Colter Wall Has Done a Remarkable Thing

“Nobody wants to listen to their grandpa’s music.”
–Blake Shelton
“If Colter Wall is going to find a hole through the hard ceiling that hangs above most independent roots music, becoming more steeped in the Woody Guthrie, Wilf Carter approach is probably not the brilliant path.”
–Kyle “Trigger” Coroneos, SavingCountryMusic.com
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Yeah that’s right. I’ll own it. From the beginning I’ve wondered and worried aloud about how commercially viable and artist like Colter Wall could be, even if it’s just a mere caveat to otherwise virtual universal praise for his output. But I was wrong. And so was Blake Shelton. And I’m more than happy to eat those words if this is the end result.
Now look, Colter Wall isn’t breaking any records here. And with the way the public rarely buys albums anymore, an independent artist with even a moderate following can find their way on to the album charts with a decent rollout. But to debut this high when you’re covering Marty Robbins and Stan Jones, and some of your songs are just you with a mic cued up in the middle of a boomy room, it’s quite remarkable.
Colter Wall’s latest record Western Swing & Waltzes and Other Punchy Songs released on August 28th debuted at #8 on the Billboard Country Albums chart this week, and was #1 in physical sales in country by a wide margin. Released on his own La Honda records backed by Thirty Tigers, the record sold 9,250 in albums and equivalents, including over 7,100 in pure physical sales, while songs from the album were also streamed some 2.56 million times. Western Swing & Waltzes also earned #3 on the Billboard Folk/Americana chart.
Previously, Colter Wall’s best showing on the charts was at #17 in country. But this isn’t just about numbers. Colter Wall is doing all of this with your grandpa’s music. The 25-year-old Saskatchewan native could have chosen any musical discipline to lend his one-of-a-kind voice to, which makes immediate attentive listeners of anyone within earshot. But he chose to do it with old cowboy and Western songs.
In fact over his career, Colter Wall has only become even more steeped in tradition as he eschews any hipsterish notions from his music. Western Swing & Waltzes is his most severe and dry record yet. But Colter Wall has made tired old country, Western, and cowboy songs cool again. He’s got viral videos and receives shout outs from influencers. He’s revitalized the discipline and created a fan base and appeal in listeners both young and old.
This wasn’t a side of country that was going underserved. It was a version of country music whose appeal had mostly dried up before Colter Wall appeared. Now with Colter in the lead, it feels vibrant and renewed. Old cowboy songs charting in the Top 10 on Billboard.
The Tyler Childers’s and Cody Jinks’s of the world will still probably continue to surpass Colter Wall in sales and touring. But what Colter Wall has done was arguably even harder considering the material and style he’s chosen to give himself to. To put it simply, Colter Wall is saving cowboy and Western music.
September 9, 2020 @ 8:31 am
I’m one of the 7100+ folks who pre-ordered. I also purchased a shirt so I’m fine with this. 🙂
September 9, 2020 @ 11:11 am
I also pre-ordered. Glad I did, because this is a great album.
September 15, 2020 @ 10:56 am
Me too. Also, blake shelton was and always will be an idiot who catfished country music with his first album
September 9, 2020 @ 8:35 am
This album is a fucking masterpiece.
I did not consider myself a Colter fan before it dropped. Always felt like he was trying too hard. This album is the realest shit. I know a lot of people who feel the same.
September 9, 2020 @ 9:24 am
In my opinion, this is the best album that Colter has released so far. It’s so good, so well deserved, and should be listened to by country fans old and new.
September 9, 2020 @ 10:04 am
not just , perhaps , one of the most unique vocalists to come along in a long long time …but as an accompanist he ‘s a helluva good player ….tone , dynamics , technique . looks and sounds easier than it actually is . and that’s the litmus test . the easier it looks , the better the player likely is .
SCM indeed .
September 9, 2020 @ 10:05 am
I like to think at the end of the day good people doing good things pays off. Colter fits that bill and glad to see he is getting rewarded for it.
September 9, 2020 @ 10:21 am
Have loved the timbre of his voice since first hearing him sing.
