60 Years Ago: Kris Kristofferson Gets His Start in Music … As a Janitor

photo: Al Clayton


It’s not where you start, it’s where you end up. Alan Jackson got his start in the music business as the mail room boy at CMT. John Anderson got his start roofing the Grand Ole Opry House. When Kris Kristofferson arrived in Nashville on November 1st, 1965, he got his foot in the door by taking a job as a janitor at the Columbia Recording Studios sweeping floors and emptying waste baskets. Incidentally, all three men ended up in the Country Music Hall of Fame.

For Kris Kristofferson, taking a job as a janitor was probably the most humbling of all. Alan Jackson and John Anderson came from the working class. Kris Kristofferson had been named a Rhodes Scholar at Oxford University. He’d also been an officer in the US Army, making it to the Captain rank as a trained Army Ranger and helicopter pilot. But his passion to want to become a songwriter is what compelled him to move to Nashville, and take whatever job he could to be closer to the music.

It wasn’t just a pay cut and a demotion in social status that Kris Kristofferson had to endure to chase his dream. His family disowned him for the decision. Kris Kristofferson was supposed to be an academic. He volunteered for Vietnam while in the Army and stationed in West Germany. But noticing Kristofferson’s knack for the written language, the Army assigned him to teach English at West Point. Kris asked for a discharge, and picked up a mop instead.

Things didn’t go especially well for Kristofferson at the start. The words of his landmark song “Sunday Morning Coming Down” were taken from his real life experience. Estranged from his family, failing at making it as a songwriter, he was nearing the end of his rope. However, that training as a helicopter pilot came into use in his songwriting career after all.

While still working as a studio janitor, Kristofferson also took part-time work with the National Guard to help pay the bills. To try and get Johnny Cash’s attention, Kristofferson decided one day to deviate from his flight plan in a helicopter while on a training run and landed in Johnny Cash’s front yard in Hendersonville.

What happened next depends on who you ask, but according to Cash, Kristofferson came sauntering out of the helicopter with a beer in one hand, and his demo tapes in another, demanding to be heard. Kristofferson painted a more subdued picture, saying, “Y’know, John had a very creative imaginationI’ve never flown with a beer in my life. Believe me, you need two hands to fly those things.I still think I was lucky he didn’t shoot me that day!”

Whatever story you believe, the daring mission resulted in Johnny Cash listening to those demos, and getting Kris Kristofferson on the Newport Folk Festival lineup where Cash invited him out on stage. This is when the world was officially introduced to Kris. When Johnny Cash recorded his version of Kristofferson’s “Sunday Morning Coming Down” and it won the CMA Award for Song of the Year in 1970, Kris became one of the hottest songwriters in the business.

Things ended up working out pretty well for ol’ Kristofferson. Along with becoming an award-winning songwriter, he became a successful performer himself, started being cast in movies, became an American heartthrob, dated Barbara Streisand and Janis Joplin—not bad for a former janitor—and he eventually married Rita Coolidge.

Through his songs and their transformational power in country music, Kris Kristofferson wouldn’t just prove his family wrong, he would revolutionize the mindset the entire listening public had about country, and clue them into the poeticism and the power that country music could wield through written word set to rhyme. This would open up the entire genre to an entirely new audience, and a new era as the Outlaws came to prominence in country.

But none of this might’ve happened if Kris Kristofferson wasn’t willing to take a chance on himself, and willing to do whatever it took to make his dream happen, from commandeering a United States helicopter to pay a visit to Johnny Cash, to scrubbing a commode in a recording studio.

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