Album Review – Courtney Marie Andrews’ “May Your Kindness Remain”
There can be no scarier or exciting time in the life of a music fan than the release of the record after a career-setting, iconic release from one of your favorite, and most revered artists. A landmark release so stretches your level of expectation, you begin to convince yourself there’s no way that amount of joy and fulfillment can be attained again, though you hold on to hope that it will. It’s this weird, apprehensive, self-inflicted ice cream headache sensation you give yourself about an impending release that lets you know you really love an artist, so much so that you want to relive those fresh moments of first discovering them, but are worried it’s impossible to ever get back there. That’s the bar Courtney Marie Andrews set with the release of her 2016 effort, Honest Life.
For some songwriters, it’s not just the songs they write, it’s how they make the labor of putting emotions and sentiments to words and music seem so effortless that leaves the listener spellbound. Courtney Marie Andrews exudes that effortlessness, to the point where at 27-years-old, she’s entrenched herself already as the Joni Mitchell, or Carol King, or Linda Ronstadt of our time, not just from the songs she’s turned in, but with the ease in which she does it.
The imagery of the average Courtney Marie Andrews song is so vibrant, it sucks you straight into the story. To her, it’s not always about embellished a song by stoking the imagination through opaque poetry, but breeding mental imagery through incredible insight and specificity. Imagining making love on a pile of laundry, or meeting a boy arriving on a Greyhound is what helps makes the songs and stories of Courtney Marie Andrews seem so real. Only other top-tier songwriters like James McMurtry are able to use references to artifacts and places to put the listener right into the setting of a song like Courtney Marie Andrews does on her newest album, May Your Kindness Remain.
From snowy and decaying Buffalo, New York, to a convenience store in Austin, out to Denver and locations in between, Courtney Marie’s own wanderlust gives her such great insight into location, culture, and character that she then bakes into songs that despite who they’re about specifically, real or fictitious, still seem to be about all of us in one way or another. The world she sings about in May Your Kindness Remain is one of meager means, of dying places and decrepit houses, but finding the beauty beneath the ugliness due to the love that remains untarnished, and a simple appreciation for the act of living. As bad a the news may portray the world to be, it’s still better than not being around to hear it at all, or being alone while it unfurls.
It’s comfortable to call Courtney Marie Andrews folk rock or Americana, and country in the same vein of early Emmylou Harris, or Linda Ronstadt. But the production of May Your Kindness Remain is progressive, with possibly the most distinct texture being the often dissonant lead guitar served with the intention of meeting the emotional memories that the songs look to stir. And it works well in this capacity, though perhaps its prevalence in so many songs is what will mark this album’s most polarizing aspect. In total, this is a slow to mid-tempo affair that may be too ethereal for those who like more red meat in their music. It might have also been nice to have a song or two that was a more acoustic, or some other approach to spice up the production. But the arrangement of May Your Kindness Remain is meant to deal more in ambiance than exactitude, which aides the moodiness of the undertaking.
And though it’s the imagery of “Two Cold Nights in Buffalo” and “This House,” or the message of “May Your Kindness Remain” and “Border” that is what your mind and spirit focus upon as the best parts of this album, you can’t overlook the soaring vocal performances Courtney Marie applies to her words and stories. After all it was as a backup singer that Andrews first received her professional start in music at a very early age, allowing her to refine her craft and study music to make her the high-caliber singer and songwriter she is today.
Being a die-hard music fan so on pins and needles for new releases is often an exercise in being disappointed, if not from efforts, than by your own expectations. But when an artist does deliver to expectations or beyond, the alleviation and joy goes to another level. As Courtney Marie Andrews proves in May Your Kindness Remain, she is not a passing fancy of roots music, she’s a rising star that could prove to be a generational talent, with May Your Kindness Remain being one of those records you return to for years.
8.5/10
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Purchase May Your Kindness Remain from Courtney Marie Andrews
SnarkyAnarky
March 24, 2018 @ 8:45 am
i’m going to buy this right now – thanks for the review!
Jinmo (Asian Country-Pop Fan)
March 24, 2018 @ 10:40 am
Cant tell if it’s americana, folk, traditional country, or the mix of three, but I’m starting to question why this kind of music gets ignored by “country” media.
Such beautiful music, speaks to your soul. I mean, yeah country-pop is cool, but they lack the soul this kind of music has.
Christian H.
March 24, 2018 @ 10:55 am
Great review and dig the tune. Will also pick this up. Really enjoy the last album as well. Thanks!!
ShadeGrown
March 24, 2018 @ 11:02 am
Loved the last one and I like the songs released leading up to now – as soon as Amazon starts to function I’ll be buying the rest. Thanks for the review.
Rob
March 24, 2018 @ 11:14 am
Any news on when Cody Jinks’ album is gonna drop? For some reason I thought that I had read that it comes out today but I couldn’t find it, and his website says something like it will drop before June.
Trigger
March 24, 2018 @ 11:36 am
Definitely not today. Before June is still the official word. Would expect a proper announcement in the next couple of weeks.
Jack Williams
March 24, 2018 @ 12:18 pm
I’m only one casual listen in and this haven’t given the lyrics serious attention yet. It sounds great, though.
Corncaster
March 24, 2018 @ 12:25 pm
I like the toughness in her voice a lot. She reminds me of Joni Mitchell, which is always a great thing. Very pro-sounding band, and they sound great live (on KEXP). A couple gems from her first record:
Farewell Irene
where your dreams are bound
I just can’t tell
but we both know, Irene
they won’t come true at the bottom of a well
and this:
That jukebox is playing a sad country song
for all the ugly Americans.
