Song Review – Miranda Lambert & Chris Stapleton’s “A Song To Sing”

When the news came down that Miranda Lambert and Chris Stapleton would be releasing a song together, it was hard to not get a little excited, irrespective of your level of excitement for either of these artists and their individual careers. Both Stapleton and Lambert have made their way through life being a bit more authentic to themselves than the rest of the mainstream. And who knows, with the resurgence of twang and ’90s country sounds, maybe this collaboration would take shape as something really cool.
“A Song To Sing” is a pleasant enough track, and not a song that would inspire any hatred form anyone, unless hatred is what inspires someone, which unfortunately, is the state of many people these days. But instead of being inspired by ’90s country, this song more the domain of ’70s disco, making it destined to sound like virtually all the other vintage R&B-ish tracks out there these days, which there are already plenty of, and from artists who deal in this kind of music as opposed to a couple of country performers.
Written by Stapleton and Lambert along with Jesse Frasure and Jenee Fleenor, “A Song To Sing” is a song written about writing a song through the love of a relationship. The kids might call this pretty “meta.” But for those who appreciate the craft of songwriting, they might conclude this song is pretty “meh.” It’s like a song you write when you want to write a song, but don’t really known what exactly to write about. “Uninspired” is the right word.
Adding to how “A Song To Sing” looks great on paper, it’s Dave Cobb who is credited as the producer, responsible for the synth washes and twang-bereft nature of the tune. Though both Chris and Miranda are credited on the song equally as opposed to a “feat.” situation, Cobb’s participation might mean if it ends up on someone’s new album, it would be Stapleton’s, yet it was released on Miranda’s imprint. But as opposed to a lead single, this feels more like a stab to seed a “Song of the Summer” from the two country stars.
Again, it’s not about how bad “A Song To Sing” is. It’s about how out-of-step it seems with where both country and these two artists are going, and what this collaboration between two critically-acclaimed country stars could have been, which is epic. Forget the lack of twang or country influences, there’s not even really any grit or guts here. Though the performances from Lambert and Stapleton are pleasant enough, the song just doesn’t take you anywhere.
You could forgive Dolly Parton and Kenny Rogers for the pop production of “Islands In The Stream” because the song itself written by disco stars The Bee Gees was iconic. Though playlists might pick it up and so might country radio, “A Song To Sing” feels like empty music calories. Then again, that empty feeling is often what constitutes a “hit.”
Adult Contemporary will eat this up.
6.7/10
July 15, 2025 @ 11:06 am
I agree with you about the song not being in line with what these two singers are capable of, and with the lack of grit. It’s not what I was expecting. Nice enough, but not anything iconic.
July 15, 2025 @ 11:58 am
Totally agree. I was excited to hear them duet, but it was a big nothingburger for me.
July 15, 2025 @ 12:06 pm
A total miss. You were generous with your rating. Chris continues to put out singles that sound like a R&B wannabee. I have no idea what Miranda is doing.
July 15, 2025 @ 12:10 pm
Every label is looking for crossover success now that Wallen and Jelly Roll have opened up CHR and AC radio to “country” hit makers. Look at the remix of British Ed Sheeran wannabe Myles Smith’s “Nice To Meet You” that now features Lainey Wilson. Could Lainey be the next big crossover star? Would have been hard to believe a couple of years ago, but now I say “Why not?” And if Chris and Miranda don’t mind picking up fans (and potential concert attendees) among AC or CHR radio listeners, then their labels will just go ahead and try. That they recorded a tune like this, to me, shows that all parties concerned are fine with whatever happens.
July 15, 2025 @ 12:46 pm
Dave Cobb is killing country music as we know it today
July 15, 2025 @ 1:10 pm
Let’s not get hyperbolic here.
July 16, 2025 @ 3:53 pm
Surprised to see all the Stapleton hate here. I’m biased because I’m a huge classic r&b fan, was into soul music years before I got into country music, and I love just about everything Chris has done. But there’s definitely a country/roots connection to most of what he does, and he’s not lazy about the way he works in his r&b influences the way the usual Nashville hacks are.
