Willie Nelson and Steve Perry Strike Magic with “Faithfully”

Willie Nelson is not only one of the most legendary artists in the entire history of country music, he also might be one of the premier interpreters of songs in the history of popular recordings. Red Headed Stranger might have been his magnum opus, but it was his release of pop standards Stardust that resulted in worldwide recognition for Willie’s gifts.
There’s nothing else like Willie Nelson’s voice, and age has only enhanced that feeling of reverence mixed with nostalgia that wells in a listener whenever it graces a recording. Willie recently brought that voice to bear on the evocative Journey song “Faithfully,” and with another soul whose voice immediately evokes emotion and nostalgia, its original singer, Steve Perry.
The official reason for the surprise release is to raise funds for the 2025 Farm Aid effort. The annual event just announced the lineup for it’s 40th Anniversary on September 20th in Minneapolis, with Dave Matthews, Billy Strings, Nathaniel Rateliff & the Night Sweats, Trampled by Turtles, Margo Price, Waxahatchee, Eric Burton of Black Pumas, Jesse Welles, and Madeline Edwards set to perform.
Steve Perry no longer performs with Journey, and only rarely performs Journey songs. But for this cause, and for the opportunity to perform with Willie, “no” was not an option. Perry says that Willie Nelson is “one of the most prolific and poetic vocalists I’ve ever heard,” and that singing with Willie “is one of the greatest honors of my life. It brought out an emotion in me that only singing with Willie can do.”
As great of a singer as Willie Nelson is, his unusual approach to phrasing has always made him a challenging duet partner. Some of Willie’s biggest duets feature Willie singing separately from the other singer except for maybe a phrase or two, similar to how the Steve Perry duet on “Faithfully” comes about.
It’s hard to not fall for the emotion on the track, which is respectful of the original piano-based arrangement, but also brings in the familiar tones of Mickey Raphael’s harmonica, and Willie’s guitar Trigger. The history of the song and these two men is just too great to resist. But at times it feels like Steve Perry tries to be a little too expressive, or perhaps tries to match Willie’s unique phrasing, like at the 2:06 mark where Perry holds out “time…” a little too long.
Nit pick it all you want though, the Willie Nelson/Steve Perry version of “Faithfully” has proven in 48 hours to be much more than a passing notion of a promotional track. It’s touched a nerve, perhaps in part due to the personal nature of the lyricism, and how it relates to Willie’s long life on the road as a musician, still traveling at 92.
What might have started as a simple track to promote Farm Aid feels like a powerful musical moment that might distinguish itself as landmark collaboration of 2025, combining two musical legends and an iconic song into a misty-eyed moment.
May 16, 2025 @ 11:15 am
The idea of this is…interesting but the final product sounds like when you change the speed setting on a Youtube video to 50%
May 17, 2025 @ 6:16 pm
Paraphrasing radio DJ after he heard a clip of it ”It should’ve been left as an idea.” Absolutely. Rancid.
June 11, 2025 @ 12:05 am
Hey, Willie’s “Still Not Dead” —only rancid.
New album: “Who Will Buy My
MemoriesSmells”May 16, 2025 @ 11:20 am
Cool track, but honestly I would love to see a Willie only version of this. I don’t think Perry adds to the overall track and I do agree I think he’s maybe trying a little too hard. I got shivers when Willie sang the first few lines however. But that faded when Perry came in and it seemed out of place. I understand that this is a Journey song originally and Steve Perry’s place singing this song is undeniable, but I really would love a Willie only version.
May 16, 2025 @ 12:17 pm
This was much of my experience as well. Though I do wonder that if you approach the song as a Steve Perry/rock fan, you wouldn’t think it’s Willie’s vocals that sound weak and aged, and distracting. We’re country fans, so Willie’s voice is something we cherish.
May 17, 2025 @ 5:10 pm
Funny I thought Perry was holding back. I loved it though
May 16, 2025 @ 12:38 pm
I listened to this song twice and I am 99% convinced that they had Perry sing his vocal track seperately at a faster speed closer to the original recording, and then digitally slowed it down to match Willy. His vibrato does not sound natural at all at the speed on the recording. I might as well just come out and say it; this reeks of heavy digital editing and pitch correction thru the entire thing. It’s too distracting for me to take seriously.