September 9, 2020 @ 1:45 pm
l agree and his songwriting is genius.
Best too just let him write and sing songs in peace.
September 9, 2020 @ 10:25 am
Let’s not forget when discussing success…he doesn’t seem to be a guy looking for money, cars, etc. He seems happiest helping out WORKING on a friends ranch.
This is awesome to see. All is not lost.
September 9, 2020 @ 10:32 am
The first time I saw Colter was at the Yeti store in Austin during SXSW week a few years ago for a very modest crowd, so it’s been fun to watch his career develop. I’ve seen him a few times since, including his Austin City Limits taping. I’ll also put in a good word for organizations like the Academy of Western Artists and International Western Music Association for the work they do to preserve, promote, and advance western music.
September 9, 2020 @ 10:33 am
I still want to know why he dumped Mary Sparr as his manager.
September 9, 2020 @ 6:25 pm
THey were a couple from what I have heard, so I assume they broke up because it was too awkward.
September 9, 2020 @ 7:34 pm
Can this be verified? His departure from YMR has kinda bothered me since it happened, made all the more confusing because I can’t find any reason for it. Wish em both the best either way
September 10, 2020 @ 2:01 pm
They were never a couple.
September 9, 2020 @ 11:30 am
I liked this album, but I just never seem to replay any of Colter’s music.
I think he’s always going to be in that tier of “Artists I highly respect, but just really don’t enjoy.”
September 9, 2020 @ 3:17 pm
Last line sums up my thoughts on him.
September 9, 2020 @ 11:57 am
Gotta admire his grit. He’s pretty much doing what he wants, the way he wants to do it. And not being an ass about it.
Imagine a Nashville exec trying to negotiate a deal with Colter. I’d pay to watch that show.
There were a few quibbles expressed in the review’s comment section about the production of his new album. The more I listen to it, the more I think Colter nailed every cut. The songs which called for the full band treatment got it, with elegant interplay between the various instruments. Other songs called for a more austere, pared down approach, while yet others called for the informal bunk house vibe.
September 9, 2020 @ 12:26 pm
I agree, I think the production is damn near perfect.
September 9, 2020 @ 7:40 pm
I like the record, but I wish he’d picked one production style and stuck with it. It sounds like a mashup of two very different sessions. Neither better than the other, but the constant back and forth keeps me from really losing myself in the album
September 9, 2020 @ 12:01 pm
Dang, that’s good stuff. I hadn’t looked into Colter Wall before this; that was plainly a mistake. Thanks for the info.
September 9, 2020 @ 12:20 pm
Good article.
How do we get Blake Shelton to hear about this
September 15, 2020 @ 10:12 am
I missed the what the Blake Shelton reference in the article was about and couldn’t find anything Googling it. Care to fill me in?
September 9, 2020 @ 12:57 pm
Good on Colter… It seems like just yesterday I robbed him and Tyler Childers by seeing them for $12.
September 9, 2020 @ 1:28 pm
My kid and his buddies had a post-work listening party for this when it came out. Kids do want to hear Papaw’s music, apparently.
September 9, 2020 @ 2:03 pm
Imagine if all media / journalists published front page stories about being wrong, instead of burying shameless retractions where nobody sees them. ????
September 9, 2020 @ 4:37 pm
Album is a masterpiece.. let’s face it, not for everyone.. but what I think is awesome is the amount of people loving it.. cowpoke is becoming my song of the year.
September 9, 2020 @ 5:59 pm
Kudos to Colter for a great album. Michael Martin Murphey has made a second career of singing the cowboy songs, so I am glad Colter is singing the music he wants to.
September 9, 2020 @ 6:58 pm
Saw MMM at his Rockin’ 3M property, in New Mexico, Labor Day Weekend, 2016.
Gorgeous property. Beautiful night. We all saw the rain coming over the mtns., so we headed to the chuckwagon tent, sat on a picnic table a couple feet from Michael, and enjoyed him singing under the tent. Pretty intimate setting. Thoroughly enjoyed.