As for this song, it’s pleasant, a decent song to tap the steering wheel to while rolling down the road, nothing more. There’s plenty of mainstream country that makes me switch the station and head back to Outlaw or Prime Country. This isn’t going to be one of those songs.
July 17, 2025 @ 6:25 am
I’m not surprised as I’ve seen it before. Largely reactionary, in my opinion.
I’m with you in that I pretty much love all of his solo albums. Just this week, his two From A Room albums came around on my car hard disk on my hellish work commute (counting the days until that’s over) and I enjoyed the hell out of them, as I always do. Sure, my favorites of his tend to be his swampy rockers and more country influenced songs, but I enjoy the R&B flavored songs as well. For me, it’s more that they remind me a lot of the early 70’s soul/R&B I would hear on pop radio as a kid, before disco and other cheesy stuff forced my migration over to rock radio. Also, he covers a lot of the same musical bases as John Hiatt, who is an all-time favorite of mine. I experience him more as a roots rocker (and that’s a compliment. 😉 ) with country, soul and blues influences.
I have to say I’m not crazy about this song, but so what? t’s not on one of his albums.
July 16, 2025 @ 4:34 am
and he’s not a great singer.
July 15, 2025 @ 1:06 pm
Who on earth would want to listen to a song titled “A Song to Sing”? Or want to sing it? Or record it? Or write it? Or even think about it long enough to compose a brief, irritated note about it?
Jeez….
July 15, 2025 @ 1:44 pm
Jethro Tull, prior to 1975.
July 15, 2025 @ 2:55 pm
I guess there’s a reason I never paid much attention to Jethro Tull.
July 15, 2025 @ 5:27 pm
I honestly think Hanson’s song that’s also titled “A Song to Sing” is a better song and would have made for a much better collaboration for Miranda and Stapleton if they covered it.
July 15, 2025 @ 1:06 pm
This depressing disco song just sucked the life out of my Dan and Shay marathon.
July 15, 2025 @ 1:49 pm
Thank you for the only laugh I’ve had today…. LOL
July 15, 2025 @ 4:08 pm
You’re welcome
July 15, 2025 @ 1:30 pm
Not digging this track at all… but I do love Stapleton’s new one for the ‘F1’ movie, “Bad As I Used To Be.”
July 15, 2025 @ 2:50 pm
The Seventies thing is evidently still going strong, but this doesn’t have the Seventies time feel. The grid is very tight. The track doesn’t breathe. Not offensive, not weird, glad to see it happened, but not great. Next.
July 15, 2025 @ 3:33 pm
Agreed, give me Chris and Goerge singing “Honkytonk Hall Of Fame” instead.
July 15, 2025 @ 3:36 pm
I was hoping for authentic but got artificial instead.
July 15, 2025 @ 3:41 pm
Is this a joke? The lyrics, arrangement, content, sound, and everything else – horrid. I would rather listen to a siren and babies crying. That sucks so bad and is the lowest hanging fruit conceptually I could imagine. Why does everything Stapleton touch seem to resonate with the masses? I just don’t get it. A disco ball should lead to feelings that are the opposite of country.
I try not to be a Stapleton hater, but, for example, he turned a killer standard Tennessee Whiskey country song into a Urethra Franklin over-singing lounge act and has not stopped yet and only the anthem he sung at the football game has redeemed that over-singing since.
Feel free to roast me. All of this is in my humblest of opinions, but it comes from the love of real grit country.
July 15, 2025 @ 5:14 pm
I’m with you on this one. I felt a sudden pain in my head during the song’s chorus, even while playing the audio on my phone’s speakers.
I keep asking myself if I’m an old-head for thinking Brad Paisley’s early albums are the best Country music since the 90’s and no one else has come close since. As well as also not finding Stapleton emotionally compelling at all.
