How Sturgill Simpson & Merle Haggard Wrote “Hobo Cartoon”

Those who’ve studied the career of Sturgill Simpson don’t need a lesson of just how close he was to country legend Merle Haggard later in Haggard’s life. The cross-generational friendship formed not from the fawning of Sturgill, but from a sincere appreciation from Merle for what Sturgill was doing for country music, and what it meant moving forward.
“As far as I’m concerned, he’s the only one out there,” Merle said of Sturgill back in 2015—one of many times Merle publicly touted Simpson. “The rest of them sound like a bunch of (crap) to me. He comes out and does a great show.”
As Sturgill explained in a recent interview on BBC, Merle Haggard used to call him all the time, just to chit chat. One time when Sturgill was doing a solo tour in Europe, Merle would pretend he forgot the time difference, and call Sturgill at ungodly hours. Sometimes Sturgill would answer. Other times he’d be asleep and it would go to voicemail. Sturgill still has those voicemails on his phone.
Later Sturgill Simpson returned those favors Merle did early on, lashing out at the ACMs for a planned Merle tribute in 2016, and Garden & Gun magazine for disrespecting Merle by promising him the cover of the magazine, and taking him off later after he passed away. “If the ACM wants to actually celebrate the legacy and music of Merle Haggard, they should drop all the formulaic cannon fodder bullshit they’ve been pumping down rural America’s throat for the last 30 years along with all the high school pageantry, meat parade award show bullshit and start dedicating their programs to more actual Country Music.”
So it shouldn’t come of too much of a surprise when Sturgill Simpson’s second installment in his Cuttin’ Grass bluegrass volumes that he surprise released on Friday, December 11th included a song co-written with Merle Haggard. It’s actually not the first time Simpson has revealed an unreleased Merle Haggard song. In January of 2019 at a huge Willie Nelson tribute at the Bridgestone Arena in Nashville, Sturgill debuted a song called “Red Headed Rounder” that Merle wrote in tribute to Willie.
Then here comes “Hobo Cartoon,” which is the final track on Sturgill’s Cuttin’ Grass Vol. 2 (Cowboy Arms Sessions), co-written with Merle Haggard.
“We got to know each other in the last two years of his life,” Simpson says. “He would call a lot, we’d talk on the phone. When he got sick, he was still writing songs, even in his hospital bed. This just popped up one day in the inbox. He sent me these lyrics in a text and he said, ‘From one railroad man to another.’”
Merle Haggard was born and raised in a home converted from a boxcar, and was primarily influenced by the “Singing Brakeman” Jimmie Rodgers. Sturgill Simpson worked for the railroads in Utah for years before pursuing music full time.
Recorded with what Sturgill is now calling the Hillbilly Avengers (Stuart Duncan, Mike Bub, Sierra Hull, Scott Vestal, Tim O’Brien and Mark Howard), Simpson is also not leaving out the possibility of doing a more electric country version in the future. “Maybe I’ll recut it with a hard country band one day, but it just seemed like a beautiful way to end this chapter,” he says.
December 11, 2020 @ 11:31 am
“end this chapter”?
hmmmm
December 11, 2020 @ 2:14 pm
Cuttin grass 2 is the final volume of 2, and it’s the last song on the album.
December 11, 2020 @ 2:33 pm
Ok. But here’s to hoping that doesn’t mean he’s going to go back to putting out emo-Arcade-Fire-wannabe-crap.
December 11, 2020 @ 7:11 pm
So far Sturgill hasn’t put any Sound & Fury songs on his Cuttin Grass albums. I’ve been thinking about this and have come to a couple different possible conclusions:
1. He didn’t get to finish the tour and still plans to let those songs run their course before he messes with them.
2. The possibility of Sound & Fury getting nominated for a Grammy (which happened).
3. As part of his deal to get Atlantic/Elektra to dump him, he promised not to mess with those songs since that album was still in cycle.
4. He gave up publishing rights to Sound and Fury songs to get out of contract and/or was legally blocked from recording them.
5. Any combination of 1-4.
These are my thoughts. What does anyone else think?