Saw him again, the next morning at Old Tymer’s, while enjoying bacon, & eggs. Love the staff at Old Tymer’s. They are always a lot of fun.
September 9, 2020 @ 8:32 pm
Got the CD a week early from pre-ordering, then did my birthday (the 2nd) my wife got me the special edition LP, two tees, and a trucker hat. I’m glad my birthday gifts helped in their own small way to a spot on the charts and a degree of recognition he’s earned.
September 9, 2020 @ 8:45 pm
The main difficulty that an artist faces when making a stripped-down song with little to no instrumentation is that the stakes are massively raised for the vocals and melody. In the case of the song above, the vocals pass the test with flying colors. However, the melody is somewhat flat and repetitive.
Regardless, the fact that traditional music like this is getting to the top 10 in the country charts is an excellent development. Hopefully it presages the arrival of a new traditional era in mainstream country.
September 9, 2020 @ 9:06 pm
He quietly goes about his business doing exactly what it is he wants to do and nothing else. Gotta admire that.
September 9, 2020 @ 9:19 pm
“Colter Wall is doing all of this with your grandpa’s music.”
Trig, this is your best line that I can ever remember.
September 9, 2020 @ 9:22 pm
I didn’t want to like this album, but it is irresistible so far.
September 11, 2020 @ 4:12 am
Why wouldn’t you want to like something?
September 10, 2020 @ 12:35 am
Not sure how relevant or accurate the charts are anymore. However, it is good to see an album like this feature. I am one that bought a physical copy. I have not yet got into the downloading thing although I might have to as some of the albums you have featured do not appear to be sold otherwise. Colter Wall is the real deal. Good album.
September 10, 2020 @ 6:40 am
The kid is bad ass-
signed, a grandpa
September 10, 2020 @ 10:37 am
I like him but he sounds more western than country in the spirit of Marty Robbins, Michael Martin Murphy, Riders in The Sky, Sons of The San Joaquin and maybe even a touch of Slim Whitman. lol
September 10, 2020 @ 7:37 pm
Been digging Colter since I first heard him about 3 years ago. Style has changed but still so incredible. Recently did a guest spot on a VNE tune.
September 11, 2020 @ 8:00 am
It is fascinating what he’s done. Country music started with Jimmy Rodgers’ wandering troubadour image and Colter started off nailing that tradition. There’s always a market for people who dream of hopping on a train like Woody Guthrie and wandering across North America and play authentic roots music along the way. But people who start with that don’t usually go deeper into Ramblin’ Jack Elliot territory once they get going. I’m just amazed that he’s done while recording tunes like Diamond Joe just they way Woody and Jack did. I thought on his last record that nobody but a few oddballs like me would love it and was afraid he’d fade. But instead he’s grown.It seems like it’s not going to be possible to keep doing this but like you say this was never supposed to work.
September 11, 2020 @ 12:17 pm
Also, along these lines, I’m going to go ahead and suggest that “Rocky Mountain Rangers” is the best overall song Colter’s ever written. It ought to be getting radio play.
September 13, 2020 @ 6:48 pm
He can do no wrong.
Sincerity at it’s finest and Canadian to boot!
September 14, 2020 @ 12:51 am
I’d much rather listen to CW than most of the formula,stadium,mundane crap with their baseball cap turned backwards acts out there….
September 14, 2020 @ 6:09 am
Well, thats what happens when mainstream tries to force a change by only promoting certain artists. Technology (mainly sites that allow new talent to be seen without selling their soul to a label) has begun to do away with what is pushed on us vs what we WANT to hear. Sure, some people may like the newer country. I for one despise the new country I see as soft, popish and forced. Colter brings us back to the good stuff. I like old cowboy country because that is where it started. Chris Ledoux kept it real, Garth Brooks did well, Brooks and Dunn, George Straight and the old timers before them. They were all phased out by the new crap against our will when streaming music was either non existent or in its infancy. You couldn’t go out and find these down home artists as easily. Im excited to see what is to follow artists like Colter and Tyler.