Album Review – Porter Union’s “Loved & Lost”

Bit your quitchen about how all that big country radio plays is crap when all you have to do is root around a little bit to find an embarrassment of riches when it comes to the kind of kick ass independent country music we get to enjoy these days. Cody Jinks, Tyler Childers, Mike and the Moonpies, and on and on—your only real issue is how to find enough hours in the day to listen to everything.
But one gaping hole if we’re taking a serious assessment has been those soulful duets once sung to the rafters of the Ryman by legacy pairings such as Conway and Loretta, George and Tammy, and Dolly and Kenny. Sure, there’s plenty of men and women doing country music right these days, just usually not together. You can’t replace the perspective and soul captured in a great male/female duet, and that is what Porter Union is here to pay forward. Of course there are other male/female duos out there, especially in the always-nebulous “Americana” realm. But few if any are keeping it country in as dedicated of a manner as Porter Union.
Comprised of husband and wife Cole Michael Porter and Kendra Porter, they met in their hometown bar and soon became fast friends and singing partners. But this isn’t a Captain and Tenille bit where they gaze lovingly into each other’s eyes while singing other people’s songs. Both Cole and Kendra are respected singer/songwriters, and simply the strength of composition would be enough to get you to pay attention to them, even if a decade of harmonizing together in front of fiddle and steel guitar arrangements didn’t draw you in like it does.
And the music of Porter Union is not all swooning ballads and intimate coos. Love is work dammit. There’s bumps in the road, and for some, it’s a brick wall they run right into. All of these emotions, the ups and the downs of love and relationships, they’re all crooned out by this couple in quality songs with two part harmonies that draw the emotion out of the verse better than going solo, until loneliness is the mood sought, and one or the other steps back.

You get a good snootfull of all of this in their new record Loved & Lost, released independently, and in the wake of appearing on the USA Network’s singing competition Real Country where they were hand selected by Travis Tritt to compete on his team—a pretty big ringing endorsement from a country legend.
Similar to their 2017 self-titled debut, Porter Union fields a bevy of country songs with no wiggle room or compromise with what that “country” definition is. You get those intimate moments you want from a record like this, and they comprise some of the best songs from the effort like “To Have and To Hold,” and “I’ve Got You Covered.” It’s the assurance songs like these contain that make them resonate with you and yours. But if you’re looking for heartache, Porter Union pours that on too, and was smart to name this record after the track “Loved & Lost,” because you’ll be hard pressed to find anything stronger.
And again, performance is one thing, composition is another. Loved & Lost is one well-written song after another. “Laundry” seems like just your average song about everyday gripes from a woman’s perspective … until the twist comes. “Curb Appeal” with Kayla Ray brings that double shot of sass to drive the message home.
Like we often tend to say about albums that stretch beyond ten tracks these days, a few of the songs result in a lull in the high level of quality set by the rest of the record. The upbeat stanzas of “Looking For Love” catch you a little off guard, even though the half time portions help counterbalance it a bit. The last song on the record “Where Are You” feels like it needed a few more minutes in the oven. And even though Kendra Porter is a great singer and proves it on many occasions on Love & Lost, the well-written “Pennies” has something a little off in the arrangement that doesn’t work with her tone entirely right.
But beyond whatever gripes you want to give going through this record with a fine-toothed comb, there’s undoubtedly a gratefulness that swells in the heart that is inspired by being in the audience of Porter Union, and the classic and timeless magic that is made when two voices become one.
1 3/4 Guns Up (8/10)
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March 8, 2020 @ 11:04 am
“Bit your quitchen”
I couldnt help but see that, Trig. Sorry buddy LOL!
March 8, 2020 @ 11:52 am
I really enjoyed this album, and think its well worth a listen.
Very few good duet albums around over last few years and with McKay and Leigh this is a great addition.
March 8, 2020 @ 1:17 pm
This is good stuff and I encourage you to go back to 2013 for their record Devil By The Tail (produced by Mike McClure) when they were known as just the Cole Porter Band. “The Trailer Song” is just too good and funny. Thanks for covering this release Trigger!
March 9, 2020 @ 3:26 am
I have and like that album, and now that you pointed it out I recognize Cole Porter´s voice. Great stuff then, great stuff now.