May 16, 2025 @ 2:32 pm
You’re probably right, but everything Willie records and releases now is probably considerably manipulated. He’s 92 years old. When he performs live, his voice sounds noticeably ,more frail and quavery than it is on record.
May 16, 2025 @ 5:08 pm
For sure it’s considerably manipulated and I don’t listen to his latest albums. Because of nostalgia many people don’t care. I view it like the Simpsons after Season 10 or the Office after Season 7 and the rumors of a reboot – at a certain point it’s just over and why keep putting out something new just because. If it has to be digitally edited to the point of being basically AI created, just why?
May 16, 2025 @ 5:59 pm
Willie gets away with plenty that other artists wouldn’t because of nostalgia.
May 16, 2025 @ 6:29 pm
Yeah, it’s almost as if someone who is 92 years old, grew up during the Depression picking cotton by hand, played with Bob Wills, wrote songs for Faron Young and Patsy Cline, sparked a country music revolution, became one of the most recognized and beloved music artists worldwide should be extended some level of respect and grace.
But in this comments section, we hold these people to task! Willie Nelson uses Auto-tune! Maybe his voice isn’t even real anymore! After all, he’s a Democrat!
May 16, 2025 @ 6:43 pm
It is OK to critique your heroes.
May 17, 2025 @ 3:08 am
So at what age does studio sweetening/Auto-Tune/AI get a pass? 90? 80? 70? 65? When your hair turns gray? Is it OK for Willie to use it but not Connie Smith? Connie Smith but not George Strait? George Strait but not Reba McEntire?
May 17, 2025 @ 7:25 am
Willie Nelson and Steve Perry are getting a pass here for criticism. No one is calling them frauds or discounting their previous music. Just because they are old and legends doesn’t mean that I will pretend that studio sweetening isn’t heavily used. It just means that to me, their latest output isn’t canon.
May 16, 2025 @ 5:27 pm
Nothing about Willie Nelson’s albums is “manipulated.” I’m sure they wait until the time of day when his energy is optimized, probably give him oxygen before recording his vocal parts, and might make other provisions to capture Willie at his best at the age of 92. But it’s pretty irresponsible to act like more is going on here.
With this particular song, I agree Steve Perry’s phrasing sounds weird, and said as much in the review. Is it “manipulated”? I don’t know. But let’s not imply AI is involved here or something. If it was, Steve probably would sound better.
May 16, 2025 @ 5:57 pm
I can’t definitively quote what I read on audio engineering Reddit threads but Willie Nelson was mentioned as having loved how pitch correction worked on his vocals. I think it’s great that he is still touring and I don’t fault him at all for having to essentially “talk” through most of his songs live because of his age (and diminshed lung capacity from the reefer lol). Also there is no hurting his legacy as an amazing songwriter. I lean towards believing it is manipulated more than younger artists but at this point I’m screaming into an empty canyon if someone doesn’t want to believe that is the case and considering it’s at the tail end of a monstrous legacy – it doesn’t really matter. At a certain point of digital alteration I really do believe it’s like AI taking the likeness of an artist’s voice and creating a new song.
However the instrumentation is great and I always like hearing modern adaptation of the steel guitar.
May 16, 2025 @ 6:27 pm
“I can’t definitively quote what I read on audio engineering Reddit threads but Willie Nelson was mentioned as having loved how pitch correction worked on his vocals.”
Oh fuck off. This is a ridiculous conversation, and doesn’t even hit at the root of the original argument you were making that Steve Perry’s vocals were sped up or slowed down. And you’ve done this before throwing out that basically all artists use Auto-tune.
These comments sections are becoming more and more of an embarrassment of people coming here to tear others down.
May 17, 2025 @ 7:12 am
I know where Tim Walz needs to send tampons next.
May 17, 2025 @ 8:08 am
That’s incorrect. His vocals are pitch corrected. Why are you so emotional over it? A lot of artists young and old use it. I get that he’s a hero of yours, but there’s no reason to ignore reality. I really thought you were a bit more level headed than that.
