Coleman sings in the opening song “Disaster.” But Made By These Moments is an effort to listen to the wisdom of the past, understand that failure is part of success, that every moment and life has value—including, if not especially the most trying ones—and that perseverance through inner strength can ultimately result in the solace we all seek.
All of that is easier said than done. But no different than plugging in the earphones and pumping some up-tempo songs can help you power through your morning exercise routine, perhaps a trip through Made By These Moments by the Red Clay Strays can be the right mood alteration or audio motivation to help you power through life’s most trying moments.
8.4/10
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Purchase from the Red Clay Strays
Purchase from Amazon
Interstate Daydreamer
July 29, 2024 @ 7:18 am
I wanted to like this album. But by the time the album was over, the only thing I could really remember was “On ‘Drowning,’ I think he was trying to sound like Chris Stapleton.”
That’s not to say I found anything wrong with the album. If a song were to come up on a shuffle, I’d listen and wouldn’t skip. But there’s nothing I’d actively choose to add to a playlist. It’s not an album I see myself revisiting. Nothing at all stood out to me.
It was like Ryan Bingham for me: I just didn’t find anything particularly special about it.
Redhead
July 29, 2024 @ 8:46 am
You are ignorant lmao
Interstate Daydreamer
July 29, 2024 @ 8:55 am
Care to elaborate?
Redhead
July 29, 2024 @ 10:35 am
To even try to compare them to Ryan Bingham is what’s ignorant because Ryan doesn’t have a shred of talent.
Interstate Daydreamer
July 29, 2024 @ 10:55 am
The fact that THAT’S what you took out of that post proves you have no idea what you are talking about.
Nick
July 31, 2024 @ 5:22 pm
Saying this album didn’t connect with him like how Ryan Bingham doesn’t connect with him isn’t really “compar[ing]” them. I mean, my feelings toward Vampire Weekend and Old Crow Medicine Show are the same: a lot of people like them, but I just can’t really get into either no matter how many times I’ve tried. That doesn’t mean either of those two bands is anything like the other.
Adam Gump
July 29, 2024 @ 9:00 am
I liked your comment then tried taking the like away because I do not want to be an a-hole, we are all different, we all like different things and that is okay, this world would be boring if we all agreed on what we like. With that said, for Interstate Dreamer to say what they said I would say they do not listen to music that moves them and/or they just do not have the personality and/or music taste to appreciate the album. This album is unbelievable to me, but I am also a very emotional person who strives on music that moves me and everything about this album moves me, maybe more than any other album ever has to be honest. I was getting a little bored before this album came out. Red Clay Straws have a sound that is just different than anyone else right now.
Interstate Daydreamer
July 29, 2024 @ 9:29 am
I listen to music that moves me and I have plenty of music taste. But no, I did not get anything out of this album.
But my Top 5 Albums of all time are all albums that move me:
“Southeastern” by Jason Isbell
“The Animal Years” by Josh Ritter
“Car Wheels on a Gravel Road” by Lucinda Williams
“Darkness on the Edge of Town” by Bruce Springsteen
“Poems, Prayers, & Promises” by John Denver
Just because this album didn’t movie me doesn’t mean I don’t “appreciate music that moves.” It means that this album failed to achieve that.
Adam Gump
July 29, 2024 @ 10:38 am
valid.
stupidwordpress
July 29, 2024 @ 10:15 am
It’s fine to not like it or say it doesn’t resonate, but to say Brandon was trying to sound like Stapleton is pretty ignorant. Brandon doesn’t need to try and sound like anyone.
Interstate Daydreamer
July 29, 2024 @ 10:49 am
I didn’t say he was trying to sound like Chris Stapleton. I said “I THINK he’s trying to sound like Chris Stapleton” on a single song. Like it or not, there’s a huge difference because I only expressed what I thought was the case.
And it’s not like I’m the only one. At least two other people have commented on similarities to Stapleton. So, three people within, at the time of this comment, 24 comments (that’s 1/8 of the comments) have remarked with comparisons to Stapleton. Therefore, to call my comment without validity is what is ignorant.
