Album Review – John R. Miller & The Engine Lights “The Trouble You Follow”
In 1927 when recording engineer and talent scout Ralph Peer set out for the Victor Talking Machine Company with his newfangled audio recording contraption to capture the songs of rural whites living in the South, he didn’t know he was about to set the wheels in motion that would eventually lead to country music becoming a multimillion-dollar commercial enterprise and see today’s country stars packing football stadiums with throngs of fans. But what he did know is that enveloped in virtual obscurity, and hiding in the hills and hollers of Appalachia and beyond were some of the purest, and most magical musical expressions just waiting to be discovered, captured, and shared with the rest of the world, and that their preservation and proliferation to the listening public was imperative.
The recording technology has certainly changed since Ralph Peer’s time, but discovering and capturing America’s most pure rural voices and expressions remains just as challenging. Though the hills and hollers are not as cumbersome as they once were to connect artists and their songs with markets of listeners all across the globe, the prevalence and ease of audio recording, and the emphasis on the commercial application of music and the myopic focus on superstars has created its own hardships for discovering, supporting, and celebrating true talent.
In the rural regions of Kentucky, West Virginia, North Carolina and adjacent regions, there still lies untapped musical riches waiting to be discovered no different than natural resources lurking beneath the soil. This is where Tyler Childers recently rose from, even though as locals will attest, he’d been entertaining dance halls and beer joints, and appearing on community radio stations in the region for years.
Like Tyler Childers, John R. Miller has been appreciated on the local level for a while, and appeared on the acclaimed Mountain Stage in West Virginia as a member of the band The Fox Hunt. Originally from the tiny West Virginia town of Hedgesville in the very northeast tip of the state, John R. Miller is a songwriter whose selfless approach to music has seen him touring as a bass player in such outfits as the Hackensaw Boys, Locust Honey, William Matheny’s band, and with others.
But now it’s time to shift the focus on to John R. Miller himself, his songs, his stories and sound, and his own band called The Engine Lights—a mix of dirty country and Appalachian string band racket that’s raw and real, and the right style to give the music of John R. Miller the type of grime it deserves. John R. and crew took enough time away from prior commitments, odd jobs, and family obligations to record and release a new album called The Trouble You Follow that was just released to revel in obscurity, but offer sweet joy for those clued in enough to listen. Suffice to say, if Ralph Peer was alive today, he’d be salivating at what he’d unearthed.
As real as the sharp curves of mountain roads and the abandoned shucks of coal towns, John R. Miller weaves his stories of struggle and survival with a poetic wit, honesty and abandon, and a palpable authenticity. These are songs so tucked away up a holler, to find them you have to creep past No Trespassing signs, pit-mixed guard dogs, grandpa with a shotgun above the cabin door, and slip into a thicket where trees grow up through the ruins of old mine shaft openings. You creek open an old ramshackle door on rusty hinges, and there you discover the music you seek that is unblemished by commercial concerns or calculating adherence to current trends. This is music that smells like the smoke from an old wood stove that refuses to draw, and warm Pabst in a can with cigarette butts swimming in it.
Ornery and attitudinal, but sweet when it wants to be, The Trouble You Follow is about taking all the wrong forks in the road and never being dealt a lucky draw, but deciding to be content and live your life anyway, the mess be damned. It’s fair to draw parallels with Tyler Childers who touts John R. Miller and the Engine Lights a fair bit himself from stage after weaving the same tour circuit for a while, but this is more the unpolished version, in a good way.
You can’t be so naive to trust that the powers that be in the music business will allow the best music of a given era to just pass under your nose. You have to go digging. Ralph Peer knew that. And though he probably never imagined his name would still be getting invoked 90 years after he set up in Bristol, Tennessee to record Jimmie Rodgers and The Carter Family, he probably felt strongly that the music he recorded would still be around for generations to come. Whether the work of John R. Miller and the Engine Lights will enjoy a similar fate is up for time to decide, but it’s certainly worth the effort to unearth.
1 3/4 Guns Up (8.5/10)
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Purchase John R. Miller & The Engine Lights The Trouble You Follow
John
September 4, 2018 @ 11:06 am
I saw where Tyler was talking up this CD a few days ago on Instagram. Can’t wait to check it out????
Killen Thyme
September 4, 2018 @ 11:35 am
Fantastic record! Cant wait to see him, along with Tyler Childers and about 30+ other incredible bands at Kickin It on the Creek this year.
