Album Review – Cody Jinks – “Change The Game”

When the history books are written about the period of country music we’re living in right now, Cody Jinks will be much more than a bit player. When mapping out how independent artists rose out of the ranks of the unknowns to rival mainstream country’s biggest stars, how artist began to win back control over their music, and how quality songs that actually sound country came roaring back into popularity, Cody Jinks will be one of the primary characters in that compelling narrative.
Yes, he changed the game, and big time. And while some of the other characters in that story became polarizing from offering divisive pronouncements or outright pissing off their own fans, or signed to major labels to see big paydays, or significantly changed their sound or sometimes dropped off the face of the earth entirely, Cody Jinks kept on pushing forward independently, bringing even more of his operations in house and autonomous from the industry as time has gone on.
Without even regarding the musical influence Cody Jinks has as an Outlaw revivalist, he changed what was possible for a free agent in music. But it’s 2024 now and Cody Jinks isn’t one of the scrappy up-and-comers disrupting the system, he’s one of the Veterans. He busted down the doors and smashed the glass ceilings so guys like Tyler Childers and Zach Bryan could walk through them and rise above previous benchmarks. And as opposed to being embittered by artists building on his work and taking it to the next level, he’s out there pumping his fist and cheering them on.
The title Change The Game comes with a host of meanings, not just one. It’s about Cody Jinks looking back and taking stock of how he went from a guy just wanting to play guitar for a living to headlining festivals with 25,000+ head counts. It’s also about knowing that the earth is always shifting beneath you, and you can’t be the same artist you were eight years ago and put out the same album you’ve released previously.
But Change The Game is also about how you always have to be changing yourself on a more personal level and evolving as a human. The album comes with multiple moments talking about sobriety—something that would have seemed crazy to hear from Cody just a few years ago when he was slamming beers on stage and hard cussing the mainstream country industry.
Starting off the album with the reflective and understated song “Sober Thing” signals that this won’t be just another Cody Jinks album chugging through bangers. The surprisingly vulnerable and mid tempo “Take This Bottle” goes from recognizing the problem to doing something about it. The song is lovingly sung with Pearl Aday who is the daughter of Meat Loaf and been featured on many rock albums previously.
Later the song “Wasted” finds Jinks reflecting back on who he was, just as much embarrassed and ashamed as he is proud at how far he’s come. And unlike parts of the rest of the album, “Wasted” features a heavy dose of steel guitarist Austin “Hot Rod” Tripp.

But this album isn’t all about drowning in the misery of past mistakes. It also comes with some killer up-tempo tracks about celebrating victories. The song “Change The Game” is about a performer who climbed the mountain and fought through adversity reflecting back proudly. Some of the phrases employed may feel like bromides, but the sentiment is spot on, and Jinks has earned the right to pat himself on the back.
“Outlaws and Mustangs” is so damn good, some independent country fans think it must be bad. It’s a hall pass to all those who feel the need to roam, and assurance to all that love them that eventually they’ll come back. It’s a song that raises the pulse and fills the heart.
Just like some of the other top artists in independent country, Cody Jinks will always be haunted by the ghost of releasing a magnum opus, and being measured against it for the rest of his career. In Cody’s case, that’s 2015’s Adobe Sessions. He may never top it, and neither may anyone else. But that doesn’t mean all the subsequent songs and albums he releases are bad or lesser than they should be, even if that’s how it’s couched by some of his critics.
Nonetheless, Change The Game does have a few tracks that come and go whose writing is fine, but seems more formulaic than inspired, while the music doesn’t really offer anything novel or interesting. It’s hard to find the hunger when you have wealth, a beautiful wife, and cool kids. Cody Jinks was recently seen hanging out on WWE with his son, and had his name and album cover on a NASCAR Xfinity series car. These are the things most folks only dream of.
But when you get to the final song of the album “What You Love” co-written with Tennessee Jet, nobody will be complaining they’re getting a lesser version of Cody Jinks. Bolstered by piano and a lush string arrangement, this is a full-hearted, full-throated effort by Jinks to convey what he’s learned through persevering through adversity and rising to the top.
Cody Jinks succeeded at changing the game, and in ways that are inarguable and easily measured, and universally recognized. But not all who labor at changing the game will succeed at the level Cody did, or see the economic reward or recognition he enjoys. But that doesn’t mean that effort or pursuit is not worth making, or fruitless.