UpperV
July 29, 2024 @ 2:43 pm
Love this album! I agree that on Drowning he is trying to sing like Stapleton though… specifically when Chris sings the word “cry” over and over on Sometimes I Cry from Traveller. Same producer too, so maybe Cobb got him to sing like that without him ever having heard Sometimes I Cry. Unlikely, but possible.
Jbird
July 30, 2024 @ 3:53 am
He sounds like Chris Stapleton…
JF
July 29, 2024 @ 10:23 am
The Red Clay Strays stans have been activated! Listen, different strokes for different folks. I don’t care for this record either. No single piece of music moves everyone. Doesn’t mean someone is wrong.
Laynie
August 2, 2024 @ 5:21 am
Full disclosure.. big fan of The Strays. To have such a great review by Trigger and then see this as the first comment is just saddening. You can be eloquent with all your rebuttals, but at the end of the day, it seems like you couldn’t wait to come here and yuck someone else’s yum with your commentary. That said, if you EVER get a chance to go see these guys play live, you’ll change your mind, if it’s open enough. To be so young, these guys have paid a lot of dues and have been honing their sound for a long time. I hope they continue to skyrocket because these are some talented guys
Adam
July 29, 2024 @ 7:24 am
this is my favorite album start to finish in many years. I feel the emotion and yes, sad songs help heal souls like ones that have been through a lot in a short amount of time. This album is a very important piece to my music library and makes me want to start buying vinyl again. It’s not just the writing or just this or that making this album great, but my goodness Brandon’s voice delivers so much emotion. It is hard to pick a favorite track from this album, but “Disaster” and “Moments” might be at the top….until I listen to the album again. thank you for reviewing this album, I was itching for your review on this one. I do think the album deserves a rare 9+ rating from you Trigger, but you are the expert, not me so I am cool with the strong 8.4. I think if the Red Clay Straws stay on their current path, they will be a force for many years.
JS
July 29, 2024 @ 7:27 am
Fantastic album. Highlights for me are Disaster, No One Else Like Me, Devil, and God Does. I love the range these guys show.
If you haven’t seen it already, check out RCS bringing Bert Kreischer to tears on his podcast.
Rich
July 29, 2024 @ 7:33 am
For nearly 20 years I’ve had the same 6 records hanging on my office wall. These are my 6 “oh shit” albums that impacted me deeply and shaped my love of music. Abbey Road, Let it Bleed, Darkness on the Edge of Town, Damn the Torpedoes, Scarecrow and War (U2). For country lifers I believe these to be the equivalent of your Waylon, Merle, Willie, Johnny and both George’s. These are the records I am grabbing when the aliens take over the earth. For two decades I have not felt compelled to add to this wall of oh-shit moments. There’s been some close calls – Ashley McBryde’s Girl Goin’ Nowhere, Morgan Wade’s Reckless, Isbell’s Nashville Sound to name a few. Until now, I have been steadfast that I only need those 6. I now find myself rearranging them to make room for #7 when it arrives in the mail this week. Made by These Moments is going with me and the Big 6 to the afterlife.
This is the record when the dog caught the bus – the band caught up to Brandon’s generational vocal abilities. Take the album’s best song in “No One Else Like Me.” Zach and Drew weaving guitar riffs without stepping on each other’s toes just like Keith and Ronnie or Brian. John totally in the pocket with a Watts type swing and finesse – Mr. Hall is one of the most exciting and talented young drummers out there. Andrew holding it all together with chunky grooves underneath 3 guitars keeping them from careening off the rails. Brandon reaching deep into his gut switching gears on a dime from smooth crooning to gutteral growls from the deepest reaches of his soul. “No One Else” lands perfectly on Sticky Fingers right between “Sway” and “Wild Horses.” I’ll argue there’s as much mid-70’s Stones in this band as Allman Brothers.
No, it’s not even close to a pure country album. But it is roots rock/soul/country/gospel/blues and very much akin to Mr. Stapleton’s music for which he has rightly been decorated with numerous awards and honors. The only difference here is that the band is just as great as the singer.