May 17, 2025 @ 8:56 am
Six weeks ago I was standing six feet from Willie Nelson as he was singing. No pitch correction was being employed.
He’s said many times over the years, including in his Autobiography that himself and his whole family, his sister, parents, grandparents, etc. who were all singers and musicians, were all graced with perfect pitch.
Has Auto-tune been used in the studio to correct a note or two on Willie records? I’m sure it has been. And as I’ve said for many years, that is the point of Auto-tune, to fix a note or two in an otherwise great performance. That is why it was developed. Is Willie Nelson and “Auto-tune” artist? Absolutely not, and it’s ridiculous to assert so.
May 17, 2025 @ 11:26 am
I stated that there is no pitch correction on Willy used live. I am aware his live shows are mostly talking at this point – and that isn’t a complaint. I didn’t even bring this point up to hurt his legacy. The finished product of that recordind is way more polished than his music was 20 years ago and astronomically more polished than anything he is doing live. This issue only matters in that people have to ignore or disbelieve that heavy electronic editing on records is even a thing.
May 16, 2025 @ 9:07 pm
Almost like Perry sang an octave too high for this, even if that’s the sound he’s known for. Really liked this arrangement overall though
May 16, 2025 @ 11:54 am
Next, Wille should do a duet with REO Speedwagon, Keep on Loving You.
May 16, 2025 @ 12:25 pm
That comment made my day, Hank.🤣
May 16, 2025 @ 1:09 pm
Plácido Domingo is also still alive, somehow. I don’t think Willie has tapped him for a collaboration yet.
Otherwise, Sting and Rod Stewart have also been reliable and grateful collaborators for negligible duets of all styles and genres since they passed their musical zenith 40 years ago.
Therefore, I think that a collaboration between them and Willie is absolutely still within the realm of possibility.
May 17, 2025 @ 1:01 am
Domingo has done duets with almost as many pop stars as Willie has.
Per the Internet, Domingo has a slate of concerts scheduled this year. Alas, they’re in Geneva, Bremen, Zurich, and Chiclana de la Frontera and Chiclana de la Frontera, Spain. Willie probably has a better shot at landing Enrique iglesias for a duet.
I never saw Domingo, but I did see the singer who’s bandleader introduced him as “The Domingo of the Desert….The Pavarotti of the Plains.” That was the Rolling Stone from Texas, Don Walser. It was at a Summer outdoor concert series in the plaza at Lincoln Center, in front of the Metropolitan Opera house were Domingo and Pavarotti both performed. I even got to talk to Don and his Patricia Jane, while the band was setting up. Must have been right around 2000.
May 17, 2025 @ 10:38 pm
Enrique iglesias – That was good!🤭
May 16, 2025 @ 7:10 pm
I’d pick “Son Of A Poor Man” or “Golden Country”. You know, something that every tribute band hasn’t already beat to death.
May 17, 2025 @ 5:11 pm
Yes, Son of a Poor Man and my other choice would be Lay Me Down!
May 16, 2025 @ 12:27 pm
It’s crazy how many hit songs Journey had about how being on the road sucks, like I miss my girl and the city by the bay and the wheel keeps turning. Dude, get over it, you’re in a rock band, it’s your job.
May 21, 2025 @ 9:36 am
Bob Seger was the king of the grumpy old rock star subgenre. When he wasn’t complaining about touring (“Turn the Page”), he was moaning about how all new music sucked (“Old Time Rock and Roll”).
May 16, 2025 @ 2:13 pm
I heard this on the radio today and had to turn it off. Something about Perry’s voice sounds wrong. Either digitally modified or he’s just lost it.
May 17, 2025 @ 3:45 pm
They have both lost it at this point. None of them can sing a proper line anymore.
People will probably defend Willie, but I stand by my words. It’s become painful to listen to him in recent years.
June 11, 2025 @ 12:22 am
Like they say, “perfect pitch” is when you throw a Chris Gaines video into the dumpster and it hits a new Willie Nelson album.
Yowsa, the Willie-Meister’s latest barrel-scraping venture scores big on my Oof-Meter.
I think the Perry guy really contributes to the general effect. SShhh boom TWANG !!!
