Album Review – Daniel Donato’s Cosmic Country – “Horizons”

Classic Country (#510.1), California Country (#510.7), and Cosmic Country (#563) on the Country DDS.
Why on God’s creation would anyone ever voluntarily place themselves in the audience of Gavin Adcock or some other such filth when you could lose yourself in the vast array of sonic landscapes that Daniel Donato’s Cosmic Country presents for you to explore. Push play, and unlock gobs of pure listening joy that also confer an expansion of the consciousness and greater earthly understanding.
This isn’t just mere “entertainment.” Daniel Donato’s Cosmic Country is the bold exploration of the vast outer regions of what is possible in country music, while still lovingly delivering all the twang you could ever want, and remarkably staying tethered to the true traditional country modes … until it’s time to take a step further into the great unknown.
Daniel Donato commenced his career on the streets of Lower Broadway in Nashville before he earned his way onto the stage of Robert’s Western World where only the hottest Telecaster players are allowed to plug in. He did his time and more running through all the old country standards. But the whole time he was also hoarding Grateful Dead bootlegs, and just like Captain Trips himself, tracing the parallel lines between American roots music and psychedelic expansion.
You get all of this in one album titled Horizons, but it really is two distinctive experiences, facilitated by a 15-song track list, and a couple of songs stretching to 10 minutes or more. The first eight songs are where you will find Donato’s country influences rising to the surface, with succulent displays of hearty country instrumentation, from Telecaster, to fiddle and steel guitar, to honky tonk piano.
The opening song “Blame The Train” is just a straight traditional country heater, and it takes all of two second for you to affirm this is what you need to be feeding your ears. When Donato leans more into the songwriting aspect of his country influences, it gives you vibes of classic California country, sort of like New Riders of the Purple Sage. But it’s still very much a strong country music experience.

Then you get to the 9th song on the album called “Hangman’s Reel” with its fetching, but distinctly funky opening guitar groove and think, “Okay, now we get to the jam band portion of the repertoire.” But this becomes a false positive as a the fiddle cuts in and you’re launched into the most infectious hoedown you’ve perhaps ever heard, complete with saloon piano, and of course, Donato’s blazing guitar.
Then you call up the 10th track “Prairie Spin,” and you think to yourself again, “Okay, now we get to the jam band portion of the repertoire,” and this time you’re right. But even as a country fan, at this point you’ve been so satiated on country twang, you’re fat and sassy as you enter the overtime, extra-curricular phase of the record. And if you’re a jam band fan, this is what you’ve been waiting for.
No matter your musical alignment, what Daniel Donato and the rest of his Cosmic Country crew accomplish on the epic, 11-minute jam “Chore”—especially in the second half—is something even the most accomplished jam bands will hold in awe. Daniel Donato is to country what Billy Strings is to bluegrass.
Donato’s own acolytes though will be the first to admit that he’s not some stellar singer. And though his compositional skills are on excellent display throughout Horizons, you would call him a top tier songwriter. This means that within the 15 tracks of this record, there very well might be tracks that you leave behind.
But you’re here for all the other moments that take you places other albums and musicians just fall short of. Whether it’s a country instrumental, or an extended acid jam, you just can’t help but be mesmerized by the instrumental prowess, and the compositional imagination Daniel Donato and his accomplices evidence on Horizon. It reminds you why you’re a music lover, and how blessed you are to be one with the knowledge of Daniel Donato.
8.2/10
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August 22, 2025 @ 7:32 am
This is some virtuality in the strings department. I personally imagine that success will be quite limited based on the vocals because most folks want to hear something pleasant and not just talented.
August 22, 2025 @ 7:46 am
His niche is in the live music scene, other than Billy Strings most folks in that space don’t make great studio albums. He’s already built a very solid following in the jam band space. That’s where his success will be measured, not record sales
August 22, 2025 @ 8:55 am
Donato has gotten better about owning his vocal range. No one loves Dire Straits because of simply for Mark knopfler’s vocal abilities. His guitar virtuosity lent him that room to work on finding his vocals. The same is true of JD Simo (also one of the Don Kelly alum). Both remind me of Stevie Ray Vaughan and Eric Clapton being put into the position of having to sing and finding a way to make their vocal abilities work.
