Granted, you’re making a perilous decision pinning your hopes on someone like Garth Brooks to help turn the needle to the positive in popular country. But a big honky tonk song from him could give the emerging movement a big boost. We’ll just have to see.
For contestant Kyla Jade who was part of Blake Shelton’s team, the original song selected was a tune called “The Last Tear.” The reason “The Last Tear” cannot be passed off as an original song is because it’s actually a song originally recorded by Garth Brooks called “Leave A Light On.”
Don’t worry, there will be plenty of country artists from the early and late 90’s who we won’t retrospectively be praising as we get older and the music of today gets worse. But you’re short changing yourself as a country fan if you write off many of the big songs and early albums of Brooks & Dunn as forgettable fluff.
With the same deft accuracy and studious understanding other country artists have evoked certain eras in the modern context, Randall King comes out swinging and fleetly re-imagines 90’s country with one sharp song after another. He also just received praise from one of country music’s biggest names.
The original Outlaw and Country Music Hall of Famer Bobby Bare will be the next member of the Grand Ole Opry, again. This is the news coming out of Nashville Saturday night (4-7) after Bare was invited to join country music’s most historic institution. He was officially invited by Garth Brooks, who shocked the Opry crowd when he took the stage.
Whether you love or hate the music of Garth Brooks, everyone must bow down and give the Prince of Garthness incredible credit as the most cunning music marketer to ever suck air on planet Earth, and it isn’t even close. Garth could sell ice to Eskimos, or the same song to the same music fans ten times.
When it comes to country music albums, it is Chris Stapleton, and everyone else. And it’s not even close. After the release of Stapleton’s latest record, ‘From A Room: Vol. 2,’ Chris Stapleton holds three of the top four spots on the country albums charts. ‘From A Room: Vol. 2’ easily comes in at #1 in country, as well as #2 all genre.
You can love Garth Brooks, and still be against him lip syncing at the CMA Awards. You can hate Miranda Lambert, and still agree with her that lip syncing is “bullshit.” You can also appreciate that Garth Brooks immediately fessed up to lip syncing at the 2017 CMA Awards. But what we can’t do is somehow make lip syncing socially acceptable.
Well well, it’s starting to get a little chippy out there after reigning CMA Entertainer of the Year Garth Brooks admitted mere moments after his CMA Awards performance Wednesday night (11-8) that he’d lip synced his song “Ask Me How I Know.”
What an embarrassing moment for the CMAs, country music, and Garth, since he was so very clearly lip syncing his performance Wednesday night (11-8). Social media exploded, especially after a moment where Garth was clearly facing away from the mic, but the lyrics kept rolling.
for years, Broadway was one of the very few personalities in mainstream country radio willing to ask tough questions of artists, willing to broach subjects otherwise thought of as taboo in the mainstream, and overall just show guts and independent thinking in an otherwise stuffy, closed-off world. And he did it all with class and respect.
Garth Brooks, take your free tickets to the Auditorium Shores stage and your Frito bags with your damn brand on them, and go back to Oklahoma and roll around naked in your massive, massive piles of money. You don’t belong at South By Southwest.
An all-star cast will come together to celebrate the life and music of country music icon and Hall of Famer Don Williams in a new tribute album with the proceeds going to a good cause. ‘Gentle Giants: The Songs of Don Williams’ will be released on May 26th via Slate Creek Records.
Deep breaths everybody, deep breaths. You can put your pitchforks away. Yes, The Randy Rogers Band will be playing in Washington D.C. for a function that runs parallel with the Presidential inauguration in February, but it is a long-running event that’s been held since 1953 by the Texas State Society.
If Garth’s comeback is going to be broad based and lasting, he’s got to impact beyond being a vessel for nostalgia. He needs a “Kokomo,” or at least something that impacts radio even slightly so he’s not just re-singing “Friends In Low Places” forever. And that’s what you get with “Baby, Let’s Lay Down and Dance.”
Jerry Reed and Ricky Skaggs may still be on the outside looking in when it comes to the Country Music Hall of Fame, but the Musicians Hall of Fame in Nashville, located on the other side of downtown in the Municipal Auditorium, has decided these two country music superpickers are worthy of induction. And along […]
The hip thing in 2016 for many big-named artists is to only make their music available on one specific streaming or download service, usually in a deal struck between the artist’s label or management and the streaming service in hopes of drawing more subscribers towards one service, or in many cases, away from another—specifically Spotify.
The best-selling country artist of all time and the last major holdout in all of music to make his songs and albums available for streaming may be finally acquiescing to reality. According to a report, Garth has reached a deal with Apple for $30 million, and his turning over his catalog to the company to service his music.
The reason so many can make so much money on the secondary market is because there is way more demand than there is supply. And by performers not ramping up their supply and only playing one, or maybe two shows in a market that could potentially support four or five, they’re allowing the secondary market to thrive.
The implosion of the rock genre, especially on radio, has made country a haven for rock stars looking to keep their careers relevant, ultimately spreading the cancer of declining careers to the country format as well. If Steven Tyler’s move to country had anything to do with inspiration or influence, you won’t hear much of it on this new record.
You know, I would normally be so diametrically opposed to any rapper announcing his intent to make a country record that I would puff my chest out in defiance, shake my little fists, and give other indications of a stony countenance to let them know that I’ll be damned if they waltz through the gates of country music without at least a strong dose of hostile friction from my disgruntled ass.
This isn’t just a problem for big mainstream bands playing massive venues anymore. As independent music continues to take over market share, and there continues to be a slow build of interest in more substantive music, this issue is starting to affect performers that a few years ago fans were used to seeing in dingy bars with 20 other people.
How people listen to music is clearly changing, but much of the country music industry isn’t following suit. In a town that employs scores of people just to push songs to radio, Nashville doesn’t know how to behave any differently than they did 60 years ago. Entire companies are based around trying to sell songs to country radio. The difference now is radio is no longer the only game in town.
Love them, hate them, evoke the strong opinions of the Coen Brothers’ fictional character Jeff “The Dude” Lebowski all you want, but Glen Frey and The Eagles turned millions of music fans from all around the world into country music listeners through the evocative power of simple, universal sentiments bathed in twangy tones, however filed off the edges may have been, or however commercially successful the pursuit ultimately was.