Album Review – Alicia Blue’s “Country Desire”

Outlaw Country (#580) on the Country DDS.
After stumbling onto some of her early demos, it didn’t take long for producer Shooter Jennings to conclude that country singer and songwriter Alicia Blue had something special that deserved greater attention. That same immediate reaction is what listeners experience when they cue up her new album Country Desire, and hear the expressive and alluring nature of her voice, the boldness of her songs, and the richness of her sound that’s the perfect combination of warmly familiar and fetchingly unique.
Oh and yeah, this is country. Real country. Outlaw country in fact, or at least what passes for it in the present day. Alicia Blue earns this distinction from not shying away from risque subject matter about carnal desires and passionate dalliances with cowboys, and then seals the deal with the way she speaks her mind about getting bullied and passed over by the music business before Shooter finally took a chance on her. She had no label, no major representation, just a dream and talent—both of which come through in the impassioned songs of this debut album.
Spending time in both South Texas and Southern California, Alicia Blue has both authenticity and inherent coolness in everything she does. Geography plays a big role in Country Desire. The “where” is often just as important as the “who” and “what” in her songs, including her stints in middle Tennessee trying to make it work with men and the music industry with mixed results. It’s in these swells of conflict, emotion, and desire where the magic and intrigue in Blue’s original songs are found.
It’s Alicia Blue’s fearlessness to speak about her experiences often free of metaphor and innuendo that makes the music novel. But it’s her voice that really separates her from the herd. So confidently delivered and character-filled, there was no reticence or reason to be demure on this record. Shooter Jennings said “Let’s make an album,” and Country Desire is very much Alicia Blue shooting her shot.

When the chorus for the opening song “Run Me Ragged” comes in, you’re hooked with the line and the sinker down the gullet too. Alicia’s melody construction and the way she marries it to the sweet spot in her range is illustrated deftly in “Hungry Ghost” as well. By approaching country with older influences, but making them feel current and fresh, Country Desire has that Nikki Lane, Whitey Morgan, old Mike and the Moonpies swagger to it.
Though there is plenty of varying texture on this album, it really is the half time feel, the two-tone bass lines, and the attitudinal approach reminiscent of Waylon Sr. that define the album’s experience. This is especially brought to the surface in the song “Clean” about Alicia Blue’s battles with an industry that didn’t see her place in it, which is so often the case until it isn’t. “I Know What Doesn’t Fade” doubles down on her desire to make music that’s free of fad or trend, and to keep it country.
In the second half of the album, there are a few moments that perhaps feel a little too familiar. We’re nowhere near Stella Lefty territory. But you might notice that the melody of “Please Don’t Call” works similarly to “Whitehouse Road.” “Know What Doesn’t Fade” has that repeated phrase like “Waymore’s Blues,” even if that’s probably on purpose. And though you really appreciate the yodel call and it shows off Alicia’s vocal capabilities, “Waitress Blues” is a little too close to Dolly’s “Muleskinner Blues.”
On the balance though, Alicia Blue is trying to pay forward all of those tried and true country music modes in songs that are original and personal to her, and in a way that resonates very personally with the audience as well. Coming across like a wellspring of talent, Country Desire feels like a victory of sorts after a decade of struggle, with the final song “Mama, I’m Writing” making for the perfect note to end the narrative arc.
It’s not just the joy you pull from Country Desire, but that tingle you get when you feel you’ve just stumbled across your next favorite artist that makes this album feel important.
8.2/10
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Stream/purchase Alicia Blue’s Country Desire

