Jason Isbell Announces New Album “The Nashville Sound”
This story has been updated.
Jason Isbell has officially announced his sixth solo studio album to be released on June 16th called The Nashville Sound. Isbell first made the announcement about the 10 track album on Lightning 100 Monday (3-13) morning. Produced by long-time collaborator Dave Cobb, recorded at the historic Studio ‘A’ in Nashville, and to be released by Thirty Tigers via Isbell’s own Southeastern Records, the album is highly-anticipated by many country and Americana fans. Isbell’s last album Something More Than Free won multiple Grammy Awards, and his 2013 record Southeastern cemented him as one of the premier songwriters in Americana.
Though we still don’t know much about the new album, Jason Isbell has said previously to expect a heavier, guitar-driven sound on some tracks. The album also emphasizes his back band The 400 Unit that includes his wife Amanda Shires more than his previous two releases. Jason Isbell’s 400 Unit consists of guitar player Sadler Vaden, Jimbo Hart on bass, Derry DeBorja on keys, drummer Chad Gamble, and Amanda Shires on fiddle and backing vocals.
The title of the record implies the album could be tied to Nashville in some respect. Ahead of the official announcement, the official Twitter account for Southeastern Records was tweeting out stylized photos of Nashville landmarks with song titles, including the Country Music Hall of Fame, the plaque in front of historic Studio ‘B,’ and other points of interest in Nashville. Though Isbell enjoys many fans in country, he has defined the sound of Americana over the last half decade.
A press release for the album states The Nashville Sound “features 10 new songs that address a range of real life subject matters that include politics and cultural privilege (‘White Man’s World’), longing nostalgia (‘The Last Of My Kind’, love and mortality (‘If We Were Vampires’), the toxic effect of today’s pressures (‘Anxiety’), the remnants of a break up (‘Chaos and Clothes’) and finding hope (‘Something To Love’). Songs such as ‘Cumberland Gap’ and ‘Hope The Highroad’ find Isbell and his bandmates going back to their rock roots full force.”
The 10 tracks of the album are:
- The Last of My Kind
- Cumberland Gap
- Tupelo
- White Man’s World
- If We Were Vampires
- Anxiety
- Molotov
- Chaos and Clothes
- Hope The High Road
- Something to Love
Along with the studio record, Isbell will also release Live from Welcome To 1979 as part of Record Store Day on April 22nd. It will feature six songs including five covers performed live at Welcome To 1979 studio in Nashville and recorded directly onto lacquer. The cover songs are said to be The Rolling Stones’ “Can’t You Hear Me Knocking” and ‘Sway”, John Prine’s “Storm Windows”, Candi Staton’s “Heart On A String”, and Bruce Springsteen’s “Atlantic City.” Many of these can be regularly heard at Isbell’s live shows. Jason’s own “Never Gonna Change” also made it on the record.
Isbell has also released a slew of live dates in the United States and Europe in support of the new record, including multi-day stints in New York and Austin, and support by Amanda Shires, Tift Merritt, Iron & Wine, and others. As part of the album announcement, Isbell also revealed he will play the Ryman October 10th, 11th, 13th,14th and 15th, with tickets going on sale 3-17.
