Album Review – Tami Neilson’s “Neon Cowgirl”

Countrypolitan (#510.5) and Country Soul (#577) on the Country DDS.
It doesn’t even feel apt to characterize Tami Neilson as a “musician” in the conventional sense. She’s a force of nature, a Category 5 Typhoon blowing in from the archipelago, a volcanic eruption of power and talent barely constrained by the rules and tenets of music and performance. The only thing keeping her from being considered a titan of our time in popular music is proximity as a Canadian living in New Zealand. But after performances at the Grand Ole Opry and on Willie Nelson’s Outlaw tour, folks are waking up. And how could you snooze through the Tami Neilson experience?
As she proves in the opening track of her new album—the soaring, countrypolitan-sounding song “Foolish Heart” that awakens notions of Patsy Cline—Tami can do things and go places that other singers and songwriters just can’t. And though we feel blessed she brings these gifts to the domain of country music, she also graces soul, blues, and rockabilly with her vocal aptitudes and deft writing. You hear it all showcased on her new album Neon Cowgirl. But blessedly, it’s more country than it is anything else.
You can often tell how respected a musician is by the peers who line up to work with them. In Tami Neilson’s case, along with boasting Willie Nelson as a previous duet partner, JD McPherson, Ashley McBryde, Grace Bowers, The Secret Sisters, Shelly Fairchild, and Neil Finn all appear on this album, with McBryde, Bowers, and Fairchild appearing on stage with Tami on the Grand Ole Opry for a rousing rendition of “Borrow My Boots.”
Tami Neilson has never shied away from saying what she means, and meaning what she says in her music. “Borrow My Boots” is about kicking down doors and climbing over the hurdles many of the women face in the music business. “Heartbreak City USA” is a scathing, twangy takedown of Nashville’s boulevard of broken dreams. “U-Haul Blues” speaks to the housing crisis affecting so much of the United States. But as she sings in “Love Someone,” these sentiments aren’t shared solely from a place of spite and hate. They come from a place for concern for her common man (and woman), and a willingness to offer her own back to lift someone up, or a shoulder to cry on.

Some can find Tami Neilson to be a little too much with her big hair, big voice, big opinions, and boisterous personality. But she finds a great balance on Neon Cowgirl of showcasing her talents and skills as a singer/songwriter, while favoring her country roots in a way that forces her to dial it back sometimes and be just a shade more sedate. This is illustrated best in the comparatively understated “Loneliness of Love,” which underscores that Tami’s not just a powerhouse singer and personality. She’s a great songwriter who can still exude strong emotions even in hushed tones.
To understand pain, you often have to feel and experience it yourself. Over the Holidays in 2022/2023, Tami Neilson had to undergo multiple surgeries after a gallbladder removal turned into abdominal sepsis and a collapsed lung. There was serious concern for Tami at the time. Then last year her brother and guitar player Jay Neilson had a small lesion removed from his forehead in what was supposed to be a routine procedure that ultimately turned into multiple seizures and doctors having to remove part of his skull. Jay is a co-writer on many of the tracks of Neon Cowgirl.
Perseverance over adversity is the ultimate lesson and inspiration one can take from Tami Neilson, and Neon Cowgirl specifically. Against all odds and as a perennially overlooked underdog, she’s determinedly soldiered forward, earning champions along the way. And like a 20-foot neon cowgirl, beats back the darkness to glow as a beacon of strength and determination.
8.2/10
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Purchase/Stream Neon Cowgirl
July 17, 2025 @ 7:52 am
She is FANTASTIC! You got me, and I’ve been a fan of Tami Neilson forever . . . .
July 17, 2025 @ 9:52 am
This is a really cool album. Cinematic style production that reminds me a little bit of early-ish Lana Del Rey. And I don’t mean that in a bad way.
July 17, 2025 @ 11:22 am
Hmm, I don’t know. Perfectly sung, played, produced – yes. That might make a good album. But does it make it an authentic country album? Tami Neilson confidently poaches all kinds of roots music styles and has mastered all of them. But does she add something authentically or even new to it?
And the wall-of-sound production makes the whole thing sound more like 60s diva pop than country. This is all extremely retro-like and points only to the past. The album sounds like a bunch of leftover Dusty Springfield recordings trimmed to country. It’s similar to the Orville Peck or Chaparelle stuff: cosplay country.