August 24, 2025 @ 12:43 pm
That’s how I always feel when I listen to Bob Dylan. How good his songs would be if he could sing properly.
August 27, 2025 @ 5:04 am
What do we call singing properly then ? see to me if you look at the words of lets say Masters of War or Shelter from the Storm or The Times They are a Changing or most of Dylan’s songs the voice completes the song, would Masters of War and the message of the song still very relevent now with Trump and Putin in power) work in a commercial voice? Whenver I hear a Dylan song covered I mostly think it sounds wrong.
Most Singer songwriters I listen too cant sing properly if your terminology of singing is trying to sell as many records as possible. Give me Dylan or Cohen or anyone who “cant sing” over Mariah Carey for example.
This guy here isnt making music to have a No 1 hit record, hes making music that says something so him not being able to sing will appeal to people like me. Incidentally anyone heard a cover of Romeo and Juliet for instance ? Does anyone think a Dire Straits song sounds right when anyone but Mark Knopfler sings it and who do you think inspired Knopfler the most as a songwriter and a lot of the ways he uses his voice ? Yes that guy that supposedly cant sing Bobby Dylan. One of my favourite singers is Colter Wall and in context of having a commercial voice I guess he cant sing either. I cant get enough of people who “cant sing” a lot of the time they are more authentic and honest and have more integrity and are more interesting than people who “can sing”.
August 23, 2025 @ 6:19 am
You can count me in this category. I listened to this album and musically/instrumentally it is what I like to hear. But, I just have a hard time getting past the singing on this album. Same for previous releases. Donato is someone I want to like, but I think his vocals are more than just a limitation.
Always thought Stevie Ray Vaughan was a great singer as well as guitarist. Different rather than bad. Clapton? Average singer with moments of good. Simo the same. Don’t think Donato has come close to even comparing to these guys vocally in my honest opinion.
August 24, 2025 @ 8:06 am
I always liked SRVs vocals…kinda raw which was a perfect match for the power of his music…It’s hard to find that combo…
August 23, 2025 @ 7:30 pm
I’ve tried getting into this guy in the past but just couldn’t get past his weak singing. That and his music is nothing really new but he is still young. I’ll check out this new one.
August 25, 2025 @ 7:32 am
Everything everyone is saying about his vocals/voice are the same things they said about Geddy Lee 50 yrs ago, and he ended up ok. I hear a little Geddy in Valhalla….no?
August 25, 2025 @ 1:16 pm
I completely get where you are coming from, and I think you’re maybe right, but I have had zero issues letting the vocals slide. That guitar. Those keyboards. That bass slap.
I very much sit on the “jam band” side of things. I was raised on the Dead. Country music is ok. I like the old stuff well enough – not at all a fan of the new pop country. And while Donato and CC are very country; they’re also very cosmic. Not even Jerry has ever had me so …. dumbstruck is really the only word I can find. I just sit and listen and I’m happy.
That music. Words just kind of slide off of it.
August 22, 2025 @ 7:42 am
Very excited for this! Reflector has been the definition of a grower album for me. Has become one of my favorite albums of recent years. I love this dude and so excited to listen all the way through this. The singles have been excellent in the lead up.
August 22, 2025 @ 7:52 am
When I tell you I was blown away on first listen, that doesn’t really begin to describe the majesticness of this album. “Vast array of sonic landscapes” is perfect Trig. I’d listened to his other albums and enjoyed them, but this one is a different creature altogether. By now you all know how I feel about long albums, and clocking in at 1hr 19 min, this one ain’t doing me any favors, but man, I found myself smiling in awe throughout. I know it won’t win AOTY or any other awards probably, but it deserves all our attention on here and everywhere else.
