If you really want to test someone’s country music mettle, see if they can give you any details on the song “Mama’s Don’t Let Your Cowboys Grow Up To Be Babies” featuring Tony Joe White and Waylon Jennings.
Despite Johnson’s absence from the studio and mainstream radio, his legacy only continued to grow. As they say, good things withstand the test of time, and that’s exactly what’s happened with Johnson’s music.
Cross Canadian Ragweed and Oasis have reunited, and Jamey Johnson has announced his first new original album in 14 years. In fact, Johnson hasn’t just promised a new album, but a series of them.
Before we get too far into 2019, let take time to remember the country music great we lost along the way in 2018, from bona fide legends like Roy Clark, to those taken tragically too soon like Daryle Singletary, Red Dirt’s Brandon Jenkins, to George Strait drummer Mike Kennedy.
A unique era of American music has ended, and one of the most influential arbiters of Southern sounds has gone to sit beside the great bayou in the sky. Tony Joe White, known for such well-recognized songs as “Polk Salad Annie,” “Rainy Night in Georgia,” as well as the songwriter on many other important hits, […]
Notch yet another #1 for Willie. 84 years of age, and Billboard’s new rules that register streaming data in the album tabulations can’t keep Willie Nelson from topping the charts this week with his first record of original material in three years, God’s Problem Child. Willie also notches another Top 10 on the all-genre Billboard 200.
The 83-year-old Willie Nelson certainly isn’t slowing down for anything. In fact he’s been been releasing records a a pace quicker than one per year since signing with Sony’s Legacy Recordings, but those are not always recordings of original music. That will not be the case with his newest project called ‘God’s Problem Child.’
Dale Watson has been slaving away at his Ameripolitan Studios in Austin, TX, working on his followup to 2014’s Truckin’ Session Vol. 3, and 2013’s El Rancho Azul, and just announced Wednesday (3-18) he’ll release his latest record Call Me Insane on June 9th. The news comes as Dale will make an appearance on Wednesday’s Jimmy Kimmel LIVE from SXSW sitting in with Kimmel’s band.
Lucinda Williams is getting ready to release a double LP called Down Where the Spirit Meets the Bone on September 30th through her new label Highway 30 Records on Thirty Tigers. Lucinda Williams stopped down to talk to Rolling Stone, and she had some interesting things to say when asked if she pays attention to mainstream country much these days.
The River & The Thread is an album that was worth waiting for. Produced and co-written with Rosanne’s husband, accomplished musician John Leventhal, this album is exhaustive, thematic, all-encompassing, and compromises nothing when it comes to desiring the highest degree of quality in songwriting and production.
Once again the Europeans out class their cross Atlantic counterparts with the newly-launched Country Music Magazine from Team Rock—the same people who’ve brought the UK the long-running and widely-distributed Classic Rock Magazine. Despite the generic name, this magazine is anything but, with 132 extra wide glossy full-color pages, accompanied by a free, 15-track CD with music from Sturgill Simpson and Guy Clark.
If you’ve been wishing for a print magazine that would cover cool up-and-coming country artists right beside the big names, and not just focus on the here and now but take the time to look back on the past greats of the genre, well you may just have received your wish. The inaugural issue of “Country Music Magazine presented by Classic Rock” is being released September 11th.
Where most musicians might peak in their 20’s, Ray Wylie Hubbard seems to be hitting his stride in his 60’s. Since the release of his latest album The Grifter’s Hymal, he’s been asked to play David Letterman, and write and record with Ronnie Dunn of Brooks & Dunn fame. But he’s taking time out of his busy schedule to put on a festival of the music he likes.
The first thing this album does is remind you that Waylon Jennings left us too early. The strength of the compositions validate that sentiment. All artists go though peaks and valleys in their careers, but passing away at 64, Waylon was never afforded the legacy era that his fellow Highwaymen have enjoyed; the “Golden Years” of an iconic country career.