Cody Jinks is now in that mid career stretch where he has plenty of “hits” to ride on and his future is secured, both financially and as a legacy that will be remembered beyond his years. You can reflect back on that and be proud. But it’s those that continue to change, continue to challenge themselves and refine who they are that will squeeze the most out of this life. That is the lesson of Change The Game. And it’s a good one to heed.
1 3/4 Guns Up
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March 24, 2024 @ 9:47 am
Great album. I ordered it yesterday! What You Love and Outlaw’s and Mustangs I can personally relate to. As there are times I am sure people are puzzled why I want to explore and see all the sites I want to see. I have been the misunderstood enigma but I fully embrace it. Looking forward to receiving the CD. Nice to see how far Cody has come. Need to catch another show of his sometime. The last one of his I saw was when he was still playing bars. On a unrelated note, I got to see Wyatt Flores last night. Damn good show too!
March 24, 2024 @ 9:58 am
Saw him in a bar in OK first time. Just saw him in Boise with turnpike. Completely different experience, but great!
March 24, 2024 @ 9:59 am
Damn good album. I’ve been listening to it nonstop since it arrived on Friday and it just gets better with every listen. It’s the best album I’ve heard this year. My favorite songs are “What You Love,” “A Few More Ghosts,” and “I Can’t Complain.”
March 24, 2024 @ 10:20 am
Good review. It’s not my favorite Cody Jinks album but it’s damn good. Also I think his Magnum Opus was his record Less Wise. I love every song on that record. Especially Somewhere in the middle. Adobe Sessions had a ton of great songs. But Less Wise is when he was at his best. Just my humble opinion.
March 24, 2024 @ 10:46 am
Jinks killed it with this one. Hard stop. “Take this Bottle” is simply unbelievable, even if it’s a cover. Jinks has one of the best voices in all of country so he probably doesn’t need a Joanna Cotton, but man when he does duet with a female that can match his vocal skills it is magic. On par with Church’s “Mistress Named Music” as one of the best m/f duets of all time. I will bear the shame of being one of the early detractors of “Outlaws and Mustangs” and all I can say is I was a dumbass.
Just said the same thing to some friends yesterday – chasing the perfection of an “Adobe” or “Southeastern” or “ Traveller” is an impossible task. Hell, Jamey just plain stopped chasing “That Lonesome Song.” Jinks came damn close with this one though. Roll this one on up to the top of the list for AOTY Trigger and we’ll see if anyone can knock it off in the next 8 months. I have my doubts.
March 24, 2024 @ 10:50 am
And now twice a dumbass – meant “Mixed Drinks about Feelings” with Susan Tedeschi. Geez.
March 24, 2024 @ 10:49 am
I have been listening to it for a few days on repeat. Great album.
March 24, 2024 @ 11:11 am
This Will Fo’ Sho’ Be In SCM’s Top 10 at the end of the Year ! Thanks Trig for The Honest and Most Excellent Review………
March 24, 2024 @ 11:12 am
People have no idea what artists must go through putting together a 9th or 10th album, especially after a few great ones. I’m a few spins in, and I’m just enjoying some new Cody. I love the title track and a few others. I like Sober Thing a lot, but I wouldn’t of opened the record with it. I’ll probably whittle it down a bit and put it in the rotation. It’s not bad, it’s not great, it’s somewhere in the middle and that’s just fine.
March 24, 2024 @ 11:45 am
JB if it’s only somewhere in the middle you ain’t listening loud enough. Turn it up to shake the windows in the mansion and I guarantee it’ll float to the top. Cannot wait to see what Joe Stamm is bringing in a couple weeks when he drops his EP with CWG’s band.
March 24, 2024 @ 2:34 pm
Well Rich my friend, you may have a point, as this is what might happen as these tired old ears are trotting through not one or two, but 5 new releases over the last 2 days. Cody, Sierra, Taylor, Pat Reedy, Sam Morrow, and other’s I still have to get to as well. I sometimes make snap judgments because I have too many new songs swirling in my brain. I reserve the right to say 3 weeks from now, “Due to new release day overload upon further review, Cody’s album rips harder than I thought.” ……..stay tuned………….now I’m going to go find that new Leroy EP.
