Legendary Tejano and Country Musician Flaco Jiménez Has Died

“Flaco” is partly a term of endearment, and partly a euphemism in the Spanish language, translating in English to “skinny.” Flaco Jiménez was certainly svelte and earned the nickname, but he was so much more. He was a star in the realm of the Tejano, Tex Mex, and Norteño music that carried the Hispanic music traditions north of the border. He was an incredibly prolific session music, both in the Tejano realm, and well beyond it.
Flaco Jiménez was a prolific collaborator, working with a wide range of popular performers, from Bob Dylan to The Rolling Stones. He was also the member of numerous supergroups, namely the Texas Tornados and Los Super Seven.
Ultimately, “Flaco” didn’t come to mean “skinny” at all. It came to mean “musical legend.” On July 31st after a long illness, that music legend died at the age of 86, leaving behind one of the most rich, diverse, beloved, and revered musical legacies in the Americas.
Leonardo “Flaco” Jiménez was born on March 11,1939 in San Antonio, Texas to musician Santiago Jiménez Sr., who also went by the nickname “Flaco,” and was considered one of the pioneers of conjunto music. Grandfather Patricio Jiménez was a musician as well, meaning music was always in the household when the younger Flaco was growing up, and was a family affair.
Flaco Jiménez started performing in his father’s band by the age of seven, playing the 12-string Mexican guitar, or bajo sexto, but later converting to accordion, which would become Flaco’s signature instrument throughout his career. Jiménez was heavily influenced as a player by both his father, and zydeco player Clifton Chenier.
Though Jiménez made a name for himself performing in bands like Los Caporales, he quickly became a sought-after collaborator throughout North American music. If you wanted an accordion on a song, you wanted Flaco. This made the accordion player from San Antonio an international music star.
One of the first non-Tejano names to recognize the talent of Flaco Jiménez was Doug Sahm, who’d taken his name recognition from the Sir Douglas Quartet, and turned it into a solo career with Texas as the epicenter. Sahm’s debut album on Atlantic Records in 1971 featured Jiménez, and this would be one of many collaborations between the two. This opportunity gave way to Jiménez traveling to New York to perform and record with the likes of Bob Dylan, Dr. John, David Lindley, and especially Ry Cooder.
Ry Cooder made Flaco a feature of his 1976 album Chicken Skin Music, which landed Jiménez an opportunity to perform on Saturday Night Live on November 13th, 1976. This whole time, Flaco had a successful solo career releasing albums via D.L.B. Records out of San Antonio.
Throughout the 1980’s the collaborations kept on coming, while Flaco’s solo career took off. He won his first of four Grammy Awards in 1986 for his album Ay Te Dejo en San Antonio. The 1988 version of the country classic “Streets of Bakersfield” was best known for pairing up Dwight Yoakam with the legendary Buck Owens. But Flaco Jiménez was also part of the collaboration, making him part of a country music #1 song.
1989 is when Flaco Jiménez, Doug Sahm, Augie Myers, and country legend Freddy Fender would form the legendary Texas Tornados. They won a Grammy with the song “Soy de San Luis” written by Flaco’s father, and released numerous albums over the years. The year before, Jiménez was also part of the supergroup Los Super Seven, who won a Grammy for their self-titled album. Jiménez was also a member of a band with former Bill Monroe Blue Grass Boys Peter Rowan called the Free Mexican Airforce.
In 1994, Flaco Jiménez appeared on the Rolling Stones album Voodoo Louge, speaking to his enduring appeal as a collaborator. The prolific nature of Jiménez’s career is nothing short of astounding, speaking to the appeal of his playing, and the respect he pulled from his peer musicians.
Along with receiving his own special line of signature Hohner accordions, Flaco Jiménez was honored with the Founder of the Sound awards at the 2024 Ameripolitan Awards held in Austin.
Whether playing his own songs, or adding that special spice and dialect of someone else’s, Flaco Jiménez made sure the Hispanic influence in North American music remained alive and vital for some seven decades. He will never be replaced, but he will always be remembered. “Flaco” will forever mean a legend in music.
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August 1, 2025 @ 2:26 am
Another good one gone, and nobody will replace him in this modern reality where it seems impossible to build a lasting legacy.
A toast to mr. Jiménez, and here’s the rest of the bottle for the journey.
Hasta pronto, trovador!
August 1, 2025 @ 4:28 am
50+ years ago, my college roommate brought in Doug Sahm’s lp and some other current releases. He was instrumental in opening my ears to music I may never have found.
