“Miss Country Soul” and Opry Legend Jeannie Seely Has Died

With the loss of Jeannie Seely, country music doesn’t just lose a singer, songwriter, and performer. It loses one of the most venerable, most beloved, and most important ties to country music’s enduring legacy, one of the most revered women to ever grace the genre, and one of the most accomplished and constant voices of the Grand Ole Opry for the better part of a century. “Miss Country Soul,” and the modern era’s mother of the Opry passed on August 1st at the age of 85.
Before Miss Seely took her final bow, she made an incredible 5,397 appearances on the Grand Ole Opry—a record that might never be eclipsed. At the time of her death, she was considered the oldest living woman in country music with an active career. An actor, an author, a DJ, an a natural Master of Ceremonies wherever she appeared, Jeannie Seely’s legacy stretched well beyond the Opry and country music. But it’s within that country community that she worked so hard to keep so close-knit where her passing is felt the most.
Jeannie Seely’s first home was in Titusville, Pennsylvania, where she was born July 6th, 1940. Via a Philco console radio that looked more like a piece of furniture than an electronic device, Seely would first hear the magic sounds of The Grand Ole Opry beaming in from Nashville’s WSM, and fell fast in love with the music. By age 11, she began performing on a local radio show via WMGW. But the age of 16, she’d moved to early TV with appearances on WICU in Erie, PA.
Early on, Seely was able to share the stage and meet artists such as Bill Monroe, Little Jimmy Dickens, and Jean Shepard, but saw it as a fantasy that she would ever get to perform on the Grand Ole Opry beside them. A cheerleader in high school, after she graduated, she worked for local companies in secretarial positions, but at the age of 21, decided to point her nose toward Los Angeles. Eventually she took a job at Liberty and Imperial Records as a secretary. From there, she started writing songs for others, and performing with another up-and-coming act in Glen Campbell on the Hollywood Jamboree.
In 1964, Jeannie Seely was named the “Most Promising Female Artist” by the West Coast-centric Country and Western Academy, which later became known as the ACM Awards. Then in 1966, she released her big breakout single, “Don’t Touch Me.” It was her soulful voice unique to the country airwaves that earned her the name “Miss Country Soul,” and launched her career into the mainstream.
Though Seely would regularly enjoy occasional hits well into the late ’70s, it really wasn’t her chart success where she made her biggest impact. Becoming a member of the Grand Ole Opry on September 16, 1967, it began a partnership that would be one of the most significant in the country music’s institution’s long history. Seely became the first woman to regularly hosts segments on Opry shows. She wore the first mini-skirt on the Opry stage, helping to usher the show into a new era. Soon, Seely and the Opry became synonymous with each other.
Though she had other signature songs such as 1967’s “I’ll Love You More (Than You Need),” “Can I Sleep In Your Arms” and “Lucky Ladies” (1973), it was really hearing Seely’s voice in Opry broadcasts where many country music fans found favor with Miss Country Soul. Seely also found success in partnership with Jack Greene, hitting #2 with “Wish I Didn’t Have To Miss You” (1969), “Much Oblige,” (1971), and “What in the World Has Gone Wrong With Our Love” (1972).
A big portion of Jeannie Seely’s legacy that’s often overlooked was her work as a songwriter. Songs written or co-written by Seely were recorded by Merle Haggard, Willie Nelson, Ernest Tubb, Faron Young, Little Jimmy Dickens, Connie Smith, Hank Williams Jr., Ray Price, Chris LeDoux, and more. She was also married to songwriting legend Hank Cochran from 1969 to 1979.
Jeannie Seely’s acting career was also of note, including in stage productions of Patsy Cline and The Best Little Whorehouse In Texas. She also appeared in the Willie Nelson film Honeysuckle Rose, and sang on the soundtrack.
When visiting Nashville and the Grand Ole Opry, you’ll see little markers all around the city in tribute to Jeannie Seely, speaking to her legacy. The off ramp to the Grand Ole Opry on Briley Parkway is affectionately known as the Jeannie Seely Interchange. She’s commemorated on the Music City Walk of Fame. Studio Space at the SAG-AFTRA office on Music Row is named after her.
But it’s on the Grand Ole Opry stage where most memories will lead back to whenever remembering Jeannie Seely. This is where her legacy shined, and where she became a legend in country music, getting to perform next to the legends before her like Bill Monroe, Little Jimmy Dickens, and Jean Shepard.
Along with funeral plans in the works, the Grand Ole Opry has announced that the Saturday presentation on August 2nd will be dedicated to its most prolific performer, segment host, and beloved family member.
Jeannie Seely is gone. But the contributions she made to the Opry, to Nashville, and to the women of country music will live on through her memory.
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August 1, 2025 @ 5:26 pm
Loved listening to her show on Sundays on Willie’s roadhouse, gonna miss that. Both her and Flaco today is a rough one.
August 1, 2025 @ 5:49 pm
Damn…feels like we lost a family member. My wife and I are newer to country music so came to “know” Jeannie hearing the Saturday night Opry in the car. Loved her spirit, her humor, and orneriness. Rest in peace dear Jeannie.