Jason Isbell & The 400 Unit Tour Dates:
June 17 – Asheville, NC – Thomas Wolfe Auditorium #
June 18 – Raleigh, NC – North Carolina Museum of Art #
June 19 – Philadelphia, PA – The Fillmore Philadelphia #
June 22 – New York, NY – Beacon Theatre #
June 23 – New York, NY – Beacon Theatre +
June 24 – New York, NY – Beacon Theatre +
June 26 – New Haven, CT – College Street Music Hall +
June 27 – Boston, MA – Blue Hills Bank Pavilion +
June 29 – Canandaigua, NY – Marvin Sands Performing Arts Center >
June 30 – Columbia, MD – Merriweather Post Pavilion +
July 1 – Cincinnati, OH – PNC Pavilion at Riverbend Music +
July 2 – Huber Heights, OH – Rose Music Center at the Heights +
July 5 – Omaha, NE – Sumtur Amphitheatre +
July 7 – St. Paul, MN – The Palace Theatre +
July 11 – Sioux Falls, SD – The Washington Pavilion +
July 12 – St. Louis, MO – Peabody Opera House +
July 14 – Austin, TX – ACL Live at the Moody Theater +
July 15 – Austin, TX – ACL Live at the Moody Theater #
July 16 – Austin, TX – ACL Live at the Moody Theater #
July 18 – Houston, TX – Revention Music Center #
July 19 – Jackson, MS – Thalia Mara Hall #
July 21 – Miami Beach, FL – The Fillmore *
July 22 – St. Augustine, FL – St. Augustine Amphitheatre *
July 23 – North Charleston, SC – North Charleston Coliseum *
September 7 – Morrison, CO – Red Rocks Amphitheatre
Support: # Amanda Shires / + Mountain Goats / > Iron & Wine / * Strand of Oaks
2017 European Dates
October 25 – Manchester, UK – Albert Hall
October 26 – Glasgow, UK – O2 ABC
October 27 – Dublin, Ireland – Olympia Theatre
October 29 – Brighton, UK – Brighton Dome
October 30 – London, UK – Roundhouse
October 31 – Birmingham, UK – Symphony Hall
November 2 – Paris, France – Le Café de la Danse
November 3 – Brussels, Belgium – Ancienne Belgique
November 6 – Amsterdam, Netherlands – Paradiso
November 7 – Hamburg, Germany – Uebel & Gefährlich
November 8 – Berlin, Germany – Columbia Theater
November 10 – Oslo, Norway – Sentrum Scene
November 12 – Stockholm, Sweden – Münchenbryggeriet
November 14 – Copenhagen, Denmark – DR Concert Hall
March 13, 2017 @ 8:56 am
June 16th*
March 13, 2017 @ 9:02 am
Sweet. I’m looking forward to it.
March 13, 2017 @ 9:08 am
I’m anxious to hear this. I’ve always liked him w/ the 400 unit. Here We Rest is still his best album in my humble opinion
March 13, 2017 @ 9:21 am
Excellent. So I’ll have this in my hot little hands for two weeks before I see him on 6/30.
I wonder if the album title is him sort of planting a flag for the “other” Nashville.
March 13, 2017 @ 9:33 am
There’s got to be a deeper message behind the album title that will reveal itself in the future. I don’t expect this to be a country record, but I do expect the title to have some relevance to the music.
March 13, 2017 @ 9:27 am
I would imagine that the captions tweeted with those photos are the song titles. There are 10.
March 13, 2017 @ 9:45 am
This story has been updated greatly as information continues to come out this morning. They just released a press release and some other clues.
March 13, 2017 @ 10:17 am
“…a range of real life subject matters that include politics and cultural privilege (‘White Man’s World’)”
Wonderful. Hopefully he gets the fake news narrative right like Patterson Hood did on Drive-by Truckers latest album. I don’t listen to Drive-by Truckers anymore.
March 13, 2017 @ 12:17 pm
K.
March 13, 2017 @ 12:20 pm
Don’t you have a blog article to write about how The Ranch should play Tom Petty?
March 13, 2017 @ 12:26 pm
Honestly…I don’t care what The Ranch plays. I just don’t like stupid arguments.
If someone can’t support their claims with logic and evidence, and then has a temper tantrum when that gets pointed out, I’m going to make fun of them.
Whiney children are obnoxious, regardless of what “side” of an issue they’re on.
March 13, 2017 @ 3:12 pm
So “spoony”, honest question, are you one of those people that complains about “snowflakes” on the internet when people on the left complain about the stuff that Ted Nugent and Hank Jr. spout off about?
I’m honestly wondering because a lot of the people who complain about Isbell and Hood and their social/political stances are the same people complaining how “intolerant” the left is of the right. And if that is the case you have got some serious cognitive dissonance going on.
