Album Review – T.J. Hernandez’s “Destination Unknown”

You can’t get 30 seconds into this new record from T.J. Hernandez without being convinced you’ve landed in the right place. The voice is somewhere between Cody Jinks and Jamey Johnson. The music is pure uncut country. The production is just about perfect. And the songs hit the spot. It’s a traditional country oasis in a COVID-cruded and contemporary-overrun country world that you couldn’t be happier to hear pouring out of your speakers.
With so many of country music’s institutions sold out to the highest bidder and corrupted by the infiltration of pop, the music must be kept alive by a citizens brigade of hardcore believers in both full and part-time capacities, holding court in honky tonk enclaves clinging on for dear life on the outskirts of town. Nobody’s getting rich, and there’s certainly nothing glamorous about it. But it’s like country music communion for those devout few that wouldn’t make or listen to country music any other way.
It’s from this world that songwriter and performer T.J. Hernandez emerges with a batch of new songs in his first full-length release called Destination Unknown. Though he might often be seen performing his songs acoustically, the album is a full-fledged production led by respected country producer Bill McDermott and recorded at OmniSound Studios Nashville with top notch session guys. Writing or co-writing eight of the eleven songs, the record is quite an accomplishment for a guy who just got back into music a few years ago.
Inspired after first hearing the music of Cody Jinks back in 2016, and then soon discovering the entire world of independent country artists, T.J. Hernandez freshened up his guitar skills from when he was younger, and started hacking away at writing original songs. This initially resulted in a 7-song EP from 2018 called Here I Am. But now with this new one, Hernandez is hoping to not just emulate his modern-day traditional country heroes, he’s hoping to join their ranks.

Taking the age old advice of writing about what you know about, the songs of Destination Unknown are all about a man consumed with the passion for country music and songwriting, but trying to balance that with the requirements and constraints of a normal life and a loved one at home. The demons that rise to the surface when you become a creature of the night life are also sung about. T.J. Hernandez’s voice is perfect for this stuff. It’s crazy he allowed it to lay dormant for so many years.
Enough can’t be said about the entire package put together on Destination Unknown. All the stops were taken out, and if T.J. broke the bank to get it made, it was worth every penny. Hats off to all the pickers and players like Steve Hinson on pedal steel and James Mitchell on guitar, who for those who may not recognize the names, are some of the top names in Nashville session work. And even though this is a very straightforward Outlaw-style traditional country record, producer Bill McDermott did bring a grander vision to the project and really made it the best it could be.
The one concern with Destination Unknown is the songs may be a little too much shop talk from a struggling country songwriter for some of the audience to really connect deeply with. Hernandez shows himself to be a good writer. Perhaps the lightest song on the record is “Desperate Men” which is an old tune written in part by Billy Don Burns and Hank Cochran. But broadening his themes may be to T.J.’s benefit. At the same time, musicians and songwriters like himself struggling with that balance of home vs. stage might relate to this music acutely. Not to jinx T.J., but you could hear Cody Jinks or some other artist cutting one of these songs in the future.
T.J. Hernandez heard the call of country music like so many others do, where it’s not a choice to perform or factored in as a hobby. It’s a compulsory requirement to pursue the music no matter the consequences, like so many artists who sacrifice greatly to get the music to the people, and preserve it for the future do. With Destination Unknown, T.J. Hernandez is no longer a spectator in that endeavor. He’s an active participant in the effort to save country music.
1 3/4 Guns Up (8/10)
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Purchase Destination Unknown
May 15, 2020 @ 8:10 am
Some good sounding stuff right there; I’m in.
May 15, 2020 @ 8:14 am
Good album. Definitely has a Cody Jinks vibe to it.
May 15, 2020 @ 8:19 am
….now THAT’S a great-sounding production which screams COUNTRY . tracks are clean punchy and dynamic allowing pickers to pick without competing with the vocal/narratives.TJ’S voice is right there with Gethen Jenkins in timbre , conviction diction and phrasing, IMO . He does it all ……..right .
from the tracks posted I’d agree with your concerns with the writing , trigger . maybe too ‘shop’ and , perhaps unfortunately , too common a topic for many writers . listeners need to hear themselves in a song to really connect .
May 15, 2020 @ 10:54 am
A couple of minutes ago i told my mom that i have new music for her. The name of the guy is TJ. Hernandez. She will love the voice, the ballads & maybe one or two of the faster tracks.
It’s a fine album & the ballads are the best tracks for me too. I miss the personal touch & the standout track.
My highlight: “Between A Woman & A Song”, “A Writer’s Mind”, “Right Where I Am” & “The Things I Do”.
Btw…the new James Robert Webb album is out too. According to Google Play the album was pushed back for a release in June…but it’s already out & it’s a good one.
More New Music:
Tracy Killeen – On The Trail Of Patsy Cline – Album (13 Tracks) – Released (05/14)
Tracy Killeen is an australian country singer with a #1 hit a couple of years ago. Her new project is full of well-known tracks (“Crazy”, “I Go To Pieces”, “Walking After Midnight”, “Wayward Wind”…).
