Ameripolitan Comes Into Its Own in 2024, Offers a Better Way Forward

In 2014 after Dale Watson got angry about some stuff Blake Shelton said about classic country fans and decided to haul off and start his own awards show, few people gave it any chance of surviving. And if we’re being honest, after certain years of Ameripolitan and especially during the pandemic, whether the awards would survive was definitely up for debate.
But in 2023 when the awards returned after the pandemic and the event was held in Memphis, something seemed to click that had never clicked before. And in 2024, everything that Dale Watson must have dreamed up as his ideal fantasy of what the Ameripolitan Awards could become was finally realized when it returned to Austin where it was originally held, and took place in the prestigious Moody Theater where Austin City Limits is taped.
Sure, there were a couple of technical glitches with a few of the multimedia presentations on the big screens. But overall, the scale, the importance, the production value, the performers, presenters, speeches, moments, winners, and everything else wasn’t just on par with other independent, grassroots award shows, it exceeded them. In 2024, Ameripolitan arrived as a major force in country and roots music.
Even going into the awards, you had to wonder if booking Austin’s massive Moody Theater for the event was biting off way more than Ameripolitan could chew. Apparently, they were up to the task. The entire floor of the iconic space was full, as was the 2nd floor mezzanine. Attendance in the top balcony was sparse, but you get the sense it won’t be next year as the stories and moments of 2024’s Ameripolitan gathering are shared across social media.
To see a full report and photos from the 2024 Ameripolitan Awards, CLICK HERE.
Attending something such as the Ameripolitan gathering really helps to put things into perspective. All the talk in the greater country music realm ahead of this year’s event was Beyoncé’s move into country with her new songs and album, which eventually devolved into contentious arguments over race, gender, and how the country genre is exclusionary. The culture war was raging online even more so than normal. But in the real world where Ameripolitan was taking place, it was an entirely different reality.
One of the first Ameripolitan events of the week was a performance at Austin’s legendary Waterloo Records on Thursday afternoon (2-15), where Gabe Lee was scheduled to perform a few songs from Saving Country Music’s 2023 Album of the Year, Drink The River. In the front row of the show was an Asian family with two little kids who sat attentively and watched someone who looked like them performing country (or Ameripolitan) music. It really helped put into perspective the idea of representation in roots music music.


This is what Kaitlin Butts talked about in her incredible acceptance speech after she won the 2024 Ameripolitan Award for Best Honky Tonk Female on Sunday night (2-18). She said from the podium in part,
To all the folks that have children here in the audience tonight, please go buy a ticket and see these women after this weekend. When I was a girl, my first concert was The Wreckers at Cain’s Ballroom. I saw those women on stage playing their own instruments, and singing their own songs about life as they saw it. As soon as I saw them, I knew that was what I wanted to be. And most importantly, I knew that it was possible because I saw it with my own eyes. And I believe that if you can see it you can be it.
Also at that same Thursday in-store show at Waterloo Records, The Wonder Women of Country played their first official performance. The trio consists of Brennen Leigh, Kelly Willis, and also Melissa Carper who happens to be a member of the LGBT community. She was also a nominee for the Ameripolitan Best Western Swing Female, and has been considered a vital member of the traditional roots community for many years.

The Wonder Women of Country also performed on the Ameripolitan Awards show itself, and Brennen Leigh won for Best Western Swing Female. One of the things about Ameripolitan is that since all of its awards are divided into male and female categories, it ensures equal representation for all the awards it hands out. In other words, there is no “why do all the males hog the awards?” issues like we’ve seen from the CMAs, ACMs, Grammy Awards, and even the Americana Music Awards.
Ameripolitan also has a “group” category in each of it’s four genres: Honky Tonk, Western Swing, Outlaw, and Rockabilly. Often women are also represented in those groups. For example, in 2024 it was the Carolyn Sill Combo who won for Western Swing Group, and the woman-fronted Messer Chups originally from Russia won for Best Rockabilly Group.
When it comes to the performances on the 2024 Ameripolitan Awards, once again it spoke to the strong representation of the awards. People will be talking for years about witnessing the frail and wheelchair-bound Flaco Jimenez rising from his wheelchair to triumphantly accept his Founder of the Sound Award with his fellow Texas Tornados member, Augie Myers. This is like a Lifetime Achievement Award for Ameripolitan.
The two legends then took the stage to plays classic Texas Tornados songs, including “(Hey Baby), Que Paso,” which also served as the Grand Finale song of the presentation.