March 25, 2024 @ 6:26 pm
I think we all may need to detox from music overload form 3/25 drops JB. Kinda got me thinking that we all have our absolute favorite artists like Jinks, Turnpike, Whiskey Myers, Silverada, on and on. We know their top 20 or 50 songs note-for-note and word-for-word because that’s what fills our playlists or the records we set spinning. That’s what those artists sound like to us. Our brains are conditioned to expect them to sound like those songs. And when they change the sound on a new album even just a bit to grow and expand (cough cough “Outlaws and Mustangs”) we lose our shit. And then those new songs eventually become part of their sound if we play them enough and we love them as much as the old stuff. Guess that’s what Trigger means when he says it’ll grow on you. And with that, I’m going to return to my work solving world hunger, or maybe sending a man to Mars.
March 24, 2024 @ 5:17 pm
I bought tickets for CWG on 4/13, then I find out Joe Stamm is opening the show, then learn of the Allegheny EP on 4/5. I reckon it will be a great show!!
March 24, 2024 @ 11:23 am
I think this is his best album since I’m not the Devil. Take this Bottle shocked me with how great it was and I love a nice duet.
March 24, 2024 @ 11:50 am
I mean it’s solid, but I haven’t heard something truly special from him since the new decade started. It’s unfortunate but I just don’t get very excited for his album releases anymore, the quality is just nowhere near where it was.
March 25, 2024 @ 5:29 am
Yeah, agree. It’s a perfectly serviceable album, and better than most of what is coming out nowadays, but nothing on here is as good as David or Something in the Middle.
March 25, 2024 @ 2:11 pm
Exactly how I feel. I appreciate him but he doesn’t excite me anymore.
March 24, 2024 @ 12:23 pm
My fifth time through and it’s my candidate for AOTY right now.
March 24, 2024 @ 12:38 pm
Jinks sounds more rock with every new record to my ears…got me a copy anyway.
March 24, 2024 @ 1:38 pm
I like that he changed studios. The last album, Mercy, may be my favorite, but the drum beats sounded hollow or cheap or something, I’m not sure, just didn’t sound right.
With this album the drums sound right.
March 24, 2024 @ 1:50 pm
Too bad Cody only got a 30th place finish for his hood, great job HD..
March 24, 2024 @ 2:02 pm
I’m five spins in and love the album.
March 24, 2024 @ 2:03 pm
My interest in Cody had been lagging the past few years, but after seeing him perform a killer show on the new tour, and now this record, I’m happy to say he’s back in full rotation!!
March 24, 2024 @ 2:40 pm
Clearly he wants to go back to metal so just do it.
March 24, 2024 @ 3:37 pm
I wish he would do a new Caned by Nod album.
March 24, 2024 @ 3:38 pm
The fact that this album probably ranks outside the top 3 best from Jinks is not a slight on it’s quality, but a testament to the level of solid music this dude has put out over the years.
“What You Love” made me cry the first time I heard it.
It’s not the best song he’s ever recorded (maybe not even the best song on the album), but a song that hit me right at a time in my life where that’s what I needed to hear. There’s something magical about those kinds of songs. The kind where you know 5 years from now you will still remember how you felt when you heard it for the first time. The kind of song that inspires you to persevere through the times of change and uncertainty; to be self-reflective and try to dig deep and figure out what it is you stand for, who you are, what you want out of life. I think that theme is represented well throughout the album, and ultimately, is at the core of Jinks’ music.
March 24, 2024 @ 4:25 pm
Spot on assessment right here. I played it for my wife and she teared up.
April 9, 2024 @ 7:46 am
Agree. “Mama&Trains&Trucks&Prison&GettinDrunK” curtesy of the legendary Merle Haggard. God bless Merle Haggard.
March 25, 2024 @ 4:26 am
Agree with your sentiments 100%.
My son is 18 and about to head off to college… What You Love absolutely destroyed me the first time I heard it. my GOODNESS what a song.
March 24, 2024 @ 3:56 pm
I’ve only listened through once but it sounds like another winner from Cody to me. “Take This Bottle” and “Outlaws and Mustangs” are the early stand outs to me. But there’s honestly not one bad track here to my ears.
March 24, 2024 @ 4:09 pm
I listened to it once and it sounded like a “Cody Jinks album” to me. Good but nothing really stood out the first go around. Guess I’ll need to give it another go and see
March 24, 2024 @ 4:26 pm
Can’t wait been wanting to hear what you thought before I decide what I think of it
March 25, 2024 @ 7:05 pm
Glad I could help champ ????
March 24, 2024 @ 4:23 pm
Jinks stuff hits in two ways. First listen this is about the best thing I’ve ever heard or they are growers… your first couple of listens you are like ok, ok, then next thing you know you know every word and it has wormed its way among your favorite songs as well. There have been a few misses here and there but not many.
