Album Review – Roo Arcus – “Tumbleweed”

There is only one George Strait. This is for sure. And even though Texas is big, there still wouldn’t be room enough for two of them, even if another one did exist. But in the wide open spaces of Australia, on a different continent altogether, and in a separate hemisphere entirely, there lives a country crooner by the name of Roo Arcus that you could be fooled into believing is the long lost cousin of King George if you didn’t know any better.
From the way he expertly plys his passion for country music, to the trueness he shows to himself, Roo Arcus is one of the best places to turn for more of that straight-laced and squared away version of country music indicative of George Strait, yet it’s still country that cuts to the bone with ruggedness and authenticity. These lofty standards and expectations are certified by Roo’s new record, Tumbleweed.
You don’t become a traditional country artist these days by choice. You’d have to be a glutton for punishment—a verified fool to volunteer to flush your time and money on that uphill pursuit. Making it in music is hard enough. Making it in traditional country is even harder, especially when you’re a guy from Australia. But for the truest of country artists, there is no choice. The music pursues them, not the other way around. And no matter where they may dwell, when it finds a vessel in their souls, they must express it, prospects be damned.

With his first album in five years and fourth total, Roo Arcus pulls out all the stops, from the songwriting, to the players and performances, to the studio and mastering, it’s all done to near perfection on this living testament to the beauty of country music. Spending the extra effort to record in Nashville at SonyTree Studios, and using top-flight musicians and co-writers to fully develop his ideas and vision, Tumbleweed is an astounding country music work from stem to stern.
Tumbleweed is also in many ways about Roo’s curious passion for country, not that it’s entirely foreign for an Australian to find appeal in country. Per capita, there may be more Aussies musicians making actual country music in the country music realm than Americans who are so easily corrupted towards pop. But Roo gives his country a distinct American flavor that is perfect for country fans around the World to enjoy. From the song “Mockingbird” about not fitting in and finding your own voice, to the final song on the album called “Won’t Give Up on My Dreams,” all the questions one may have about Roo Arcus’s heart and authenticity are answered in these 12 tracks.
But moreover, Tumbleweed is just one stellar country song after another, difficult to impossible to find fault with, unless you just don’t like country music, which is nobody’s fault but your own. Roo’s perfect country voice, the way the traditional country instrumentation fills out the tracks with steel guitar and fiddle so deftly aligned with melody and lyrics, you just can’t find fault, only favor with what’s going on here.
A true cowboy and cattleman who lives on a family farm, Roo Arcus lives what he sings, and sings what he lives. Regularly coming to the United States to give guided tours, while playing music when he can, the undying passion for country music comes through, and makes Tumbleweed one of the best country albums released in the world in 2020.
Two Guns Up (9/10)
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Purchase from Roo Arcus
October 15, 2020 @ 8:34 am
OlaR is going to to have an orgasm over this review.
October 15, 2020 @ 8:37 am
OK, this one floored me. Made me do a double take. He even has George’s cry. Not on his level, of course, but still…
Wow.
October 15, 2020 @ 9:04 am
After you listen to this one, go check out his 2015 effort “Cowboys and Sunsets.” I had that one on repeat for months after first hearing it.
October 19, 2020 @ 2:14 pm
Thanks so much Lewis!
October 15, 2020 @ 9:27 am
When you throw out a George Strait comparison in the first paragraph, I’m naturally skeptical.
But damnit, this is as close to George as I’ve ever heard.
October 15, 2020 @ 8:42 pm
From the two videos posted I like this. But Roo? What the hell kinda name is that?
Thanks for the review. Gonna check out the rest of the album.
October 15, 2020 @ 8:45 pm
Not sure why my comment ended up as a reply to another post. Didn’t hit the reply button.
October 15, 2020 @ 10:51 pm
I suspect Roo is short for Kangaroo. Sounds right anyway.
October 15, 2020 @ 10:06 am
this music checks EVERY box .
as an aussie claiming to sing country music , urban isn’t .
THIS is how its written , recorded , arranged , produced and performed if you have ANY respect for the genre .
excellent observations , as usual , trigger .
October 15, 2020 @ 10:39 am
It’s a world class album and the most frustrating thing, is that it will pass by the ears of so many real Country fans, just because they won’t know his name.
