Did Jason Aldean & Florida Georgia Line Steal “You Make It Easy” from a Canadian Songwriter?
A Canadian songwriter named Connor Shaw wants you to consider his case of a stolen song. The Edmonton-based composer penned and recorded a demo-style version of a song called “Easy” that he uploaded on YouTube in November of 2016, and the song happens to sound eerily similar to the massive Jason Aldean single “You Make It Easy.” Jason Aldean recently went #1 on the American country music radio charts with “You Make It Easy,” and the song is credited to Brian Kelley and Tyler Hubbard of Florida Georgia Line, along with Morgan Wallen and Jordan Schmidt as the songwriters.
Listening to the two songs side by side (see bottom), there most certainly are some immediate similarities between the two songs even novice music listeners can pick up on, the most obvious being the 6/8 time signature and similar title. Also the two songs have the same basic “Easy” hook. There are other similarities as well, like what the verses say in similar moments of the song, though the lyrics aren’t word for word, nor are the cord progression or structure of the two songs exact. “You Make It Easy” and “Easy” are certainly similar, but they’re not straight parallel with each other.
After exhausting all legal avenues (according Connor Shaw), the songwriter decided to take to Twitter on May 15th to plead his case and litigate the matter in the court of public opinion. His thread has since gone viral, and drawn the attention of multiple media outlets.
“The #1 song in country music right now is a song that was stolen from me. Think that sounds crazy? Check out this thread,” Connor Shaw begins. Then his tweets go on,
The song under question is Jason Aldean’s “You Make It Easy” which is said to have been written for him by the members of Florida Georgia Line and another prominent country songwriter by the name of Morgan Wallen.
This is false. It’s actually mine. In 2015 I wrote and recorded a song titled “Easy” At the time, I was an amateur songwriter who was mainly writing and recording for classes in my music degree.
This particular song ended up being quite well-received by the instructor in one of my songwriting courses, so I chose to post the song online (YouTube, Facebook, SoundCloud, etc.)
My song was by no means well recorded or even finished by my personal standards, but it was something I could post online for the enjoyment of my friends and family. Cut to a year later.
I received a message on Facebook from a family friend who is also a singer/songwriter from Nashville. She says she’s seen my posts on Facebook and she loves my music. She then asks me to send her any demos I might have so she can send them around. The song I sent was “Easy”
We had that exchange in October of 2017. All is quiet for a few months. On February 8 of 2018 I was checking out all of the new Music that was released for that week and I stumbled upon a new song titled “You Make It Easy” by Jason Aldean
I thought “Hmm, that’s funny. My song uses that as the hook for the chorus, I wonder what this sounds like” After listening for the first minute of the song I came to the shocking realization that “You Make It Easy” uses the same hook and melody as my song.
After listening to the song over and over again, I started to notice a striking number of lyrical similarities as well. In short: the musical structure, lyrical content, and instrumentation used in his song are in a lot of ways identical to what is featured in my song.
I did an incredible amount of digging on this song to try and understand how this happened. Throughout different interviews he outlines the fact that the song was “written” some time in January by the members of FGL and was given to him at his request.
After sharing some concerns on my personal Facebook I was eventually put in touch with a Canadian entertainment lawyer who did his best to help my find a case in this situation.
We put together a compelling argument and sent a cease and desist to the lawyer of Florida Georgia Line. (I won’t post any of our exchanges because I’d be walking on eggshells)
Essentially their lawyer responded with a long-winded and incredibly condescending letter informing us that no matter what we did we would never have enough money to out-lawyer their team. (They strong-armed me by calling out my financial situation).
Beyond that their isn’t much I can do other than watch the song I wrote gain an unbelievable amount of popularity. And for those wondering, I did reach out to my family friend to ask who she sent the song to and she wouldn’t tell me. (Sketchy, right?)
I’m almost certain that I sound crazy. I just can’t shake this feeling that my song was taken from me and I can’t do anything about it. In 2018, David gets his ass kicked by Goliath.
I’m sure I missed a bunch of details, but it’s late and I’m tired, so I hope you found this as interesting as I find it infuriating. Well played, Jason Aldean. Well played. Have fun with my #1 song.
