Album Review – George Strait’s “Cowboys and Dreamers”

photo: Peggy Sirota


#510 (Traditional Country) on the Country DDS.

Good music never gets old or goes out-of-style. It only becomes more legendary. George Strait was supposed to have retired from the road and most everything else ten years ago, but he might be as popular as ever, and his music is just as relevant as it’s ever been as the retro cycle and time has been very kind to his catalog. That’s why despite his best efforts, Strait just doesn’t seem to be able to stay away.

“Some days, I feel like the last of a dying breed trying to find where I fit, somewhere between high on top of the world and fighting with calling it quits.” This is what Strait sings in the title track of his latest album Cowboys and Dreamers. Even after his “retirement” from the road, he’s still out there playing 20-something shows a year. And despite having done more than his fair share to keep the flame of true country music alive, here he is offering up 13 new tracks.

The early singles from Cowboys and Dreamers put a fright in some since they relied a little too heavily on standard country music tropes. “Three Drinks Behind” is a typical country drinking song that doesn’t really go much of anywhere. “MIA Down in MIA” is fun for a second or two, but gives away its punch line in the title, and is a little to close to the old Keith Whitley classic “Miami, My Amy.” Besides, we probably have enough of these “island time” songs in country music to last us until eternity.

But as Cowboys and Dreamers unfolds, it reveals itself to have a lot more depth and body, and a few really fun moments as well. “Honky Tonk Hall of Fame” with Chris Stapleton sounds like a song Merle Haggard and Johnny Paycheck would have cut in the early ’80s as they were both three sheets to the wind and working through the proceedings of their 3rd divorce. This is honky tonk country music at its finest.

The late great Keith Gattis who died in 2023 in a farming accident gets not one, not two, but three cuts on this album, and that’s not all. For the song “Rent” that Gattis co-wrote with Guy Clark, George Strait starts it off with a little spoken word tribute to Keith. But really the greatest tribute to Gattis is how lovingly George delivers this song while the acoustic guitar typical of Guy Clark’s style graces this excellent composition.


Some have wished that George Strait would be more animated about what has happened in country music since he was last relevant on radio and award shows. But that’s just not Strait’s fashion. He’s too laid back and mild-mannered to ruffle feathers too much. But for anyone wondering where his heart lies, covering one of Waylon Jennings’ signature songs on this album with “Waymore’s Blues” signals where George Strait stands.

Perhaps one of the best tracks on the album is one Strait co-wrote himself called “The Little Things.” Here Strait really spells out his philosophy in life at this stage in his career. He spent so many years forging his legacy and chasing stardom. And since he was always a staunch traditionalist, this often meant working twice as hard as some of his high-flying contemporaries suspended on wires, soaring across stadiums.

“The secret to life, hey, we all wanna find it
But the more I look, the more that I’m reminded
What we want is always right there, hiding
In all the little things…”

George Strait did his duty, to God, to country, to family, and to country music. He owes us nothing more. Anything else is gravy. Yet he still takes moments to contribute like he does on Cowboys and Dreamers, or even set attendance records at stadium shows, proving his popularity remains strong.

Years previous in country music as Bro-Country was dominating everything and making many country fans hang their head in shame, we kept searching for a hero or savior who could come to our rescue. But in truth, we never needed that. The catalog of “King” George and other country legends was always there, and so was their influence and legacy. Sometimes in the noise of the present tense, all of that can get lost temporarily. But when the dust settles, there it is like a rock and a steady hand on the rudder.

That’s the music of George Strait.

7.8/10

– – – – – – – – – – –

Purchase Cowboys and Dreamers from UMG

Purchase Cowboys and Dreamers from Amazon



© 2024 Saving Country Music