Album Review – Slackeye Slim’s “Scorched Earth, Black Heart”

Take a trip beneath the seedy underbelly of country music, deep into the underground where artistic expression is paramount over all other concerns, and Gothic and punk influences intertwine with the country and Western ones. It is in this realm where you will find Slackeye Slim, who is a true survivor of the underground. In 2011, he issued one of the underground’s most crowning achievements in his magnum opus, the conceptualized El Santo Grial: La Pistola Piadosa that went on to win Saving Country Music’s Album of the Year, and remains one of the greatest underground country albums of all time.
As the alter ego of Joe Frankland, Slackeye Slim injects a cinematic perspective into Western music, and stokes the imagination with his Ennio Morricone-inspired approach. After an eight year absence since his last album Giving My Bones to the Western Lands—and mercilessly writing, recording, and scrapping songs in an effort to hone and refine his inner voice—Slackeye is back with a new work that summons many of the same sonic landscapes as El Santo Grial. But instead of staking out a fictional narrative, the new album draws from Slackeye’s own personal story for its troubled inspiration.
Scorched Earth, Black Heart is an unmerciful and unflinching foray into the disturbed notions and scar tissue of a soul riddled by familial dysfunction, and burdened by arcane value systems instilled during upbringing, with it all resting on the conscience about as comfortably as a serrated blade permanently affixed in one’s back. Veering from grandiose self-righteousness to severe self-loathing, Slackeye Slim vacates every last grievance in his soul until all that is left are dry heaves of empty emotion in hopes to finally and forever exorcise the traumatically acerbic thoughts and attitudes that impede his forward progress in life.
Suffice to say, this work is not for everybody.

There is no definitive arc to this story, no real happy ending or resolution. This album isn’t simply a case of “sad songs make me happy.” Slackeye Slim gnashes teeth until the enamel is worn down to the nerve. He scrapes at skin until the veins bleed out. He beats his head up against a wall until it’s bruised beyond recognition. Nobody is left unindicted in the Slackeye Slim universe, including himself. Mother, father, brother are all implicated for their transgressions, and the turmoil is expressed without any effort to soften the blows, or obfuscate from the truth.
As Slackeye Slim says in the first song, a snake can shed it’s skin but it’s still a snake. Then for the next 10 songs, Slim tries his best to slither away from his own nature by redressing painful memories that have troubled his soul and weighed him down, no matter how much time and distance he’s attempted to put in between them. Sometimes this comes to life with what feels like stark specificity, such as in “I Took You Up The Mountain” about his relationship with his brother. In other songs such as “Old Farmhouse,” the story may be a bit more fictionalized, if not still underpinned by truth.
Where is the sense of hope behind this work? Slackeye Slim’s seems to hope that by laying out everything in stark relief, it will expunge the evil thoughts that continue to haunt him. Scorched Earth, Black Heart is like a struggle session, a bloodletting, an exorcism. Sometimes it’s painful to witness. But that doesn’t mean it’s not compelling, or ultimately effective and conclusive, if not only for Slackeye Slim, then maybe for those in the audience with their own severe memories and mind viruses who can find a similar unburdening relief through this work.
Perhaps too severe, too obtuse, and too personal to earn a significant audience, Scorched Earth, Black Heart will still find favor with those similarly saddled by a terrible past, offering them medicine through shared experience and deeply personal expression that takes you into the recesses of repressed and troubling memories in places most artists are too afraid and ill-equipped to venture.
1 3/4 Guns Up (8/10)
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Purchase Scorched Earth, Black Heart from Slackeye Slim
July 7, 2023 @ 11:33 am
Kind of a Tom Waits/Nick Cave vibe. I dig it!
July 7, 2023 @ 11:52 am
I was wondering if this album would get a review. Like Trig mentioned, it’s an acquired taste but I find it hauntingly beautiful. Even though it’s considerably slower and darker in it’s content and delivery from his previous stuff, I found it unexpectedly soothing for some reason. I came out on the other side thinking my world ain’t half bad. The vinyl sounds great.
July 7, 2023 @ 12:51 pm
Great review for another great album by SS! Each of his albums are different, while still being unique and identifiable as Slackeye Slim. Not many people/bands can do that successfully. Not much else for me to say that’s not mentioned in the review, which I think is spot on. Joe told me he was hoping for a full review by Trig, so happy to see a favorable review here.
July 7, 2023 @ 2:04 pm
With all due respect to him and his work, I don’t really understand how this can be considered ‘country’ or even ‘roots’ music.