August 22, 2025 @ 8:40 am
Man I’m looking forward to listening to this today.
Can anybody here give me something close to a definition of cosmic country in general? It’s hard to search for because of his band name coming up in all the searches but I know that it’s an older style before him. I always assume it has something to do with some of those 1970s California acts that were rock adjacent and that The grateful Dead are like the hippie rock version that is slightly tiny bit country or folk adjacent.
Am I on the right track?
I recently started listening to Billy strings albums from the beginning and his first album feels like the Bluegrass version of cosmic country. Lots of odd sounds, stuff that would be fun to hear while on acid, stuff like that
Also, would you consider Chasen Wayne’s first album to be cosmic country?
August 22, 2025 @ 9:40 am
I think you’re definitely on the scent. Byrds’ Sweetheart of the Rodeo era, New Riders of the Purple Sage, Pure Prairie League. Stuff that I’ve heard called hippy country rock. Jerry Garcia said once that he considered ALL music psychedelic, and I think that’s a fair mindset to approach it from!
For Daniel Donato specifically, start with a stone cold solid base of classic country and add in a Higher frequency of extended improvisational jam. If that sounds interesting, listen to the album by all means, but please go see a show! This band smokes.
August 23, 2025 @ 8:17 am
dont forget graham parsons…wild horses dont get any more cismic country than that….let the stones have it…..and then left this rock too soon..
August 23, 2025 @ 7:27 pm
Gram Parsons? Haha.
August 22, 2025 @ 9:41 am
I agree with your take on it. Besides Chasen Wayne, I’d say Johnny Falstaff (e.g. “El Camino”) has a cosmic country sensibility. For me, the best example in recent years is Marty Stewart’s Way Out West album, particularly. the first 4 songs. A prime example of original cosmic country would be Michael Nesmith and the First National Band. Check out tracks 6 and 7 from their Nevada Fighter album: “Texas Morning,” which flows right into a super-psychedelic rendition of “Tumbling Tumbleweeds.” Great stuff.
August 24, 2025 @ 2:31 pm
So glad to see a mention of Michael Nesmith & the First National Band here! As a cosmic country-influenced singer/songwriter/bandleader he’s a big influence on me; love “Calico Girlfriend.”
The country-rock formed by Gene Clark then Gram Parsons in the 1960s evolved that way…like the latterday Byrds with the great & unsung Clarence White present
I really wished to make it to Nashville for the Western Edge exhibit to celebrate the whole 1960s-70s California country wave & see Gram and Dillard & Clark get their flowers…At one time I hoped to be wed in a Nudie suit
I will check out “Way Out West”
August 22, 2025 @ 11:22 am
basically hippies rediscovering their country influences by the end of the 60’s, check out New Riders of the Purple Sage, Michael Murphy, Old & in the Way and enjoy the rabbit hole!
August 22, 2025 @ 8:07 pm
Rose City Band is cosmic country. Nathan Kalish & His Derichos would be close as well.Love Donato!
August 23, 2025 @ 5:01 am
Cosmic Cowboy Sovenier by Michael Murphy is the first printed reference to this sort of concept that im aware of. Its Murphys second album and the cut Cosmic Cowboy Pt 1 was popular with the Austin crowd in 73 when this was released.
As for this Donato album, the instrumental stuff put me in mind ever so slightly of Dixie Dregs, Steve Morses old band. Kinda like Prog- Rock Country, if such a thing exists.
Im of the opinion that like Jeff Beck and Kenny Wayne Shepherd, Donato should employ a first rate vocalist. That could potentially take him to another level. His gift is picking and he’s enormously creative and talented.
August 23, 2025 @ 8:05 pm
I saw the Dixie Dregs in a small bar in 1981 and just loved watching Morse and Morgenstein from about 10 ft away….. We didn’t really have a classification for it, and I was into a lot of Prog back then, so we put it there. As I listened to this album more, I thought to myself this is Progressive Country.
