The Legendary Buck Owens’ Crystal Palace Closes Its Doors

The plight for legendary, mid-sized country music venues continues to worsen as the legendary Buck Owens’ Crystal Palace in Bakersfield, California has been forced to abruptly close, shutting their doors, and hoping to find a suitable buyer sooner than later to save the iconic business and property.
“We are extremely proud of the legacy of the Crystal Palace,” a statement posted on social media Monday (8/11) read. “For over 28 years we brought the best of local and national entertainment to Bakersfield, served great food, and hosted thousands of special occasions for thousands of special people and families. Although Buck left us in 2006, we continued to maintain the excellent that he expected, striving to carry out his dream.”
But just like the legendary Coupland Dancehall in Coupland, TX that Saving Country Music just reported is having to close down, the same fate has befallen Buck’s shrine to the Bakersfield Sound.
“A challenging business climate plus the wishes of the Owens family members to step back the responsibilities of management require finally shutting the doors. It is our hope that new owners will step forward to utilize this beautiful venue. Meanwhile, we will do our best to fulfill scheduled commitments we’ve made in the coming months.”
Jim Shaw is the legendary piano player for Buck Owens’ Buckaroos. He performed with Buck starting in 1970 all the way up to Buck’s death in 2006. He’s also a songwriter, publisher, and recording engineer. Shaw now acts as the managing director on the board of the Buck Owens Foundation, which owns The Crystal Palace. Shaw was there at the very beginning of the venue.
“I started in the Buckaroos when I was 23, in 1970. We opened up in 1996, and we’re coming up on 29 years, and the Owens family are in their ’70s, including myself on the board of directors,” Jim Shaw explains. “We listed it for sale a year ago. No bites, a lot of tire kicking. Nothing was happening, so they finally said, ‘Okay, we’re going to shut the doors, and hope somebody will step forward soon.’ It’s very sad.”

The inspiration for The Crystal Palace was all the mid-sized venues Buck Owens and The Buckaroos would play across the United States.
“We brainstormed about it for years when we traveled,” Shaw explains. “We had our favorite places to play, which were the intimate, exciting little places like Crazy Horse down south, The Birchmere back on the East Coast, Rockefellers in Houston, really neat places that were much more fun to play than the auditoriums, convention centers, and arenas.
“Buck said, ‘Someday, I’m going to build a place like that. We won’t have to travel, they can come to me.’ So we kicked it around, a lot of plans were drawn up, and he finally got serious. We started construction in 1994. It took it two years to build it because Buck kept changing stuff. The architecture, he really went crazy on it and it was a very expensive building to run and operate.”
For decades, playing the Crystal Palace was a rite of passage for country performers across the United States as they toured the West Coast, and acted as a hub for the Bakersfield country scene, and the country bands in nearby Los Angeles. It’s also like a Hall of Fame for the Buck Owens legacy, and the iconic “Bakersfield” arch that used to span Union Ave. was relocated to the property.

“It’s been amazing the stuff that’s happened there. We’re proud of how big it became, how famous it became, the various acts that have played,” says Shaw. “I wish it could go indefinitely but nothing does. We’d like to see somebody buy it and keep it something close to what it is, but that will be up to somebody that has the money.”
During COVID, the business received some grants to help keep it afloat. But according to Shaw, it didn’t come back like it had been before. If they opened up on a Tuesday or Wednesday, they would regularly lose about $3,000. So they limited the schedule to Thursday, Fridays, and Saturdays, but this couldn’t support the business overall. Also during COVID, a lot of their peer-sized venues on the West Coast closed permanently. That meant certain bands could no longer book a West Coast tour of the regular venues.
Similar to other mid-sized venues, finding talent willing to play a 600-capacity room these days is also a challenge.
“For the big acts, playing here doesn’t make sense for how much they can gross and make,” Jim Shaw explains. “However, just like Buck would play those smaller places knowing he wasn’t going to make as much money because it was fun, that’s exactly what happened with the Crystal Palace, especially when Buck was alive. Everybody came here. It was an honor to play Buck’s place. We had that advantage.”
And similar to The Coupland Dancehall and other recently-closed venues, even when people show up, they tend to spend less and drink less. “People just aren’t spending as much money,” Shaw explains. “Discretionary income isn’t there for people. There’s this nut you just have to make each day, and it pretty much became impossible for us. It’s not going to be cheap for us to be closed either. We have to pay the taxes, water and mow the lawn, and keep the place decent.”
