Who Could Be the Country Music Hall of Fame’s New Inductees in 2026

Clint Black, Alison Krauss, Dwight Yoakam, Johnny Paycheck, Ralph Stanley


It’s the time of year to consider who might be the inductees into the Country Music Hall of Fame in 2026. A secret committee commissioned by the CMA (Country Music Association) is receiving their final ballots and whittling down the names to the few who will make it into one of country music’s most hallowed institutions.

Unlike other Halls of Fame, the Country Music Hall of Fame tries to keep the institution distinguished by letting only a few names in each year. This way a bad name never slips through the process, hypothetically. This has also caused a glut of good names being left out in recent years, creating controversy in itself, even if this also keeps the Hall of Fame honor exclusive and distinguished.

The biggest criticism the Hall of Fame faces these days is the names who are not in the Hall. Saving Country Music has offered some potential solutions such as a bulk induction like was done 25 years ago in 2001, or perhaps adding new categories. There’s no indication that will happen in 2026 so far. So it will once again be three inductees in three primary categories as is explained below.


The Rules

The Country Music Hall of Fame inductees are selected through a committee process appointed by the CMA. Since 2010, the selection process has been split up into three categories. 1) Modern Era – Eligible for induction 20 years after they first achieve “national prominence.” 2) Veterans Era – Eligible for induction 45 years after they first achieve “national prominence.” 3) Non-Performer, Songwriter, and Recording and/or Touring Musician active prior to 1980 – Rotates every 3 years. If there is a tie in voting in any category, two names can be selected, as we saw in 2021.

With a musician James Burton selected in 2024, and a non-peerformer in Tony Brown selected in 2025, it would be a songwriter selected in 2026. This could be someone who worked primarily behind-the-scenes writing big country hits. But it also can be someone also known for performing, while also being known for writing songs for themselves and others.

Another important rule to note is that no candidate is eligible for the Hall of Fame a year after they pass away. This is to avoid sympathy votes in the aftermath of an artist dying, so check the 2025 In Memoriam List for those who would be ineligible. In recent years, this has accelerated artists being inducted before they die to avoid the one year penalty, and to honor them while they’re still living.

READ THE FULL HALL OF FAME RULES


Potential Modern Era Inductees

The Modern Era category definitely feels quite “modern” these days with performers who are still very much active in the mainstream constituting legitimate contenders for the Hall of Fame, and Kenny Chesney being inducted in 2025. Dwight Yoakam and Clint Black feel like old timers in the category. They also should be the top contenders. But Chesney’s induction might start a long list of more modern performers like Tim McGraw, Shania Twain, Keith Urban, etc. going in, and any older artists being shuffled to the Veteran’s Era.

• Last Year’s Modern Era Inductee: Kenny Chesney
• Saving Country Music Prediction: Tim McGraw, Alison Krauss, Shania Twain
• Saving Country Music’s Pick: Dwight Yoakam or Clint Black

Dwight Yoakam: You’d think with 25 million records sold, Dwight Yoakam should definitely be considered for Hall of Fame distinction. But being based in California as opposed to Nashville may put him a bit out of the purview of voters, which is always an important factor. Yoakam’s greatest contribution beyond the solid sales numbers comes is the influence he had in country music in his time, and that he still wields today over generations of performers. Dwight Yoakam made country music cool to millions, just like Hall of Famer Buck Owens and other Bakersfield legends did in their time.

Dwight’s also not showing any signs of slowing down, and has earned additional stripes as a country music ambassador through his acting career.

Alison Krauss: There may be no other single performer who did more for spreading the love and appreciation for bluegrass throughout the ’90s and 2000s than Alison Krauss. The solo albums, the work with Union Station, the collaborations with Robert Plant and others have made her one of the most critically-acclaimed artists of our generation, with enough commercial success to also make her a household name.