March 13, 2017 @ 3:37 pm
Sorry, “snowflakes” on the internet (and in real life) are all leftist. They have a monopoly on that.
Someone saying something mean about Hank Jr. or Nugent isn’t going to hurt my feelings, or theirs. As you well know.
Writing a song based on fake news “What it Means,” destroyed what was left of Patterson Hood’s credibility. It’s that simple.
March 13, 2017 @ 4:14 pm
You didn’t answer my question though. Did you get upset at “leftist” country fans who were upset when Hank Jr. spouted off “fake news” that Obama was a Muslim? My point is that it pushes the edges of credibility if you think Hood wrote about “fake news” (a term thrown around WAY too loosely today) and you also were not or are not upset that plenty of “righty” artists are spouting off fake news that they read on Town Hall or the Drudge Report.
Look, you cannot like Hood’s song. That’s fine. And quite frankly I don’t care for it all that much either. But I am fine with Hood and Isbell writing songs that I may not personally agree with, because its what helps set America apart.
March 13, 2017 @ 10:25 am
I really want to hear Isbell’s cover of Atlantic City. If it’s anywhere near as good as Hank III’s version of the song, it’ll be a keeper.
March 13, 2017 @ 10:47 am
Super excited for both albums!
March 13, 2017 @ 12:18 pm
So excited for the live album.
Live From Alabama is one of my favorite albums, full stop. It’s got the definitive recorded version of Dress Blues, as far as I’m concerned.
March 13, 2017 @ 12:22 pm
1st paragraph needs to be updated. — “cemented him as one of the premier songwriters in Americana.” Huge understatement. “One of the greatest songwriters in the history of the world”.
March 13, 2017 @ 1:01 pm
A month or two ago Jason posted on social media that he was going into the studio to make music with his rock n roll band. That to me was a pretty clear indication that this record would be geared more towards that genre, just a little bit at least.
March 13, 2017 @ 1:58 pm
Loved something more than free can’t wait for his new one
March 13, 2017 @ 2:46 pm
I am praying to god… as in the lord Jesus Christ himself that “White mans world” isn’t the same as that shit that the Drive By Truckers released recently.
To paint Mike Brown as anything other than a murderous lunatic is career suicide in my world.
If they wanted to jump on the anti police bandwagon, they should have at least chosen a better subject.
Please… please God don’t let this album mirror thatvother POS
March 13, 2017 @ 2:50 pm
Seems like a silly thing to pray to God over, but knock yourself out, I guess.
March 13, 2017 @ 2:55 pm
Hey… some want world peace, others want a fine stand alone album by one of their favorite artists.
March 13, 2017 @ 3:18 pm
Are you serious with this? When has DBT NOT had a song or two on an album talk about political/social things?
I’m not even that big of a fan the new DBT album, but to act all angry because they didn’t create a “stand alone album” for you, is just willfully ignoring the history of that band.
March 13, 2017 @ 4:59 pm
I do not own a single song or album by the DBT, there haven’t been anything up until this point that I have heard (my knowledge admittedly is limited) that has made me want to purchase any of their stuff.
As I am thirsty for more music, I explored their new album with the hopes of getting into their band.
Based on what I heard as well as the numerous comments by their former fans on their iTunes reviews; I am not alone when I say that I am NOT a fan of their political beliefs.
March 13, 2017 @ 9:46 pm
Someone needs to write a song about white-supremacist loon Steve Bannon working out of the White House. Or would that be considered too snowflakey and libtarded?
March 13, 2017 @ 4:01 pm
Well, the press release says “White Man’s World” is about politics and cultural privilege, so that doesn’t leave a lot left open to interpretation….