The Crystal Palace almost shut down in 2024, but Jim Shaw talked the Owens family into listing it for sale to see if they could find a buyer. But despite lots of interest, nobody stepped forward. Shaw hopes that actually shutting the venue down will give the situation a sense of urgency, and hopefully inspire someone to step up and rescue the business.
The income for the Buck Owens foundation comes from all of Buck’s intellectual properties, including ownership of his master recordings and publishing, and songwriting royalties. But as money is coming into the foundation, more money was going out to keep the Crystal Palace going. “We’re all oldtimers, it just got to the point where we’d run the foundation out of money if we kept subsidizing it.”
If there is any silver lining, it’s that the shutting of the doors doesn’t necessarily mean the end of the Crystal Palace for good. Jim Shaw and the Buck Owens family hope that a smart investor, and a new young and energetic team can swoop in and start a new era for the legendary venue.
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August 11, 2025 @ 8:30 pm
I get it, but at the same time very sad. And the chances of someone coming in & keeping it a music landmark may be slim. I have such great memories of seeing Trace Adkins, Jack Ingram, David Nail & Phil Vassar there. Made new friends that I still cherish. I am truly hoping for the best. The memorabilia in there is priceless, hope it does not get lost.
August 11, 2025 @ 8:58 pm
First Coupland, now the Crystal Palace and i just found out Dukes in Indy is ahutting their doors. A sad week for honkytonks.
August 12, 2025 @ 6:18 am
Duke’s announcement last night was such a kick in the ribs. Indy is so lucky to have them, but also, I understand the town is growing rapidly and new venues seem to pop up every other weekend, which I am guessing has contributed to the extremely competitive environment for artists they found themselves in.
August 12, 2025 @ 7:06 am
Yeah, these things are announcing quicker than I can write stories about them. There was also another venue High Horse Saloon in Houston that just abruptly shut down. Meanwhile, all country music media seems to be able to report on is Zach Bryan’s troll tweet of Kansas City, and Bunny XO’s IVF journey. We’re literally watching the touring infrastructure for independent and up-and-coming country music implode before our very eyes.
August 12, 2025 @ 7:43 am
Was supposed to go to High Horse Saloon to see Jake Bush and Tracy Byrd last Saturday night. Luckily they were able to rebook the show at a smaller venue in Webster, TX and we got a treat at a smaller honky tonk. Hopefully this trend doesn’t continue – these mid sized venues are so crucial to independent and some legacy artists.
August 12, 2025 @ 12:25 pm
Bunnie XO just screams country music.
August 12, 2025 @ 8:41 am
Dukes is my happy place and it was crushing to read their post. I’ve noticed over the last few months that they’ve been offering more free shows and events to try and fill the calendar as ticketed shows started to slow down. There’s also a competing venue in town with a cap of about 250 that opened in 2024 that is booking artists that would otherwise have played Dukes. It’s not run by a mega corporation but a small local company. So I don’t think Dukes demise is a direct result of Live Nation or the like. Dukes is in a weird industrial area south of downtown kinda all by itself. But it’s true honky tonk atmosphere, Lone Stars in ice cold buckets, and the friendliest staff and patrons you could ever meet will never be replaced.
August 12, 2025 @ 12:39 am
Everything and everybody has its time, and when it’s over, it’s over. It’s time has passed.
August 12, 2025 @ 12:25 pm
“Well now everything dies baby that’s a fact
But maybe everything that dies someday comes back.”
August 13, 2025 @ 3:48 am
We’ve come a long way since Bill Haley got a hit with the “Move It On Over” rip-off in ’55 and totally forgot about his western swing roots.
Someone sprayed a lot of RoundUp, that’s for sure.
August 12, 2025 @ 2:51 am
Call “Live Nation”. They are buying every venue they can. All genres play there many venues and they control who play there.
Just like any other big co-op,
They are one of the problems. The only way local and regional up and coming bands get to play their venues is for free. They do this on the off weekends for cash flow. Look them up and see for yourself how they are wrecking the music industry by not supporting (paying) young local bands
August 12, 2025 @ 2:50 pm
This ties in with the Hayley Williams story. I went to Nashville over the weekend to see for myself what all the fuss was.