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For the record, even if “You Make It Easy” was outright stolen from Connor Shaw, Jason Aldean would not be the one to blame. The blame would be on songwriters Brian Kelley, Tyler Hubbard, Morgan Wallen, and Jordan Schmidt. According to Jason Aldean, while he was trying to find songs for his latest album Rearview Town, he called Tyler Hubbard up to his house to see if there were any songs Florida Georgia Line wanted to contribute. The duo had also contributed songs to Aldean’s previous two records, so this was par for the course. Hubbard presented a demo of “You Make It Easy” which had just been written earlier that week, and Aldean said he wanted to cut it.
According to songwriter Morgan Wallen, Tyler Hubbard was the originator of the song, and it was inspired by his wife, Hayley. Morgan Wallen told Taste of Country on January 30th:
Tyler said that he had looked at Hayley and how he figured, you know, it was kind of hard with his job and everything that he has to do—how it might be hard to love me. He just told her that she makes it easy, so we all just kind of like, ‘Damn, well that sounds like a song right there, man, why don’t we just write that?’ And so we did. It was just a pretty natural feeling song, just pretty straight forward. The idea came from Tyler and Hayley Hubbard.
We had the hook to start it off with … we just started off right there at the top and just wrote the rest of it. I think we wrote the first verse, then most of the chorus including the hook, and then we wrote the second verse and then we came back and kind of got the rest of the chorus to go along with it.
So was “You Make It Easy” truly written by Tyler Hubbard with an assist from others, or taken from Connor Shaw via a family friend you passed the song to Hubbard or someone else in Nashville?
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Saving Country Music’s Conclusion:
There is no outlet on planet Earth that would love to accuse Florida Georgia Line and Morgan Wallen of ripping off some poor Canadian’s song more than Saving Country Music. But the evidence here is circumstantial at best, the motive is non-existent, and the timeline presented by Connor Shaw doesn’t add up at all. The only way you could prove that “You Make It Easy” was an outright ripoff of Connor Shaw’s “Easy” is if this family friend in Nashville that Connor Shaw texted about “Easy” was willing to come forward and explain very specifically how the song went from Shaw to Tyler Hubbard.
Though the two songs most definitely sound similar, there is just not enough similarity to call Jason Aldean’s “You Make It Easy” a direct ripoff of Connor Shaw’s “Easy” that would ever pass the burden of proof in a court of law. One of the reasons the two songs are similar is because they’re both rather cliche. Connor Shaw admits this himself in his explanation, and as Saving Country Music said in it’s review of “You Make It Easy,” “The lyrics are where Aldean’s ‘You Make It Easy’ fail to impress … It’s just a sex-infused love song, pretty generic …”
There are so many songs out there and so many people writing and recording them, it is very plausible this is nothing more than a case of coincidence. Or possibly Tyler Hubbard did her the song from Connor Shaw’s contact in Nashville, and inadvertently mirrored some of it’s elements when writing his own. Tyler Hubbard and Brian Kelley seem to have little or no taste when it comes to writing and recording “country” music, but they have never shown a tendency to be untruthful or unethical. They are songwriters too, and some of the most prolific songwriters in Nashville. If someone presented them a song they thought was so good they needed to finish it and record a demo of it, their first instinct would be to either include or credit the original songwriter in the process.
There is a code of ethics between songwriters that even some of the most spurious actors in the business adhere to. Because if you don’t adhere to those long-established and universally-recognized rules, you will never find any work in country music, or be able to place any songs. The songwriting system dating back to Acuff/Rose has been refined to protect creators for nearly 80 years. And even if it was found that somehow Tyler Hubbard took Connor Shaw’s song and re-imagined it in his own words, all that Shaw would have coming to him at the absolute most would be 1/5th of the claim to the publishing under Nashville’s long-established “third for a word” rule which gives all contributors equal shares of rights, regardless of who the originator was. The only way Connor Shaw gets 100% credit is if the song is an exact replica, which even by Shaw’s estimation, it isn’t.
When songwriters feel they’ve been ripped off, it’s a highly emotional situation, and for understandable reasons. If you were in Connor Shaw’s shoes, you would probably be very angry as well, but that doesn’t mean you would be right. It’s worth recalling the time when Jason Isbell accused Dierks Bentley of ripping off his song “In A Razor Town” with “Home” in 2012. Just like Connor Shaw, Jason Isbell took to Twitter ranting and raving, looking to draw blood on Dierks. What was the result of the confrontation? Isbell eventually withdrew his claim, and after the counsel of some close friends including Ryan Adams, he got sober. Isbell’s loss of perspective in the conflict with Dierks is what made him decided to change his lifestyle.