Krauss has won 27 Grammy Awards, putting her only behind Beyoncé, Quincy Jones and classical conductor Georg Solti as the most-awarded artist in Grammy history. She has also received 42 nominations. This includes a Grammy win for the all-genre Album of the Year Rising Sand with Robert Plant. Krauss was also critical to the O Brother Where Art Thou soundtrack, and is a National Medal of Arts winner. Krauss most certainly has the resumé to be a Hall of Famer, and no better time to finally mint the award than the year after she reunited with Union Station for a new tour and album.

Clint Black: If it wasn’t for his career’s disappearing act, his name would be a no brainier for the Hall of Fame. Instead, Clint Black’s impact is commonly overlooked, and unfairly so. Nobody was more successful in country music in the ’90s decade than Clint Black, save for Garth Brooks. A whopping thirteen #1 singles including his first four consecutively, and a total of 29 Top 10 hits puts Clint Black in an elite class in regards to stats. Clint Black also kept it (mostly) country, and was always seen as a good guy in the industry.

When Clint Black’s wife Lisa Hartman had their first child in May of 2001, he decided to take three years off to enjoy his young family. Aside from “Spend My Time” in 2003 that peaked at #16, the rest of Clint’s singles all stayed outside the Top 40 after the hiatus. “It ended up not being a smart career move, but it was a real smart dad move. … I wouldn’t go back and try to do anything for my career in exchange for that,” Black says. It shouldn’t cost him a Hall of Fame induction either. He should join his fellow “Class of ’89” member Garth Brooks and Alan Jackson in the Hall of Fame.

Tim McGraw: McGraw never had that consecutive string of years when he was the biggest thing in country music like other Hall of Fame inductees, but he has shown a longevity in his career that few others have matched. McGraw’s had 27 #1 hits in a span covering over 20 years. This includes some universally-recognized hits like “Don’t Take The Girl,” “Live Like You Were Dying,” and “Humble and Kind” written by Lori McKenna. McGraw also won the CMA’s Entertainer of the Year in 2001.

Similar to other Modern Era hopefuls, the question is if Tim McGraw is still considered a current artist, while other artists who’ve been patiently waiting their turn (i.e. Dwight Yoakam) continue to be passed over. But now that Kenny Chesney is in, if feels like a matter of “when” not “if” McGraw will get in. When very well might be 2026.

Shania Twain – Make no mistake about it, Shania Twain will be in the Country Music Hall of Fame some day. During her era, nobody was a bigger commercial success except for Garth Brooks. With over 100 million records sold, she is the best-selling woman in country music of all time, and one of the best selling music artists in all of music, period. She is the undisputed queen of country pop. And though traditionalists love to shake their angry little fists at her for ushering in the pop era of country, her influence is undeniable.

Something to always consider when talking about the Hall of Fame is proximity to voters. As a Canadian who also keeps a residence in Switzerland, Shania may not be in the best position to lobby for her spot in the rotunda. But from a purely statistical and popularity standpoint, there is not artist that is bigger that is not in the Hall of Fame than Shania.

Travis Tritt: Since two of his brethren from the “Class of ’89” are in (Garth Brooks and Alan Jackson), as well as his “No Hat” buddy in Marty Stuart, it definitely feels like Travis Tritt deserves to be in too. There’s probably still a few names ahead of him, and since his commercial career cooled off somewhat quickly, his induction ceremony may still be some years away. It also probably doesn’t help that Travis Tritt has been one to speak about the ills of the country music industry, which may draw the ire of some voters. Tritt is also divisive politically.

And why not consider Tritt, with two Grammy Awards, four CMAs, five #1 singles, and 19 Top 10’s? Travis Tritt helped put the drive into country, both sonically and commercially.

The [Dixie] Chicks – As the winner of the 2000 CMA Entertainer of the Year, Album of the Year for Fly, a four-time winner for Vocal Group of the Year, along with 10 total CMA wins, The Chicks are definitely legitimate contenders for the Hall of Fame sooner than later. Some folks forget that before their cancellation in 2003, they were the biggest act in country music. They’ve sold 33 million albums, and are the best-selling all-woman band and best-selling country group since Nielsen SoundScan began recording sales in 1991.