If Stapleton’s last record had 3 of these songs on it instead of the sappy slow love songs – say “Drowning”, “Devil in my Ear”, and “No One Else Like Me” – the SCM peanut gallery would have anointed it AOTY on the day it was released. Had Made by These Moments been released in 1975 it would reside on numerous “Greatest 100” lists today. I believe that 20 years from now it will. When I saw them playing covers at Flor-a-bama in May of 2018 I knew they were special. I had no idea they were capable of this. As of now, everyone else is playing for second place.
Adam Gump
July 29, 2024 @ 7:52 am
well said, I 100% agree with this!
Kevin Smith
July 29, 2024 @ 9:17 am
I will say this about the cut ” Disaster”. Mighty fine indeed. I will be the first to say it, the guitar soloing is a bit reminiscent of Allen Collins playing, perhaps a bit in tone, and definitely in the style. From day one when I saw these boys live about 3 years ago, I picked up immediately that they were influenced by southern rock. At the time I was picking up a faint little hint of Allman Bros nod on a few tracks, but this one has got Skynyrd , in a good way. Don’t get me wrong, they do have enough uniqueness to be considered original, but it’s a badge of honor in southern rock to include a few references here and there. Now that Steel Woods are calling it a day, I’d love to see these guys fully embrace the genre. Pretty sure the fanbase is similar. These guys would pair nicely with Blackberry Smoke on a tour. Maybe they get so big, Blackberry Smoke opens for them! Either way, The Clay’s have earned my full endorsement. That’s a least worth a nickel or two.
RJay
July 30, 2024 @ 4:01 pm
Comment of the year (COTY)
RebJas
July 29, 2024 @ 8:20 am
Blown. Away. What a record.
David:The Duke of Everything
July 29, 2024 @ 8:28 am
Good write up far as the review goes. However listening to the two songs here tells me what i need to know, this group isnt for me. Sounds a lot too much like stapleton like someone said above. Just not my thing but i wish them well on their musical journey.
Adam Gump
July 29, 2024 @ 9:01 am
they are actually nothing like Stapleton if you read the lyrics, they dive much deeper into the human spirit than Stapleton does.
Trigger
July 29, 2024 @ 9:26 am
I really didn’t hear Chris Stapleton when listening to this album at all, if only from the dark tones Red Clay Strays being to the music compared to Stapleton’s bright ones.
Thinking about it now, sure, the vocals have a soulful aspect, the guitar is indicative of Southern rock, and Dave Cobb produced them both. But the Red Clay Strays have a distinctive 50s, almost rockabilly heart to what they do, while Stpaleton is more 60s and 70s, and just generally has a cleaner sound.
Euro South
July 30, 2024 @ 2:10 pm
Yeah, even the “Strays” in their name feels like a nod to the Stray Cats, and it kinda makes sense that they’re a throwback to the 50s via an 80s throwback to the 50s.
Di Harris
August 6, 2024 @ 9:14 am
Ok, Now you have my attention.
This is a little off topic, but i love/loved the Stray Cats.
And Brian Seltzer is incredible. So Happy to have seen him live several months ago, in a 2,000 seat venue.
The guy is a rock star genius.
Di Harris
August 6, 2024 @ 9:16 am
Doggone “spell” check.
Kevin Smith
July 29, 2024 @ 10:23 am
Adam, first off, I agree its a powerful record. The remark about Stapleton is a worthy comparison if you look at the track Drowning. The vocal delivery, intonation, tonality and approach, is very strongly reminiscent of Stapleton. Not the lyrics, but the vocal style. Take a prime Stapleton shouter like Sometimes I Cry for example, thats the sort of thing that is evoked in my mind when i hear Drowning. And no, I don’t think it’s an attempt to copy Stapleton per se , yet I cannot help but be reminded of him when I hear it.
Nothing wrong with comparing things that sound similar, the way I compared the guitar soloing to Allen Collins for example. Also the song Ramblin, has a strong Skynyrd vibe, both with the guitar riff and the overall song style.