There are lawyers who specialize in these very matters, audio experts who advise them and the courts, judges who hear these kinds of cases all the time, case law that helps dictate the outcomes, and a clear cut legal process to determine whether a songwriter is worthy of a claim to rights on a song or not. Connor Shaw is saying that his shallow pockets are the reason he can’t bring the case forward, but if he had clear cut evidence the song was ripped off, he would have more lawyers contacting him than he’d know what to do with. The problem is there’s no smoking gun, or a motive. Does Tyler Hubbard really need to rip of some poor Canadian songwriter when he’s got a catalog of hundreds of songwriting credits, and can make a million dollars from composing the kind of refuse Florida Georgia Line releases regularly?
There are further issues with Connor Shaw’s claims. In his initial Twitter rant, he said that the Florida Georgia Line lawyers dismissed his claim not by discharging its merits, but by strong arming him due to the fact that he couldn’t pay a lawyer to bring the case. But that’s not true. As can be seen from the response of Florida Georgia Line’s lawyers (see below), the lawyers went line by line against Shaw’s claim, and didn’t chide Connor Shaw about the money it might take to litigate the claim, only that they would vigorously defend their clients, which is their job.
The timeline is very important here as well. Connor Shaw claims “You Make It Easy” was brought to Jason Aldean by Tyler Hubbard in January of 2018. It had to be early January 2018 as well, because Aldean was interviewed about the song’s origin on January 26th by iHeartMedia. The song was then released to the public on February 5th as a single. Except for extreme cases, there is no song that gets selected for inclusion on a major label album—especially as a lead single—that is written, demoed, pitched, recorded, mixed, mastered, and focus grouped to be declared as a single in three weeks or less.
It often takes nine months or more for a song to go through the major label process, if not longer. The timeline Connor Shaw is presenting where he sent “Easy” to the family friend in Nashville in October of 2017, and by February 5th of 2018 it was released to the public, is virtually impossible.
Still the two songs are similar enough, perhaps Connor Shaw was truly was ripped off in some capacity. It can’t be completely discounted as a possibility. And if that’s the case, he has a right to fair compensation as much as anybody. But Florida Georgia Line, Morgan Wallen, and Jason Aldean also deserve at least some benefit of the doubt, and the right to not be tried by the kangaroo court which is Twitter. At this point, Connor Shaw’s claim has become a meme, and people who love to get whipped up in a frenzy on Twitter and take their torches and pitchforks against anybody they feel might be guilty of anything have joined in without any rational thought process behind the action, or true knowledge of the music business.
I have no doubt that Connor Shaw believes he’s been ripped off. It also doesn’t appear Shaw is simply after money. He’s after compensation for injury. But this is not a situation any of us are qualified to litigate. Instead, Shaw should try to raise the necessary funds to pursue his legal action (someone has set up a Go Fund Me), and let the facts come out in the discovery process or trial to find out if he has a rightful claim. Otherwise this is simply a matter of a Twitter lynch mob trying to go after famous people they hate that they have no evidence did anything wrong.
– – – – – – –
Find the two songs, and the legal letters back and forth between the respective lawyers below.
Cease-and-desist order sent to the lawyer representing Florida Georgia Line by Anonymous NbMQ9Ymq on Scribd
Letter from the lawyer representing Florida Georgia Line by Anonymous NbMQ9Ymq on Scribd
Dennixx
May 21, 2018 @ 8:10 am
Even a thief requires some modicum of talent
albert
May 21, 2018 @ 8:15 am
the song is so generic 4o different people could have written it . not saying this fella doesn’t have a case , perhaps .
but shit ….most songs in the recent bro area are rip-offs of each other .
Rooster Cruiser
May 21, 2018 @ 8:26 am
The problem with Shaw’s examples of lyrics that were “stolen,” is that they’re so damn run-of-the-mill.
How many times has love been a Sunday afternoon in a song? Countless. “Saving grace” is overused as hell.