The fact that history looks back at how their career was destroyed due to the comments of Natalie Maines about the Iraq War as a blight in country music certainly influences their chances of eventually being recognized by the Hall of Fame. It would be a way to help make it right, even if the group these days is not especially “country” anymore.


Other Potential Modern Era Inductees:

Keith Urban – With 22 No. 1 singles according to Billboard, Keith Urban is probably getting in at some point. Urban’s also been heavily involved in the “All for the Hall” fundraising events for the Hall of Fame over the years, likely earning him some champions in the ranks of voters. Urban is another guys whose prospects were raised once Kenny Chesney went in.

Trisha Yearwood: It’s the timeless songs, and how Yearwood was one of the most important women throughout the ’90s that makes her an eligible candidate for the Hall of Fame. Her debut single “She’s In Love with the Boy,” is a bonafide country music standard, and one of five #1’s she enjoyed. Her 1991 self-titled album became the first debut female country album to sell one million copies, and has since gone double platinum.

Martina McBride: With five #1 songs, and twenty Top 20 singles, Martina McBride has comparable numbers to other recent Modern Era inductees and current candidates. But it isn’t just the numbers when it comes to Martina. It’s the voice, and the emotion it carries that makes Martina McBride a viable Hall of Fame candidate.

Lorrie Morgan – With 6 millions records sold worldwide and 40 charting singles, she’s a contender for the future for sure. Morgan helped get her former husband Keith Whitley in, so she clearly has the ear of voters.

John Michael Montgomery – Few assembled as memorable of a list of hits in the ’90s as John Michael Montgomery. “I Love the Way You Love Me,” “Sold (The Grundy County Auction Incident),” “I Swear,” “I Can Love You Like That,” and “Be My Baby Tonight” all hit #1, and deservedly so from one of the era’s most passionate singers. Having fought through recent health issues and officially retiring, a Hall of Fame induction would be a good send off.

Steve Wariner – With a surprising nine #1 singles throughout the 80’s, Wariner is not one of those flashy characters that immediately jumps out at you as a Hall of Fame contender, but he quietly put together a Hall of Fame-caliber career. He’s also a guy who hangs around the right places in Nashville to make sure selection committee members don’t forget about him, so don’t be surprised if his name pops up as an inductee.

Other Eligible Inductees Include:

K.T. Oslin (1987) • Shenandoah (1987) • Lorrie Morgan (1988) • Joe Diffie (1990) • Diamond Rio (1991) • Pam Tillis (1991) • Faith Hill (1993) • Lonestar (1995) • Trace Adkins (1996) • Brad Paisley (1999) • Rascal Flatts (2000) • Blake Shelton (2001) • Josh Turner (2001) • Dierks Bentley (2003) • Gretchen Wilson (2004) • Jason Aldean (2005) • Miranda Lambert (2005) • Carrie Underwood (2005) • Eric Church (2006)


Potential Veterans Era Inductees

Last year’s pick of June Carter created a lot of criticism from the public, not because people don’t love June, but because it seemed to factor in favoritism and name-recognition above merit. As backlogged as the Modern Era is, the Veteran’s Era is multipliers worse. And to spend a year’s pick on a polarizing inductee did the Hall of Fame no favors.

Hall of Fame insiders say that the same 6 or 7 names keep coming up on the Veteran’s Era final ballot (5 total names) each year. But then whatever the new name that comes up to replace last year’s inductee tends to be who gets in. Who knows who that new name might be in 2026. But hopefully, it’s somebody most everyone can agree deserves it.

• Last Year’s Inductee: June Carter

• Saving Country Music Prediction: Vern Gosdin or The Nitty Gritty Dirt Band

• Saving Country Music’s Picks: Johnny Horton, Maddox Brothers & Rose, The Stanley Brothers

The Maddox Brothers & Rose – The Maddox Brothers & Rose set the very foundations for country and rock music in America, along with The Bakersfield Sound and California Country at large. Their flamboyant stage dress inspired by the cowboys of the silver screen directly sparked the Nudie Suit craze in country music that is still en vogue today, and directly inspired Elvis Presley’s stage costumes. Rose Maddox was also one of the very first successful women in country music, and opened up the role of women as country entertainers for generations to come.