That’s the beauty of this band, they draw upon numerous musical styles and elements that call to mind various artists of the past and that’s not a bad thing. Overall they are tough to categorize definitively , but compelling enough that you like it.
Adam Gump
July 29, 2024 @ 10:44 am
well said, Kevin! thanks for commenting without attacking me :). I do hear Stapleton in that one song, Drowning, it was the first thing I thought of when I heard it for the first time. I just don’t think any other song reminds me of Stapleton except that one, but it has been good gaining others perspective on this album, it’s helping to expand my thinking which is always good so thank you!
David:The Duke of Everything
July 29, 2024 @ 4:13 pm
Im not talking about lyrics. Im talking about sound. They very much got that southern sound going on that stapleton does. Maybe not to you but to me yes. Perhaps they do it better but that doesnt change the fact im not into that.
el_chupacabra
July 30, 2024 @ 3:53 pm
I’m a Mobile, AL resident and have been following the Strays for a while, seeing them in local joints and now watching them blow up over the last year or two has been fun to watch. Brandon has a really unique and soulful voice, like Stapleton, but I’ve never seen/thought that comparison. Red Clay Strays strike me as more rockabilly influenced. I can get how they aren’t for everyone, but can’t deny the talent and appeal.
Lisa Wood
August 1, 2024 @ 6:28 pm
The Red Clay Strays are a very talented band in my opinion. I love every single song on both of the albums I have purchased. Brandon has a very unique voice. The songs are well written and touch my soul. And they are one of the best bands to see live.
Adam Sheets
July 29, 2024 @ 8:53 am
It’s understandable why they’re creating a buzz in country circles. With rock bands these days being mostly legacy acts and hipsters, young blues-based rock bands have to try to squeeze in somewhere and country seems to be the only genre still somewhat welcoming to analog instruments of any kind. But this isn’t George Jones or even Chris Stapleton. What it is, is quite possibly the best rock album of the 21st century to date. I mentioned when the new Sturgill dropped that it had finally given Sierra Ferrell some competition for my album of the year. This album has blown past both of them.
Chris
July 29, 2024 @ 9:26 am
Best band out there right now. Count me as one of those that don’t care for the religious bend in the second half, but like you said, it’s not enough for me to care. These guys are phenomenal. Even better live.
Tex Hex
July 29, 2024 @ 9:53 am
I don’t use TikTok and maybe haven’t been keeping up with these guys (despite giving their previous album a few spins a few years back) but it’s wild to me these guys are making big waves this quickly – charging $80 for GA tickets at a local medium-sized club here in DC for an upcoming show. I guess they’re pretty confident because that’s more than Sturgill was charging for his upcoming show in DC, and just about any country or country-adjacent concert I’ve attended these past couple years.
Anyway, I bit the bullet and bought tickets based on the strength of this album and because I like catching new buzz-y artists before they start playing huge venues. All that said, this is a pretty solid album. Not knowing much about this band, I figured there were at least two different singers. I guess not! Comparisons to Stapleton are valid. Overall, the production is very standard for Dave Cobb – particularly reminiscent of the albums he produced for Anderson East (who I believe has a writer credit on the album).
I do get the impression these guys are being primed by RCA for a mainstream crossover audience. Getting some Kings of Leon vibes here and could see them following a similar popular trajectory (same label too, RCA).
Vinnie Morana
July 29, 2024 @ 1:06 pm
Make sure you can see the drummer. That dude is a lot of fun to watch.
Norma Jean Riley
July 29, 2024 @ 10:04 am
This is the album I’ve been waiting for.
This collection of songs makes me wanna ramp a Harley through a burning ring of fire while screaming, “Hell yeah, brother,” one second, and then the next it makes me want to smash a bottle of Coors Banquet on the ground and punch a hole in the drywall with tears in my eyes.
5/5 stars for me
Ells Eastwood
July 29, 2024 @ 10:15 am
After listening to this album once, all i can think is “I’m good enough, I’m smart enough, and doggone it, people like me.”
Hank Charles
July 29, 2024 @ 11:04 am
I think most people who went in to the release date as fans got everything they had hoped for, and then some.