And “you are my sunshine in the darkest days?” Does Shaw really think that line was stolen from him? Somebody alert Smokey Robinson and Ronald White.
This dude wrote a generic song with a generic hook and thinks another generic song with the same hook was stolen.
Trigger
May 21, 2018 @ 8:55 am
Yes, Lionel Richie and the Commodores had a song called “Easy” – “That’s why I’m easy, easy like Sunday morning.”
I try to put myself in Connor Shaw’s shoes. If I had written his song and then heard Jason Aldean’s, I probably would have flipped out too. I probably would have also found plenty of people telling me I had a legitimate beef. But this is a situation where cooler heads need to prevail, and a rational conclusion met.
Messer
May 21, 2018 @ 5:13 pm
Now that you mentioned Easy Like A Sunday Morning, its more likely that this Shaw fellow copied The Commodores. Those two sound more familiar than Jason Aldeans song.
Clyde
May 21, 2018 @ 5:31 pm
This was my first thought. That they both ripped off Lionel Richie.
IndianaRedneck
May 29, 2018 @ 5:45 pm
Trigger, The first thing I thought of when I heard this Connor guy’s song was Easy by The Commodores as you mention. I see his song as a rip off of that, much more than I see Jason’s as a ripoff of his. Heck, Jason’s song is more of a tribute to the Commodores as we have seen in alot of country songs recently. This Connor guy just seems like another guy that couldn’t make it, so had to sue to get some attention. I have friends that makeup songs while they are drunk on their snapchat that are 100% better than this Connor guy, not saying Jason’s song is god, but I would rather listen to it on repeat than listen to this Connor shaw’s song once.
Connor the Con-man.
Justin C
May 21, 2018 @ 8:38 am
Sounds pretty close to me
Brandon F
May 21, 2018 @ 8:53 am
I’m no expert by any means but this one jumped out to me as more similar than some of the high profile cases in the past like Blurred Lines.
Trigger
May 21, 2018 @ 9:19 am
No doubt the two songs sound similar. They also sound similar to other songs released in the past. But there are songs that sound much different to the naked ear that were determined to be using elements of an established song. That is why it really takes experts to determine these things.
Also, it’s not just enough that the songs sound similar. You have to determine how the songwriter—in this case Tyler Hubbard—heard the original song to where he could take it. Without determining that, it’s all just hypothetical.
Edd Hurt
May 21, 2018 @ 9:02 am
The Shaw tune is in 4/4 with a triplet feel, while the FGL song is in 6/8. Trigger, people who determine these issues for legal purposes are not “audio experts,” they are musicologists. I have done this sort of work myself. You say that none of us is in a position to “litigate.” Well, no, Trigger, we are not, because none of us, I would assume, is a lawyer for either party, nor are we judges. There would likely be no trial in a case like this one. Both parties would hire qualified musicologists to see if there are enough similarities between the two songs to merit further movement. There is also a concept called “prior use” you might want to familiarize yourself with before you write anything like this again. Look it up. All Shaw would have to do is employ a pro musicologist–there are some in Nashville I could direct him to–and go from there. He was rather ill-advised to send such a letter to FGL’s people before getting his facts straight about the true musical similarities and differences between the songs (And to see if someone had used this material before in a song, which is the concept of “prior use”; if so, this negates Shaw’s case. )
Trigger
May 21, 2018 @ 9:23 am
Edd,
I really do appreciate your insight and feedback. But I wish you had at least a modicum of self-awareness to understand how you come across as especially full of a superiority complex on a regular basis. I get criticized all the time and can take it. But feeling the need to supplant yourself as a superior authority on all things doesn’t enliven the conversation, it’s just self-aggrandizing. And obsessing over what to label people (in this case “Musicologist”) when I decided simply to use more lay terms, is a sign of the clinically over-intellectualized.
Harriett
May 21, 2018 @ 2:03 pm
Maybe spend a bit of time in the mirror
Garrett Melson
May 21, 2018 @ 6:02 pm
Edd,
Stay in your lane and stick to writing for that shitastic Nashville Scene where you all can circle jerk to your self-proclaimed superior intelligence and bukkake all over each while giving Trump a second term. The Trumpanzees will thank you for it.
Mike Honcho
May 22, 2018 @ 9:01 am
Triggered.