She didn’t try to give the songs a new spin or modernize the sound.
It’s the sound of the 50`s & 60’s & Tracy Killeen delivers.
More New Stuff:
Nicolle Galyon – “All The Things” – Single/Track – Released
Corey Crowder – “My Poor Mama” – Single/Track – Released
The Bobkatz – “Hey Andy” – Single/Track – Released (Australia)
Noah Schnacky – “Comeback”/”Where’d You Go” – Double Single/Tracks – Released
Chevel Shepherd – “Everybody’s Got A Story”/”Mama Got The Chair” – Double Single/Tracks – Released (“Everybody…” is co-written by Kacey Musgraves & Brandy Clark with Shane MCAnally)
May 15, 2020 @ 11:07 am
Trig, you had me at “The voice is somewhere between Cody Jinks and Jamey Johnson.” After going through all of the songs on the album, the one that stands out to me is “Right Where I Am.” It feels a bit like an outlier in comparison to the rest of the album, but I found it to be a welcomed change and exclamation point at the end. I felt that it was a perfect way to end the album.
May 15, 2020 @ 5:45 pm
The song Right Where I Am was written by an artist named Bryan James. Apparently it was kind of written for TJ or he inspired it. Tj told the story of it on his Facebook page
May 17, 2020 @ 6:53 pm
Loved Bryan James’ ” Between Devil and Angel”. Eagerly awaiting his next release.
May 15, 2020 @ 11:16 am
Yep. Hes got it. In spades.
May 15, 2020 @ 11:39 am
Sounds a little too much like Cody Jinks? Can’t say that’s a bad thing.
The lack of versatility in the subject matter keeps it from AOTY consideration for me, but it’s a great listen.
May 15, 2020 @ 2:45 pm
Liking it a lot.
As for talking shop, has anyone else noticed that about half of Cody Jinks’ latest albums seem to be really lame songs about himself? There are at least 2 songs that seem to say “I’m awesome because i didn’t cheat today”
This is country music, we want the cheating, complete with the temptation and recriminations. And then blame society or the devil.
May 15, 2020 @ 3:09 pm
No, we want honest songs and songwriting. We don’t want someone to be a piece of shit just for the sake of being a piece of shit. Cody at this moment in time is on a different plane than most and his songs reflect that. You are seeing a maturity in his music that accompanies his maturing as a man, complete with the troubles that are burdening him presently.
May 17, 2020 @ 9:48 am
well …this was a point I’d made about cody and a lot of artists , bhat……I want to be able to find myself in a country song . I’m a pretty ‘normal’ COUNTRY fan ( friends would probably disagree ) and don’t relate to much of the isbell , jinks . strugill stuff mostly for that reason .
May 17, 2020 @ 1:15 pm
Come on, “one good decision” is lame. This is the guy who sang “somewhere in the middle” and “david” and “grey” and so many more.
I love Jinks, I love it that Jaida Dreyer got some recognition on my favourite track on the album, but I’m really not getting the lyrics on the album.
People talk about a personal record like its a positive thing, especially if your personal life happens to be boring
May 17, 2020 @ 7:01 pm
I didn’t notice that, but i did notice that his past 3 albums – Lifers especially – have been full of similar rock-driven, poorly mixed, digital sounding songs with monotone and droning vocals (with a few exceptions). His prior two albums were on a whole different level. Hopefully he will make a U turn at some point.
May 17, 2020 @ 7:33 pm
Is it ironic that ‘Lifers’ left so many feeling dead?
Yeah, I don’t mind rock-driven, but i agree with the monotonous.
May 15, 2020 @ 3:42 pm
I like “Ditches.” Those who said they want a personal note are right, but I bet we’ll get it in time. Glad this guy’s out there, after working two other jobs. Country. He could also use a little more dance hall.
May 15, 2020 @ 5:02 pm
He sounds great, thanks for the info! Going to listen to the full album now.
May 15, 2020 @ 6:07 pm
This stuff is fantastic! I’m impressed and now have somebody else to follow hopefully for a while.
May 15, 2020 @ 9:03 pm
Great review but I beg to differ on the “too much shop talk for others to relate”. I found myself relating personally to several tracks (me, a middle aged female), singing along to them ALL and have gotten nothing but love from everyone I’ve shared the tunes with, from 16 to 80 yr olds, male and female. I think he has more than what it takes to be successful in today’s indie country music world.
5 ⭐️
May 16, 2020 @ 12:51 am
this is great! More Jinks than Johnson for me but i’m digging it together with the new Elijah Ocean’s and Jonathan Parker’s albums. All great finds thanx to the mighty SCM!