All the bars on Lower Broadway…The stars that have thier name on the sign can’t possibly have done all this by themselves. There’s buying the place, renovations,permits, liquor licenses,hiring the staff and the bands (Not to mention Davidson County taxes),etc.etc.
Point is, there is BIG,BIG money behind all this. Where is it coming from?
August 13, 2025 @ 5:27 am
Trevis,
The bars on Broadway are mostly owned by teams of investors. Very few individuals these days can just afford to buy the whole thing. The bars you are referring to have several investors with a stake in them. Sure John Rich or Kid Rock or Blake have their name on them, but certainly in most cases, the artist is a figurehead and a marketing draw, but not the sole owner. There are exceptions, such as Roberts, Laylas, and a handful of others where one person really does own them, but that’s by measure of they are the old guard and bought those buildings when they were affordable.
August 12, 2025 @ 5:06 am
Read the brief headlines for this closing elsewhere. Appreciate the detail and the comments from Jim Shaw that provide additional insight. Excellent reporting on this story.
This story highlights the difficult challenge of operating a nightclub/entertainment venue in 2025. As our economy continues to significantly worsen this year due to mismanagement by the current incompetent administration we can expect to see additional closings like this. Venues that survived Covid will now be failing as folks having extra money for entertainment is diminishing. Increased costs for rent & groceries take priority. For too many a night out or a concert has become an unaffordable luxury.
August 12, 2025 @ 10:56 am
“due to mismanagement by the current incompetent administration” – Can you state specific policy actions enacted in the last 7 months which support this statement? (I doubt it). Never mind these venues struggles pre-date that past six months. But you were correct on this statement, however, “folks having extra money for entertainment is diminishing.” Printing money – not creating wealth – causes inflation. Inflation erodes discretionary purchasing first. When did M2 get jacked up…oh.
August 12, 2025 @ 12:27 pm
Crystal Palace’s woes started during COVID due to a response that was planned to fail and usher in the greatest wealth transfer in human history.
August 12, 2025 @ 6:18 am
I’m really sad about this one. Growing up in Bakersfield I remember the Bakersfield sign above Union Ave. It was the welcome sign into town on the old Highway 99. I remember the Crystal Palace being built and the Bakersfield sign being saved and moved. It gave Bakersfield an identity, and a reason for tourists to stop in.
My parents became friends with Buck as my mom would work for him during the Buck Owens Rodeo each year. The Crystal Palace was a favorite of theirs, and there are good memories of hanging out there with them and watching The Buckaroos or other bands passing through. It was a place your visiting family and friends wanted to visit and take pictures at.
I truly hope someone steps up and saves The Crystal Palace. It, and Buck himself, are Bakersfield icons.
August 12, 2025 @ 7:28 am
Kenny Vaughn, in one of his Otis Gibb interviews, doesn’t exactly extoll the virtues of playing at the Crystal Palace. As in ‘It’s hard to believe that place was designed by a working musician’. He has a couple of telling stories about Buck too.😉
August 12, 2025 @ 7:31 am
Perhaps, Other Artists, who, Buck Owens, help start out, should step-Up, or fans who loved, that type music in the way it should sound?
One, comes to mind Dwight Yokum, Collin Raye, who’s mother was
Susan Raye, a former member of Buck’s Buckaroo’s back in the Day?
Many other people I’m sure he help and pushed further in their Careers. Even the Local City Bakersfield should seek to save it as a historical marker of the Music and City culture? Declare it a National
Historical Monument could save it
August 12, 2025 @ 8:03 am
They are not drawing the crowds like they used to do.
That’s part of the problem; the artists you mention and the places themselves are relics, it’s way too unhip for the crowd who still got the funds to spend in these venues.
It’s all about coolness; see and be seen in a Instagram (?) friendly, fancy environment. These venues aren’t cool to them, it smells of old age and boredom.
August 13, 2025 @ 6:00 am
The Crystal Palace always played to an older crowd. It’s more of a restaurant/museum/tourist attraction than an old school Honky Tonk. I’m sure many of the regulars from the begging have passed on like my parents. I doubt many of the younger country music fans remember when Buck was a bigger than life character in Bakersfield.