Benny Lee
May 21, 2018 @ 9:24 am
Barely got through 8 seconds of the Aldean “song”. Not surprised FGL “wrote” it.
Shaw’s song is actually music.
Neither song is even remotely country.
Cameron
May 21, 2018 @ 11:28 am
Mehh……the kid ain’t got a case. Song is too generic to be ripped off.
Greg Caracofe
May 21, 2018 @ 11:52 am
This style of playing, hit big with Girl Crush by Little Big town. Wrecking ball, Eric Church, Blue ain’t
your color Kieth Urban. Now you make it easy. Jason Aldean. Chord progression is different. I don’t think they stole it. Every artist and record company try to capitalize on the success of some sort of song. Just listen.
Tiffaney Britton
May 21, 2018 @ 12:29 pm
I can believe JASON ALDEAN DID IF ANYONE HES BERN KNOWN TO TAKE OTHER PEOPLES SONGS AND PATTONING THEM OFF AS HIS OWN !!! HES HOOD AT IT !!!
kristofer hitchcock
May 22, 2018 @ 5:15 am
Lol what?
Jason has nothing to do with this debate, and since I assume you are referring to the ancient claim about him “stealing” Brantley Gilbert songs, BG made a TON of money off them and asked his fans to lay off the Aldean attacks.
ScottG
May 21, 2018 @ 1:02 pm
I think like, what most people said, this too generic to be a direct rip off. I’m no legal expert like our man Edd above, and I absolutely wouldn’t want to come off as condescending, but I think If it was more obvious, a lawyer might work pro-bono to get a settlement. Again, I think it would have to be more of a slam dunk.
One thing is for certain though, the bully response from the asshole lawyers can go to hell.
Tony
May 21, 2018 @ 2:08 pm
If the the song was truly stolen, then simply add him as a co-writer.. Problem solved ????
Nan
May 21, 2018 @ 4:44 pm
It reminds me of a few years ago, when a new pop artist, Sam Smith, burst on the scene with the mega-hit ‘Stay with Me’. I heard the song and liked it. A Tom Petty fan for years (The late, Great) I was surprised he was claiming Sam and writers stole from one of his older songs, “I Won’t Back Down”. I thought it was a stretch to say so, if you listened for it, the chorus did sound like a Very drawn-out version, but still didn’t think it was enough of a similarity. End result, Tom Petty won the case and his name is also listed as writer (and Jeff Lynne) and he was awarded royalties for it. Sam said he had no idea he and writers were sounding too much like Tom’s song, that they weren’t familiar with it. It seemed believable. He still had to declare it a ‘rip off’ from Tom’s song, though unintentional, coincidental.
Gerald
May 21, 2018 @ 5:32 pm
I think You Make It Easy sounds more like it ripped off Blue Ain’t Your Color by Keith Urban. Just listen to the first verse and you’ll see what I mean.
Bill
May 21, 2018 @ 5:47 pm
The trolling on their Twitter account about this is actually pretty funny if you ask me, even if they didn’t steal this guy’s song.
Logan
May 21, 2018 @ 7:42 pm
There are some similarities, but I really don’t think it was ripped off. Two generics songs with the same generic hook, IMO.
Also Trig, will you be reviewing American Aquarium’s upcoming album?
I got an advanced copy and might I say that I think BJ has hit another level with his songwriting.
Trigger
May 21, 2018 @ 7:51 pm
American Aquarium is definitely on the list to review. I rarely review albums until they are released.
Logan
May 21, 2018 @ 9:06 pm
Awesome! Yeah, I figured if it was on the radar, you’d wait until it’s released. But I’m looking forward to hearing your thoughts.
Shelly kay Messinger
May 21, 2018 @ 10:24 pm
YOU MAKE IT EASY..and This other song EASY…Does not have similarities they do not sound the same its all bullshit…Whoever this jerk is from Canada needs his head examined cuz he is wrong period end of discussion!!!!!!! And i do not believe FGL stolen it either!!!!!! Jason Aldean picked awesome song and he did amazing job singing it…Thanks Jason Aldean ….So back off drop it end of discussion Wth
Candace
May 22, 2018 @ 2:19 am
Not even in close proximity! They sound nothing alike and almost every word is different! Ppl are really pushing the limits trying to steal money because they aren’t good enough to make it own their own!
