Album Review – Matt Castillo’s “Pushing Borders”

#510 and #550.5 (Traditional country, Tejano/Mexican-inspired Country) on the Country DDS.
Get ready to have your country music heart revitalized, your fear for the future of country music squashed, and your prospects for country music bolstered by the bold flavors involved in Matt Castillo’s new album Pushing Borders that puts a kick behind traditional country.
The challenge for any traditional country artist is to work within the rather rigid parameters of the traditional country sound and style of writing, yet still find new wrinkles and avenues to make the music more unique and expressive. That’s exactly what Matt Castillo does on Pushing Borders.
This is a traditional country album, and you recognize this right from the jump. Yet by adding a little bit of spice from the South Texas border through bursts of accordion and some Spanish moments in the lyricism, Matt Castillo makes something that is both familiar and distinct, while also being very personal to himself. It also happens to be super easy to warm to since Castillo’s naturally country voice compliments these songs like icing on a cake.
Along with taking a slightly Hispanic perspective on country, Matt Castillo also brings just enough back beat drive and guitar attack to certain tracks to give this music an infusion of rock enthusiasm. There are plenty of opportunities to cry in your beer if that’s what you’re looking for as well. But there is also an invigorating aspect to the songs of Matt Castillo, both for you the listener, and for traditional country in general.

You may not hear them on corporate country radio anytime soon, but Matt Castillo also comes with songs that sound like bonafide “hits.” His song “Say It” was one of the songs that first got people’s attention with that sort of Dwight Yoakam swagger Castillo brings to his music. Pushing Borders has a few of those moments with the rousing “Go Get Her” and the heart pounding “Te Necesito.”
And don’t worry, if you can ask for the restroom and order a beer in Spanish, little or nothing will be lost in the translation during the fleeting Spanish language moments of this album. Of course the language of love is universal, and the mood that Matt Castillo creates on the song “Trail Of Love” is one most everyone can comprehend, while “If It Rains Today” is the heartbreaker that’s required on any good country record.
There is a bit of an “always good, never great” aspect to the songwriting of Pushing Borders. There are numerous songs you immediately fall in love with like “Pain and Sorrow” and “Mañana Blues,” but maybe not in a way that makes them feel vital to your music universe. But you also have to tip your hat to Castillo for co-writing 13 of the album’s 14 tracks. If nothing else, it assures this music comes from Castillo’s own heart and experiences.
There is a lot of cosplay and affectations in traditional country these days since it’s so hard to find the “real deal.” And as the sound gets hotter, more people want to make music that sounds more country. But Matt Castillo is nothing but himself, not following some marketing scheme to expand his audience. He’s embracing his heritage and history to make traditional country that is distinctly him. Perhaps most importantly, he pushes borders, but he never crosses them. Because more than anything else, Matt Castillo is country.
1 3/4 Guns Up (8/10)
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July 24, 2024 @ 12:56 pm
This sounds like the kind of thing I was wanting to listen to recently. Glad to have this on my radar will check it out
July 24, 2024 @ 1:47 pm
The couple songs you posted sound like winners to my ears.
July 24, 2024 @ 3:20 pm
Matt is ? ?.
Seems like a bit of a maverick (good thing) & also seems to have a bit of humbleness about him. Great thing.
Really like his writing & voice.
July 24, 2024 @ 3:51 pm
Now this sounds like 90’s country that’s authentic and not imitation or cosplay!
I like this a lot.
The use of the accordion was featured in many 90’s country songs – the forementioned Dwight, Alan Jackson, The Mavericks, Mark Chesnutt … I never knew I missed it until I listen to “Pain and Sorrow.”
“Go Get Her” is what I’d want to hear blaring in my local bar or Texas Roadhouse.
July 24, 2024 @ 5:51 pm
Went to my local Texas Roadhouse for the first time in a couple years, and noticed they weren’t playing any music. Not sure if that’s standard now or just a coincidence
July 24, 2024 @ 4:43 pm
Ha ha. I love the typical hyperbolic opening paragraph of Trig’s. It has become commonplace, and I am NOT complaining
Matt has some chops. Good find for us.