December 14, 2020 @ 7:57 am
I’ve also wondered about that. My personal theory was that they simply, at their heart, are not bluegrass songs. Sturgill has said that every song he has written is actually a bluegrass tune, but maybe that does not ring true to the sound and fury material. I also know he has talked about how he was in a much darker place when he wrote and recorded those songs. so maybe that plays a part in it. Perhaps in that mental state he was not writing bluegrass lyrics, but angry hard rock lyrics. And maybe he does not think they can/should be translated. That’s just been my thoughts though. I for one would love to hear those songs on a Vol. 3. I also like your theories and definitely think they sound plausible.
December 11, 2020 @ 11:34 am
Wow. 9TH post of Sturgill from October to today. I see his marketing arm (SCM) is alive and well.
All kidding aside (really), I don’t like him but he is a heckuva artist. Cuttin’ Grass is phenomenal. Hat’s off to him.
December 11, 2020 @ 11:55 am
I’m a bit disappointed he left out “Never Go To Town Again”
December 11, 2020 @ 12:13 pm
Despite Merle Haggard being on the Mt Rushmore of C(c)ountry Music, I never considered him to be a man of sound judgment, which can be confirmed by various bad decisions he made throughout his life. His friendship with, and admiration of, this virtually talentless performer, is most definitely one of those decisions.
December 11, 2020 @ 12:24 pm
Way to keep it classy!!!
December 11, 2020 @ 12:28 pm
Sturgill is a douchebag in public life, but to say he’s virtually talentless is just not correct. He’s just following the same formula as your boy Trump.
And Midland sucks.
December 11, 2020 @ 12:42 pm
I couldn’t care less about Simpson’s public life. He’s really bad at music, and it never ceases to amaze me how the passing of time continues to coincide with a lowering of the bar for what a good C(c)ountry singer is.
Also, keep your comments about politicians to yourself please.
December 11, 2020 @ 1:30 pm
Hope you aren’t too hurt about mean talk about your dear leader.
December 11, 2020 @ 1:40 pm
Oh no, not at all; this is America.
I’m just trying to stay on the topic of the article, and am politely asking you to do the same.
December 11, 2020 @ 1:32 pm
I’ve said it before here. Sturg is the Trump of indie country.
What is your evidence that Sturgill is virtually talentless? Your bar is obviously lowered, considering your love for…Midland.
December 11, 2020 @ 2:45 pm
I don’t know if this counts as evidence, but apparently he can pick a little, which is why I said “virtually”. He can’t sing or write for crap, but he can pick a little, so he’s virtually talentless.
Yes, I’d say my bar is lowered, but not that low. I’ve stated before that I haven’t spent money on a new release in at least a dozen years. I don’t own any Midland music. They release good C(c)ountry songs. Their singer has a tolerable voice. Those two things are more than I can say for nearly any current act I can think of, except Mo Pitney.
Putting Midland in my handle is just my way of having a little fun; I like them, but not nearly as much you all hate them.
December 11, 2020 @ 2:46 pm
Honky
From one classic country fundamentalist to another
Shut up man
You whine and moan that Sturgill and Marty Stuart aren’t good enough for you’re White House Of country music sound
But when Joshua hedley does “me jukebox” you whine that it’s not “real traditionalism”
Well you can’t have it both ways
And it’s wishy washy my way fans like you that keep records like me jukebox and Cuttin grass down
Because it’s either not traditional enough or “a hipster-y fake thing”
It’s very obvious to me that you don’t actually want anyone anywhere to record anymore music ever
You just want them to box up “Country Music” laminate it memorialize it and preserve it and put it away and never touch it again
Like some treasure chest of songs in a museum
I’ve never seen one positive thing from you about anything anywhere
Why do you bother to read a music website when you very obviously don’t want to hear new music anyway?