2024 wasn’t the first time Ameripolitan has presented a high distinction to a Black or Brown artist. 2023’s Master Award was handed out to Johnny Rodriguez, and as photo ops placed around Ameripolitan events throughout the week reminded you, Charley Pride won the Master Award in 2016.

Almost since the start, Chicago-based throwback singer Tammi Savoy has been a strong part of the Ameripolitan community. And though Kaitlin Butts may have had the best speech, and watching Flaco Jimenez and Augie Myers may have been the most memorable performance, it was Savoy who arguably gave the greatest performance of the night. Far and away, the person that gave the most energetic and entertaining performance of the night was the winner of the 2024 Ameripolitan Rockabilly Male category, Les Greene.

The point here is to not make a big deal about how diverse the 2024 Ameripolitan Awards were. The Ameripolitan Awards don’t seem to put any sort of concerted emphasis on diversity. Dale Watson and his wife Celine Lee aren’t “woke.” If anything, Dale Watson might be based, and Ameripolitan represents some of country and roots music’s most ardent traditionalists, purists, and radical preservationists.
But when you get away from country radio and mainstream country music, the actual world of country music happens to be incredibly diverse, and in a natural manner. You also see this when you attend independent country festivals, including megafestivals that now boast crowds of 25,000-30,000 people.
If there is any strong bias at Ameripolitan, it’s against bad music. You have to come with a strong adherence to the roots of American music, and you also have to be really, really good to be accepted into Ameripolitan. This is a merit-based institution. Nobody at Ameripolitan is going to get a nomination, and certainly not a win solely off their identity. The talent and competition is too stiff for that.
There’s also no tolerance for closed-mindedness in the community either, including against artists from other countries. It doesn’t matter where you’re from, and Ameripolitan might represent the most international community that can be found in the country realm. You could be previous Ameripolitan winners The Country Side of Harmonica Sam from Sweden, or Messer Chups from St. Petersburg, Russia. The only question is if you are good, and if you are true to the roots.
Ultimately, it’s the performers who care about the roots of American music, who put their integrity over commercial applicability, and who play actual country over the last 20 years that have been the most overlooked, under-supported, and outright oppressed individuals in country music, regardless of race, gender, creed, orientation, or country of origin. Ameripolitan was founded for these performers.
Of course like everything else, Ameripolitan is far from perfect. But if you’re an artist and you get your fan base excited about nominating and voting for you, you can become part of the Ameripolitan process, and find new support and fans through it.
Another motivation by Dale Watson to start the Ameripolitan Awards was it also felt like Americana was being exclusionary to certain types of roots performers, and was also more apt to use politics as a curation point. Ironically the Americana Music Association and the Americana Music Awards bend over backwards to try and appease identitarian activists, yet seem to take even more flack from these individuals than the CMAs.
In 2023 the Americana Music Awards had literal politicians show up and make political speeches from the Ryman Auditorium stage in the Tennessee Three. And even still, multiple performers and journalists roundly criticized the organization for it’s insensitivity to their communities. You want to feel bad for Americana because they seem to be stuck in a lose/lose situation, but it’s almost like Americana brings it on itself.
Americana goes so far out of its way to overcompensate for diversity concerns, they come across as insincere, and ironically, this opens them up for even more criticism as opposed to satisfying the concerns of activist musicians and journalists. The awards show feels forced and coerced. Where in previous years you had to beg to get a seat in the Ryman Auditorium for the awards, last year they had to conscript seat fillers from the local colleges to make the balcony look full.
The Americana system also results in the same artists being nominated and winning over and over, and often based on personality and political persuasion as opposed to merit. The AMAs are still industry awards, which naturally locks out certain performers, where Ameripolitan is open to the public, and anyone can be nominated and win if they put the effort out.
Make no mistake about it, after having attended the 2023 Americana Music Awards at the Ryman, and the 2024 Ameripolitan Awards at The Moody, Ameripolitan had the more sincere presentation. AmericanaFest is still a much larger event overall. But who knows what Ameripolitan can grow into in the coming years if it continues its momentum from the last two.
Ultimately though, this isn’t about Ameripolitan beating Americana. Both are important organizations help to support artists outside the mainstream country industry, and perhaps having a rival can help both organizations improve.
