Biggest Takeaways from Record-Breaking Bourbon & Beyond Fest

Editor’s Note: All photos and reporting is from Saving Country Music contributor Jason W. Ashcraft.
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When the massive musical talent lineup of the Bourbon & Beyond Music, Food & Bourbon festival was announced in January—boasting over 100 top recording artists of the last several decades from various genres of country, Americana, alternative rock, roots, folk and bluegrass—the music industry and fans alike let out a gasp. The level of talent was incomparable to any other festival we’ve seen previously.
Now that it’s all in the books—and after four long days of humpin’ around from stage to stage in the middle of a late season Ohio River Valley heat wave—here are some of the things that were seen and heard at the festival that was just named as “Kentucky’s largest ever music festival in the state’s history.”
According to a press release, more than 210,000 people packed into the Highland Festival Grounds to see the sights, sounds, and to consume copious amounts of bourbon. 60,000 people showed up on Saturday alone when Zach Bryan headlined the evening. That shatter’s last year’s attendance of 120,000 people, and officially makes it the largest music festival in Kentucky history.
I did my best to seek out the most compelling country, Americana, bluegrass and roots music artists Bourbon & Beyond hosted, and which I could get to considering the intense heat, conflicting performance times, long walks in-between stages, and navigating the ever-present human traffic jam.
Oddly, there were some strict photo policies imposed by the festival’s management, which limited what we could or could not photograph within festival grounds. However, since having good visuals is an essential element to the essence of proper journalism, my improvise-adapt-overcome mentality led me to commissioning a sketch artist for this assignment for the additional visuals. The ink-slinging madman Clayton L. Luce tagged along for a day to provide some Gonzo-inspired illustrations.

This decision kept us in compliance with the imposed photo restrictions, while still giving a somewhat accurate abstract depiction into the well organized glutinous booze and food affair which transpired in front of all those magnificent musical stages.
Speaking to Oklahoma songwriter Wyatt Flores about his experience at Bourbon & Beyoond compared to other festivals, he said,
“I feel like there’s such a wide range of festivals that it kind of balances itself out. I like the Laurel Cove Music Festival (1,000 capacity). Those festivals, you want them to be heard and you want them to be known, and then there’s also the feeling like it kind of needs to be kept a secret. The big festivals are awesome because we also as artists get to go and see each other and then also network there and also play to bigger crowds. But today I’m only playing 30 minutes. I’d love to play longer but there’s so many artists, you’ve got to fit them all.”
Duane Betts had similar feeling of big vs. small festivals.
“My wife and I actually started our own boutique festival in Jackson Hole, Wyoming,” Betts explains. “Horseshoe Music Festival is the name of our festival and so we have mixed feelings about giant music festivals. But if they’re done well I think they can benefit a lot of people and it’s really about getting music out to a lot of people to hopefully uplift them. That’s what music is about.”
210,000 is a lot of people, and Bourbon & Beyond 2024 stretched the limits and capacity that a single festival can draw. Though there were a lot of names beyond country and Americana composing the lineup, it was the rising appeal of independent country that helped make it all possible.
Here are the best musical performances witnessed from the country, Americana and Bluegrass artists…
The Red Clay Strays

Hands down, no questions asked, the Red Clay Strays brought the house down with the best live performance of the festival that I witnessed. Never mind the fact that it took place on one of the festival’s smaller stages. About 10-15 thousand heat-stricken, yet hardcore fans crammed into the Beyonder Stage area, which clearly wasn’t setup for a crowd that size. Some folks even passed out from heat exhaustion during the performance, either or perhaps from frontman Brandon Coleman’s irresistible, Elvis-the-pelvis-like magnetism and an undeniable stage presence which seemed to have his audience in somewhat of a trance.
Coleman and his bandmates seemed to have held that massive crowd in the palm of their hand as they belted out the emotional rollercoaster of songs off their new Dave Cobb produced album, Made By These Moments. Coleman even acknowledged that this very well may be the largest crowd that he and his bandmates had ever played to, as they gazed in awe of the massive raging congregation before them. Clearly, the Red Clay Strays made an overwhelming case for why they should have been performing on one of the main stages at Bourbon & Beyond. My guess is that is exactly where they’ll land if they’re invited back.
Tyler Childers

What is there not to say about Kentucky’s own Tyler Childers, the Eastern Kentucky Appalachian songwriting prodigy? Turning in one of the best performances of the entire festival in his home state, he closed out Bourbon & Beyond on the final night, delivering a massive grand finale on a stage he undoubtedly deserves to be on.
The audience reaction functioned as proof in the pudding as they also became his backing choir, hanging onto every word he sang. At one point Childers excitedly admitted that playing Bourbon & Beyond was “everything I expected,” while drinking a clear liquid from a mason jar. It’s conceivable to assume he’s still up on the wagon even though he’s performing at one of the largest alcohol-inspired events, where by this time, there weren’t too many sober people off stage to be found.
Zach Bryan

