If you’ve already composed your “Best of 2024” list, you better have done it in pencil and not ink, because Ty Smith & The Minor Offenses out of Oklahoma will be butting in line here momentarily and demanding to be near the top.
Every guy wants to be him. Every lady wants to be under him. He’s Riley Green, who’s built that following through a more organic, grassroots approach as opposed to radio play.
J.R. Carroll is known by many as the guy with the glasses and ponytail up there playing keyboard for Zach Bryan. On “Dark Cloud,” Carroll proves to be worthy of devoted attention all on his own.
If you’re a fan of genuine throwback classic country music, you’ll find very little to fuss about, and lots to favor in the songs of steel guitar player turned frontman Ben Vallee’s debut album aptly titled “Introducing…”
Cody Jinks is not some throwback country hipster in thrift store duds looking to recreate the Golden Era of country music in a club in east Nashville. He’s a former heavy metal guy who moved towards country later in his career.
Alright, we ran down the nominees for Album of the Year and Song of the Year. But it’s time to give a little love to the songs that simply get stuck in out heads and remind us of the sheer joy of music.
Similar to Zach Bryan, it’s hard to understate how massive Sam Barber has become. That’s not all that’s similar about Zach Bryan. You listen to ‘Restless Mind,’ and you could easily be convinced it’s a Zach Bryan album.
A Song of the Year is not just a “song.” It’s a form of artistic expression that can change a life, that can change someone’s perspective, or that can change the world. It’s something that must be able to give you goosebumps.
With a hearthy and woody baritone voice that envelops you like the sense of home, Tyler-James Kelly forwards a debut album full of moments of reflection and tribulation, balanced by sincere expressions of gratitude.
It’s time to engage in one of the most important exercises all year: determining who and what will be crowned the Album of the Year in 2024. The point of this exercise is not to devolve music into a competition.
Instead of exploiting a moment when Kix Brooks and Ronnie Dunn still have tread left on the tires to give it another shot with original songs, we get a second installment in their Reboot series.
From the eastern slope of the Big Horn mountains in Wyoming, Tris Munsick and the Innocents offer a portal from the mundane to the rugged and adventurous through country songs with Western flair.
There are few things more titillating than word coming down that two of your favorite performers are teaming up in the studio together. Where sometimes these pairings can be a bit deflating, ‘Hayes and the Heathens’ delivers.
Whether you’re intimate with the James Hands catalog or not, you’re happy to see an album like this being made, especially knowing Ags Connolly’s story. Ags went from a starry-eyed fan of James Hand to a friend.
Love or loathe ‘Yellowstone,’ it has been incredibly critical to the support and popularity we’ve seen flowing to independent country music. That’s why the launching of a new show called ‘Landman’ is important.
Dwight is different on “Brighter Days.” This is Dwight the dad. This is Dwight the husband. This is Dwight at 68 who did his time in honky tonk hell, and is now basking in hillbilly heaven.
The walls of some of of Austin’s recording spaces have witnessed such incredibly iconic moments being made, they have become iconic themselves. That’s definitely the fate of Arlyn Studios on Academy Drive.
Unadulterated, and absent of ego, Caleb Klauder and Reed Willms offer an interpretation of country music that is as close to the pure essence of the art form as can be found in the age of smart phones and Artificial Intelligence.
The music of Jamey Johnson doesn’t go anywhere fast. But when it arrives, heaven and earth succumb to its power as it vibrates and envelops every atom in its presence. That’s the experience of ‘Midnight Gasoline.’
‘Leather (Deluxe Edition)’ doesn’t just add 13 tracks to his current album. It continues to add to Cody Johnson’s solid legacy as a consistent and trusted traditional-leaning performer, impervious to the temptation to sell out.
For his latest project, Willie teams with his youngest son Micah. f nothing else, the album gave the two lots of quality and creative time together, and moments that will forever be preserved into the grooves of vinyl.
Paul Cauthen is not a unimportant or insignificant character in country music. His footprint and fan base are impressive. But Paul Cauthen is also the performer who most fundamentally gives into the id and the ego.
‘Hot Motel Nights’ is one hell of a honky tonk record with excellent songs, and superb and tasty instrumentation throughout. It’s albums like these that make a strong case for the evergreen relevance of classic country
The Bridge City Sinners and front woman Libby Lux use dark stories and even darker sounds to exorcise internal demons and personal doubts, and to refract the darkness that comes barreling toward the human soul.