Album Review – Jesse Daniel’s “Son of the San Lorenzo”
“Son of the San Lorenzo” feels like Jesse Daniel’s most complete, involved, and thoughtful work overall, and adds to a growing catalog of high caliber country.
Reviews
Album Review – Weldon Henson’s “Stone Cold Country Gold”
If you’re looking for the real deal in Texas honky tonk music straight from the most iconic dance halls in the state, Weldon Henson is your man, and “Stone Gold Country Gold” is your album.
Album Review – Big City Brian Wright’s “Sky Trucker”
Country traditionalist Big City Brian Wright isn’t the first to record a country trucker album, and he won’t be the last. But he is the first to take a country trucker album, and make it fly.
Album Review – The Castellows – “Homecoming”
Their music feels like it springs from a sepia photograph capturing a moment of the past in the era of homesteads, lace, and corduroy, with sister harmonies awaking something both archaic and timeless in listeners.
DelFest 2025 Showcases The Best in Bluegrass and Beyond
DelFest, held on Memorial day weekend each year in Cumberland, Maryland at the Allegheny County Fairgrounds is now in its 16th year and going strong.
Garth Brooks Jokes Don’t Land in Tom Segura Comedy Series
Through the six episodes, Tom Segura portrays dark characters in “unthinkable situations and fantasies.” One such character is a “global country music superstar” who kidnaps his own fans named Rex Henley.
Album Review – Morgan Wallen’s “I’m The Problem”
“I’m The Problem” sounds like 37 slightly different versions of the same song over and over. resulting in a grayish goulash of a mono-genre sound for many of these tracks.
Album Review – Sam Stoane’s “Tales Of The Dark West”
Even if you weren’t a fan of country and Western music previously, after a spin through “Tales Of The Dark West,” you’ll be wearing out your friends and family about its beauty. Like the feminine version of Colter Wall.
Lainey Wilson Offers Up Her Summer Song, “Somewhere Over Laredo”
In the coming weeks, the country music candidates for what will be considered the 2025 “Song of the Summer” will start to align, and Lainey Wilson has offered up a new single that certainly could find itself in contention.
Album Review – Ken Pomeroy’s “Cruel Joke”
Both Ken Pomeroy and her new album “Cruel Joke” are quickly being offered up by the initiated whenever names are requested for the best new music discoveries.
Album Review – Dan Lepien’s “The Honky Tonk Traditional”
Oh bless this guy’s heart. He thinks it’s still 1990 and you can release a country record without any snap tracks, trap beats, tractor rapping, Auto-tune, or other wiggety wah wah and still get people to go wild over it.
Album Review – Kat Hasty’s “The Time of Your Life”
‘The Time of Your Life’ is unabashedly Kat as she overshares about her struggles with impulse control, failed love interests, and her utter inability to be anything but herself. There’s a folk hero appeal to her.
Willie Nelson and Steve Perry Strike Magic with “Faithfully”
It’s hard to not fall for the emotion on the track, which is respectful of the original piano-based arrangement, but also brings in the familiar tones of Mickey Raphael’s harmonica, and Willie’s guitar Trigger.
Album Review – Bryce Leatherwood (Self-Titled)
Everywhere you turn these days, it seems there’s a new country traditionalist crooning out killer music you can immediately warm up to, and with a cut to their jib that assures you this isn’t some interloper.
Album Review – Olivia Ellen Lloyd’s “Do It Myself”
Some albums you simply enjoy. Then other albums you listen to, and you feel like you’re living inside of them, and they live inside of you. You carry their sentiment and melodies with you throughout the day.
Album Review – Kristina Murray’s “Little Blue”
This album is very moody and brooding, but this also what makes the listening experience so enveloping and intoxicating. Kristina Murray’s music and story prey on your musical empathy, and suck you in.
Album Review – Caitlin Cannon’s “Love Addict”
Few if any songwriters exhibit the fearlessness towards the art form that country music’s Caitlin Cannon does. Unfiltered, and in certain cases, uninhibited, she’s willing to go to the places that all of our minds do.
The 2025 ACM Awards LIVE Blog
Welcome ladies and gentlemen to the 2025 ACM Awards LIVE Blog! As the event transpires, we’ll be following along in real time, razzing on folks for poor performances and life choices, and giving credit where it is due.
Album Review – Christopher Seymore’s “King of Nothing”
It’s ten kick ass, easy-to-love country songs that sound just like country music always has, and always should. But if you want to delve a little bit deeper, you’ll also discover its quiet genius.
Album Review – Eric Church’s “Evangeline vs. The Machine”
Congratulations Eric Church fans, this is what you waited four years for—seven new songs and a Tom Waits cover spectacularly overproduced by Jay Joyce. “Evangeline vs. The Machine” is right…
Opry’s 100th Anniversary Book Doesn’t Shy Away from Controversy
Would we only get a wine and roses portrayal of the Opry, especially through the modern era? Or would it be willing to present the accurate history, warts and all? Luckily, the latter is the case.
Album Review – Mason Via (Self-Titled)
Combining adept flat-picking with top-caliber songwriting and a voice perfectly tooled for bluegrass, Mason Via brings an accessibility and immediacy to the bluegrass discipline.
Album Review – Willie Nelson’s “Oh What A Beautiful World”
Why in the world is Willie Nelson still recording and performing music at the age of 91? Or even more perplexing, how is he even still alive, especially after the life he’s lived? The question and the answer are probably one in the same.
Silverada Returns to Austin with Streamlined Lineup
The best live country band in the world stopped into Austin’s Radio East on Friday night (4-25) on their current “Unlit Matches” tour to regale fans in the town the band originates from.