Here’s to you DV, wherever you are…
August 1, 2025 @ 11:34 am
Born in 1982 here. Growing up dad’s copy of Doug Sahm and His Band is surely a big part of why I so dearly love country and American roots music. RIP Flaco.
August 1, 2025 @ 4:32 am
An unparalleled career as a premier sideman (and I’m using that term in absolute best sense of the word). Godspeed, Flaco.
Another beautiful obituary, Trig. Wish you didn’t have to write them so often.
August 1, 2025 @ 4:53 am
Hey Baby Que Pa So
August 1, 2025 @ 6:06 am
Won’t lie and say I have followed all aspects of Flaco’s career, but he has seemingly popped up many times through the years in songs I enjoy. My Father was a Ry Cooder fan, and growing up in the Streets Of Bakersfield myself, how can you not love that song? But I think it’s the song In Heaven There Is No Beer that is my favorite Flaco Jiménez memory. I can’t even guess how many times I’ve played this song since the first time I heard it. It’s a camping and BBQ staple that my family, friends, and my wife’s family of Mexican heritage all love to sing along to.
RIP Flaco. Hope you have a beer in heaven.
August 1, 2025 @ 6:07 am
What a loss. Flaco’s music entered my life through Ry Cooder, and his own recordings followed. That special thrill would never leave me.
Both those who know that sound and those who don’t are poorer for his passing.
August 1, 2025 @ 6:47 am
I was fortunate enough to see him live. Definitely an all time great
August 1, 2025 @ 7:56 am
A wonderful sound and musician. In addition to Mexican and Hispanic cultures, if anyone grew up around Polish, French, and Italian grandparents, you might remember the sounds of accordions during picnics and potlucks at the fire-hall.
It’s beautiful how simple sounds can reach across cultures and evoke things that transcend all our different origins.
RIP, Flaco.
August 1, 2025 @ 8:36 am
I was surprised when I went overseas in the Army at how similar German Polka was to the Mexican music I grew up hearing in California.
August 1, 2025 @ 8:47 am
There’s a reason for that. Accordions and polkas were brought to south Texas and northern Mexico by German immigrants in the 19th Century, just as guitars were brought to Hawaii by Mexican vaqueros in the same century.
August 1, 2025 @ 8:23 am
Flaco was the gold standard of accordion players. My personal favorite work of his is his playing on All You Ever Do Is Bring Me Down by the Mavericks. Rest in peace Flaco.
August 1, 2025 @ 9:51 am
I saw Flaco several times in concert and have enjoyed his many collaborations, especially with Dwight. (My favorite in that category is “Carmelita” on Flaco’s Parners album.) The first Los Super Seven release was magic in a bottle and remains one of my favorite albums of all time. With a killer lineup of Flaco, Freddy Fender, Ruben Ramos (another Tejano legend), Joe Ely, Rick Treviño, and Los Lobos members David Hidalgo and Cesar Rosas, it blended Mexican and country influences seamlessly. Thanks for the remembrance.
August 1, 2025 @ 10:19 am
RIP Flaco. Him and Sahm are some of the most underrated legends around. Saw this before I went to bed last night. Had to listen to the Texas Tornadoes before going to sleep.
August 1, 2025 @ 10:50 am
Stayed up until after 2:30 in the morning last night finishing this obituary. Some deaths hit harder than others.
August 1, 2025 @ 1:07 pm
God bless you. I saw it when I was checking my phone when I was at a concert. I agree, I was stunned when Charlie Daniels and Billy Joe Shaver died. I had a friend and a uncle text me when they heard Merle Haggard died. I can relate.
August 1, 2025 @ 4:34 pm
Don Flaco carried that ” groove that’s heard around the world” with his brilliant playing offering a part of the kinship of polka, Cajun, zydeco and the multiple offshoots of TexMex..A major loss.
August 1, 2025 @ 10:58 am
You don’t know me if you don’t like me….
August 1, 2025 @ 11:35 am
I got to meet and talk to Flaco in San Diego and he was so down to earth as a popular musician. We listened to him play and it was an amazing sound that was unforgettable. Soar with the Angel’s Flaco and touch the face of God, for you will be music to his ears. RIP.
August 1, 2025 @ 4:09 pm
Flaco’s music always lifted my spirits and made me feel all was right with the world.
Adios Amigo.
August 1, 2025 @ 5:42 pm
En el cielo no hay cerveza que beber
Por eso ando tomando noche y día
Porque ya cuando se me llegue el día
En el mundo seguirá la ferrusquilla
… In heaven there is no beer
That’s why we drink it here
And when we’re gone from here
All my friends will be drinking all the beer
RIP