Zach Top Proves He’s Worth New Headliner Status in Montana

It’s a new era in country music, and neotraditionalist Zach Top is largely to blame. His throwback ’90s sound reminds the older generations what country music and country radio used to sound like back before pop and other influences took over, while younger audiences are discovering it all for themselves for the first time through an artist they can relate to.
Not that many were questioning it previously, but on Saturday night, July 18th at the Under The Big Sky Festival in Whitefish, Montana, Zach Top had a resounding answer to anyone who wondered if he deserves headliner status. You’ve seen him near the “top” of some big mainstream festivals, but just below the top tier, with some exceptions. He did headline the Greenville Country Music Fest in 2025 with Koe Wetzel and a couple others. But he proved Saturday night, he is a pinnacle country music performer.
A packed field came to a deafening roar as Top made his way out onto the stage. As the old saying goes, it was a crowd from 8 to 80 who could all relate to Zach’s music, and many who were singing every word to every song back at the stage. Zach played music from his debut country record Cold Beer & Country Music (2024), and his Grammy-winning 2025 album Ain’t In It For My Health, along with some classic country and bluegrass covers.
In fact, fans were treated to an entire bluegrass set around an Ear Trumpet microphone, with the whole band picking up acoustic instruments, including the drummer with a bluegrass snare. They went to town for a host of songs, including a rather epic version of Jimmy Martin’s “Freeborn Man.”

Lots was made earlier this year when Zach Top let numerous long-time members of his band go in a retooling of sorts, namely acoustic guitarist and harmony vocalist Cheyenne Dalton Meyer and her husband and bass player Jimmy Meyer. Some felt it was disloyal for Top to move on. But the move was designed to optimize and tighten Top’s stage presentation, and you saw that on display Saturday night, including Zach solely playing acoustic guitar himself, and not even once handling his Brent Mason-signature Telecaster that he’s become famous for.
It does feel like without those blazing electric solos, Top is leaving a weapon in his arsenal unused. But he still took plenty of incredible leads on the acoustic, and perhaps has even refined his playing on the instrument under the new arrangement. Meanwhile, the band is deadly tight, rolling in and out of songs seemingly effortlessly, evoking the ’90s sound in the modern era.
Zach Top has also received fair criticism that some of the songs on his latest album were a little “light” in the songwriting dept., and he’s relying too much on ’90s nostalgia as opposed to more original ideas. This remains true in the recorded context. But rendered live, the new songs and throwback stuff still is so successful in getting audiences to buy in. The beachy song “Flip–Flop” sort of felt like a flop on the record. But live, the audience was completely into it, including holding up their flip-flops in the air when Zach Top prompted.

There were many of those memory-making moments during the Zach Top set that he smartly leaned into. The major single and best song from his new album “South of Sanity” created a very special moment, especially since it starts off with the verse “somewhere outside of Missoula,” which is exactly where Under The Big Sky is. Though it’s an easy gimmick, when Top compelled the audience to take out their phone flashlights, it did make for a spectacular scene under the big sky in Montana.

There were a couple of other unique and newsworthy moments, including Stephen Wilson Jr. coming out to sing “Pancho and Lefty” with Zach (see video). Stephen had played right before Zach on the main stage. Unfortunately, Wilson Jr. flubbed the words perhaps a couple of times, and Zach had to rescue him. It probably wasn’t Stephen’s finest moment, but by the end, everything was put back on track, and it still was a great “moment.”
Two years ago when Zach Top played, it was headliner Billy Strings who brought him out for a couple of epic bluegrass songs. It might have been cool to see Zach select Drury Anderson or Luke Black from Mountain Grass Unit to guest with him. After all, except for Zach’s epic set, they became the story of Saturday at Under The Big Sky. Along with playing their scheduled set on the 2nd stage, they also filled in on the main one for Waylon Wyatt who was sick with sepsis.
The other newsworthy moment is when Zach Top debuted a brand new song possibly called “Good Girls.” It’s hook goes, “Good girls are made of sugar and spice. Cowgirls are made of whiskey and ice.” Saving Country Music doesn’t share new songs debuted live, but can verify the song went over very well with the audience, especially the women.
For some specific members of the audience, the experience was even more memorable. There was one especially enthusiastic fan that was standing dead center stage on the very front row during the show. When Zach Top sang “Use Me,” tears were streaming down her cheeks, and it wasn’t easy for the whole audience around her to not feel similarly emotional. Either Zach Top himself, or someone on his team noticed her, and with a security attache, escorted her backstage, likely to view the rest of the show stage side, and meet Zach Top later on.
Throughout most of the set, someone was holding up a jean jacket painted with “Zach Top” on the back. At some point, it made it to the stage, and was signed by Zach. Then as the show ended, it made it back out front. There was another especially impassioned fan on the front row, and the security noticing her and thinking the jacket was simply something being taken off the stage for anyone to receive (like the sets lists, etc,), they gave the jacket to her instead of the rightful owner. A strong conversation ensued, but it appears it was the impassioned fan, not the original owner that left with the jacket.