If groups like The Jordanaires and The Sons of the Pioneers are in The Hall, certainly The Maddox Brothers & Rose should be. Their worthiness for the Hall of Fame was underscored in the 2019 Ken Burns country music documentary where the group was featured prominently.

Vern Gosdin – Think of all the incredible voices that have graced country music over the decades: the intrinsic pain found in the singing of George Jones, the uncanny pentameter of John Anderson, the caramel tone of Dwight Yoakam, or Johnny Cash, who sounded like God himself. And of course, let’s not forget the angelic sounds of Patsy Cline, Loretta Lynn, Tammy Wynette, and Dolly.

But there’s only one artist in the history of country music who is unarguably referred to simply as “The Voice.” That’s how revered the singing of Vern Gosdin is. Despite his 19 Top 10 hits and multiple #1’s—and a consensus behind the conclusion by fans and fellow artists alike that he’s one of the best singers in the history of country music—Gosdin is one of those characters who seems to be continuously overlooked in country history. Luckily though, there is finally some buzz that Vern is being seriously considered for the Hall of Fame.

Johnny Horton – Horton is one of the most recognizable country artists from the ’50s and early ’60s. But since he died in 1960 in an automobile accident, he never had the opportunity to fulfill the promise of his career. Nonetheless, many believe that what Johnny Horton contributed before he passed was Hall of Fame worthy, similar to Keith Whitley and Patsy Cline.

Horton’s greatest contributions were his historical songs that have gone on to become mainstays of the American music songbook. “The Battle of New Orleans” won the 1960 Grammy for Best Country & Western Recording, won the Grammy Hall of Fame Award in 2001, and was named one of the RIAA’s “Songs of the Century.” Other songs like “Sink the Bismark” and “North to Alaska” hold great historical significance. Horton is already a member of the Rockabilly Hall of Fame, and the Louisiana Hall of Fame.

Ralph Stanley / The Stanley Brothers – Ralph Stanley and The Stanley Brothers continue to be a glaring omission in the ranks of Hall of Fame members. Ralph Stanley was a seminal figure in the emergence of bluegrass in both the original era, and during its second wind after the success of O Brother Where Art Thou. Universally beloved inside Nashville and beyond, a former Grand Ole Opry member, and a powerful name to represent the bluegrass side of country, Ralph Stanley would be a strong pick few would quibble with, and is well past due.

Ralph Stanley started his musical career with his brother Carter Stanley who passed away in 1966. The two brothers spent two decades together as performers. The Stanley Brothers as a pair would probably be how they are inducted as opposed to Ralph Stanley alone. This is what the family of both Ralph and Carter have been advocating for.

Nitty Gritty Dirt Band – From folk rock at their inception, to bluegrass revivalists in the ’70s, to country radio hitmakers in the ’80s, The Nitty Gritty Dirt Band have just about done it all, and in a way that has been revered and wildly influential throughout music. Jerry Jeff Walker may have written “Mr. Bojangles,” but it was the Nitty Gritty Dirt Band that popularized the song and had a hit with it in 1970.

The band perhaps released their pinnacle contribution to country with 1972’s Will The Circle Be Unbroken. The landmark album saw appearances by country and bluegrass legends such as Roy Acuff, Doc Watson, Earl Scruggs, Mother Maybelle Carter, Jimmy Martin, and many more. The album became like a road map for many folk and rock fans to find their way into country, as well as a bridging together of two generations of performers.

With their recent farewell tour, now would be as good a time as any to induct them into the Hall of Fame.

Lynn Anderson – Lynn Anderson was the singer of 12 country music #1’s, and known as the “Great Lady of Country Music.” Anderson also performed on over 40 albums over her career which resulted in over 50 Top 40 hits. Beyond the chart hits and awards, she also helped break down barriers for women in country. “(I Never Promised You a) Rose Garden” was a huge crossover success, and in 1974 Lynn was the first country female to sell out Madison Square Garden.