August 1, 2025 @ 6:02 pm
Really nice tribute.
“Don’t Touch Me” is the sexiest song in country music. Songs today can’t hold a candle to it.
RIP, Miss Jeannie.
August 1, 2025 @ 6:41 pm
Was blessed to see her perform at the Opry in 2021. She also came out on stage with a cellphone to give to Rhonda Vincent, who got a call just then that her new grandchild was born!
Classy lady and a true leader of the Opry. Over 5,000 appearances is just incredible.
August 1, 2025 @ 6:41 pm
Oh dear, this one really hurts. Nobody represented country music as an institution more than Jeannie. She didn’t have her usual Sunday show on Willie’s Roadhouse this week, and I wondered why that was. Guess we know now. Rest in peace Mrs. Seely.
August 1, 2025 @ 7:00 pm
She gained a whole new audience as a songwriter thanks to “Black Mirror”, which used her co-write “Anyone Who Knows What Love Is” (an R&B hit for Irma Thomas) in a few episodes. She commented on this on the Opry, saying something to the effect of “I just found out that I’m hipper than you or I could have imagined.”
August 1, 2025 @ 9:10 pm
Bettye Swann also had an R&B and pop hit with her version of “Don’t Touch Me” in 1969.
August 1, 2025 @ 7:21 pm
Interesting that Jeannie Seeley laid claim to being the first woman to wear a miniskirt on the Oprys stage.
Because her name (audibly, if not as written) was near identical to that of a more famous, style-setting woman singer, about 6 years her junior, who wore miniskirts and was associated with the most celebrated miniskirt in the history of country music.
I’m referring to a certain lyric:
“And they were sure surprised when Mrs. Johnson wore her miniskirt into the room
And as she walked up to the blackboard, I can still recall the words she had to say
She said, “‘I’d like to address this meeting of the Harper Valley P.T.A.'”
The singer, of course, was Jeannie C. Riley, who’s still living but has kept a low profile for a lot of years.
I have a feeling that Jeannie C. Riley–or her spokesperson–may feel the need to issue a Mark Twain-style statement in the next week that she’s very much alive, due to the confusion that ensues from the close similarity of the two singers’ names, especially when heard over the radio or TV.
August 1, 2025 @ 7:29 pm
It’s so devastating that she didn’t live long enough to see herself inducted into the Hall of Fame. She absolutely deserves to be in there but sadly, it will be posthumously.
She was such a mentor to the women of the genre, specifically people like Lorrie Morgan, Rhonda Vincent, Trisha Yearwood, and Carly Pearce, who will keep her legacy alive on the Opry.
It’s also notable how she continued recording and performing right up until her death. Her most recent two albums, 2017’s “Written in Song”, and 2020’s “An American Classic” are both great listens, which isn’t always the case when someone gets deep into their career. I’ve been playing both tonight in honour of Jeannie. She had a great ability to make you feel like she was an old friend even though you’d never met her. I’ll miss hearing her on the Opry.
August 1, 2025 @ 7:51 pm
It’s deaths like this that really drive home why we need reform in the Hall of Fame process. Jeannie Seely should have been able to experience that joy in life. At this point, there might be a dozen other people that need to get in before she will, and they all deserve it.
What are we doing? What purpose does this serve? We all agree we want to keep the honor exclusive. But it shouldn’t be next to impossible in an artist’s life.
August 1, 2025 @ 8:29 pm
I know there’s been a concerted push to get Jeannie Seely elected the H-o-F. From size of her Wikipedia pages, you’d think she’s Rosemary Clooney or Connie Francis–both bona fide American icons.
If Seeley does merit induction into the H-o-F, it’s on the strength of her Opry longevity. She was not a major country music star. She had three top-10 hits of her own, plus one more for a duet with Jack Greene. In part that’s no-doubt due to her singing sensual songs in a soulful style that was not the country norm–at least not until Sammi Smith took “Help Me Make It Through the Night” to #1.
They need to let two legacy acts in at a time because if Jeannie Seeley goes in then her duet partner Jack Greene definitely should go in at the same time. Unlike Seeley, he WAS a full fledged country star, with two mammoth #1’s, “There Goes My Everything” and “Statue of a Fool” and several other top 10’s.
August 1, 2025 @ 7:59 pm
Jeannie also received an honorary Doctor of Arts degree from Lincoln Memorial University in 2019. She was a treasure. She got me backstage at the Opry anytime I wanted and we got to write a little together. She was a pistol. I’ll forever be grateful for her friendship.
August 1, 2025 @ 8:10 pm
Hey Conrad,
My condolences to you. I know y’all were close.
August 1, 2025 @ 8:00 pm
Written by her ex-husband Hank Cochrane. The epitome of a classic song and recording.
August 2, 2025 @ 2:20 am
She made lots of appearances on the Country’s Family Reunion series, maybe even appearing on every single video, at least the ones I saw. Every song she sang resonated with heart and soul, she will be greatly missed