September 15, 2026 @ 9:35 am
Seen good buzz for this in a few different places excited to check it out
September 15, 2026 @ 11:03 am
Great record, that’s how you open one, right there.
September 15, 2026 @ 11:06 am
Cannot trust trigger on anything he says, he is too big of a liar, I am going to other sites, listen to the album and make up my own mind .
September 15, 2026 @ 12:19 pm
Yes, please refrain from reading this site if your level of seething, political toxicity disallows you from seeing how insulting it is to Alicia Blue to allow your effusive political rancor to bleed over into her album review. You’re not ready for Saving Country Music. Feel free to come back when you are.
September 15, 2026 @ 12:59 pm
LMAO what are you talking about
September 15, 2026 @ 7:04 pm
Quite interesting that you’re reading and writing on SCM, you know, the site that you won’t read or comment for an honest review. Idiot
September 15, 2026 @ 11:07 pm
An album review is just someones opinion , if you listen to an artist that hes reviewed and it doesnt connect to you, that doesnt mean someone is lying. We just dont have the same tastes. Ive discovered a lot of new people thanks too SCM but you also hear people that arent for you too. I dont always agree with things Trigger says but thats life. I think shes right on this girl though shes got a bright future.
September 16, 2026 @ 2:03 am
It seems he has really… Triggered you
(•_•)
( •_•)>⌐■-■
(⌐■_■)
YEEEEAAAHHH
September 16, 2026 @ 7:07 pm
Did you miss taking your medication or were you born with no common sense?
September 15, 2026 @ 1:19 pm
Thanks for the review trigger. I already like the songs they’ve been playing on outlaw country. Not sure why old country dude took time out of his day to make that comment. Pretty sad. Anyhow, I appreciate this website!
September 15, 2026 @ 3:34 pm
Really enjoyed this. Also probably the first shooter Jennings produced album in a while where shooter feels like an asset and not an anchor. Maybe cause it’s an artist I didn’t already know
September 19, 2026 @ 6:36 pm
i get what you mean but Shooter sure was on point for American Aquarium’s New Ways to Lose.
September 15, 2026 @ 5:10 pm
I got to see Alicia open for Boland at Gruene on the 6th. She is the real deal. Excellent singer, writer, performer. Will definitely be downloading this one.
September 16, 2026 @ 3:50 am
What a great record! I spun it twice on the way home yesterday and really dig it. It explores a lot of the same themes as the new Musgraves album but in a more subtle and mature way. Sonically….wow! A very traditional leaning album that checks off all the boxes. Thank you for shining a light on it.
Also, I looked up her tour and she had dates scheduled in the North East but some sites have them as canceled and others still have them as active. Do you have any insight on this Trig?
September 16, 2026 @ 5:04 am
Lately Shooter is doing great with the ladies, ain’t the latest Brit Taylor also a Shooter’s production?
September 16, 2026 @ 10:28 pm
I don’t know about Brit Taylor but he did the most recent albums by Melissa Etheridge and Elizabeth Cook.
September 16, 2026 @ 8:25 am
She has a Very good voice.
Wish her much success.
September 16, 2026 @ 1:51 pm
Hadn’t heard of her at all before, but am currently halfway through a first listen, and I’m liking this! Thanks for the review.
September 16, 2026 @ 2:23 pm
Got the opportunity see Alicia Blue open for Lilly Hiatt in Fort Worth a few months ago. She mentioned that she was working on an album with Shooter Jennings. It was pretty obvious that she is the real deal from that performance in FW. I’m glad her album is finally out in the world. Go see her live if you get the chance.
September 17, 2026 @ 2:02 am
I’m loving it. It kinda reminds me of Jaime Wyatt’s “Felony Blues”
September 21, 2026 @ 2:47 pm
Thanks for the rec on this one, Trig!
I let it play road tripping this past weekend. Feel like I heard a lot of Kelsey Waldon and Margo Price throughout. Puts her in great company, IMO.
Side note, not sure I’ve ever heard a female country songwriter refer to H before, which was some real, jarring sh*t. Songs were great though.
October 1, 2026 @ 7:10 pm
it just makes me miss Dolly and the run me ragged song sounds like a rip off of ryan adams “come pick me up” she even sings I wish you would F my friends rip my dresss WTF
October 1, 2026 @ 7:18 pm
First, choose a screen name and stick to it, especially if you’re going to spam the comments sections of album reviews specifically.
Second, don’t spam the comments section, specifically for album reviews.