Massive. That’s the best way to describe both Zach Bryan’s fan base, and his stage presence. At this point, it’s no wonder how this guy can fill up stadiums, and why an equally-massive audience showed up for his debut performance at Bourbon & Beyond. Turning in a 20-song set from a catalog of music that only goes back to 2019, Bryan proved why he belonged as Bourbon & Beyond’s headline artist, with a legion of screaming fans who all showed up in full force. His best performance was “God Speed,” which is exactly how fast his music career has been moving in just five short years.
Cody Jinks

There is something truly magical about Cody Jinks, and anyone who has seen him play live can likely attest to that. Between his deep and thought-provoking soul evident by his songwriting, and his ability to captivate his audience with songs they all know how to sing just as well, Jinks is just one of those rare artists who can unify people no matter what their differences are. His songs hit like bricks, and he’s proven over and over that he can fit into just about any type of crowd you put him in.
His performance at Bourbon & Beyond spanned a legendary catalog of songs, with the crowd pleasing “Hippies & Cowboys” coming as the night’s climax, with literally a combination of exactly those types of people standing before him, all singing along. Jinks’ music will stand the test of time when music historians and fans look back on this period of music; that which we’re all lucky enough to witness first hand at events like this.
Sierra Ferrell

Simply stated, Sierra Ferrell was a bit mesmerizing to both watch and hear perform live as you hypnotically fell under her musical spell. Also attracting a large and highly hooked audience—perhaps as a result of her recent wins at AmericanaFest in Nashville earlier in the week—Ferrell totally delivered at her Bourbon & Beyond debut performance wearing a trippy, hippie gypsy cowgirl outfit that worked well with her set.
A balanced blend of elements of honky-tonk, roots, Western, and maybe a dash of calypso jazz makes up the sound of this West Virginia native and fast rising star. Ferrell treated the audience to several of the new songs off her recent album, Trail of Flowers. Her spin on Kris Kristofferson’s “Me and Bobby McGee” seemed to strike the right chord with crowd too as she paid musical homage to one of the surviving Highwaymen.
Wyatt Flores