May 16, 2020 @ 5:54 am
Didn’t expect this from you Trigger. It’s like the album is over produced. He’s got some weird auto tune thing going on in several songs that make it almost unbearable to listen to. He’s obviously talented and its definitely a country album but theres too much going on with the vocal effects. I’m not an expert in that field so I dont know what it’s called that they’re doing but it’s very obvious. I’ll definitely go check out his next album as the guy does have talent. I just cant get past some of the things in this release.
May 16, 2020 @ 8:29 am
I’m not hearing any Auto-tune at all. I’m hearing a pure country voice. Now I wasn’t in the control room with this record was recorded, so I can’t verify that. But I have directly called out many artists, including beloved ones such as Cody Johnson and George Strait, for using Auto-Tune in the past, and if I heard Auto-tune here, I probably wouldn’t have reviewed the record at all. Is it overproduced? A guy from Illinois went down to Nashville to record with a top notch producer and session musicians. So production is definitely a big part of it. But I didn’t ignore what I thought was Auto-tune on the vocals. There’s a distinct, sharp cut-off of tones that’s indicative of that, though they’re getting better at hiding it. But I’m hearing none of that here.
May 20, 2020 @ 11:12 am
First off…I love this record, thanks Trigger for continually bringing us fantastic, mostly unknown artists like this!
I do not believe there is any auto tune. It reminds me sort of like that double layered vocal tracking Dave Cobb did with Jamey Johnson on “High Cost of Living”. Not sure if this is some sort of recording technique or what, defiantly not an expert. He did it with a few Brent Cobb songs too.
May 16, 2020 @ 10:18 pm
This is pretty generic and Nashville cranks out 80 albums just like this every week. Did this guy buy a review on SCM or something.
May 16, 2020 @ 10:28 pm
Well if I was supposed to get paid for posting this, someone owes me a check.
If Nashville is cranking out 80 albums like this a week, please point me to the other 79 so I can get to reviewing them too.
This guy sell you a bad used car or something?
May 16, 2020 @ 6:51 am
This one grabs me immediately. No problem with the Cody vibe. These songs are quality, the production is crisp like I like with a little punch and crystal clear vocals. Man there’s a lot of good albums out right now and this one fits right in with em.
May 16, 2020 @ 10:21 am
Beats the hell out of the Isbell stuff. All of those people commenting in that review should be commenting on this one instead and helping county music instead of getting their panties all in a wad
May 16, 2020 @ 1:31 pm
I was thinking similar thing; I commented on that one as well, but a lot of those folks are really fired up about the album and/or Trig’s review.
This is a great album, hope more people check it out.
May 16, 2020 @ 9:34 pm
You guys both fuckin kill me….lol I was thinking the same thing and was going to say something in my post before you guys after I’d listened to the Isbell album once and thought “ah….so so” before this review came out and listened to T.J.’s album and saw 13 responses and I’m like why does Isbell’s review get 200 responses of people arguing over it have more interest than a genuine Country album like this? I didn’t want to pit one review/thread against another even though all 3 of us were thinking the same thing. Kind of an apples vs oranges, one really has nothing to do with the other so to speak but we all agree. Isbell fans like to mix it up with Trigger that’s for sure. I sat that one out and now it’s kind of soured me on listening to it again.
May 16, 2020 @ 1:31 pm
I’m liking it, a lot. I don’t hear any auto-tune, either. Just good country music.
May 16, 2020 @ 3:22 pm
30 seconds in, and I have no desire to check out the new Isbell record. Personal tastes and all, but this is where it’s at for me.
May 16, 2020 @ 6:46 pm
I’d say that in addition to Kendell Marvel, the 618 has found another champion to rep it. I think Hernandez nails the Outlaw/Honky Tonk vibe which permeates the majority of the album. The title cut is a bit of a stylistic outlier, but it has the sound of a potential monster hit of a pre-Bro Country world.
I don’t know where the auto-tune comment comes from. Maybe because Hernandez makes this sound so easy? Unlike some from the Jamey Johnson school, T.J. has the sense not lug his vocal chords. He’s keeping it up in his power band, and powering through the curves with authority.
Am enjoying what he’s done thus far, and definitely looking forward to a lot more music from him.
May 16, 2020 @ 7:11 pm
…And Trig, thanks for the heads up on this. I live one county over from T.J., and was clueless to his existence. Hopefully I’ll get some opportunities to see him live.
May 17, 2020 @ 6:35 pm
I enjoyed listening to the entire album while brewing an Irish Stout on a very rainy Sunday afternoon. I’ll give it another closer listen but first impression is that it’s very good!
May 20, 2020 @ 11:13 am
Thanks Trig. This is fantastic. Definitely west of the mountains, but there’s some Eric Strickland vibes here too.
May 21, 2020 @ 12:40 pm
This is great! Thanks for turning us on to great music and providing exposure to great musicians that need it! To me, May 2020 has had better albums than the rest of 2020 combined! American Aquarium, Elijah Ocean, Wade/Randy, Zach Bryan, Isbell and this one
Someone introduced me to Chancey Williams in the comments section. He has a new album out tomorrow that I’m really excited about.