Though the hits began to slow down for Lynn Anderson later in life, she never did, continuing to perform and make appearances as a country music legend. Though she was never inducted into the Country Music Hall of Fame, her name always seemed to be in the mix when the finalists were being considered, and it deserves to be.

Jimmy Buffett – Though Jimmy Buffett only ever scored one official #1 hit, this is a significantly misleading stat compared to the host of signature songs Buffett accrued over his career, and the ultimate success and impact he had with them. Despite the lack of radio play beyond “Margaritaville,” or a proper genre to call his home, Jimmy Buffett scored nine Certified Platinum albums over his career, and an additional eight Certified Gold albums. This includes the whopping 7X Platinum Songs You Know By Heart Greatest Hits compilation, which as the name implies, includes songs that many people in the United States know front to back.

Perhaps the stat that’s the best summation of Jimmy Buffett’s career is that he was one of music’s few billionaires. Sure, a lion’s share of that billion was built off of his Margaritaville resorts, restaurants, and licensing deals. But you don’t make that happen unless a song you wrote resonates so wide that it becomes an indelible part of American culture. This is what Jimmy Buffett did.

Johnny PayCheck: Johnny PayCheck (real name Donald Eugene Lytle) was never a hit machine. He only had one #1, but it was a massive one in “Take This Job and Shove It”—which might be one of the most recognized country songs of all time. “She’s All I Got” was also a big hit. But similar to inductees like Keith Whitley and Marty Stuart, it is the intangibles, and the work with others that make PayCheck Hall of Fame worthy.

While playing bass and steel guitar for George Jones, it’s said that Paycheck helped influence George’s singing (though some dispute this). Johnny also played steel guitar for Buck Owens on tour, and played with Ray Price, Ernest Tubb, and recorded as a session artist with others like Willie Nelson and Roger Miller. Johnny PayCheck is synonymous with country music, and seems like a glaring omission in the Hall of Fame. 

As other guys with checkered pasts have seen their musical legacies supersede these concerns and finally see induction, it has moved PayCheck further up in contention to the point now where he’s been rumored to have made it as one of the finalists for consideration over the last few years. If Jerry Lee Lewis can get in, so can PayCheck. 

Linda Ronstadt: It could be easy to cast off Linda Ronstadt as a legitimate candidate for being a country artist who eventually crossed over into pop and rock. But few paid their dues as much as Linda did early in her career, including her years in the Stone Poneys, her debut solo album in 1969, Hand Sown…Home Grown, 1970’s Silk Purse that included cover songs of “Lovesick Blues” and “Mental Revenge,” and her 1972 self-titled album where she recorded “Crazy Arms” and “I Fall To Pieces.” Even when she achieved her breakout pop rock success, Linda Ronstadt was always honest about the genre and approach of her music, and then returned to country in the groundbreaking “Trio” project with Hall of Famers Dolly Parton and Emmylou Harris.

Other Veterans Era-eligible artists may deserve an induction more than Ronstadt at the moment due to the crowded backlog. But with the wild way the Veterans Era is picked, don’t be surprised if she ends up as an inductee in the coming years. She has been rumored to have made it onto the final ballot recently.

Eddie Rabbitt: Aside from maybe Gary Stewart, the case could be made that Eddie Rabbitt is the most wrongfully overlooked star in country music history. Gary Stewart only had one #1 song in his career though. Eddie Rabbitt had 20 of them, and 34 total Top 10 hits, most of which he wrote himself. And all 34 of Rabbitt’s Top 10 hits came in a row, one after another, between 1976’s “Drinkin’ My Baby (Off My Mind)” and 1990 “Runnin’ With The Wind.”

Eddie Rabbitt’s career wasn’t just accomplished, it was downright Hall of Fame worthy. But you never hear Eddie Rabbitt’s name brought up in the context of the Hall of Fame. Actually, you barely ever hear his name at all, in part because he passed away at the relatively young age of 56. But Eddie Rabbitt definitely deserves to be in the Hall of Fame discussion.