Just a great rock and roll record, half of which sounds like it could have been cut at Sun Records – and I’m sure that’s not unintentional by Cobb and team. Lots of obvious influences shine through on this album, but they’re all tastefully borrowed.
Singles were all great tracks, but I’ve seen a lot of people pointing to “I’m Still Fine” as the hidden gem, and I’m inclined to agree. Songwriting here is masterful.
I was also really glad they cut “No One Else like Me” too. I had been burning live YouTube versions of that one up for a while.
This one is going to be in rotation for a while, definitely one of the year’s best to date.
Matsfan/Jatsfan
July 29, 2024 @ 11:52 am
I was so-so on the RCS until I saw them in Key West in January and again at Red Rocks in May. Look forward to seeing them again in January of 25.
Been traveling so haven’t had a chance to listen other than a couple of songs. Look forward to a deeper dive this weekend. Have a great week, all!
Trigger
July 29, 2024 @ 12:24 pm
There are two reasons you’re seeing discrepancies in appeal for the Red Clay Strays:
1. They’re not a country band, though do reside in the greater “country roots” catalog.
2. Some have not seen them live. They sell you in the live context, then you listen to their recorded music. If you do this vice versa, you might question, “What gives?” This album does a good job closing that gap. But there is still a gap.
T Mac
July 29, 2024 @ 12:22 pm
RCS is in the midst of a meteoric rise and deservedly so. I’ve seen them twice: Red Rocks opening for Turnpike where they solidly stole the show following AA’s energetic set up. RCS then hit it out of the park on an abbreviated opener set. I remember thinking, “this is the last time they open for anyone. Its headline time from here out.” And now look at the string of sold out club shows in the 1500-2500 capacity. Fortunately, I saw them last week as their album dropped in such a club. I remember thinking “this is the last time for many years that I’ll see them in a club like this.” They were spectacular.
Comparisons to some elements of Stapletons voice and delivery are fair on some songs but as Trigger writes, he shapeshifts across eras & genres. I also think there is some Ray Charles and Cash sprinkled in at times (a Ray Charles cover album would be mind blowing). He’s uniquely his own voice though. There is no trying to emulate anyone but himself. He’s also only one piece of the ensemble which brings a shitload of guitars (always at least four with dual leads) and Brandon will hit the keyboard/piano with equally deft skill.
At both concerts they were quick to say “A lot of people will say we’re a country band. We are not a country band though we love country music. We are a rock and roll band.” The bell curve is heavily Millennial within one standard deviation and then Gen X on one side and Z on the other but can attest my teens and their friends are into them as are my 70 something parents. Its hard for me to comprehend that anyone who is a lover of music would not like something about this band. Obviously if you’re not into the bluesy, soulful, rock heavy roots stuff its not going to resonate as much. There’s no fiddle or pedal steel. But there is moving, lyrically inspiring music backed by an army of strings and keys and anytime I see a band like this that is well received by youth, I am uplifted.
Jake
July 29, 2024 @ 1:23 pm
Runaway AOTY so far for me. Usually when a band gets this popular this fast, I’m wary. Nope, these guys are the real deal.
Desolation
July 29, 2024 @ 1:48 pm
People are saying the new Sturgill doesnt sound country or at least the new record , I think that about Red Clay Strays too. But I still find their music very refreshing .
kapam
July 29, 2024 @ 3:00 pm
Totally agreeing with all the (positive) comments above.
Country? Not particularly. Southern Rock? For sure.
Doesn’t matter how I choose to categorize them, they’re great at what they do and I like that.
BDE
July 29, 2024 @ 3:08 pm
I thought their first album was pretty boring with too many slow songs but this one is really good. So is the song they have on the Twisters soundtrack (Caddo County).
Phil Arnold
July 29, 2024 @ 3:11 pm
Pretty much all I’ve been listening to for the past few months. After two live shows in Seattle and SLC I can say they are even better live. They are gonna be huge!