Now I feel like one of them,
dancing alone and broken by freedom.
That strikes the Joni note square on the head. These two albums might be the first albums by a Canadian woman I’ve bought since … well, I wanted to say “Joni’s,” but I picked up a Lindi Ortega record last time you wrote about her and didn’t regret it. Interesting work.
In the old days, by the way, Courtney would have a stage name.
I’ll see your 8.5 points and give this song 3.5 out of 4 corncobs.
Cool Lester Smooth
March 24, 2018 @ 2:08 pm
Heard “Two Cold Nights In Buffalo” on Friday morning, and was absolutely awe-struck.
albert
March 24, 2018 @ 8:46 pm
If the writing on this record is anywhere close to your own with this excellent and extremely fresh and professional review, Trigger , I’m all in .
I have the last collection she released . I thought the writing , while notches above most , was still a work in progress.. What I’ve hear thus far tells me the work is progressing beautifully .
This is a voice for the ages …a .unique warm character, strong yet sweet , a vibrato which rivals Baez’ and a pitch that would make auto-tune jealous . A voice this good is worth the price of admission.
The band sounds very ” Kim Richey” in approach and instrumentation, on what I’ve heard . Not a bad thing …but not as unique as the vocal it is supporting.
I’m rooting for this kid . This is worth nurturing .
Corncaster
March 25, 2018 @ 7:48 am
This track sounds as if a talented hippie girl in the Sixties got a recording contract with Stax.
Megan
March 24, 2018 @ 10:51 pm
This doesn’t blow me away as much as her last album, but it’s still really solid, and I do love where they went with the production for the most part. Her vocal talent is unreal.
eckiezZ
March 24, 2018 @ 11:35 pm
Ooo, I heard that one today. That woman means everything she sings. Not as good as Honest Life but still a ravishing listen. If you thought that last Brandi Carlile release was “overwrought” then you should probably skip this one too. Honest women singing honestly and passionately doesn’t seem in vogue these days.
Kent
March 25, 2018 @ 4:46 am
Thanks for this review Trigger. And I have to say I’m so excited over this album
That I hardly know what to write…I’ve already played dozens of time. Her songwriting especially the lyrics are so good. Then I listening to her I get image in my mind like I was watching a movie. She Is such a good storyteller.
The only issue I have with worth naming is probably (as usual) the production I do wish she could have just a couple more sparse produced songs, that would have made the album more varied. Now it (production wise) sound a bit “the same same” But apart from that this is one of my absolute favorite thus far this year
She’ll be coming to Swedens biggest festival “Way Out West” this year and this is that they wrote as short introduction to her: http://www.wayoutwest.se/en/line-up/courtney-marie-andrews/ and agree on every word!
And here is a long article about her: https://www.telegraph.co.uk/music/artists/courtney-marie-andrews-interview-optimistic-americas-working/
Caitlin
March 25, 2018 @ 8:39 am
Thank you for this review! I knew she had a few singles out, but didn’t know the album was out now. I’m definitely listening to it as soon as I can. I am in love with her voice and her songwriting.
Tony Gunter
March 25, 2018 @ 8:55 am
I see we have a new politically correct rating system here. When will you change your handle, Trigger?
Trigger
March 25, 2018 @ 9:02 am
Oh chill out. I purposely change from numbers to guns, back from guns to numbers, or use both or neither just to screw with people so they don’t ever take the ratings too seriously. It’s the review that encapsulates my sentiments. I just used the gun ratings on my Keith Urban rant a few days ago.
hoptowntiger94
March 25, 2018 @ 9:23 am
I remember you almost did drop handle Trigger after Sandy Hook.
I’ll support it either way. To me Trigger is many things … Willie’s guitar, Roy Rogers’ horse.
ShadeGrown
March 25, 2018 @ 10:03 am
Lone Ranger’s horse as well if memory serves
ShadeGrown
March 25, 2018 @ 10:04 am
But my memory is wrong – it was Silver
Corncaster
March 25, 2018 @ 3:07 pm
Ok, I bought this one and “”Honest Life” on cd.
Huntermc6
March 26, 2018 @ 4:21 pm
Well going to have to find some time to dive down the rabbit hole of albums that Trigger has reviewed. I haven’t bought a single CD this year. She has an intriguing sound I will have to check out more of her music. Thanks for the review!
Cool Lester Smooth
March 26, 2018 @ 7:48 pm
Currently at her show in Boston.
Somehow, the voice is even bigger in person!
Corncaster
March 31, 2018 @ 10:53 am
This post is off the front page, but Trig, I listened closely to these two cd’s. Mixed reaction. She has the makings of a really powerful voice. Based on her songs, I’m not sure she knows yet what it’s for. It’s not Joni’s voice at all, much more like Emmylou’s in the yearning, and she has a higher gear that’s really something else. The biggest frustration is that when she really cranks her voice up, she’s singing the wrong words. The emotional high-points of her songs are back in the verses and sung to uneventful melody. The hooks are paired to uneventful words and phrases. This happens over and over. Also, I’m not persuaded that her band with its organ and heavy gospel influence is at all suitable for her voice, which is perfect for an unadorned Gibson guitar and something closer to mountain music or folk. There, she would really shine. She has a pursed-lip, steely-eyed, Dust Bowl kind of vibe. More like Jamie Lin Wilson, or a more athletic Gillian Welch. Plus, very few of her current lyrics or lines are memorable. Pretty ordinary writing, very literal. She’s going places for sure, but she’s not there yet.