Trigger hit on it a bit in the review that any new release from Jinks has to compete with some legit all time classic stuff and a high bar to overcome to even force its way into your Jinks songs.
The 3 singles from Change the Game already hit pretty hard then the rest of the album delivered on the high expectations. I have literally no techincal musical knowledge at all but I think the album sounds great, and has go pacing on the songs throughout and some of the songs have long term potential. Jinks said on a podcast somehwere that (my numbers may be off) in a 26 song set as long as he includes a certain 22 songs he can do whatever the hell he wants with the other four and everybody will be happy. I think years down the road az few from CtG will be in the must include songs.
To me this is in his top 3rd of his catalog behind Adobe, Devil and Less Wise. Mercy was a little bit of a let down not bad though, but as stated before had some growers, no let down here.
I think part and parcel to this release is the changes in management and Jinks business appraoch. It has been an interesting evolution. Not all of the changes are for me… monthly tee shirt releases, deluxe VIP packages etc… But I think the fan engagement in the FAM Club has been great and you can see some different ideas that he feels free to experiment with. The best change has been the mega concert lineups by contiueing to work with Luke Combs and then Turnpike run and just announced with the Shane Smith and the Saints in Vegas.
All the guns up
March 24, 2024 @ 5:39 pm
I listened to “Change the Game” while working today because I read Trig’s review this morning.
My stepmother used to get me a subscription to Men’s Health magazine every year for my birthday for a decade in the 2000’s and quarterly the magazine would arrive with a CD of rock music for middle age men who still tried to be relevant (member’s only jacket kind of dudes).
Listening to “Change the Game” I thought Cody Jinks could be on the cover of the next month’s issue of Men’s Health (if that’s still a thing) with all this self reflection, better living advise, and formulated rock music.
There’s nothing offensive about it, but “Change the Game” is trying too hard to be cool or relevant in its middle age. Jinks reminds me a lot of Tim McGraw these days (who I’m positive has been on the cover of Men’s Health multiple times).
Towards the end of the pandemic, I was offended by a social media post by Jinks for what I perceived as being anti-labor (“Why doesn’t anyone want to work anymore?”). Now I get he was just saying middle-aged dad things as if he was appearing in a “we can’t save you from becoming your parents” Progressive commercial. And Caned By Nod is a Dad Joke.
Adobe Sessions is a great album. But if it were somehow erased from the country music ethos, I doubt we’d be any less better off than we are today.
March 24, 2024 @ 6:17 pm
The song sounds authentic to me. Jinks is nothing like that poser McGraw. Oh, and Jinks’ comment about people not wanting to work is true.
March 24, 2024 @ 6:41 pm
Exactly my take on this album. I am still eyeing some tickets to go see him live with the song writing on this is just so generic.
Reminds me of like the men’s equivalent to Live Laugh Love. I think you hit it on the head with the dad and men’s health magazine comparison.
And I think some of his past songs are freaking amazing
March 24, 2024 @ 7:37 pm
Inevetiably when an artist reaches a certain point they are damned if they do and damned if they dont. Release something that sounds like their older stuff its generic , they try something too diferent and usually its met with repulsion.
Not everything has to be cutting edge all of the time. Too me its the same mindset makes it supposedly “uncooll” to say you like “Feathered Indians” anymore.
Somebody else wrote that it “sounds like a Cody Jinks album” – I can only speak for myself but I would guess that most fans are plenty happy just to get more Jinks.
It can be easy to dismiss a lot of things as generic as within the Country/Outlaw/Americana genre etc.. a lot of the same themes are explored over and over again. I think a lot of the depth found in the music comes from what you are bringing to it. So maybe Jinks doesnt resonate with you at this point & thats cool but I dont think calling it generic quite fits. It’s just more Jinks (a good thing) & if thats generic its because of what he has done for the genre.
Anyways I appreciate your viewpoint even its polar opposite of mine because it got me thinking.
March 25, 2024 @ 8:59 am
This is why I always warn artists against getting into divisive political topics. You say or do one thing that someone can take the wrong way, and it spoils the well forevermore for certain listeners. We’ve seen this with Tyler Childers, Sturgill Simpson, and Jason Isbell too. It doesn’t matter how good their music is, some have sworn it off entirely because of something they said one time.