Troy
July 29, 2024 @ 3:35 pm
I’ve seen this band four times live all at smaller venues and I honestly feel they write and perform original music that weaves the stories of their lives. I don’t feel they have set out to be the next “so and so” and if the quick rise in attention and fame goes away as fast as it came they will still give you the best two or three hours of live music that they can muster and you’ll walk away saying “Damn , those guys are good ! “. Go see them live., you won’t regret it
Euro South
July 29, 2024 @ 4:22 pm
This is what Southern rock should sound like today.
Di Harris
July 29, 2024 @ 5:29 pm
Not even a little.
Euro South
July 30, 2024 @ 2:12 pm
Oh come on, it’s gotta be at least a little! Cut me some slack here!
Di Harris
July 30, 2024 @ 8:32 pm
: D nope, not Southern rock.
If they cut a song that’s as good as Sweet Home …
Then, we can talk.
Trigger
July 31, 2024 @ 7:08 am
So if you don’t cut a song on the same level as the greatest Southern rock song of all time, you can’t play Southern rock at all?
That’s like saying if you can’t sing like George Jones, you’re a bad singer.
Di Harris
July 31, 2024 @ 7:54 am
: D was teasing Euro South.
But, Ok – pretty much.
C’mon Trig. You have more important things to do than this.
Euro South
July 31, 2024 @ 4:58 pm
What could be more important than establishing whether RCS are Southern rock or not? I’m baffled you would say something like that.
David:The Duke of Everything
July 29, 2024 @ 11:23 pm
I dont get where this is southern rock. Southern rootsy music maybe. Maybe i need to listen to the whole album but those ywo songs trigger put up arent even close to rock. Not country either but def not rock
Trigger
July 30, 2024 @ 6:21 am
This doesn’t fit well into Southern rock. It doesn’t fit well anywhere. But it is more roots-based rock music than anything, and if country and roots websites weren’t talking about it, nobody would be because the rock/metal world won’t touch it, generally speaking. The Red Clay Strays have played two of the “country” festivals I’ve been at in 2024, and will be at two more before the end of the year. This is the world they live in.
Cameron
July 30, 2024 @ 3:47 pm
Southern Rock Salvation. These guys actually take you to church.
Scott S.
July 30, 2024 @ 6:57 am
When the Red Clay Strays last album came out, my first introduction to them, I wasn’t sure what to think about them. In fact after listening to the album it was an earlier single, No Way To Know, that I ended up throwing in a playlist since it’s probably their most country sounding song. I kinda shelved the album until my wife and daughter started playing Wondering Why over and over. I revisited the album and it really started to grow on me.
I see a lot of comments on here arguing over the genre or style these guys play. Is it country, blues, southern rock, or rock a billy? Yes, and no. I think the thing with the Red Clay Strays is that they are almost genreless, though with a distinct southernness. Previously they may have attempted on some songs to define a sound, like the country sound of No Way To Know. But for Made For These Moments the band seems to have purposely decided to not worry about what genre they should fit in and just went for wherever the music took them.
I think Made For These Moments is a great album. I am enjoying it more every listen. Dave Cobb does a great job of letting the band explore the boundaries of their talent. Call them whatever genre you like, but it’s the uniqueness of the Red Clay Strays that makes them a band to watch for greatness.
Rich
July 30, 2024 @ 7:34 am
Someone above said they hear a bit of Kings of Leon in this record. That’s really interesting to me because I shared “Good Godly Woman” with a professional musician friend awhile back and she immediately had the same reaction. KOL’s first few records were raw and great and then they went all polished and slick. Anyway just a random thought since now two folks have made that connection. Probably just reinforces that RCS are some kind of rock band anyway. Definitely they are their own thing.
I’m glad country music has embraced them. Otherwise they’d be out on an island. The Ranch plays them a bunch. Look at Gaslight Anthem – their latest album is killer but you wouldn’t even know it existed unless you’re already a fan.
Tex Hex
July 31, 2024 @ 7:18 am
That was me. I was never a big fan of KOL but there was a moment there in the mid-00’s when they were probably the closest thing to “southern rock” in the mainstream rock world, especially when they jumped to arenas. I only bought one of their albums – their big breakout, Only By The Night, which I’ll defend as being a really good album despite heavy criticism for being their “sell out” bid.