August 23, 2025 @ 7:33 pm
I think of Kinky Friedman and the country scene in Austin back in the late 60s into the 70s. And then along came Gram Parsons…..
August 22, 2025 @ 11:00 am
I really like what I hear so far. Singers these days are putting more quality songs on their albums these days, not just 2 or 3:hits and the rest throw away. I have been buying more and more albums these days and enjoying the whole album, like Tami Neilson’s neon cowboy, I really like this trend.
August 22, 2025 @ 11:00 am
Gave it a listen and it seriously bangs! Two thumbs up!
August 22, 2025 @ 12:16 pm
Not sure why this article had to start with naming that other artist that has nothing to do with him other than to bring out his trolls to the comments again.
Everything you said about this band and their music was on point though. Good review after that opening.
August 23, 2025 @ 7:25 pm
I thought he made a totally valid point.
August 26, 2025 @ 8:18 am
I wasn’t saying I disagree with the sentiment. It’s just that it has absolutely nothing to do with the band and album he is reviewing. It’s not like anyone in Donato’s band was involved with any incident with that artist. Made sense in the Crocket article, not here.
August 22, 2025 @ 12:16 pm
Reminds me of Meat Puppet.
August 22, 2025 @ 3:44 pm
“Prairie Spin” is an awesome song.
August 23, 2025 @ 5:04 am
I’m so grateful to have randomly come across this website yesterday and through it, came across Daniel Donato and Cosmic Country. I never heard of these guys but after reading your raving review I had to give Horizons a try yesterday morning on my way to work. I was hooked instantly. You just don’t hear true band music like this anymore. Everything about this album was so refreshing and wonderful to hear. I listened to this all day yesterday. Then I found out that he’s actually performing close by where I live fairly soon! I’ll be going to see them live soon enough! What a treat! Thank you!!
August 23, 2025 @ 6:39 am
Thanks for reading Brad!
August 25, 2025 @ 4:18 am
My pleasure, sir!
August 27, 2025 @ 6:28 am
Welcome Brad, if listening to great music is your drug, well, welcome to the Shaman of Saving Country Music’s (Trigger’s) trap house. You’ll score all the buzz here your brain can handle.
August 23, 2025 @ 8:39 am
Hangman’s Reel definitely has that Dead/Goose Creek vibe going on.
August 24, 2025 @ 8:12 am
Goose Creek Symphony?
August 24, 2025 @ 1:04 pm
Yes
August 23, 2025 @ 7:25 pm
To answer your question about Adcock? People love crap. It’s true. Just look at the top 40, or what’s on tv or how busy McDonald’s is. I’m ok with it as it’s hard enough to get tickets to the artists out there that actually have talent.
August 24, 2025 @ 10:54 am
I don’t think he’s ever going to have a great voice, and his lyricism leaves something to be desired. But arranging and playing? Right up near the top of his contemporaries. Imagine this band adding a soul singer, like in the mold of Joss Stone? Amazing. And even if you’re like me and don’t dig the vocals, his band puts on a great show.
August 24, 2025 @ 12:39 pm
I really like the album. Yes, the voice takes a little getting used to. But the overall atmosphere of the album is simply magnificent. The musicality, the audible joy of making music, the organic, natural, flowing nature of the whole album is special. And the songs are well composed and cleverly structured, are varied and distinguishable from each other. This sets the album apart from some of the albums by established artists presented here this year and celebrated in a cult-like manner in the forum.
August 25, 2025 @ 7:15 am
FYI: The Bandcamp link in the ‘Purchase/Stream’ link is incorrect, unfortunately.
September 8, 2025 @ 9:08 am
Another great recommendation, Trig! Listening to it now, and I’m love it. He jams, pure and simple. The comparison to The Allman Brothers is a good one.
September 11, 2025 @ 10:44 am
Good review and very enjoyable music. These people can really play.
Love the song Yonder and a bunch of others.