Larry Gatlin & The Gatlin Brothers: With 33 Top 40 singles, 15 Top 5’s and three #1’s, Larry Gatlin likely accrued the numbers throughout the 70’s and the 80’s to be a Hall of Fame contender, not to speak of the influence he wielded in country music through that period, both as a solo artist, and with brothers Steve and Rudy. But also bolstering Larry Gatlin’s case is he’s one of these “men about town” types that seems to be at every function and gala in the country music realm, is active in the community, and is willing to help keep the legacy of country music alive, which the Hall of Fame selection committee often rewards. Larry Gatlin is a name that is hard to forget, and rumors have had his name on the final ballot over the last few years.

Gram Parsons: Gram’s inclusion in Hall of Fame consideration is always a topic of great discussion. In 2013 there was a greater push than ever to induct him, with influential country music writer Chet Flippo personally making the case for Parsons. But it wasn’t meant to be, and it may be many years before it is, especially with the current backlog in the Veterans Era. But his name is always in the field for this accolade, and looking at the influence Gram had turning on millions of rock and roll fans to the importance and coolness of country music, it always should be.

Other Potential Veterans Era Inductees:

  • Earl Thomas Conley (Petition) – It’s easy to forget just how big Conley was in the ’80s. He had 18 #1 hit songs, and a string where 19 consecutive songs either went #1 or #2. Songs Conley wrote were also recorded by Conway Twitty, Mel Street, and others. 
  • Rosanne Cash- Folks sometimes forget just how big Rosanne Cash got in the ’80s with ten #1 hits, and a huge influence on the genre at the time. She’s not just Johnny Cash’s daughter, or an Americana icon. Rosanne Cash could be a legitimate Hall of Famer in her own right.
  • Mickey Gilley – With 42 Top 40 singles and the role he played during the Urban Cowboy era, Mickey should be considered a contender.
  • Gene Watson – With five #1’s across country and Gospel and 76 total charted singles, Gene Watson was an understated superstar, and the fact that he continues to remain active in trying to keep both is own legacy and the legacy of country music alive makes him a name worth considering.
  • Crystal Gayle – Loretta Lynn’s sister and “Don’t It Make My Brown Eyes Blue” singer has fans and allies in the industry, and expect her name to be bandied about for the Hall of Fame in the coming years.
  • Jimmy Martin – You might have to put Ralph Stanley and the Stanley Brothers in before Jimmy Martin gets considered. His personal antics might also hold him back as well. But the “King of Bluegrass” should be put in eventually.
  • Tompall Glaser & The Glaser Brothers: Perhaps a long shot, or at least until the Veteran’s Era backlog is cleared, brothers-in-Outlaw-country-arms Bobby Bare and “Cowboy” Jack Clement were inducted over the last decade, so many the proprietor of Hillbilly Central will get his due in the coming years.
  • Charlie Poole
  • Anne Murray
  • John Hartford
  • The Bellamy Brothers
  • Johnny Rodriguez
  • John Denver
  • David Allan Coe
  • Lulu Bell and Scotty Wiseman
  • Gary Stewart
  • Jack Greene
  • Skeeter Davis
  • Donna Fargo
  • Slim Whitman
  • Wanda Jackson
  • Wynn Stewart – (Petition)
  • Jimmy C. Newman
  • Sammi Smith
  • Jeannie Seely
  • George Hamilton IV
  • The Wilburn Brothers
  • Leroy Van Dyke
  • Stonewall Jackson
  • Asleep at the Wheel
  • Boxcar Willie

Potential Songwriter Inductees

Though some fans would love to see this award go to songwriting performers who loom large in their world like Guy Clark, Townes Van Zandt, or Billy Joe Shaver, it often goes to more behind-the-scenes folks who nonetheless contributed greatly to country music. This is the reason dedicated songwriters have their own category. However, this tends to lock songwriters who are also performers out of the process. Hopefully in the coming years, some of these more well-known songwriters can find favor from the Hall of Fame.