May 16, 2025 @ 4:31 pm
At first listen, it was interesting. Replaying it, I kinda like it more, and more…
May 16, 2025 @ 6:07 pm
I think its a very unique blending of two superstars of different genres and a good song. I like it!
May 17, 2025 @ 3:42 pm
Steve Perry a superstar?
Oh, please…
May 17, 2025 @ 4:23 pm
“Don’t Stop Believin'” is the best selling song of the 20th Century and has been Certified 18X Platinum, or 2 million away from going Double Diamond. “Faithfully” is 7X Platinum.
So yeah, it’s probably fair to call Steve Perry a superstar.
May 17, 2025 @ 6:39 pm
And,of course, it will ALWAYS be on the jukebox at Holsten’s Diner.
May 18, 2025 @ 5:09 am
Journey are actually not my thing at all and I’m actually not into the whole MOR/AOR soft rock thing. But “Don’t Stop Believin'” is untouchable for me.
By the way, this applies to my entire family, even though some of us have completely different tastes in music. We can all agree on “Don’t Stop Believin’.”
May 16, 2025 @ 6:33 pm
Perry and Journey make me want to violently barf, still, nearly 50 years after I first heard them.
Yuck.
May 16, 2025 @ 9:21 pm
God bless Willie, and long may he wave. That said, I wish people would stop pretending Journey and Steve Perry were good. To each their own, but sorry, Journey sucked.
May 17, 2025 @ 7:46 am
To All the Girls I’ve Loved Before? That will always be the song I remember Willie by.
May 17, 2025 @ 10:38 am
Made me happy. Will be a performance I go back to a lot. Long live Willie & thank you Steve Perry for joining in to help make it an event. Farm Aid still does good work and stands for something.
May 17, 2025 @ 3:41 pm
Whoever pulls the strings should do both us and Willie a favour and let it go.
Willie is too old, his voice isn’t there; let him rest. It’s not worth the money for neither him or us anymore.
May 18, 2025 @ 10:53 am
They should have cut the strings on Willie after he played Uncle Jesse as a pot-smoker in that awful Dukes of Hazzard movie.
If only country music could have kept Pride and Waylon longer than Willie.
May 18, 2025 @ 11:21 am
A lot of negativity moving toward Willie for cutting a song to try and help American farmers.
Willie Nelson has contributed some incredible songs since 2005. “Hero” and “A Beautiful Time”are landmark records of his catalog.
May 17, 2025 @ 3:54 pm
Journey: the quintessential band that you’re supposed to hate, but somehow can’t help liking.
May 17, 2025 @ 6:47 pm
Probably because the musicianship was always top-notch.Neal Schon and Gregg Rolie came from Santana.Ross Valory had been with the Steve Miller Band. These guys don’t hire hacks.
May 17, 2025 @ 7:17 pm
This piece of shit is almost as bad as the juicy turd that shot out of Morgan Wallen’s ass.
May 17, 2025 @ 11:09 pm
Willie Nelson and Steve Perry just delivered more authenticity, emotion, and artistry in one stripped-down, soul-baring duet than Morgan Wallen managed in 37 tracks of overproduced, genre-confused filler.
Funny how two legends—one 92 years old, the other long out of the spotlight—can step into a studio, breathe life into a classic, and make half the “big names” in country music today sound like cheap karaoke in comparison.
Willie’s voice cracks, and somehow it hits harder than any of Wallen’s auto-tuned heartbreak cosplay. Perry bends a note a second too long? Cool—it’s called feeling something, not filtering it. Meanwhile, Morgan’s idea of a tribute is slapping a trap beat on a Keith Whitley classic and calling it art.
This duet proves something Morgan Wallen still hasn’t figured out: timeless doesn’t mean trendy. And heart can’t be manufactured in a Nashville writing room with nine co-writers and a vibe consultant.
But hey, congrats on the streams, Morgan. Willie just made a legacy move—you just made a playlist.
May 20, 2025 @ 9:37 am
I’ll stand with Willie until the day one of us passes. The man can do no wrong. I enjoyed this track very much.
May 28, 2025 @ 1:16 pm
They struck “magic”? What are you listening to? This is horrendous. This has less magic than a magic 8 Ball !!!!