July 17, 2025 @ 4:04 pm
Hi Akade,
Thank you for your kind words in saying it’s perfectly sung, played and produced! I don’t normally spend time on negativity, but, I’ve always appreciated the SCM community so wanted to respond to a couple things. “Poaching” suggests I stole something that doesn’t belong to me, and music belongs to us all. Cosplay also suggests I’m dressing up to pretend I’m something that I am not. After singing country music for 40 years from my first gig opening for Kitty Wells with my family band at age 10 right up to playing with Willie Nelson last week, there is no cosplay about it. I have authentically grown up with country, soul and gospel music running through my veins from the moment Roy Orbison held me in his arms as a baby to standing on the Opry stage this month singing Patsy Cline while her daughter smiled up at me in the audience after handing me Patsy’s ring to wear in the sacred circle as I sang it. It’s fine to not like music, I’m not for everyone- but I’m as real as they come, baby. 🥰 Thanks for listening.
July 17, 2025 @ 11:28 pm
Hello Ms Neil, thank you for your detailed answer.
Even if you’ve been held in the arms of greats and are on stage with legends, that doesn’t change the fact that I find this album to be a melodramatic showtune album: a musical style is worn like a dress for one part of the show, then the next dress comes. Everything fits perfectly, everything fits because you can wear everything. But to me it just seems like a theatrical, opulent costume show, in this sense “cosplay”. But country has always had a vaudeville side. And there are artists who deliver that and people who are into it. It’s all ok. I just don’t like it.
July 18, 2025 @ 12:20 am
i’m sure we’re all holding our breath to see what masterpieces you have created in your musical and music critic career, oh keyboard man.
July 18, 2025 @ 12:13 am
Im really not sure how someone can say its perfectly sung, played and produced and then say it sounds artificial, its kind of contradictory. Surely you have to be influenced by country or rockabilly or americana too make a record in that genre. Just remember Tami essentially your making music for yourself and if you get a fan base brilliant and whatever Akade says you have. Always remember that even the greatest musical visionaries had too ignore what folk said about them and follow their music. If Akade is even talking about your music youve got their attention.
I havent listened to the Beyonce record he talks about because i dont think shes autentic in anything she does, i dont like mainstream music but i should imagine anything you record will sound more real and authentic than a Beyonce erm country album i wont be checking that statement out by the way. So in the words of Dylan keep on keeping on and remember for the odd Akade out there , there will be plenty of new people who will get on board.
July 18, 2025 @ 4:15 pm
He’s doing this thing called “this fucking guy”. It’s when you want to make yourself the center of attention by criticizing shit because it makes you feel smarter than everybody else. Spoiler: it doesn’t actually look like that to anybody except the fucking guy
July 18, 2025 @ 3:51 am
I love your music Tami, the album sounds great, I think it is one of your best. Keep the rockabilly going and screw the critics, never stop being yourself.
July 17, 2025 @ 2:18 pm
Had the chance to listen to the Neon Cowgirl tracks ahead of the release—I’m officially a Tami Neilson fan. I love it.
Too bad, Akade, you think it’s not “country enough.” I’ll take Tami’s fire and storytelling over just about any of today’s chart-toppers—especially when the Grammy for Country Album went to Beyoncé. What a crock.
July 17, 2025 @ 3:30 pm
I’ll have to catch Tami Neilson.
July 17, 2025 @ 9:40 pm
Take a look at her old album Kittchen Table Sessions. It’s got some really killer very straight up country. She’s also done some albums that have other genre influences.
July 17, 2025 @ 3:56 pm
Musical tastes are different. For me, the comparison isn’t Beyoncé, but rather all the young country musicians like Wyatt Flores or Kashus Culpepper, Zandi Holup or Noeline Hofmann, Ole 60 or the Castellows. And yes, I stand by that: In contrast to these musicians I find Ms. Neilson’s music to be somehow artificial and also kind of pompous. It sounds like film music for cliched westerns or even Disney cartoons, like a soundtrack for people who play cowboys for a costume party. That’s all fine. I just don’t like it.
July 18, 2025 @ 6:16 am
…nothing wrong with your taste, but you’re using the wrong peer group for your comparison, mate.
July 17, 2025 @ 5:57 pm
Una vez más, este sitio me pone en el surco de un disco delicioso. Pero ya basta de halagos para SCM, que me quede alguno para esta muchacha Tami que acabo de conocer. Estoy alucinando en colores con este disco.
Saludo desde una distancia infinitesimal, Diego.
