Album Review- Leon Majcen’s “Making A Livin’ (Not A Killin’)”

Singer/Songwriter Americana (#570.15) on the Country DDS.
It’s that bleary-eyed and road-worn recklessness found on so many of the records of the 1970s, and in many of the songs from folks like John Prine, Townes Van Zandt, and Guy Clark that give them that cool allure that escapes most music of today. Present tense performers and songwriters can attempt to capture that spirit. But GPS, the Internet, and iPhones make getting lost in the world and losing one’s self difficult to impossible.
Nonetheless, in the 12 songs of Leon Majcen’s new album Making A Livin’ (Not A Killin’), he gets about as close as one can get to conveying that feeling of life on the open road. Clearly taken from his own travelogues as an up-and-coming touring musician, these songs are dispatches and ruminations from far flung destinations scribbled on the back of fast food napkins shoved in a glove compartment. It’s an album about musicians overcome with wanderlust, and the women they leave behind.
Leon Majcen tried to do the right thing. Raised by Bosnian War refugees in Florida where he started performing as a songwriter in high school, he went off to college in New York City. But it soon became apparent that the big city, and a straight and narrow path was not exactly the right trajectory for young Leon. He ended up back in Florida working on the docks before ending up in Nashville as an aspiring songwriter.
The thing about all those songwriting heroes is they have a way of tempting you in the wrong direction when it comes to living a stable life. As Majcen sings at one point, “Sleeping in a Car is Fun Until You Gotta Pee.” So many of the next generation is choosing experiences over things. And whether vagabond homelessness comes from choice or a requisite to the path you choose, there is a poetic beauty to the lifestyle, if you choose to see it.

You do miss some of the prophetic insights on life, and the social commentary on this album that sometimes came with the best of the material of your favorite songwriter’s favorite songwriters. On what officially is Majcen’s second full-length record in 2025, he continues to focus more on songs that come from his own lived experiences as opposed to that deep character study of others, or speaking about societal ills, including some that tempt young souls to wander, or end up unhoused.
But what Making A Livin’ (Not A Killin’) does accomplish is tracing the arc that comes with a young person’s realization of what really matters in life. The opening song “Don’t Leave The Light On” is about leaving love behind, both due to the call of the open road, and a sense of selflessness or inadequacy of not being able to give someone else the stability they need.
The fifth song on the album “I’ve Found My Love Today” is not a conventional love song. It’s about Majcen realizing that the true love in his life, and what gives him the greatest sense of fulfillment is music. “You’re the only truth hidden in my lies,” he sings. But the ultimate lesson of life on the road often is that what you’ve been searching for the whole time is love, and not of a guitar or a song. This comes through in the verses of the album’s final songs, “Thinking ‘Bout Love” and “Woman & Dog.”
You do wonder if Leon allowed a bit more time in the the oven for some of these songs, we’d get some more of that road-worn wisdom out of them than we do. But it’s the easy, laid back disposition of Making a Livin’ produced by Patrick Lyons that has a lot of people finding favor with it. Leon reinvigorates the spirit of the hobo poet, singing what he lives, living what he sings, and experiencing a level of freedom we all wish we had the ability or courage to pursue.
8.1/10
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Stream on Spotify
October 20, 2025 @ 11:40 am
Love this record. Have listened to 4 or 5 times in past few days. Will likely be on my year-end favorites list.
October 20, 2025 @ 12:45 pm
Hearing this helps me take a vicarious road trip to some place better. Set the cruise control and ride with all my worries aside.
October 20, 2025 @ 2:03 pm
Leon is one of the best doing it, and a very good human and friend!
October 20, 2025 @ 3:36 pm
I was secretly hoping my countryman Leon’s would be the first Country Folk (#575 on the Country DDS) album reviewed. Oh well. More of that “genre” which, if it has any meaning whatsoever, means you’re kinda tweedy and vanilla.
I bet y’all are having lots of fun pronouncing Leon’s last name 😂
October 20, 2025 @ 4:36 pm
Well, he certainly has rhythm.
October 20, 2025 @ 6:02 pm
I like what I have heard thus far. Hopefully the album comes out on CD eventually. Still like having the physical copy.
October 20, 2025 @ 7:34 pm
I listened to this album a ton over the weekend. It’s so good! I’d never heard of Leon until I saw some commenters mention him on another article. Good stuff!
October 21, 2025 @ 2:52 am
He is awesome and his tunes last way more than a few spins. I would love to hear him to Come Away to Belize With Me.
October 21, 2025 @ 7:36 am
Bout time!
October 21, 2025 @ 8:52 am
It’s about time you left a comment. This review has been up for 24 hours. Where you been? There were more comments on Leon Majcen on the Hayden Baker review than on the Leon Majcen review.
When Saving Country Music goes away, it’s not going to be because of the incredible personal and financial sacrifices I’ve had to make to keep the website going. It won’t be because of the insane time commitments this website requires. It won’t even be the personal attacks and outright death threats myself and my family have received over the years. It will be because of the general ungratefulness from the public for the incredible amounts of written material I’ve contributed to the internet without ever asking a penny from anyone while focusing on independent and up-and-coming artist, and yet somehow, the thing certain people want to focus on is that I didn’t review so and so’s album. And even when I do, they still act entitled.
October 21, 2025 @ 9:57 am
Trigg man I said “bout time” as a self aware joke knowing that I was bitching (maybe unnecessarily) about you not reviewing Leon and seeing it done basically a day or two later. Clearly I am not one of those ungrateful people you speak of or I wouldn’t care at all who you do or don’t review. I check back here religiously and take a lot of stock in what’s written here. And worth noting there’s plenty of albums I believe you’ve missed this year and last that haven’t been reviewed and I don’t complain about. I specifically complained about LM because it’s his fourth release and second one this year and anyone whose heard it likely has it in their top ten. That seemed worthy of shouting out. The win for me is it got reviewed eventually and the lesson maybe I should have bitched about Better Days, Self Titled, and Back Till I’m Gone so others knew about him sooner! It’s all in good fun giving you shit and nothing you do here goes unnoticed, at least not by me.