I suppose that’s part of the problem with a place like this. How do you balance keeping the history of Buck’s legacy vs updating the venue to appeal to a crowd of which Buck is nothing more than a long gone legacy they have no connection to? Does a prospective owner cater to a fading generation that will want the authenticity of Buck’s dream to remain, or a younger generation wanting something more modern?
It’s a conundrum that unfortunately often leads to the end of these once loved venues. History vs future, and the reality that you may not please anyone. Perhaps a blend of both with a separate museum and update of the venue itself? Time will tell I guess.
August 12, 2025 @ 8:02 pm
Collin Raye is not the son of Susan Raye. Collin’s real name is spelled differently and Raye was Susan’s maiden name. Collin’s mother was a singer but not anyone nationally famous.
Dwight is pushing 70. In my opinion the new owners need to be someone much younger who can support the venue for a new generation.
August 12, 2025 @ 11:36 pm
My thoughts as well
August 12, 2025 @ 7:38 am
Unfortunately beyond the specifics of saving a certain venue, what we are seeing is the whole model here just doesn’t seem to work anymore. Which sucks because the good that comes from these types of places is a huge loss. But what do you do when you can’t make money this way anymore. They can’t all be supported by a foundation. Makes me sad but no idea what the solution is
August 12, 2025 @ 7:58 am
The society has changed, that’s why.
This happens all over the western world; restaurants, pubs, bars, dancehalls, discohalls, nightclubs… closing down, all of them.
One thing is our personal economy, another is the “online life” of so many people. Crime counts in the big cities (nobody walks the streets after dark), alcohol isn’t cool anymore (pills, weed and powder is), and a personal observation; nobody really dance the way that suits these halls. Nobody gets close anymore.
And frankly, I don’t blame them. Be careful how you hold your eyes and hands these days. The Lord have mercy if you bump into a stranger. You can wave your reputation and your dollars goodbye.
We’re heading for a boring and sterile society, in more ways than one.
August 12, 2025 @ 3:30 pm
“1984”was a warning-not an instruction manual!
August 12, 2025 @ 9:12 am
Does anyone know if there is a hard set final closing date for a booked show? Every year I usually book a show there in early January…
August 12, 2025 @ 9:43 am
My understanding is there are no more shows planned, though they do plan to make the space available for private events like corporate parties and weddings, including ones that are already scheduled.
August 12, 2025 @ 10:59 am
Thanks Trig,
The show I helped booked there last year sold out. Even last year we were worried about it closing. We read between the lines a year ago and started looking for potential alternative Bakersfield venues.
August 12, 2025 @ 9:23 am
Just anecdotally, I had some of the worst service of my life at the Crystal Palace. Waiter came around maybe once in two hours, our food took about an hour and a half to come out (and came out cold), we wound up having to find wait staff ourselves when we needed anything. This was a couple of years ago on a not-very-busy weeknight. I’m not surprised.
August 12, 2025 @ 9:39 am
Odd that this venue is shutting its doors, as Buck was an extraordinarily successful businessman.
I guess it wasn’t opened long enough when Buck was alive to fix the broken business details.
August 12, 2025 @ 10:17 am
Sad news but a sign of the times. I recall visiting a good many years ago and it was about the only thing worth seeing and my only reason for visiting Bakersfield. The food was great as was the music.
August 12, 2025 @ 12:20 pm
It’s sll gone. Radio music is terrible. Here in South Texas there is no coutry music venue anymore. Austin area is last holdout. I guess country music had its100-year run and its over.
August 12, 2025 @ 1:37 pm
” I guess country music had its 100-year run and its over.”
Let’s not get crazy here. One of the reasons these mid-sized venues are suffering is because so many up-and-coming artists can skip them and go directly to 1,000 to 1,500-capacity venues. Country music—including traditional country—is more popular now than any time in the last 25 years. It’s just the middle class is evaporating.
August 12, 2025 @ 12:29 pm
As I said at the time, the response to COVID would prove more destructive than the disease.
Sofus touched upon the other reason.
August 13, 2025 @ 9:49 am
“As I said at the time, the response to COVID would prove more destructive than the disease.”
Pure nonsense. The Covid response saved millions of lives. Remember the refrigerated trailers in hospital parking lots that were there to hold all of the thousands dead Covid victims? One of my family members was one of them. So were Joe Diffie & Charley Pride among others.