July 17, 2025 @ 6:10 pm
I have been saying this for the many year’s I’ve been listening to her music (since learning about her here at SCM),
Tami’s voice to me is up there with the greats-Patsy Cline, Linda Ronstadt, etc. Beautiful and pure. Her song “Any Fool With A Heart” from a few year’s back is a true hidden gem, one of my all time favorites.
Her music tends to mix from several genres, but it is unique and special and really isn’t that what we want in artists-to be different and original and stand out? Not to just fit a cookie cutter mold of the same old things.
I said recently on here that its sad America is missing out on such a talent. She should be playing bigger venues. I loved reading the liner notes about the ideas behind the Neon Cowgirl album, and so enjoy her music.
I hope someday to hear that beautiful God given voice in person!
July 18, 2025 @ 3:47 am
I love Tami Neilson and I cannot wait to get her new album. She has the spirit of Wanda Jackson. Wanda would be so proud of her.
July 18, 2025 @ 5:40 am
Akades comments are not surprising. Retro- throwback acts can be polarizing for sure. People like me who love the older styles and sounds are on board with Tami Neilson. In the same way I’m on board with Mandy Barnett, and Dale Watson, and Wayne Train Hancock , The Mavericks. The Derailers, Asleep At The Wheel, Brian Setzer, Junior Brown, Charley Crockett, Sierra Ferrell and on. There is more than enough room and interest in the entertainment field for artists like Tami who keep these amazing sounds alive and bring new original songs in the older styles to a new generation of music fans.
As for authenticity, we eternally have debates on that here in SCM land. We will never have full agreement on what is legit authenticity and what isn’t. For me, Tami Neilson is coming from a genuine place. By her own admission she really did grow up in a traveling, touring family Country band. Its literally been her life. That’s quite different than a pop singer or indie- rock hipster who ” decides to go country” on a whim because they smell that $$$.
I would also note that Tami Neilsons catalog reflects many different styles, and that her music resonates with Americana fans equally.
As for this new album, Foolish Heart is everything you hope for in a song from Tami. Melody for days, lush production, great hooks, nods to Orbison and Cline, what’s not to love?
Killer stuff. I intend to take a deeper listen to this album soon.
I was totally taken by her song Beyond The Stars with Willie Nelson. Neilson isn’t just a musician or songwriter, she’s a true artist, and she just happens to possess a world class voice that can’t be ignored.
July 18, 2025 @ 6:12 am
…i’m not sure either where to put this album correctly on the country shelf. for the time being i’m sticking it among the “beauties”. “new cowgirl” has made it among my most played songs of the year so far – in one week – and so has “one less heart”. then again, “the brokenwood mysteries” are a guilty pleasure of mine.
July 18, 2025 @ 10:28 am
She certainly won ME (as well as my wife) over during her opening set at the Outlaw Music Festival in Memphis a couple of weeks ago. She was fantastic !!!
July 18, 2025 @ 4:21 pm
Man the female singers in all the country subgenres have been kicking ass lately . Might be wrong about the exact release year for all of these but here’s recently stuff that I’ve enjoyed more than most of the male artists lately:
Taylor Hunnicutt
Katie Pruitt
Hurray For The Riff Raff
Francesca Brown (it’s a little hard to find her last I checked – she’s on bandcamp)
Sam Stoane
India Ramey (!!!!)
Presley Haile
Rebecca Porter
Kathryn Legendre
Sarah Gayle Meech’s surprising countrypolitan album a year or two ago
The odd little Gothic thing that Lindi Ortega did around Halloween
Now this Tami album
And that’s an addition to the usual suspects who put stuff out in the last few years- summer Dean sunny sweeney Sierra Ferrell etc
July 18, 2025 @ 5:30 pm
An OG country fan. Approached this one with skepticism, left with great admiration. Ms Neilson does what the greats do – demands your attention and rewards you for it. Bravo.
July 20, 2025 @ 11:37 pm
I had heard the name of Tami Nelson but must confess did not know much about her and had not heard her music. I gave this album a listen as a result of the review. It is retro without being dated and it grabbed me from the Orbison sounding influenced opening track and it did not let go. The varying styles from the cinematic, pop, country, western, gospel etc made every track a surprise. The fact that it all hangs together so well has to be down to the talent of the singer. This album caught me by surprise and I really enjoyed it and it is now on repeated play. Great album.
July 30, 2025 @ 5:59 pm
Damm what a a voice.
Sensational!!!!