You know what? I love Faron young and Charley Pride
I also love Vince Gill and Garth brooks and randy Travis
And I love Green Day and Guns N’ Roses and buckethead and satriani and Van Halen
And the Clancy brothers and chick corea and thelonious monk and Joshua hedley
But you don’t like anything
And if you can’t appreciate that someone recorded and wrote a song with Merle haggard then you can jump in the lake
We’re lucky that someone cares enough about Merle’s memory to bother with songs like redheaded rounder and hobo cartoon
Because I guarantee you Luke Bryan wouldn’t bother
You are the person looking gift horses in the mouth. Not appreciating that there are still Merle haggard songs to be sung
But I bet you want to be the only person on earth who listens to Merle haggard. Because nobody else can like Merle haggard properly but you
I’m tired of you, honky.
You dont love country music
You don’t want to see it grow and expand you want it to be forgotten by everyone but you so you don’t have to share
Because in honkys world everything is negative and only honky can like country music and anyone who does it differently is stupid
Well opinions are like assholes
We all have them and yours is full of shit
December 11, 2020 @ 2:49 pm
MR. mr jukebox
December 11, 2020 @ 2:52 pm
I don’t have the attention span to read your comment and absorb it, nor the energy to reply to it all, but here’s a gift to help you.
Here: ????????
December 11, 2020 @ 3:05 pm
Even if I don’t always agree, I appreciate his opinion. Telling people to shut up and then encouraging debate with them seems counterintuitive. If y’all really want to hear less of him why do you keep engaging? What could have been one opinionated (and perhaps predictable) comment, turns into the longest thread on the article. Does his opinion really get under your skin that much?
December 11, 2020 @ 3:15 pm
@Jake
I’m not telling him to shut up. I’m just debating his opinion. The only time I told Honky to shut up was on another recent article about Sturgill where Honky was complaining about the coverage, and I said exactly the same thing you’re saying here that talking about Sturgill and complaining about him is exactly how you make him more popular. That’s why I say Sturgill is the Trump of indie country. He knows exactly what he’s doing when he’s baiting conservatives like Honky.
December 11, 2020 @ 3:18 pm
@Jake
And that’s the real reason I think Honky is so negative about Sturgill’s talents. He gets butt hurt about Sturgill hating on Trump, and he refuses to acknowledge even a minimal amount of musical genius from Sturgill. And I know for a fact Honky does like some of these new artists. He admitted to me a long time ago that he likes Tyler Childers.
December 11, 2020 @ 3:23 pm
Hold on Fuzzy, you’re talking to another SCM Hall of Famer. How’s about a little respect for Honky. Yall are two of my favorite commenters. Do not make us choose between the two of yall.
And while I’m here, do you know anything about a card game that Merle once played Waylon, in which Merle cleaned Waylon and things were never good between the two of them again? Has anyone heard about this?
December 11, 2020 @ 3:30 pm
This comments section has become stupid and embarrassing. The point of these comments sections is to talk about the topic at hand, not about comments, and not about commenters. And what you all should understand is comment sections like this not only discourage people from piping up about something relevant to the article, they turn people off from Saving Country Music entirely. They don’t want to see a bunch of bullshit, and feel like they’re in a schoolyard with a bunch of shit talkers. Have a little more respect for yourselves, and this website.
Sturgill Simpson just released a song co-written by Merle Haggard, who if you hadn’t noticed, has been dead for four years. I think that’s a pretty big deal, and I’d love to hear people’s thoughts on that, and the song.
December 11, 2020 @ 3:35 pm
Maybe you should lead by example and stop talking so much shit in the comments section, then? ????♂️
December 11, 2020 @ 3:46 pm
@Jerry Clower’s Ghost,
…”Sturgill is the Trump of indie country. He knows exactly what he’s doing when he’s baiting conservatives like Honky.”…
Dude, I don’t know how much clearer I can make myself. I could not care less about Simpson’s worldview, and you can’t find one example of me discussing or criticizing him from that angle, anywhere on this site. What neither picks my pocket, nor breaks my leg, is of no issue to me.
This is about his music, and only his music. It sucks, because he sucks. That’s all. And his career is a snapshot of the bigger picture, that our heroes are gone, so we are desperate to make heroes out of those who are unworthy.