July 24, 2024 @ 5:15 pm
Loving this album! Hits especially good after listening to a couple of new releases by other artists that aren’t very country
July 24, 2024 @ 5:53 pm
This album reminded me of early 90’s Dwight yoakam but with a different kind of voice. A++++
July 24, 2024 @ 6:56 pm
Go get her def has a good beat. Might check more out. Nice review.
July 25, 2024 @ 4:53 am
Excellent if the rest of the album is a good as these. So glad I found this website or I would never know about this guy!
July 25, 2024 @ 6:42 am
I’ll check out the album but of the two posted here Pain and Sorrow hit my ears a little better. Not being a consumer of country in the 90’s he’s a bit twangy for my ears but I can certainly see how folks that love that stuff would like this record. Kinda feel the same way about Zach Top, unless you grew up on AJ and Randy Travis and not on The Stones and Eagles you may not appreciate the greatness. The one guy I do really dig on that is out of character for me is Darke Milligan. Saw his show a couple weeks ago and man is that guy an entertainer with a hot shit band. Some may find the Elvis hip shaking and posing a bit much but I loved every minute of it. His confidence and lack of any shame just sells it hook, line and sinker. The kid was a sweaty mess 3 songs in and that was one of the most fun shows I’ve ever seen.
July 25, 2024 @ 8:17 am
This was a very easy album to listen to on a first full spin, a lot of upbeat toe tappers like I enjoy. I see no reason why it won’t get a solid rotation audition other than it being 3 songs too long, and things are a little crowded in the boys club right now around here too.
And Rich, Darke Milligan must be Drake’s evil twin?….I’m teasing you, of course…lol, but his current EP is still in heavy rotation around the townhouse. His success might not be as quick as Zach Top’s, but he’s out there conquering the world one gig at a time. I’m not even worried about it him.
July 25, 2024 @ 9:41 am
I set that one on a tee for you JB-C and you had to take the swing. I like that you are now referring to the double-wide as the townhouse. Agreed I need some new stuff from the ladies too, my recent playlist adds have been a real sausage fest. Other than several tracks from Ms. Butts, and your girl Alice, I’m jonesin’ for some solid female representation. I do like 2 of the 3 singles Miranda has dropped and there’s some decent stuff on the Twisters soundtrack – Meg and Lainey’s songs are decent to good. Jenna Paulette put out a nice single called “Outside” hopefully leading to an album drop soon.
July 25, 2024 @ 3:10 pm
Another excellent album….the hits just keep coming! AOTY is gonna be a tough choice for 2024!
July 25, 2024 @ 3:43 pm
Came across this article and listened to this guys music but not really anything special. Average at best. Expected more. As Rich mentioned very twangy and almost like he’s trying a little too hard to twang and his voice range is not natural. He would be good for local bars but nowhere near the talent of top level guys in the crowded boys room such as Parker, Cody Johnson, Luke, Jason Aldean, Drake, Morgan, Chris Stapleton. Would say that Aaron Watson and Mitch Rossell are way more naturally talented then this guy. Wish that we would be realistic in pushing some of these artists. Would be great if they were actually being promoted on their true talent level and not some other agenda. Anyway, a very average singer at best. I guess we are promoting effort and not exactly talent when we say saving country music. Based off the write up expected much more.
July 25, 2024 @ 4:00 pm
“Wish that we would be realistic in pushing some of these artists.”
Are you saying that I’m lying? I respect if you don’t like him. That doesn’t mean I don’t either but am lying about it, as are the other commenters here who seem to like his music.
” Would be great if they were actually being promoted on their true talent level and not some other agenda.”
Would be great if you just came out and said you don’t like this guy because he’s Hispanic, or that I’m promoting him because he’s Hispanic. That way we can at least have a real conversation.