I think RCS are much grittier and wear their southern influences on their sleeve better, but there are similarities in the vocals, sound, and delivery. I’m definitely detecting inclinations toward arena rock with this new album. I could see RCS doing well in arenas like KOL eventually did – though KOL leaned heavily on their hunky boy-band sex appeal. I’m not sure RCS have that in their toolbox.
WuK
July 30, 2024 @ 8:59 am
I enjoyed their debut and thought it very good. This is a definite step up. It is better than their debut. Great album.
Cameron
July 30, 2024 @ 3:53 pm
Thanks for recviewing this trig.
Not sure why people are claiming this isn’t southern rock. If this isn’t southern rock then what the hell is? Maybe it’s not as hard as say whiskey Myers but this could have easily been an lynryd skynrd or black crowes album and no one would have questioned its place.
I’m Still Fine and No One Else Like Me are phenomenal songs. They really nailed this record and did a better job of translating their live experience.
David:The Duke of Everything
July 31, 2024 @ 12:31 pm
Everone has a right to their opinion, ill preface that but i beg to differ. You mention lynryd skynrd who to me is southern rock. Based on the two songs trigger posted vs any skynrd song, i dont think i could find two bands that sound any different from each other in my opinion. Maybe other songs tell a different story but based on what im hearing, im not buying it.
CountryKnight
July 31, 2024 @ 2:35 pm
I tried their music but didn’t hear this band’s ultimate appeal.
Twan
August 2, 2024 @ 5:56 am
This comment is going to sound far more negative than I want it to, but I keep getting these guys recommended to me by friends who know my tastes: they are incredibly solid, but I can’t get past this feeling that there is a sterile/generic piece to their sound.
Well sung. Well played. Lacking perspective to my ears?
Glad people seem to be loving it—I’m sure I would enjoy them in a live setting.
Phil
August 3, 2024 @ 2:19 pm
I’ve listened to it twice now and truly love it! I’m sure the third time it’ll be even better.
David
August 5, 2024 @ 12:23 pm
I have never even thought about leaving a comment on ANY message board until this article and this band. The Red Clay Strays are just different. Their music to me is very spiritual. I had an instant connection to their message. They have definitely impacted my life in a very positive way. I’ve seen them live 3 times this year and each time was very special. Do yourself a favor and go see these boys, I can guarantee you they won’t disappoint.
Kerry Fickett
November 4, 2024 @ 1:12 pm
Thanks- I found them about two weeks ago through Jamestown. Revival- and I am booked into the house of blues to see them live- of all the comments yours seemed genuine- I can’t wait to be in a roomful of fans-
RebJas
August 6, 2024 @ 8:22 am
Since this review is a week old, I doubt this comment will get much response but I’ll give it a go.
I’ve had this album on repeat for about a week now and have become slightly obsessed with it. Paying more attention to the song order and lyrical content of each song, am I wrong to think this is a Southern Rock concept album? It seems the order of the songs is a story of redemption with Disaster setting the tone with the lyrics “I don’t want to say I got carried away, when I really just killed a man”. The first half to the album progressively gets darker while the second half draws you to the light.
I may be grasping at straws here, but I am analyzing this album with every listen through.
John
August 21, 2024 @ 7:19 pm
They have a great sound. The lyrics are thought provoking and they entertain. The rest of the BullShit I’m reading tells me I’m right. You people think to much of yourself. It’s music. It’s not an evangelical with an instrument. Change the channel!! John Denver? Really? Sounds like Stapleton? He sounds like Brandon!!! Get over it…
Rich E. Blackmore
December 9, 2024 @ 8:08 pm
This was a good review that piqued my interest until the “god” stuff. Now I’m worried it’s gonna be a whole lotta Jeebus.
hallfan01
December 31, 2024 @ 11:00 pm
Five months and many spins layer, this should at least be an 8.8 album.
Strays
Johnny Blue Skies
49 Winchester
I’ll be listening to their three 2024 albums the rest of my life.