The big observation from the 2024 Ameripolitan event is that you can’t just use mainstream country radio or the Music Row major labels to gauge what country music or American roots music is. When you get off the internet and into the field, it’s an entirely different world. And the world of Ameripolitan feels like the place where truly everyone is welcome, merit is truly rewarded, and the future is bright. For everyone.
Additional photos from Ameripolitan 2024
All photos by Kyle “Trigger” Coroneos. Photos from The Saxon Pub in Austin, or the Windham Garden Inn unless otherwise noted. Apologies to any performer or nominee not pictured or mentioned.


All I have is words and images to attempt to convey the weight of moments that was wrought on the souls that attended, but even an unabridged video feed would never convey it properly.
Having two of the greatest songwriters of our generation sitting side by side in Willy “Tea” Taylor and Gable Lee was an extremely rare treat all unto itself, and just the banter between the two was priceless.
Then you had the host of the round Dallas Burrow who is quickly shaping up into a great purveyor of great songs, either his own, or the ones he shares a stage with.
Taylor Hunnicutt is headed to the very highest reaches of roots music sooner than later, and though she’s thought of more as a performer than a songwriter, she proved she was both.
Similarly, Johnny Falstaff is someone whose voice and presence is too big for a listening room, but like Hunnicutt, he took the challenge and excelled.
On a stage of killers, Ameripolitan Outlaw nominee Stefanie Joyce rose to the occasion, and sang a song about not wearing pink (while wearing a pink dress) that folks will not soon forget.
Nothing about this songwriting round should have worked. It was too long, with too many people who didn’t really know each other to play off each other’s songs. Willy Tea started the party a little too early and couldn’t finish his last song, tagging Gabe Lee in like in a wrestling match.
But it was all getting thrown into the frying pan together that made for an uncommon, and ultimately incredible chemistry that will be remembered in the annals of Ameripolitan, The Saxon Pub, and the careers of these respective performers. They each were forced to bring out their best songs and best performances to best the one before them, until you saw the very pinnacle of what each performer was capable of.
Willy Tea also taught us a new word: Nut meat.
February 21, 2024 @ 9:56 am
This was my third year to attend Ameripolitan and I agree that this year’s event looked bigger and worked smoother. There was a ton of “good energy” everywhere.
One highlight for me was learning about Steel Radio, which sponsored the steel guitar showcase. It sounds like they have ambitious plans for sponsor more steel guitar events.
February 21, 2024 @ 10:07 am
Yes, Steel Radio was a big discovery for me as well, and I will probably do a feature on it at some point in the future.
February 21, 2024 @ 1:18 pm
Another bit that caught my attention was the announcement of the lineup for the second annual Boogie Woogie Fest in Marshall, TX in late September: Dale Watson, Asleep At The Wheel, and other names familiar to Ameripolitan fans.
February 21, 2024 @ 4:11 pm
I also learned about Steel Radio because of this event.
There were many other blogs and social media accounts covering the event really well. Check out the (mostly paper zine, also instagram account) Honky Tonk Times, which had multiple correspondents covering the event (the guy with teh banana microphone who was interviewing so many artists was a Honky Tonk Times’er). They recruited a lot of people at the event to do future articles too.
I also talked at length with the guy from the qltyamericana instagram account- formerly a writer for Americana Highways who’s doing a new thing covering this music.
February 21, 2024 @ 11:03 am
Great coverage and pics Trig, it looks like everyone had a great time. I saw our local heroes Wild Earp and Michelle Billingsley getting interviewed, and he said he’s working on a double album that sounds quite ambitious. He dropped a new song called Enjoy The Silence a few weeks ago.
February 21, 2024 @ 11:30 am
“The point here is to not make a big deal about how diverse the 2024 Ameripolitan Awards were. The Ameripolitan Awards don’t seem to put any sort of concerted emphasis on diversity. Dale Watson and his wife Celine Lee aren’t “woke.” If anything, Dale Watson might be [biased], and Ameripolitan represents some of country and roots music’s most ardent traditionalists, purists, and radical preservationists.”
You might wanna rephrase this a little. I assume that’s a typo, and it should say biased. I know you don’t mean this, but your writing seems to suggest that Dale is biased towards ethnic diversity. I know you’re saying he’s probably biased towards non-traditional roots music. I think the problem is you’re tying together ethnic diversity and musical diversity in the same paragraph. Prior to that paragraph, you were talking mostly about ethnicity. I’m just saying someone could definitely read that the wrong way. Especially if it’s someone looking for trouble.