July 16, 2025 @ 1:20 pm
Didn’t he produce trophy by sunny Sweeney? And the first Midland album? Dave Cobb is great at making traditional country when he wants too. He’s a really good producer for the right band/singer
July 16, 2025 @ 6:55 pm
I’m with you on Brad’s early albums. But technically Who Needs Pictures WAS the nineties. That and Part II are as good as it gets.
July 15, 2025 @ 3:44 pm
Chris Stapleton is human garbage.
July 15, 2025 @ 4:39 pm
Tennessee Whiskey, his version, is a cure for insomnia. I can’t respect anyone who thinks he is anything but a complete hack.
July 15, 2025 @ 5:05 pm
‘One Of These Nights’ is my favorite Eagles song and it is disco-themed. This song is just stale. The instrumentation is kinda cool but the track immediately kills any tension the music might have built by having the vocals start 3 seconds in. 12 seconds in it contains the lyric “boulevards and broken dreams”….where have I heard that in a song? Oh yeah….every 60 mins on terrestrial rock radio in the 2000’s. The melody on the verses is good, however the melody on the chorus is just plain not good. The flow from the verse to the chorus is abrupt and the two sections don’t sound cohesive.
Carrie Underwood is the most sonically abrasive female country singer because of all her constant yelling, but man… Stapleton is not far off for me – he’s always freaking bellowing and I find it boring, no matter how vocally talented he is.
What the hell is the purpose of that obtuse string section at the end?
July 15, 2025 @ 7:23 pm
The song title is perfect. It’s just a song. That was unfortunately, sang.
July 16, 2025 @ 1:41 am
…a really sad day in the (scm commenter’s) country realm: the truck starts at the first turning of the key, the brew is real hot at the coffee shop, the hash browns just the way they should be – not too crispy, yet not too soft either – the wife’s still there in the evening and it smells from pie in the house, the kids are decent students and the mistress is happy with her stituation… and too make things worse: miranda lambert and chris stapleton are having fun. the end must be nigh.
July 16, 2025 @ 4:35 am
This song recalls late 70s/early 80s Michael McDonald involved tunes.
It’s not as good as MM’s stuff, and it’s not as pleasantly schlocky.
July 18, 2025 @ 8:27 pm
You mean this is the beginning of “Yacht Country”?
July 16, 2025 @ 7:45 am
It feels like a movie soundtrack. It wouldn’t be used for the most important scene,though.
July 16, 2025 @ 9:36 am
Feels like a one off track that will not appear anywhere else.
July 16, 2025 @ 11:26 am
If that’s not a hit.then I give up on Country Music to.
I already gave up on the Country.
July 16, 2025 @ 10:09 pm
I like it fine. It has “yacht rock” all over though. I was hoping for some jerry reed country fonk but the 70s graphics energy.
July 17, 2025 @ 3:34 pm
First the Detroit Lions,then the Detroit Pistons (but so far,not the Detroit Tigers),now Country songs have to be gritty.(Tell the bro-Country dudes.By the way,Happy 49th birthday,Luke Bryan!!!!!!) It’s Miranda Lambert and Chris Stapleton,so “A Song To Sing” should be at least listenable.
July 17, 2025 @ 8:15 pm
All you haters out there need to get a life. Listen to the lyrics of the song and try to understand the meaning of it. Seriously Chris Stapleton is one of the best country artist out there.
July 20, 2025 @ 8:49 pm
You’re 100% right about Chris Stapleton,Tracy.
July 21, 2025 @ 12:27 pm
With all due respect, this doesn’t sound to me like any “disco” song I’ve ever heard. “Disco” to me means strings/bass at 120bpm. To me it sounds more like trying to ape Lady Gaga and Bruno Mars’ “Die with a Smile” with a few touches of country instrumentation (which honestly sound like an afterthought). Except being a Nashville production it ends up sounding more like the kind of song worshipers sway back and forth to with their eyes closed and their hands extended in a Sunday morning megachurch service. The closest this sounds to “disco” would be probably a Peaches and Herb ballad like “Reunited.”