Stringbuzz
September 4, 2018 @ 12:02 pm
I haven’t checked this out yet.
I will.
Funny, I saw him play bass for William Matheny a couple times. And he was just real interesting to watch. Only way I can describe it. Made an impression. Did exchange some words with him. Nice fella.
Stringbuzz
September 5, 2018 @ 7:53 am
Listened to this a couple times. Really cool album. Writing, instrumentation, etc. really good.
Production and overall sound could use some tweaking.
His voice is just average though. Nothing wrong with it, but nothing about it that I can really hang my hat on (I kinda feel the same way about brent cobb)
Good stuff though..
Some of the lyrics had me laughing out loud hitting home.
Josh
September 4, 2018 @ 2:12 pm
Trigger, thank you brother for giving John R Miller some recognition. I had no idea who he was prior to but got to meet him when he opened for Tyler Childers in Cleveland last year. Super nice and talented guy… hopefully this album gets him some traction.
Seth of Lampasas
September 4, 2018 @ 4:12 pm
Can’t wait to check this out
ScottG
September 4, 2018 @ 5:09 pm
Thanks for risking your hide by creeping by the pit-mixed guard dogs and gun toting grandpas for us to be able to…extend our thumbs to hit the play button.
Good stuff.
ScottG
September 4, 2018 @ 7:45 pm
I’m curious if the album cover was made for this, or a borrowed painting…pretty interesting. I guess I will try to figure it out when I listen if it has any significance / symbolism.
Trigger
September 4, 2018 @ 9:18 pm
There is a whale evoked on the album.
AWHALEVOKED
September 5, 2018 @ 12:14 am
looked him up on spotify and hit play and speaking of album art, the 1st song it played was off an album with the coolest drawing, it’s a motor but with a guitar neck and all sorts of other shit drawn into it….
based on that picture alone I could tell it was gonna be good, really appreciate the heads up on this, always wonder what happened with the fox hunt guys bc you could sense there was some real talent in there…
Kanouphl Montez
September 4, 2018 @ 8:37 pm
Hey Trig,
I am having a debate about lyrics in music, and I was wondering if you could give me some recommendations on what you believe to be some of the most well penned country songs of the last five years.
Trigger
September 4, 2018 @ 9:43 pm
The easiest way to do this would be to check out the Song of the Year nominees and winners from the last five years here:
https://savingcountrymusic.com/best-of-lists/
Kanouphl Montez
September 4, 2018 @ 10:06 pm
Thanks man ????????
CountryRoads
September 4, 2018 @ 9:57 pm
Check out Blake Berglund, for an underground name / great and interesting lyricist you won’t find on this site or many places elsewhere just yet. The below song is a great place to start. Jason Boland (dark and dirty mile era), Jason Eady and Childers should also be on your list. https://m.youtube.com/watch?v=svAhBzcnMKk
Notorious DIZ
September 5, 2018 @ 4:58 am
This is a cool album. Wishing him continued success. Pretty sure he wrote “coming down” that Childers plays on red barn. Not certain though.
JD
September 5, 2018 @ 5:48 am
Yep, he definitely penned that one.
Timmy
September 5, 2018 @ 8:01 am
Great to see this review! I’ve been listening to this one for a few weeks (pre-ordered the CD), and it’s really great. For those interested, check out Emperor Records (https://emperorrecords.com/artists/) for other lesser known but great artists (Zane Campbell, Miller’s band Prison Book Club, etc).
Also, while I’m at it, here’s a great article on Zane Campbell:
https://www.washingtonpost.com/news/style/wp/2018/02/01/feature/this-hillbilly-madman-is-country-music-royalty-so-why-havent-you-heard-of-him/?utm_term=.49c60991f855
hoptowntiger94
September 5, 2018 @ 1:46 pm
I can tell instantly when something is a hero or a zero; I knew instantly this was a hero!
Ron
September 5, 2018 @ 8:47 pm
Listened to this one and loved it. Thanks.
kapam
September 5, 2018 @ 10:30 pm
I think this might be another winner for me. Thanks Trigger – I’ll go check out some more of this.
Bigfoot is Real
September 8, 2018 @ 6:24 am
Holy shit this is great! Love the honesty in his voice and lyrics plus his country blues finger picking (Piedmont kinda sorta?) is amazing.
MIF
June 29, 2019 @ 6:52 pm
The sentences evoking various aromas are the best you’ve ever written, in my opinion. Bravo.