December 11, 2020 @ 3:53 pm
Trigger,
I agree with you, even though you probably think this is all my fault.
My comment is just that I love Merle Haggard, and it’s sad that he allowed someone so utterly unworthy, to write a song with him.
December 11, 2020 @ 4:03 pm
@Honky
Why do you think you know better than MERLE FUCKING HAGGARD? Your hero went out of his way to promote Stugill, because he thought he was talented musically and artistically. How do you reconcile that?
December 11, 2020 @ 4:06 pm
No more on this thread or stuff starts to disappear.
December 11, 2020 @ 1:11 pm
So does King Honky.
December 12, 2020 @ 7:50 am
why a douchebag?
December 11, 2020 @ 10:46 pm
Ok so like Honky, Fuzzy, and a few other people here are all Trigger or a couple of his buddies fucking with us for fun and drama, yeah?
Going with that.
December 12, 2020 @ 11:15 am
Yeah, probably is not self-serving to have these comment sections descend into anarchy, especially seeing how that’s the #1 reason cited by people of why they don’t read anymore when I conduct exit interviews.
December 11, 2020 @ 12:28 pm
Song is absolutely amazing … thank you King Sturgill!
December 11, 2020 @ 1:42 pm
Super cool story. Was not aware of the text with the lyrics.
Thanks for sharing
December 11, 2020 @ 3:45 pm
There is some serious salt in the comments…..Sturgill is a generational talent whether you like him or not.
And yes Sound and Fury is a great album whether you like it or not.
December 11, 2020 @ 4:13 pm
Nostalgia factor / worth a listen: 9/10 because Merle
Lyrics : 6/10
Melody/Music: 2/10
Still cool for people to hear, and endearing to know he was writing till the end. Was in his DNA
December 18, 2020 @ 1:53 am
Not enough snaps? 2/10 musically give me a break. I’m sure your album review for Kind of blue would read 9/10 cause it’s Miles, 2/10 musically as he doesn’t play enough notes.
December 11, 2020 @ 5:11 pm
I gave it a listen and while it’s okay I kind wished they’d retooled it about rafting the Mississippi instead of it being a train song. One of the appeals of classic country or blue grass train songs (like The version of Wreck of the ol’ 97 Cash did at San Quentin or the various versions of New River Train Andy Griffith did (including with Jack Prince the II as his character Rafe Hollister as a coda to Lonesome Road (which IMO is right behind Paul Robesons Version in terms of being one of the best of that song) and that Californian Country and western guitarist whose name escapes me that did the closeups for Jim Lindsey (James Best (Yes Roscoe P Coltrane) couldn’t play guitar which is why the closeups were done by an actual guitarist wearing Jim’s clothes ) over the years is that it sounds like you’re on a train journey whereas this song while the lyrics try to paint a train journey the music makes it much easier to imagine a twin stacked Mississippi stern wheeler heading down to New Orleans. But those are my thoughts
December 11, 2020 @ 7:50 pm
Your use of parenthesis is maddening. Maybe there’s a point in there (I have no clue).
December 11, 2020 @ 7:51 pm
parentheses
December 11, 2020 @ 8:21 pm
I was trying to give examples of train songs using Cash’s Wreck of the old 97 and Andy Griffiths various versions of New River Train as the examples as well as trivia like how James Best was on The Andy Griffith Show before Dukes of Hazzard the point I was making was the music makes The song sound more fitting for a coal trimmer sitting on the bow of a Mississippi Stern wheeler than a train song. Hope that helps
December 12, 2020 @ 1:04 pm
We found a typo in your formula and tried to correct it to: =(like the version…did, including..Road, which…song). Do you want to accept this correction? Yes No
December 11, 2020 @ 8:11 pm
I’ve never liked Sturgill Simpson and I tried- then I saw him on SNL and that ended my try ing
I like this song and I like the way Sturgill did it- BFD- he’s still SNL Sturgill Simpson- I don’t care if he co-wrote with Jesus Christ, or God (any of them), I still don’t like him- never will-
What he said about Trump (and Trump supporters is, to me, icing on my cake) and no I’m not a fan of Trump- he’s a douche bag- has been and will probably continue to be- it’s in his DNA- but I’m sure he doesn’t GAFF- neither do I- but, my money or attention won’t dwell in his pocket.