March 8, 2020 @ 3:31 pm
Pretty good! I like his voice and hers when I could hear it and the music is definitely what I’d call Country.
Trigger, have you ever thought about writing for a living? LOL- Seriously son, you are one talented individual.
March 8, 2020 @ 3:50 pm
first off , the tracks posted here SOUND terrific …punchy , clean , tight , vocals and lyrics audible and out front and damn good . how often have any or ALL those things been missing or deterrents that might undermine an otherwise superb effort ? TOO OFTEN ! and with no excuse . there is NO excuse in these digital recording times with so many soft-wares , fail safes, presets , and arsenals of amazingly easy-to-use and supremely effective tools that, given 30 minutes , even your hard-of-hearing grandmother could coax killer mixes from, no excuse to be subjecting a listener to POOR audio quality .
secondly , of course , THIS STUFF is the definition of COUNTRY music and Porter Union makes no concession to trend , pop sonics , hip hop grooves or anything else that doesn’t come from a war chest labelled ” COUNTRY ” . how ’bout we get THIS on mainstream radio ?
March 8, 2020 @ 7:07 pm
First off, proper grammar and punctuation goes a long way towards making a point.
March 8, 2020 @ 10:18 pm
sorry aggc …i do have a box of punctuation somewhere ….can’t remember where i put it . if it wasn’t clear you may just need to read it a few more times and ‘fill in the blanks’ .. just a heads-up for you ….on tuesdays EVERYTHING is small case . or no ….wait …..used to be just tuesdays ……now its every day …..so …yeah
March 8, 2020 @ 9:15 pm
We’ve got your 6 Albert.
You just do you
March 10, 2020 @ 10:28 am
what Al said
March 8, 2020 @ 7:55 pm
Good stuff right there, Loved & Lost, has song of the year potential.
March 8, 2020 @ 8:49 pm
Love it. I have always loved the whole male/female duo sound… kind of reminds me of “the civil wars” (but obviously they aren’t country).
March 9, 2020 @ 9:28 am
Missouri has a surprising lack of independent country artists, being snug between Tennessee/Kentucky and Oklahoma, but Porter Union does a good job of representing us. Love this album
March 9, 2020 @ 9:40 am
MO also brought us a pop star who has largely converted to country. You can probably guess who without name mentioned.
March 11, 2020 @ 3:49 pm
Hey, how about Rhonda Vincent?
You have a few pretty good bands on that side of the river. Others I can think of would include John D. Hale, Bryant Carter, Evan Webb, and Justin Heskett. I think MO bands may just be a bit too far removed from TX to readily get traction in the Red Dirt circuit. And I doubt STL and KC radio stations do them any favors.
March 9, 2020 @ 11:15 am
The album is good. But i have to skip a couple of tracks.
“Loved & Lost” is a winner. Great track. “Curb Appeal” with Kayla Ray is another winner.
“Looking For Love” & “Where Are You” sound unfinished. Album fillers.
March 9, 2020 @ 3:53 pm
I know there are a few projects on the way which could topple it, but right now this would be my AOTY.
I liked the first Porter Union album, but not quite enough to stop my missing the Cole Porter Band. The CPB was a bluesy Country Rock outfit, and pretty damn badassed live. Although previewed in “The Trailer Song”, Porter Union’s vocal duo approach was quite a paradigm shift from everything else CPB.
Well, to my ears they’ve elevated their game this time. The writing is insightful and witty. Vocal duties are allocated and handled well. The lyric is a bit buried in “Pennies”, and “Where Are You” sounds adrift, but otherwise the production sparkles. The “Looking for Love” story could’ve been rendered as a duet, but by singing both perspectives Cole is freed to lose the argument by adopting the more Pop melody for the male’s side and revealing his uncertainty via being overly repetitive. The musicianship is excellent throughout. It’s an album worthy of an attentive headphone listening; some stuff will pop out, like the deft interplay between the guitar and steel.
Am definitely looking forward to catching them live at least once this year. At least once each of acoustic and full band, hopefully.
March 10, 2020 @ 8:01 pm
As always, a good review. But was there any real reason to hate on the Captain and Tennille?????????