And remember how the new administration created a system to distribute the Covid vaccine to millions of Americans in record time? The previous administration was too busy trying to overthrow a free and fair election and violently overthrow the U.S. government with a planned insurrection. They had NO plans for vaccine distribution.
And remember how government-funded support & loans kept hundreds of businesses like the Crystal Palace from going under. There would have been record bankruptcies otherwise that would have fueled a recession or worse.
And remember the predictions by all of the financial experts at that time that a severe recession was forthcoming? Thanks to the superb management of the economy by the administration’s economic team that NEVER HAPPENED.
So those are the facts.
August 13, 2025 @ 9:55 am
Final comment on this thread.
CountryKnight, I’ve asked you over and over to stop veering threads into divisive political topics. But that goes for EVERYONE. This is a country music website. Please respect this.
August 13, 2025 @ 4:03 pm
Rockin’ Pneumonia And The Boogie Woogie Flu!
Huey Smith should get the last word on this.
August 12, 2025 @ 4:32 pm
I hope someone buys it and makes it better. Widening the dance floor and such…Id cone every weekend to dance my boots off. I’ve had good times at Crystal Palace.
August 12, 2025 @ 8:58 pm
Trigger, did you interview Jim? He’s really a nice guy.
I used to for the company and he was always welcoming. So sad to see the place close, but the food was expensive and I believe they had a two drink minimum at times which made for going out as expensive as an LA bar.
August 12, 2025 @ 9:09 pm
Yes, I called up the Crystal Palace and left a message asking to speak to someone about the sale. When Jim called me back and I figured out I wasn’t just speaking to some lackey, I was a little star struck for a second.
August 12, 2025 @ 9:20 pm
Very very cool! Before I worked for the company, I interviewed for an audio board operator at the Crystal Palace. He actually called me to tell me that I didn’t get the job, but I impressed him and he would keep me in mind for future openings. Well, nothing ever opened for me there, I did end up working for their radio station.
August 12, 2025 @ 11:30 pm
Buck’s been on my mind this week because of his birthday. What a damn shame, especially the timing. While not quite as legendary and vital as ET’s Record Shop, this feels so horribly similar to when it closed (so glad it’s coming back). Considering the circumstances leading up to his death, how incredibly important it was to him and it being the last place he played makes it even more special and sad to see it close. As with the Record Shop, I wondered why some of the famous or wealthy fans of these legends didn’t swoop in to keep em going. In this instance, Dwight and Vince Vaughn come to mind. I would think their respective fan bases would mean additional business and appeal. But what do I know, just hope it is saved and kept in Buck’s vision.
August 13, 2025 @ 9:52 am
Art Bouyiti Music Hall in San Jose, CA also announced on Tuesday they were closing their doors. That’s the 5th small-medium sized venue that books independent music, that announced closing within the last few days.
August 13, 2025 @ 4:02 pm
Another cool place bites the dust. thanks to the Owens family for keeping it operational after Buck’s passing. Buck’s music still carries on due to it’sclassic counrty sound. Bakersfeild just won’t be the same I hope palace can continue on with a buyer to showcase country music. HBJerry
August 14, 2025 @ 4:42 am
This just-released Gallup poll may provide one of the key reasons why nightclubs are struggling. Note that the peak of consumption coincided with the peak years of the disco era.
“The percentage of U.S. adults who say they consume alcohol has fallen to 54%, the lowest by one percentage point in Gallup’s nearly 90-year trend. This coincides with a growing belief among Americans that moderate alcohol consumption is bad for one’s health, now the majority view for the first time.
Prior to the most recent poll, the rate has been under 60% fewer than 10 times, including 58% in the initial 1939 poll and a one-time low of 55% recorded in 1958. The highs of 68% to 71% were all recorded between 1974 and 1981.
The consecutive declines in Americans’ reported drinking the past few years are unmatched in Gallup’s trend and coincide with recent research indicating that any level of alcohol consumption may negatively affect health. This has been a sharp reversal from previous recommendations that moderate drinking could offer some protective benefits.
Gallup has tracked Americans’ drinking behavior since 1939 and their views of the health implications of moderate drinking since 2001. The latest results are from Gallup’s annual Consumption Habits survey, conducted July 7-21.”
https://news.gallup.com/poll/693362/drinking-rate-new-low-alcohol-concerns-surge.aspx