I avoided the other article about him, because I believe if you have nothing good to say, then it’s best not to say it- but to cannonize him is heresy. Period. And I’m NOT a religious person- he bleeds red when cut, just like anyone else-
December 12, 2020 @ 12:51 am
I know nothing of Sturgill Simpson’s story or why some people here call him a douchebag and such or associate him with Trump, apparently as an insult–and I have nothing to contribute to that discussion.
All I know is I picked up a couple of his early CD’s a few years ago and I’d pop “Metamodern Sounds” into the player while I was driving and when he sang “Turtles All the Way Down,” and raised his pitch in the last verse–“So don’t waste your mind on nursery rhymes/Or fairy tales of blood and wine,” my ears perked up and I thought “He’s channeling Waylon.”
Some time after that, I saw an article on this site that asked whether Sturgill is the new Waylon, or something like that.
I saw Waylon three times–with once with Jessi and twice with the “Highwaymen”–including their biggest show at Nassau Coliseum–and I’d probably go to see Sturgill if I read that he was coming to town.
December 12, 2020 @ 9:14 am
“I know nothing of Sturgill Simpson’s story or why some people here call him a douchebag and such or associate him with Trump, apparently as an insult–and I have nothing to contribute to that discussion.”
How cute, & not at all slick
December 12, 2020 @ 11:39 am
“Some time after that, I saw an article on this site that asked whether Sturgill is the new Waylon, or something like that.”
Not arguing with you, or coming at you, Lucky, but would question anyone who would ask whether Sturgill is the new Waylon.
Sturgill in no way, shape, or form, could fill Waylon’s shoes, or boots.
If someone tried to draw a comparison to Waylon & Hank, Jr. for instance, now we would be operating on a more level playing field.
Comparing Waylon and Sturgill, is like trying to compare Luke Bryan to Willie Nelson.
December 12, 2020 @ 8:39 am
Two cool projects from Sturgill. Cool Merle co-write! Sturgill seems to be a point of contention here these days. I like some of his work and hate some of it. I can really appreciate these two bluegrass releases. He sounds like he enjoyed making them. The guy likes getting attention. I like when he gets attention this way!
December 12, 2020 @ 10:15 am
Like my opinion of Parker McCollum, I’ve changed my mind. If you want to package the two volumes and rank them together mid to low on your year end album rankings, I won’t argue. This is based on the strength of the Sunday Valley songs and the co-write with The Hag (also Cowboy Arms Sessions feels more like an album than fan piece).
December 12, 2020 @ 11:50 am
Merle, a truly great singer and writer, loved trains, and had attitude.
Sturgill is the prolonged adolescent version of that. What people remember are his verbal barbs, which are cheap.
I don’t hate the man or his music. I just don’t find him interesting or compelling.
Next.
December 12, 2020 @ 3:14 pm
Anyone else notice that the articles regarding Stu’s affiliation with country/Americana greats seem to draw even more irrational venom than the (post Metamodern era) music itself? The commentary on this and the last Prine/CMA article is awful.
I think it’s cool that he completed this song, and offered it up as a tribute to a historically significant figure. If you’re looking at it from the bright angle, it’s an opportunity to introduce younger generations and adjacent fans to history and may encourage them to learn about the greats that pioneered the fundamental sound.
Someday, I hope some of you realize that your attempts to gatekeep a sound will eventually lead to its demise. I have a lot of different musical interests, so I definitely come at this from a different angle. But I promise you, I watched (and participated) in this behavior and watched it kill punk. I’ll never do that again.
In Stu, you’ve got someone that can bring a song like “Hobo Cartoon” to the masses instead of keeping it underground. Shoot at the messenger if you want, but it’s completely counterproductive.
December 14, 2020 @ 6:15 am
Nice to hear sturgill doing what comes natural.