Album Review – Jesse Daniel’s “Son of the San Lorenzo”

#510 (Traditional Country) on the Country DDS.
It’s no longer relevant to refer to Jesse Daniel as one of the scrappy up-and-comers helping to revitalize the soul and truth in actual country music. He’s still revitalizing soul and truth in country of course, but he’s no longer the fresh-faced former convict and punk musician using country music as a form of rehabilitation. He’s now an established, mainstay stalwart of the honky tonk touring circuit that you can set your watch and compass to, and that young up-and-comers now see as an influence.
Some question why Jesse Daniel would name his new album after his previously recorded song “Son of the San Lorenzo,” and record the song again. It’s because this album is truly Jesse Daniel. This is his life story transcribed in song, starting at birth, and going until the inevitable end. Though Jesse has always been forthright in sharing intimate details of his life through his songs—including his illicit drug use and incarceration—this is the first time he does so in a mostly complete and nearly linear fashion.
Through this challenge Daniel placed on himself to present his life like a story, it helped bring out the best in his songwriting, infused passion in his delivery, and graced his words with authenticity. Whether you listen stem to stern or select out a specific song, Jesse’s honesty, world earned wisdom, and sweat equity into self-improvement shines through in the songs. Son of the San Lorenzo is like a concept record with Jesse Daniel as the central character.
Each song represents a season of Jesse Daniel’s life, or a significant aspect to his story, from the opening song “Child is Born,” to the concluding track “The End.” In between he chronicles his embrace of sobriety, his appreciation for his partner/bandmate/frequent co-writer Jodi Lyford, and makes ample references to the Santa Cruz Mountains of California where he was raised. In the middle, the album’s songs don’t always follow a linear storyline. But they are always personal.
But just as much as this album is autobiographical, it’s also aspirational in how Jesse projects his life out into the future, and what he wants for himself and his career. Believing he’s still has upside potential out there to seize, he sings “My Time Is Gonna Come.” Though currently based in Texas, he signals the desire to eventually return to where he started in “Mountain Home.”

Carefully crafted songwriting usually not captured in honky tonk songs presents itself regularly on this album. The song “He” is a great example of this, where Jesse presents a reflective perspective, going back in time to offer advice to his younger self that he would have loved to heed at the time.
Acting as his own producer, Jesse Daniel did not settle for the conventional approach to the music of the album. Though this is definitely still a traditional country/honky tonk record, he brought in interesting textures via backing chorus parts, and other elements that give the album a diverse ’70s aspect, from country to Southern rock influences. Then “Mountain Home” is as about as close as you can get to bluegrass without being bluegrass.
Jesse might be sober, but he always seems to find his most infectious moments when singing about battling addiction. This is true for fan favorite “Soft Spot (For The Hard Stuff).” That’s also true here with the new songs “One’s Too Many,” and “Crankster.” Though Jesse Daniel’s other albums might have some more obvious “hits,” Son of the San Lorenzo feels like his most complete, involved, and thoughtful work overall, and adds to a growing catalog of high caliber country.
The best country music isn’t always just about the here and now. Sometimes it takes months, years, or even generations for the most important aspects of country music to reveal their strength and genius. Just as Jesse Daniel used country music to save his life and get him on the right path, he now uses the songs of Son of the San Lorenzo to project who he wants to be, and where he wants to go in the future.
8.2/10
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Purchase/Stream Son of the San Lorenzo
June 6, 2025 @ 7:52 am
Hell yeah. I’ve got nothing more to add but my support.
June 6, 2025 @ 9:08 am
Hell yeah
June 6, 2025 @ 9:36 am
I’ve been a supporter of Jesse Daniel since his second album, Rollin’ On, from 2020 and have picked up all his albums as they’re released, but haven’t always been able to shake the idea that he’s been playing dress-up a lot of the time. Something in his vocals and overall presentation maybe. Not sure. But, needle-dropping through this latest album, there’s something different here – sounds a bit more relaxed and more confident. The vocal delivery sits better. The production is nice – a bit more ethereal, some echo/reverb, a bit of a Sunday morning 70’s folky vibe. Recalling John Denver at times, maybe. The collab with Charles Wesley Godwin is great. Looking forward to spending more time with this.