July 25, 2024 @ 4:11 pm
Trigger, it has nothing to do with being Hispanic. So, are you telling me that you would pay the same type of money to see this guy vs what you would pay to see Cody Johnson and Luke Combs? There is a reason why this guy is not playing at larger venues. Be realistic. Are you being serious that you believe he’s on the same talent level as these other guys? I’m just being realistic purely based on his talent level compared to these other artists. Rick Trevino was great country singer so is Kane Brown. Has not one thing to do with race. How long has this gut been singing and never heard of him until this article. These other guys made it by their late 20’s or early 30’s. If you got that “it” factor you pretty much know fairly quickly. Look at Parker, Luke, Jason A and even Drake. They all started playing in big arenas by their late 20’s or very early 30’s. I’m not upset or mad just being real.
July 25, 2024 @ 5:24 pm
Mike,
I think you fundamentally misunderstand the point of this website. One underlying purpose of Saving Country Music is to showcase local, up-and-coming musicians that nobody else is talking about, and that are not on major labels. You may not like them and that’s cool. I respect that. But there is not reason to compare them to arena acts. I’ve review nearly all of Cody Johnson’s album here too. I just gave a killer review to the new Luke Combs album. But if I don’t give a review to Matt Castillo, nobody will. So I’m the guy that gives them that opportunity.
The first times I wrote about Cody Johnson and Parker McCollum, they were local artists from Texas few people had heard about. Everyone has to start somewhere.
July 26, 2024 @ 3:25 am
Very well stated/explained.
‘But there is no reason to compare them to arena acts.’
‘. . . showcase local, up-and-coming musicians that nobody else is talking about, and that are not on major labels’
Perhaps if there was a separate review category for arena/major label acts, then the rating scores could be more relatable.
I do like it when major label releases get reviewed–when they are significant. I just don’t like how the scores compare.
C
July 26, 2024 @ 6:44 am
Albums are judged among and against their peers. So if I am scoring a mainstream album, I am often scoring it against other mainstream albums. If I am scoring an independent or traditional country album, I’m scoring it against similar albums released in the same year.
July 26, 2024 @ 1:26 am
…music with a rather nice (nostalgic) feel-good factor from matt castillo. the current list of hat acts keeps growing longer in a positive way. nothing really trail blazing here in this particular offering but overall perfectly suitable entertainment on a road trip.
July 26, 2024 @ 6:35 am
A couple years ago I was reading a post from another artist on Instagram. I believe it was Olivia Harms, but it’s been a bit, so not 100% on that. Anyway, she’s talking about just finishing a set and catching another performer on the bill. She posts a video of Matt Castillo and says he’s really good and recommends that everyone should check him out live and pick up his new album. I did just that and really liked the album, How The River Flows, his previous release.
Matt plays some really good Texas style country, and this new album kicks it up a notch from the last. Glad to see him get some recognition.
July 26, 2024 @ 9:20 am
Nice write up, like the songs and all. Can’t find a physical copy to purchase. I don’t know why these lesser-known bands invest more in merch than CDs of their actual music.
July 26, 2024 @ 10:36 am
Because people like you are no longer the norm. Hardly anyone has CD players anymore, new cars don’t come with CD players, etc. Sadly, everything is about streaming or Vinyl. I don’t blame smaller artists for not putting out hard copies these days, the margins are so thin it’s just not worth it. I miss the old days, too!
August 25, 2024 @ 10:57 am
Is there an LP of this floating around? I also prefer physical formats, and your mention of vinyl made me wonder if I’m missing it in my cursory search. Thanks.
July 26, 2024 @ 5:48 pm
Smaller artists tend to make most of their money through merch, and often lose money on physical product, except for vinyl, which the burden of entry to do a pressing is quite expensive. My guess is Matt wants it on CD and vinyl too. Hopefully if the album does well, he can do a run.
July 26, 2024 @ 8:55 pm
Matt Castillo…This guy is just so good. Not flashy but just solid Texas country. I still stream 2 songs from his last album constantly, How The River Flows and Leaving Since You Got Here…both bangers. Can’t wait to really dig into this new one.
July 28, 2024 @ 6:33 pm
solid sound, but man…you can’t get more cliche than the first two songs, and that’s as far as I made it.