Unfortunately, I don’t have that luxury. I have to listen to music and judge it on its own merit. As I said in the review, I do think some of the writing from this album feels a bit lazy. But it’s real hard to listen to “What You Love” and not feel the passion. This album has some very good moments that deserve to not be overlooked for any reason.
March 25, 2024 @ 3:08 pm
Hard disagree with grouping Cody Jinks in the same category as those other guys. An observation about a lack of attitude to work – supported by numerous surveys and BLS statistics – is not anywhere near what those other guys say on a regular basis. I’ve never heard Cody purposefully insult his fanbase like those others do. I
March 25, 2024 @ 3:11 pm
Well, I hard disagree with lumping him in with those folks too. I spoke about this specific thing in the review itself, how Jinks has (mostly) kept himself clean from becoming a divisive character, irrespective of what folks think of his music. But some disagree, and that’s what this comments section is for.
March 26, 2024 @ 7:54 am
I don’t believe there’s anything more offensive or sacrilegious in country music than taking an anti-labor stance (despite any surveys or statistics). This is the genre built upon blue-collared anthems “Take This Job and Shove It,” “Working Man Blues,” and “9 to 5.” Country music rose to prominence as instrument for vocalizing pro-union stances in coal, textile, and factories.
Although I now think Jinks was being more cantankerous than political when he posted “why doesn’t anyone want to work anymore in this country?” in response to a restaurant being closed due to a staff shortage in October 2021, I don’t ever recall a country singer ever taking an anti-labor stance like that and he heard about it in the comment section.
I strongly disagree people aren’t working anymore. People are currently working two, three jobs to stay afloat. They just aren’t working shitty jobs anymore like in restaurants that pay $2.83 an hour and rely on tips. It’s shocking to me for how long the restaurant business has gotten away with investing so little in its labor force and pushing that responsibility on to its customers. The outdated restaurant model is busted and we are seeing mass restaurant closing because people now have better options with better pay, benefits, and work/life balance.
I own a landscaping business. I used to be able to walk in Home Depot in the early spring and poach laborers. A couple years ago, I had my eyes on this kid I really wanted to work with and offered him 40% of the days take he’d work. He thanked me and told me the Home Depot job was his part-time job and his full-time jig is an independent contracted linguistic programmer – a voice coder for all the voice activated devices in our homes that require constant updates.
We had to change our business model because laborers now have more choices than ever.
March 27, 2024 @ 5:56 pm
I worked for a couple of years at Rodale Press, publisher of Men’s Health, and your description of it made me laugh out loud.
March 24, 2024 @ 7:23 pm
Cody Jinks does not disappoint. Really like this album… been on repeat for me since it was released. Puts on a good concert as well… can’t wait to see/support him again!
Appreciate the review.
March 24, 2024 @ 9:06 pm
I wonder if there will come a day when an artist quits drinking and doesn’t feel the need to moralize or talk about it. Same with being a “game changer” for that matter.
Anyway, another positive Jinks review and again lots of good comments, maybe I’ll give it a try. Y’all burned me on the last few though…
March 25, 2024 @ 12:30 am
I am a big Cody Jinks fan, go to his shows whenever he comes to town, have all his records including this one, but if I am being honest, I felt like this album was just lacking that edge. I mean it’s a solid album and I am sure it will grow on me over time, but it is probably my least favorite of his.
Thanks for the review!
March 25, 2024 @ 2:21 am
I’ll have to listen to this album again. As it didn’t hit the same way.
That’s my fault, I listened directly after spinning Sierra Ferrell’s new record.
March 25, 2024 @ 4:25 am
Based on what I’ve heard, finally another Cody album worth purchasing. Is that what sobriety does to you?
March 25, 2024 @ 6:13 am
Pretty meh album as a whole for me.
March 25, 2024 @ 6:16 am
My first experience with Cody Jinks was hearing the song Hippies And Cowboys, and it led me to the Less Wise album. I loved it and purchased 30 and the Blacksheep EP as well. Also managed to get an early out of print Jinks album called Collectors Items online. Cody Jinks was already becoming one my favorites when Adobe dropped, sealing the deal. I’m Not The Devil added to a streak of successive great albums.
Unfortunately, the last few releases haven’t lived up to the run of excellent albums before them. Not that there wasn’t some great songs, but the production choices, and as Trigger points out, the failing to live up to outstanding albums before them, has kinda had Cody Jinks in a funk.