February 21, 2024 @ 11:43 am
I believe this is written correctly. “Based” is often used as an antonym to “woke,” with the definition of “based” being, “established, grounded, or focused on a specified principle or belief, fact, method, etc. (often used in combination):It’s a culturally based phys ed curriculum that uses Indian traditions and values to teach healthy lifestyle habits.” from Dictionary.com.
I don’t want to speak for Dale Watson, Celine Lee, or Ameripolitan. But my greater point is that without intention, and while simply putting nominees and voters in the hands of the public, Ameripolitan highlighted the incredible diversity of country and roots or “Ameripolitan” music than any other organization ever could, underscoring how the arguments against country music being only white straight males and completely unwelcoming to anyone else doesn’t hold water when you actually get off your computer or phone, and experience the music in the wild.
I can’t emphasize how important this is, especially with the arguments surrounding Beyonce at the moment.
And I know how some will respond. “Well sure, but the impact of the Ameripolitan awards is not nearly the same for the CMAs or country radio.” Well of course, but what they’re doing is presenting a model of how the country music industry could move forward through these concerns. And anyone who says that “Ameripolitan doesn’t matter,” they didn’t feel the spirit in that theater, see the impact of the performances and the speeches. Ameripolitan might be small, but it’s mighty.
February 21, 2024 @ 6:35 pm
Hmm ok. I learned something new today. Thanks
February 21, 2024 @ 11:34 am
“If there’s any strong bias at Ameripolitan, it’s against bad music.” One of your best zingers ever Trigger. I’ve been on the Taylor Hunnicutt train since I saw her open for the band formerly known as the Moonpies (I think it was them anyway) about a year ago, She is an absolute force and her voice is sheer raw power. I’m not good at links but check out her cover of “Let the Rain Come Down” on YouTube, which is my all-time favorite Brent Cobb song. Her cover is ridiculously good. I do hope you’re right that she’s on her way to blowing up.
February 21, 2024 @ 11:56 am
Correction – Taylor opened for Muscadine Bloodline, fellow artists from Alabama.
February 21, 2024 @ 12:42 pm
NOW IF THERE COULD ONLY BE A LIVE FEED FOR ALL THE FOLKS THAT CAN’T BE THERE FOR WHATEVER REASON – TOO FAR, HANDICAPPED, ETC.,IT WOULD MAKE A LOT OF FOLKS HAPPY. IT’S COME A LONG WAY, BUT ALL OTHER AWARD SHOWS HAVE LIVE FEEDS FOR FOLKS TO WATCH, AND SINCE THIS IS SO GOOD, WE SHOULD BE ABLE TO WATCH IT AS WELL.
February 21, 2024 @ 1:04 pm
In previous eras, there was a live feed, and for the first few years, Saving Country Music live blogged the event in lieu of a live feed.
I believe last year Ameripolitan put out a concerted effort to have a full scale film production crew there to capture everything. The great thing about the Moody Theater in Austin is it’s basically a big film studio set up for music. I hope that footage comes out at some point.
All that said, there are massive hurdles to doing a live broadcast, or even capturing something to release it later on TV or online. The biggest is obtaining proper permissions for the songs used. The rights holders have to give permission, and then royalties must be paid out. It’s a whole arduous process, and that’s one of the reasons many of these things are not broadcast live because the burden of entry is so high.
I’m not really sure where Ameripolitan is on all of this, but I’m sure they would love to offer a broadcast again if possible.
February 21, 2024 @ 2:39 pm
Pretty sure Carper, Leigh and Willis played together at Braun Brothers Reunion last summer. Don’t remember them calling themselves the Wonder Women of Country though.
February 21, 2024 @ 4:30 pm
the name is new- Trigger did an article about it a couple days ago. They’ve been touring together for quite a while.
February 21, 2024 @ 4:40 pm
The three women have played numerous short-run tours with each other over the years, but it was always more of an informal thing. The event at Waterloo Records and Ameripolitan is where they officially launched the project and released a single. There is a dedicated article on it here:
https://savingcountrymusic.com/the-wonder-women-of-country-are-here/
February 21, 2024 @ 10:10 pm
it’s a new name
February 22, 2024 @ 7:31 pm
I thought about attending this year but changed my mind, I see I made a poor decision. May have to try to go next year.
February 23, 2024 @ 2:33 am
Ameripolitan is an international community for sure, two italian rockabilly bands that i know of played there: Lovesick Duo (this year) and Don Diego Trio (some years ago). Both bands are great.