“Suffice to say, this work is not for everybody. ” Definitely not for this country fan.
July 7, 2023 @ 2:30 pm
It’s definitely not traditional country by any measure. I was introduced to SES via this website many years ago via the El Santo Grial: La Pistola Piadosa album which is chock full of the spaghetti western sounds. This album has some of that as well (spanish type guitars, banjos, percussion, etc) but to quote the review, “seedy underbelly of country music” is in full force with this one. This album will give the bro country boys nightmares for days…
July 7, 2023 @ 2:56 pm
And unlike Kane Brown who gets lost on his own property, this guy’s going out to help with a search and rescue mission in the mountains this weekend. Best of luck and hope they’re successful.
July 7, 2023 @ 5:20 pm
This is art. It has some western vibe, but it is not country or roots. It is not for the masses, and that is fine. The fact that art, regardless of genre or medium, is put out with no concern for riches or fame, should be celebrated. This is Hasil Adkins, Jandek, territory. Stuff that is sought ought or discovered by word of mouth. Thank goodness that art like this still exists. And a side note: Joe (Slim) is an amazing dad, husband, friend, and has a great sense of humor. The people who bought the cassette already know that by the selection of the hidden track.
July 8, 2023 @ 8:19 am
I was about as expressive as I could possibly be that this was an UNDERGROUND country album, which if you consult the Saving Country Music compendium on subgenres…
https://savingcountrymusic.com/compendium-of-country-music-definitions-subgenres-terms-eras/
…you would find it fits that definition expressly. Nobody is trying to call this traditional country. But is it hip-hop? Jazz? EDM? Pop? Rock? No. It’s takes Gothic influences instilled in country music via acts like The Carter Family and The Louvin Brothers, Ennio Morricone influences that very much fit in the Western canon, and instills them with an underground darkness that is more roots music than it is anything else.
Totally understand if it’s not for everyone. But if a site like Saving Country Music doesn’t review this, who will?
July 7, 2023 @ 2:58 pm
Thanks for the link to your greatest underground album list; missed that first time around.
July 8, 2023 @ 8:24 pm
this might be my favorite album I’ve heard all year. It just bumped Lindeville from the #1 spot for me. I don’t always like the dark americana stuff because it has it’s own cliches (lots of howling about the devil and a lot of semi-gospel stuff that just rings inauthentic) but this is just excellent, genuine, heartfelt country music with phenomenal songwriting. Going to be evangelizing about this one for a long while i think.
July 8, 2023 @ 8:27 pm
Also since Trigger mentioned underground artists and his subgenre article again, I’m going to post my ‘artists you won’t hear on the radio’ list (which Slackeye Slim contributed some great western edits to- much of the Native American Bands list is from him as are some of the more expected dark americana folks):
https://docs.google.com/document/d/1E4rYG4AWUW0zIp_vuEugfXC2TPU9jal0e4CL17C-p68/edit
As always, feel free to make comments in there and suggest other people. It hasn’t been fullly overhauled in about 8 months so I’m open to suggestions.
July 11, 2023 @ 9:29 pm
This harkens back to the glory days for me. 99-2012 or so. I remember finding this website when Fire and Hail was album of the year. When Damn the luck was song of the year. When Mr Bandana would type in all caps. I am an unapologetic underground fanatic and I’m grateful that you reviewed this. My country album of the year.
July 20, 2023 @ 6:14 pm
Lol, Mr. Bandana! Nice memory.
July 16, 2023 @ 5:28 am
I learned about Slackeye Slim from this site when Santo Grial first hit, and when I learned he had recorded a few tracks with Lonesome Wyatt and Those Poor Bastards I was really intrigued. I met up with him at a diner in Albuquerque for some spicy huevos rancheros and he invited me to a hippy hoe-down at an abandoned country church he was gonna be playing at that night. He didn’t seem that unusual when I met him, but at that show I realized that he was actually almost 10 feet tall, a real giant. He was standing on stage all hunched over, playing his guitar like it was a little kiddie instrument, his boots actually sticking out through the doors of the church. The guys from Imperial Rooster were lucky to survive as he writhed about the church, smashing pews and shaking the rafters like some rampaging tyrannosaurus, leaving the audience of hobos and drifters in a blood and stained glass mess. Good times.
July 16, 2023 @ 7:41 am
Was there. Can confirm.
July 19, 2023 @ 5:05 pm
cassette…really?
July 20, 2023 @ 6:15 pm
With an exclusive hidden track. Get yours today.
July 27, 2023 @ 6:31 pm
Fantastic album and phenomenal artist