October 15, 2020 @ 12:23 pm
I can’t tell you how frustrating and frankly embarrassing it is these days to try and get people to pay attention to some of the most important albums being released in country music at the moment. Name recognition and breaking new artists has always been a challenge, but it’s one that’s becoming progressively more difficult Years ago a great review would have caused buzz on social media, and the comments section would fill up. These days it’s difficult to get anyone to pay attention to any album review, while the biggest criticism I receive continues to be that I didn’t review so-and-so’s albums, and I don’t review enough albums, even though I’m posting more than ever before. And since nobody is liking or sharing reviews on social media, they continue to get buried even further, especially on Facebook, leading to this misnomer that I never post them. Then on the rare occasion I post something about the mainstream, people get in an uproar with “Who Cares!” and “Never heard of her!” comments that boost it in social media algorhythms, making people believe that’s all I ever post.
There used to be a community that cared about foisting these kinds of albums to the forefront and supporting these artists. Now it’s obsessed with tribalized signaling and ignoring anything you’re not familiar with.
October 15, 2020 @ 8:51 pm
I initially started following this blog to find new music and the album reviews. Still do. Don’t always comment on albums I don’t like as much as maybe you do, preferring not to have my only comment be that sucks or I don’t like it.
October 16, 2020 @ 3:46 am
I was just thinking that your home page sure had a lot of good music reviewed. Which is as it should be, I guess: More good music out there = less to rant about + more to rave about.
kutgw!
October 21, 2020 @ 2:04 pm
FWIW, you’re my main source for new country music. I’m not a country-only or even country-mainly kind of fan, but I do like quality country music, and you’ve pointed me to more of it than anyone else for some time now. Keep up the good work.
October 27, 2020 @ 8:37 pm
Trigger, I’m a 16 year old from Texas. These are the reviews I like the most because me and my buddies are always looking for new artists to listen to when riding backroads and just hanging out together driving and everything. We all play music, and listen to traditional and red dirt country. I also like to shock my grandma everytime she says “country music is dead and all pop now”. She loves James Carothers, who is an artist I don’t think you’ve reviewed yet. But there are more people who count on these reviews than you or even they know.
October 18, 2020 @ 7:32 am
You are doing a terrific job, Trigger! Hello from Spain.
October 18, 2020 @ 8:42 am
Thanks for reading.
October 15, 2020 @ 11:34 am
I have waited five years for this one. Next best thing after king George!
October 15, 2020 @ 12:09 pm
Ok, this does feel like a Strait album. I wanted to disagree..but he sounds a lot like him. Roo really captures the Tony Brown days sound for sure. Pretty damn good album.
October 15, 2020 @ 2:14 pm
What a pleasant surprise. Most of the Australian country scene is cringe so this really stands out. It’s no “This Road” by James Blundell, but good enough for me to out myself as an Australian!
October 15, 2020 @ 4:01 pm
Really good stuff but I kind of feel like he needs to add something to the sound that’s his. It’s like Jarrod Morris, obviously influenced by Christ Ledoux but has his own spin on the sound.
October 15, 2020 @ 10:57 pm
I think his best album is “This Here Cowboy” from 2012. Doesn’t seem to be on iTunes. Highly recommend if you can get your hands on it.
October 15, 2020 @ 11:04 pm
Thanks for reviewing this record! I loved loved loved his 2015 album, which I found out about on this blog. Listening to it now, and it just hits the spot. I agree, one of the best of 2020, hands down.
October 16, 2020 @ 6:32 am
Damn good album. For sure ought to be in the lead pack contending for Country AOTY.
October 16, 2020 @ 11:15 am
Not bad.
October 16, 2020 @ 12:34 pm
Good stuff, adding to my current playlist.
But it’s also such a perfect copy of “the George Strait sound” that I actually wish it was a little bit different. But it really is good, so I almost feel guilty saying that.
October 16, 2020 @ 2:41 pm
Holy cow! Strait’s evil twin
October 17, 2020 @ 6:34 am
The video accompanying Tumbleweed is worth the price of admission- the singing and lyrics are icing on the cake.
October 23, 2020 @ 11:56 pm
I think round about 40-50% of all my records from 2020, I bought because of a review on this Site (and nearly 100% of my Country related purchase). You’re doing great work. Don’t get frustrated.
Best wishes from Germany
October 28, 2020 @ 1:45 pm
Thanks for what you do Trigger! I had some time on my hands today and scrolled through your posts looking for new music to dive into. Roo and David Quinn are both great albums that’ll be on repeat for a long time coming.
January 10, 2021 @ 6:21 pm
Great album.Its such a shame music of this quality flies under the radar. If it was a george strait album it would be one of his best. I agree its worth 9/10 rating.