Zach Top did not play an encore, which was perfect. He instead packed as much music as he could into the abbreviated, but still full-feeling 90 minute set (see set list below). Zach Top might not still be at the top of the charts, but he’s proving that his throwback country music is not just a gimmick, and the appeal won’t just be short-lived. He’s a premier entertainer, singer, and guitar player. He deserves to be headlining shows all across the United States. And so does country music.
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For more from Under The Big Sky Fest, follow Saving Country Music on Instagram. A full recap of the 2026 Under The Big Sky Fest is forthcoming.
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July 19, 2026 @ 1:22 pm
“Unfortunately, Wilson Jr. flubbed the words perhaps a couple of times, and Zach had to rescue him.”
: D Zach had to rescue him?
Hardly.
Both Stephen and Zach sounded just fine.
Loved Stephen’s guitar playing on that song.
July 19, 2026 @ 3:13 pm
Stephen Wilson Jr. messed up the lyrics, full stop. Anyone who was actually here will concur. You’re just disagreeing to be contrarian once again because you suffer from some mental health issue that compels you to do so.
Also, his guitar sounded completely inappropriate to the tune. I tried to soft pedal it as best I could, but Wilson duffed the moment. They did pull it out in the end.
July 19, 2026 @ 6:00 pm
ALRIGHT YOU TWO LETS SLOW IT DOWN JUST A MINUTE I WOULD REALLY LIKE IT IF THE TWO OF YOU COULD MAKE A REAL EFFORT TO BRING A LITTLE CIVILITY BACK WHEN YALL NEED TO SPEAK TO ONE ANOTHER I DONT KNOW IF THIS IS SOME SORT OF LOVERS QUARREL AND IM NOT TRYING TO GET IN THE MIDDLE OF IT BUT COME ON FOLKS ITS REALLY STARTING TO GET OUT OF HAND BETWEEN YALL TWO RIGG YOU ARE THE GREATEST COMMENTATOR IN THE HISTORY OF COUNTRY MUSIC AND WE ALL OWE YOU GREATLY FOR ALL YOU HAVE DONE AND MISS DI YOU ARE THE FIRST LADY OF COUNTRY MUSIC COMMENTARY BUT YOU TWO CANT JUST TALK DOWN TO EACH OTHER EVERY TIME YALL DISCUSS ANYTHING NOW RIGG ID LIKE IF YOU COULD SAY SOMETHING NICE ABOUT MISS DI TO BEGIN WITH IF YOURE GOING TO SAY SOMETHING TO HER AND MISS DI I WOULD LIKE IT IF YOU COULD PAY THE TRIGGERMAN A COMPLIMENT OK THANK YOU GOD BLESS
July 20, 2026 @ 2:54 am
…there has to be some counterbalance to those most reasonable characters here – like meg man or big jilm. as a drama-averse person, you may wanna be careful with caps lock, sir.
July 19, 2026 @ 1:26 pm
Saw Zach Top headlining C2C in Berlin this March. Same experience as you write about Under the Big Sky. Time flew by. After over two hours it was like he played only for 30 minutes. And he doesn’t need much showmanship. He and the band convince with musicianship.
July 19, 2026 @ 1:55 pm
Great review, the cream always rises to the TOP!
July 19, 2026 @ 11:56 pm
Saw Him at Glasgow earlier this year. He and his band put on a really first class show. Pretty much perfect.
July 20, 2026 @ 1:12 am
…saw him in zurich at the end of febuary. i can only second what the other european folks her say. he clearly is stadium material but it takes another hit the size of “i never lie” and a bit to take him there. arenas? piece of cake for him and a treat for the audience.
July 20, 2026 @ 5:02 am
I went to a Dierks Bentley show and Zach was #3 on the bill. Dierks did an extended jam during “Up on the Ridge” which was very much a Charlie Worsham showcase song (he was in Dierks Band for this tour) and Zach came out also and very much held his own (singing and guitar playing) and got a huge positive response from the crowd. No doubt he can play and succeed in bigger places. It was a great performance, great song and cool Dierks let Charlie and Zach shine.
July 20, 2026 @ 5:45 am
I don’t know if I’ll have a chance to see him live any time soon, but I hope to. I’d probably enjoy any covers he played more than most of his originals, but damn does he hit out of the park when he comes up with a great original. I consider “South of Sanity” his best song thus far, which helps offset the forgettable tunes on the new album.
I’d literally pay to hear him cover songs from the eighties and nineties. Put that young man’s voice on “Better Off in a Pine Box” or any Don Williams song or any ETC song, please. I love the Dan Seals covers, too. Keep ’em coming, young man!
July 20, 2026 @ 6:16 am
I’ll probably never see him live, but I really love him. Talking about covers, NWC, go and check his appearence in the “God’s Country” podcast (Brothers Hunt): he gave one heck of a show covering “Just to See You Smile” and “Misery and Gin”. Just like that, flatpicking on his acoustic guitar, boom, fabulous. He’s really got it, he’s something else