Another fast riser in the last two years is 22 year old Americana and country troubadour Wyatt Flores, who proudly hails from the plains of Oklahoma. Flores also brought a small army of loyal fans for his set, who were clad in his T-shirts and cowboy hats. Flores proved that you can catch exceptionally great talent even on the smaller stages at Bourbon & Beyond.
Flores performed select cuts from his forthcoming new album, Welcome To The Plains. Plus, his performance of “Milwaukee”—the song which catapulted him onto basically every playlist and radio station—was met with massive crowd enthusiasm, along with his surprise collaboration with The Castellows on “Sober Sundays.” While Flores may still be considered young and still paying his dues by some, the stage presence he brings suggests that his dues may already have been met.
All photos by Jason W. Ashcraft. For more live coverage of events, follow Saving Country Music on Instagram.
September 24, 2024 @ 6:27 pm
Maybe I am old, but being around that many people sounds like a nightmare.
Red Clays, Zach, Tyler & Sierra!!!
September 26, 2024 @ 4:24 am
Agreed. I’m afraid to even go to GA shows lol
September 24, 2024 @ 6:32 pm
Is the contributor for this the same Jason Ashcraft who is the publicist in Nashville?
September 24, 2024 @ 6:59 pm
Yes, Jason Ashcraft also works as a publicist and has worked in journalism throughout the years as well.
September 25, 2024 @ 8:33 am
I thought it might be. He seemed to do a really good job on this. I also like the drawings that went with this. A unique perspective
September 24, 2024 @ 6:39 pm
Dang what a lineup. Wish I could have gone. Hell even my morning jacket I would love to see
September 24, 2024 @ 7:37 pm
Some O U T S T A N D I N G pics.
September 24, 2024 @ 9:04 pm
This was the “big one”. Huge in scope, a dream lineup for those of us who immediately signed up because of Neil Young in whatever form; with three other top shelf head liners-legacy act DMB and phenom Zach Bryant (beyond capacity dangerous crowd in VIP) and Tyler Childers on a nother level great with his production and rock n roll presentation between what country gold he spun-it was a balls hot sweat box for the first three daze. Molly, Sweet Sierra, Cody of course- there was much T-bone amongst not too much mashed potatoes. If you went all 4 daze Trig you most likely survived because you befriended a bartender who you well compensated to keep your power cup full of ice and thank goodness they offered mucho free water.
After Neil stung us with Sting ( meh no Neil) and wearing several daze of Neil Young and Crazy Horse shirts confirmed from many why they committed early on and we were all disappointed after Neil played farm aid on Saturday and killed with his “new band” and set list in NY. Yeah, I’m a Neilbilly and will load up and follow his muse as I’ve done from Rust Never Sleeps ‘78.
Top B n B moments for me was DMB and within that the epic interplay between Derek Trucks and DMB-Dave must have generously given Derek a 10 minute or more master space of his headlining set- # 2-Tyler Childers. Zack Bryan was worthy of headlining and although he is not imo the songwriting that sends me like Tyler the crowd was never bigger and was creating its own atmosphere ( surface of the fucking sun)
Yeah I’m detoxing but despite the huge expense from B n B it was mostly top shelf on premise-and like any scale to measure as to attend any festival THE LINEUP.
Now about that Suwannee roots fest in October please get your shit together and redeem yourselves after watching the powers that be (all parties involved) blow up Wannee after the Allmans “retired”.
September 25, 2024 @ 2:57 am
What an incredible lineup of talent all across genres. Looks like it was hot but an incredible time, great photos!
September 25, 2024 @ 4:48 am
Is that Leland Sklar on the bass behind Lyle? I thought he had retired.
September 25, 2024 @ 6:37 am
definitely leland.
September 25, 2024 @ 6:37 am
clayton luce is straight up just doing ralph steadman. how unoriginal.
September 25, 2024 @ 7:13 am
That’s kind of the whole point of it.
September 25, 2024 @ 9:17 am
Would love to have been there to see all those great acts, but I find the remarks from Wyatt Flores interesting.
Having seen the schedule for this show I’m not sure I get the logic on how they built the lineup. You have a ton of acts that can easily rattle off an hour of their best work doing 25-30min in the middle of the day. I feel like you can’t really get into a set that is only 6 songs long.
They could cut down the number of artists by 30% and give everyone more time on stage, while reducing their own costs for talent.
September 25, 2024 @ 9:32 am
One issue is when you have such big names, other seemingly big names get pushed down the roster.
Also, when you have rapidly surging names like Red Clay Strays and Wyatt Flores, come set time, their popularity could well outpace their slot since these things are decided and negotiated upon sometimes 6-9 months before the festival.
A couple of years ago, they had Zach Bryan playing before Margo Price at Under The Big Sky Fest. You felt bad for both Zach who had a MASSIVE crowd in a midday slot, and Margo Price, who saw the field empty before her performance. Festivals and artist reps need to be more flexible to address these things. Otherwise it looks bad for all parties.
September 25, 2024 @ 2:01 pm
Yeah I’ve seen that happen. There is something charming about a packed mid-day show at a festival though.
I think my point is really more that they just don’t need so many slots. If you just stood at the 2 main stages at B&B (which you can in that setup) you have 11 acts in the day, where 7-8 would probably be fine with no-one feeling short changed.
September 25, 2024 @ 9:37 am
Too big an event for me to even be interested. Heat, extreme crowds, extreme lines etc. Plus the expense is whopping. I really dont know why people wanna go to these things. Dont get me wrong, i did Buckeye Country SuperFest this year and it was ok, but there was nothing comfortable about it. The heat was palpable, the stadium seating was brutally uncomfortable, lines extremely long, and for what? 60,000 plus people…ugh. There are numerous music events throughout the year with much smaller, more manageable crowd size. Maybe this fest appeals to twenty-somethings who are full of energy and want to party. ( and apparently Neil Young superfans)
As for the bourbon craze, its annoying to say the least. I was raised by a dad and grandpa who were into Canadian Whiskey and Scotch, as that was the thing in the 80s. Then as I grew into my twenties, I discovered bourbon. Been chasing it ever since and have a collection. It used to be easy to get bottles everyone covets, but in the last decade its blown up to the point of crazy. People camp out at shopping centers for hours to fight over a case of some allocated “holy grail”. The bourbon trail in Kentucky is a Billion Dollar source of revenue for the state. Not a surprise, a shrewd businessman decided to use that as a hook for a music festival. And here we are. Ah well, i guess people like it, so good on them.
Grumpy rant over. Hah!
September 25, 2024 @ 12:43 pm
Ha I fully agree with you on the 🥃 craze . It’s definitely like collecting Pokémon cards at this point. I have a friends who’s into it now and he told me folks will wait outside once the liquor store opens up to grab the latest bottle.
September 25, 2024 @ 10:25 am
Love live music, live across the river, you couldn’t pay me to go to that. Oh man, I saw a band I love and I was only a quarter of a mile from the stage!
September 25, 2024 @ 2:57 pm
Who do the female performers look like a bunch of 70’s hippie chicks?
September 26, 2024 @ 1:14 pm
Stupidly oversold, especially on Saturday.
Temps were in the mid-nineties, but there were only two free water filling stations? Artists consistently needed to stop songs and interrupt already short sets to check on audience members? So crowded that medical and security were unable to get to folks in need in the middle of the crowd?
To put revenue first and compromise the safety, well-being, and comfort of your patrons is downright irresponsible.
We will not return, regardless of lineup.
September 26, 2024 @ 1:20 pm
If I live to be a hundred, I’ll never get over Sierra Ferrel’s stage outfits! Never seen nothin’ like it!
September 26, 2024 @ 3:29 pm
How do I purchase the prints by Clayton Luce?? The posters they sold were cool, but those are amazing!!!!
September 26, 2024 @ 4:13 pm
Were those authentic Ralph Steadman graphics? Ahh, I get it, Fear and Loathing in Louisville, KY, home of Mr. Raoul Duke hisself.