June 6, 2025 @ 9:03 pm
Not gonna lie, I never understood stressing about how someone chooses to dress
June 8, 2025 @ 9:32 pm
Hilarious to call out the street cred of Jesse Daniel, of all people
June 10, 2025 @ 10:36 am
Right, dude lived a Merle Haggard upbringing and you are saying he isn’t authentic. Hell listen to his song Gray and you tell me isn’t a real singer songwriter. Hell go watch him live and tell me isn’t an entertainer. This dude is the real deal and never sold out. Super glad he is now getting recognized.
June 11, 2025 @ 11:16 pm
Truly insane work. Dude has a crazy backstory (which he is open about) and arguably more claim to outlaw country than any of his peers, but because he’s a nice guy and not a social media pest I guess this isn’t wider knowledge.
June 6, 2025 @ 9:40 am
I LOVE JD.
His music has always made my day better.
I totally get that this is a different style for him. And deeply personal. Absolutely fine with that.
However….having listened twice today….i have to be honest and say some of it was quite dull.
I love his Trad Honky Tonk albums better.
This is not Jesse’s fault, it’s mine, though.
June 6, 2025 @ 10:06 am
Ray Manzarek on keys.
June 6, 2025 @ 10:12 am
The duet with Charles Wesley Godwin on “Time Well Spent For A Man” is the best track on the album for me. They sound great together, and CWG and his life experiences blend well with Jesse’s. A winner indeed.
June 6, 2025 @ 4:19 pm
Looks like I need a new handle.
😉
June 6, 2025 @ 1:09 pm
I’m surprised we haven’t gotten an article about Caleb Melo leaving Jesse and Zachary Moulton replacing him
June 7, 2025 @ 4:59 am
Wow that’s big news, my nephew told me that he heard Caleb was moving on, but now that Zach is taking his spot, thats exciting.
Wonder where Caleb is playing now. Both of them are top notch Steel players!
June 7, 2025 @ 6:54 am
So I don’t know how permanent any of this is. Zachary Moulton has been playing with a few different folks as fill in. If/when something is confirmed and concrete, I might say something more about it.
June 7, 2025 @ 12:23 pm
Would you say that Caleb and Zach are two of the best in top 5 pedal players in the current era?
June 7, 2025 @ 1:26 pm
Yes I would.
June 6, 2025 @ 5:32 pm
I really like this guy. Great music. I will be getting this cd as soon as I get paid. Hope more albums like this keep coming out.
June 6, 2025 @ 5:39 pm
I didn’t immediately love Jesse Daniel when I first heard him, but he is now one of my favorite artists. Had the pleasure to see him last year on his Countin’ The Miles tour and him and his band were amazing. Met him after the show and he was very laid back and happy to shoot the breeze for a few minutes and take a couple of pictures. Can’t wait to crack a cold one and sit out on the deck while I listen to this new album. Everything I’ve heard so far tells me it’s gonna be a good one.
June 7, 2025 @ 5:07 am
Respect the guy but something about wholesome country just bores me. Same for CWG.
June 7, 2025 @ 6:03 am
I still haven’t had the opportunity to listen to the entire album. But I’m really liking what I’ve heard so far. I don’t believe there’s a more personable artist in country music. I check his tour schedule regularly to see if he’s coming anywhere near me. His albums do little to catch the live experience.
June 7, 2025 @ 6:08 am
Big fan of Jesse Daniel, but with all honesty I prefer the sound of the last album over this one. Countin’ The Miles seemed to have one banger after another, while this one is more of a slow burn. I’ll keep listening to Son Of The San Lorenzo and expect some of these songs will grow on me, but so far it’s not giving me the instant smiles the previous album brought.
Kinda hoping this album is a one off and not a permanent change in direction.
June 7, 2025 @ 8:09 am
Listened to the album 3 times. JD can do no wrong.
June 7, 2025 @ 1:53 pm
I’m lovin’ this one, I don’t want the same album over and over. Jesse’s gonna be around a long time. I see no problem with mixing it up a bit. Artists have to grow and take chances once in awhile or it all gets stagnant.
June 8, 2025 @ 10:27 am
That’s some damn good country music
June 8, 2025 @ 2:09 pm
This is an excellent album. Such a great listen!
June 8, 2025 @ 5:16 pm
5 listens now. Love this album.
June 9, 2025 @ 10:01 am
I am enjoying this album. Maybe not as immediately as his last 2, which I liked from the start. This one is different. Some great songs.
June 11, 2025 @ 7:41 pm
Wow, this is just great. His sound has nice southern rock vibe, he puts some drive in his country which I like but still keeps it laid back. Great voice too! Jesse Daniel and Weldon Henson make for two great new artist finds for me this week thanks to this website.