• Last Songwriter Inducted: Bob McDill (2023)

• Saving Country Music’s Prediction: Paul Overstreet or Rodney Crowell

• Saving Country Music’s Picks:  Townes Van Zandt, Guy Clark, Billy Joe Shaver

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Townes Van Zandt: There is no more revered and mythical name in songwriting than Townes Van Zandt. His life was like a song itself—so touching yet so fleeting. No other songwriter has made people feel as much emotion as Townes Van Zandt. The question is will the Hall of Fame committee consider Van Zandt more of a performer than a pure songwriter?

Rodney Crowell – A big success as a performer in the late 80s with five consecutive #1 singles, the performing legacy of Rodney Crowell still probably isn’t solid enough to go in as a Modern or Veterans era candidate, even if his career has been Hall of Fame worthy. That is why his name as been rumored to be considered in the songwriting category since he also wrote so many great hits for others.

Guy Clark – Even though to many, Guy Clark will always be an original performer, his catalog of works recorded by superstars like George Strait, Johnny Cash, Willie Nelson, Kenny Chesney, Jerry Jeff Walker, and so many more means that even as a pure songwriter, he deserves his shot at Hall of Fame recognition.

Billy Joe Shaver – An absolute legend in the Outlaw realm for writing all but one song on the Waylon Jennings album Honky Tonk Heroes, Billy Joe Shaver is a classic case of a performer/songwriter that should be in the Hall of Fame, and will never go in as a performer exclusively.

John D. Loudermilk – A cousin to The Louvin Brothers that had great commercial success as a songwriter in the 60’s and 70’s, he was inducted into the Nashville Songwriters Hall of Fame in 1976, and certainly deserves consideration for this distinction.

Shel Silverstein – That’s right, he didn’t just write the children’s books A Light in the Attic and Where the Sidewalk Ends. He also wrote “A Boy Named Sue” and other strong country offerings, making Shel one of the quintessential behind-the-scenes songwriting stars.

Larry Cordle – The writer of “Against The Grain,” “Highway 40 Blues,” and hits for George Strait, Kathy Mattea, and Trisha Yearwood. But Larry Cordle really made his biggest mark when he penned “Murder on Music Row” with Larry Shell. The song went on to be the 2001 CMA Song of the Year.

Paul Overstreet – Writer of “Forever and Ever, Amen” and “When You Say Nothing At All” with Don Schlitz, and performer/writer of “Daddy’s Come Around.” Discounted slightly because he’s also the writer of “She Thinks My Tractor’s Sexy” and other unfortunate hits, but still a significant songwriter in country history.

Lucinda Williams – Along with being a landmark songwriter/performer of our generation, Williams was responsible for writing memorable songs like Mary Chapin Carpenter’s “Passionate Kisses,” “The Night’s Too Long” by Patty Loveless, “Sweet Old World” by Emmylou Harris, and even Tom Petty’s “Changed The Locks.”

Max D. Barnes – Writer of “Who’s Gonna Fill Their Shoes,” “Drinkin’ & Dreamin” (Waylon), “Look At Us” (Vince Gill), and many more. He won a total of 42 songwriter awards during his decorated career.

Curly Putman– Wrote songs for Roger Miller, Elvis Presley, Kenny Rogers, Don Williams, Johnny Paycheck, Johnny Cash, George Jones, Merle Haggard, Bobby Bare, Charley Pride, Tom Jones, and many more. Best known as the writer of “Green Green Grass of Home.”

Sonny Throckmorton – Wrote more than 1,000 songs that were recorded by performing artists, including songs for Merle Haggard, The Oak Ridge Boys, John Conlee, and others. Sonny was named Songwriter of the Year by the Nashville Songwriters Association in 1978, 1979, and 1980.

Jimmy Webb – Songwriter for “Wichita Lineman,” “Galveston,” “MacArthur Park,” and many more, including many non-country songs for artists such as Frank Sinatra, James Taylor, and R.E.M. He was inducted into the Songwriters Hall of Fame in 1986 and the Nashville Songwriters Hall of Fame in 1990.

Kostas – Greek-born songwriter for Dwight Yoakam, George Strait, Travis Tritt, The Dixie Chicks, Marty Stuart, and many more.

John Prine

Jerry Jeff Walker


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