I’ve listened to Change The Game all weekend. As others have stated here, this is probably not Jinks’ best album. I must be one of those independent country guys Trigger is talking about because I din’t like Outlaws and Mustangs, and honestly its had me very concerned this album wouldn’t be good. So I have been pleasantly surprised that I have been very much enjoying Change The Game. No, it may not be Jinks’ best album, and yes it has a couple duds like Outlaws and Mustangs, but overall this is the best album from the band since I’m Not The Devil. The funky production is gone, there is a good variety of songs and tempos, and it appears Cody Jinks is back on track.
March 25, 2024 @ 6:34 am
The songwriting feels a very obvious during a lot of the songs, and there were a few songs in the middle of the album that seem forgettable. But, this is good music. And the best songs on the album are some of the best songs that will be released all year.
“Outlaws and Mustangs” should be a frontrunner for Single of the Year.
March 25, 2024 @ 7:00 am
Got sober five years ago March 23 after trying to drink myself to death and failing. Woke up in an emergency department with my wife staring at my face.
She and I heard Take this Bottle for the first time March 23, 2024.
It about wrecked us both. Beautiful song. Great album. Sounds like Jinks to me. This is why country music and artists like Cody Jinks matter. Once again, he reminded me why I’m glad to still be here.
10/10.
March 25, 2024 @ 9:23 am
He remains one of the few independent country music artists who aren’t embarrassed to play country.
I can’t wait for his Lefty tribute album.
“Change the Game” is a great song.
March 25, 2024 @ 10:04 am
Take This Bottle is a cover of a Faith No More song.
Cody did not write that one, be sure to give credit.
One of Cody’s better albums for sure.
March 25, 2024 @ 10:49 am
Surprisingly….this is better than other records I’ve heard by him. I don’t mind this, and it comes off as more straighforwardly country than his previous work. I mean that as a compliment. The steel playing is good too.
March 25, 2024 @ 11:57 am
Awesome album. It’s his best since Adobe Sessions.
March 25, 2024 @ 6:06 pm
Mercy was a huge letdown for me. A couple great songs but I quickly forgot about it. This was a return to form. I’d imagine the new perspective on life and a few years in between albums really helped.
It’s definitely true that Cody Jinks is always probably going to be chasing “Adobe Sounds,” just like Childers will probably never release another “Purgatory” and Stapleton has never been as good to me as he was on “Traveller.” But Jinks still delivers nearly every time, and just continues to churn out great music. This one rocks.
March 26, 2024 @ 3:11 am
…a very satisfying album to listen to.
March 26, 2024 @ 6:04 am
Cody won me back with this one. I gave Mercy a good chance before deciding I didn’t need to pick it up and so was leery about this one. But I like this one pretty much all the way through. A good comfort food listen. I’d put it up there with After the Fire as my favorite post I’m Not the Devil album (his last great one, IMO).
March 26, 2024 @ 6:20 pm
I’m an Oz-based NASCAR fan (and regular visitor to SCM). Can anyone tell me which Xfinity car had the Cody Jinks promo and when it ran? Apologies if that is a little tangential to the main topic.
March 26, 2024 @ 6:35 pm
Cody Jinks was named the Grand Marshall of the Focused Health 250 Xfinity series race on Saturday, March 23rd at the COTA Speedway in Austin. I was hoping to cover it, but got tied up with a family thing. The #15 Ford car of Hailie Deegan featured the cover art of “Change The Game” on the hood. IO believe they finished 30th. It was a promotional thing around the album release.
March 26, 2024 @ 11:38 pm
You’re a champion, Trigger!
Thanks!
March 28, 2024 @ 5:22 pm
Holy cow! Take This Bottle is the old Faith No More song. It was oddly familiar as soon as it started playing and just took a minute to sink in what I was hearing. I remember buying “King For A Day…Fool For A Lifetime” the day it came out and that track was such an example of how musically all over the map FNM could be. After a quick trip to Google I guess Jinks has been playing it live before it made the album but I had not been paying attention.
This was as nice of a surprise as when I heard The Promise when Sturgill released Metamodern Sounds. Some times a perfectly executed cover song can draw me into an album while I warm up to the new material.
December 25, 2024 @ 9:13 pm
Big Cody fan since the early days, but I’m sad to say he’s disappointing me these days. Opening stadium shows for Nashville Bro-country guys, $220 dollar GA concert tickets, songs that are more mediocre rock songs than country, and now….Cody Jinks cologne. How do I take him seriously anymore? Oh well, maybe it’s just what sells.