Jacob W.
May 22, 2018 @ 12:07 pm
I think that the person who wrote the Aldean song obviously has heard the original version. It seems like they may have intentionally walked the line between borrowing ideas and plagiarizing lyrics. The se
kristofer hitchcock
May 22, 2018 @ 5:22 am
Just an extra point; isn’t FGL known for including a ton of writers, so many, in fact, that many of us have made fun of them?
Which we still should…
But I’d have to think, if they so willingly include all 6 or 8 people who had anything to do with a particular song (each added person takes a percentage, so everyone’s writers share decreases), I’d assume if they had heard this Conner’s song, they’d either include his name or invite him to join the writing process. FGL is a lot of things, but they’ve always been very friendly and open with their writing and publishing side.
Trigger
May 22, 2018 @ 7:31 am
Exactly. It would have been nothing for them if someone passed them an unheard song they liked to say, “Hey, we really like this. Tell the dude to contact us. We’ll tweak it a bit and make it into a hit and he’ll get cut into the royalties.” These guys are multi millionaires and have songs published all over town. Florida Georgia Line is making money off of the Wal-Mart yodeling boy’s song. The motive for stealing from a Canadian songwriter is just not there.
Jacob W.
May 22, 2018 @ 12:09 pm
But not if someone else claimed responsibility for connor’s work first.
Thoroughbred
May 22, 2018 @ 6:17 am
All of these songs (these two, Blue Ain’t Your Color, even Isbells No Choice In The Matter) with their waltz and the interval vocal jump in the chorus melody are all derivative of Sam Cooke’s “You Send Me”, which is probably derivative of some old jazz standard that I’m too lazy to look up.
marty
May 22, 2018 @ 2:22 pm
maybe if someone could get their hands on the florida georgia demo of the song, because aldean probably changed it and watered it down. then we could really see what hubbard was trying to do with it
JG
May 22, 2018 @ 4:23 pm
This was my thought as well. I may not be a huge fan of the band, but they seem like stand up people. I think if they heard this song and really liked it they’d be more interested in recruiting the writer to their team than they would be trying to rip him off. But who knows, there is a team of writers, maybe one of them heard it at some point and they don’t even realize it. It is a bit troubling that Wallen said they started with the hook…. but really, that’s the only memorable thing about this song, so maybe it’s not huge of a deal.
The thing that really made me think this is just coincidental is a screenshot of a tweet I saw by one of the writers in response to one of Shaw’s tweets. It seems to be deleted now, but assuming someone didn’t doctor this for some reason I think it pretty much seals the case: https://pbs.twimg.com/media/DdlH-DCWsAEvWKS.jpg:large
Unless this “family friend” shows up with a different story I’m going to believe that any similarities are coincidental.
Biggest Al Downing
May 23, 2018 @ 10:28 am
I think David Allan Coe may have summed this situation up best –
I’m thinking tonight of my blue eyes
Concerning the great speckled bird
I didn’t know god made honky-tonk angels
And went back to the wild side of life
Tammy Hall
May 24, 2018 @ 10:26 am
I listened to both songs and they DO NOT sound alike in anyway I think this Canadian is just trying to get rich from someone who has made it to the big times
BEH
May 24, 2018 @ 6:59 pm
Gonna be pretty hard to prove that any of them ever heard the Shaw song. Without that he has no case. On the other hand the Commodores might have something here…
Bruce
May 25, 2018 @ 5:53 am
Both versions sound a little like LIONEL RICHIE’s “Easy Like Sunday Morning”; perhaps Lionel can get in on the tirade as well.
the realist
May 25, 2018 @ 9:29 am
It’s blatantly obvious that these so-called “country” music “artists” put little to no effort in their “songs” so I have no reason to think they didn’t steal it. These days its about putting out a quantity of songs instead of quality. All the stuff being played on so-called country stations sounds the same musically and lyrically from an algorithmic standpoint rendering it boring at best. Thank God I grew up in the 70’s ~
jfm songwriting
December 12, 2019 @ 11:37 pm
you got to be kidding me! this is a right in your face rip off! I listened to both and I don’t know how you can miss it but if both singers walked into a recording studio 3 hours apart with these songs the engineer would be wondering what was going on