March 13, 2017 @ 4:59 pm
And this is the reason that I am “praying”
March 13, 2017 @ 6:00 pm
Look, I’m pretty outspoken upon my feelings of musicians getting political, and political-types getting musical. I’m all for free expression regardless of what one’s beliefs are, but it tends to get in the way of the enjoyment of good music. Your comments are a perfect example of that. I’m not criticizing you. I think you feel the way a lot of folks do. That is why I think artists should be careful with overt political statements. That said, I also feel like one song should not get in the way of anyone’s enjoyment of music. That is putting an unnecessary burden on your musical experience. If it’s a whole album that seems to go against your political grain, by all means avoid it. But don’t let your perspective on an artist, or in this case, an album, be sullied just because of the potential of overt political statements in one song. Just skip it if need be. I can understand how it could get in the way of enjoying the music of an artist moving forward, but the example of Jason Isbell is a great one where you shouldn’t let anything get between you and good art. I’m not saying you should like the song. I’m just saying it should not be the reason you don’t like this album, or Jason Isbell moving forward.
March 13, 2017 @ 6:23 pm
Anyone who follows Jason Isbell on Twitter or Facebook and pays even the slightest attention knows where he stands politically. So that shouldn’t surprise anyone.
Even his prior albums don’t leave much to be guessed. To provide just one example, from Different Days-Southeastern, “Just another drunk daddy living with a white man’s point of view.”
Isbell doesn’t mince words. He doesn’t hide his feelings or his thoughts. I haven’t heard the DBT song, but you should be pretty sure of what you’re getting with Isbell.
March 13, 2017 @ 7:43 pm
What did they say went they sent you away
To fight somebody’s Hollywood war?
Nobody here could forget you,
You showed us what we had to lose.
‘Cause you never planned on the bombs in the sand
Or sleeping in your dress blues.
March 14, 2017 @ 5:53 am
Then there’s this from Relatively Easy:
Is your brother on a church kick
Seems like just a different kind of dopesick
Better off to teach a dog a card trick
Than try to have a point and make it clear
March 13, 2017 @ 7:57 pm
Funny that it’s usually those who complain about “snowflakes” and such who are quickest to offend.
Get over it and enjoy some music that makes your mind do something other than fear those who are the slightest bit different than you.
March 13, 2017 @ 7:11 pm
“I do not own a single song or album by the DBT”
So what makes you in any qualified to talk at all about their music? It’s just like people who are offended by a film they have never seen or an art exhibition that they never viewed. Can I suggest that there are better things to pray for, something like kids not being shot by police for being black.
Since you have probably never heard the song – here are some lyrics from What it Means
And when they turned him over
They were surprised there was no gun
I mean he must have done something
Or else why would he have run
And they’ll spin it for the anchors
On the television screen
So we can shrug and let it happen
Without asking what it means
March 13, 2017 @ 6:59 pm
Oh goody. That’s just what we need, for one of the 5 greatest songwriters in all of American music to try his hand at misguided, baseless, race-baiting, political bullcrap.
Why continue to write about what you know, when you can instead boost your Hollywood cred by signaling to all your numb-nutted, troglodytic, regressive lefty fans, what a good and decent self-hating white man you are?
While he’s at it, he ought to write a theme song for Black Lives Matter. It should be called, “Stop The Hate, Re-Segregate”.
March 13, 2017 @ 7:59 pm
If you think Isbell gives a flaming shit about cred or what anyone (let alone people in Hollywood) thinks, you’re as clueless as your simple-minded words make you appear.
March 13, 2017 @ 8:32 pm
Hello Ryan.
March 13, 2017 @ 8:13 pm
Can we at least wait until we hear the song before we start slandering Jason Isbell? Hasn’t he at least earned that latitude over the years?
March 13, 2017 @ 8:33 pm
I suppose we could’ve, but you made it pretty darn clear what you believe the song’s about.
March 13, 2017 @ 10:07 pm
I darn well think it’s a political song, especially when Isbell’s peeps label it specifically “political.” All I am saying is I’m not going to let it ruin the album or Jason Isbell for me, especially since I haven’t even heard it yet. Let’s just be a little patient and understand it’s just 1 of 10 songs.
March 14, 2017 @ 3:22 am
Trigger, you’re right. Lets FIRST sit back, relax, and listen to the album and “That Song”. Even if it pisses some of us off three ways to sunday, there’s a 101% chance it’ll still be a well written and performed song. Plus, I don’t mind a little extra guitar here and there. Turn it up!
March 13, 2017 @ 9:50 pm
Honky,
Are you saying black lives don’t matter? Btw, I will be curious to read your reaction when the full Trump-Russia story breaks (and it 100% will).
March 14, 2017 @ 11:55 am
I’m saying a person’s worth has nothing to do with their race.
I despise Dastardly Donny. He only has one quality I appreciate: he makes leftists cry.
March 14, 2017 @ 6:06 am
He’s from Alabama. What makes you think he knows nothing about racial issues? And calling him “self-hating” is straight up lame.
March 13, 2017 @ 7:09 pm
politics in art is tedious and reductive
all the excitement here is in the slap of the album’s title
country is not pop
March 13, 2017 @ 8:33 pm
Hot Damn!
March 14, 2017 @ 7:17 am
It’s instructive and sad when a much-loved musician and artist can’t present a political view without splitting his audience in half. There literally is NO a political position these days that doesn’t fall all the way to the left OR all the way to the right. Either/or only. I think we are all being played, the question to ask is why and for what effect?
March 14, 2017 @ 8:27 am
I think we’re all being swept up in a “total war” storm of political vitriol so we continue to pour time and money into the political industrial complex under the guise that we’re serving the best interest of ourselves and our country, while only propping up the same people who are incentivized to never solve problems.
But what do I know, I’m just a music blogger.
March 14, 2017 @ 8:00 am
I wonder who will be playing the steel guitar?
March 14, 2017 @ 8:21 am
If there is steel guitar, Robby Turner is Dave Cobb’s go-to guy in the studio.
March 14, 2017 @ 8:20 am
“I can’t wait ’til all these flannel shirt/beard motherfuckers figure out I ain’t like them.” – Sturgill
I bet Isbell feels the same. If you are too closed minded and uncomfortable with opposing points of views, then make it easier for me to get tickets to their shows and stay home. But, I bet those with with the “keep politics out of entertainment” views speak big behind their keyboards and are big fanboys in person.
March 14, 2017 @ 11:45 am
The flannel shirt beard crowd is comprised primarily of hipsters, who are leftists. I took that comment to mean that Simpson doesn’t identify with hipsters. I don’t believe that was a political comment.
I’m no fan of Sturgill, but I like Isbell. And to be clear, it’s not so much politics in music that bothers me. It’s the pushing of false narratives that are driven by the media, that bothers me.
If Isbell wrote a song called, “I Love Communism And Pot”, I’d think it was a dumb song, but it’s his opinion.
But when you write a song based off a media lie, and present it as reality, that’s what bothers me.
March 14, 2017 @ 12:28 pm
No, Honky. Simpson embraces his hipsters. He is referring to the right-wing rednecks and hillbillies that get drunk at his shows and start fights and yell “Free Bird.” The same ones who say “horns don’t belong in country music!” He antagonizes them by saying “my next album might be a reggae album” and sampling Marvin Gaye in concert. Simpson is way more leftist than right.
Don’t feel bad. He’s referring to me, too. I’m a hillbilly, but a lot more tolerant than my neighbors.
March 14, 2017 @ 1:28 pm
Don’t feel bad? Why would I feel bad? I can’t stand the guy’s music. He’s a nobody to me. I’m just saying I didn’t take that as a political comment.
90% of the people I see or know who wear flannel and a beard, are metro hipsters playing dress-up. Actual rednecks unusually wear Wrangler jeans and a T shirt, and if they have facial hair, it’s usually a fumanchu (no idea if I spelled that right).
I’m well aware of Simpson being a leftist, or at least a social liberal, but I don’t like his music regardless.
And for the record, I don’t care for horns in my Country either. I didn’t even like it when Hag did it.
March 14, 2017 @ 2:30 pm
I meant to say, actual rednecks *usually* wear
March 14, 2017 @ 8:51 am
We still don’t know why he is releasing this under the 400 Unit, right? Wondering if all players on album are band members.