John Prine’s “The Tree of Forgiveness” Shatters Sales Expectations, Surges on the Charts
All the headlines this week about album sales will be focused on Jason Aldean, who tops both the Billboard Country Albums chart and the all genre Billboard 200 with his new album Rearview Town. Bolstered by a big win at the ACM Awards for Entertainer of the Year, Aldean becomes the first country artist to top the Billboard 200 in 2018. It’s an impressive debut for Aldean. His 162,000 albums sold is a stout number, and it’s up from the 131,000 units his last album They Don’t Know debuted with.
But a big week from Aldean was expected. What nobody expected was the incredible, and unprecedented sales week from 71-year-old songwriter John Prine. He has jaws dropping and folks taking notice for the sales of his first record of all original songs in 13 years, The Tree of Forgiveness.
Prine has completely shattered all sales expectations, and has put together the best debut sales week by an independent artist in the country space in the modern era. John Prine enters this week’s charts with 54,000 equivalent album sales, and 53,000 total units in pure album sales. This puts Prine virtually parallel with Jason Isbell’s 2017 album The Nashville Sound in album sales and streaming equivalents, and it means he beats Isbell by 2,000 albums in pure album sales. It also beats Sturgill Simpson’s A Sailor’s Guide to Earth (though not officially independent) by 1,000 in pure album sales.
This is also by far the best chart performance for John Prine in his career. The 54,000 album equivalents is not just good for #2 in country, but #5 on the Billboard 200, and #4 in all of music in pure album sales. At 71-years-old, John Prine just had his best sales week since Nielsen Music began tracking and verifying sales starting in 1991. In all likelihood, last week was John Prine’s best sales week of his entire career.
This is also by far John Prine’s best chart performance on the Billboard 200 since Billboard began tracking Prine in 1972. His previous best was #30 for his 2016 duets album For Better, Or Worse. Prine also comes in at #2 on the Billboard Rock Albums chart, #1 on the Folk/Americana chart, and #2 on the Independent chart with The Tree of Forgiveness.
How did John Prine do it? It was multi-level approach by the principles of his label Oh Boy Records who were able to revitalize his career by a dedicated, and well thought-out strategy that has been in the works for years.
1) Through name recognition, John Prine was able to latch on to the same momentum that has been propelling other independent acts such as Sturgill Simpson and Jason Isbell to the top, and has put John Prine right there in the conversation as a modern independent insurgent. Jason Isbell is constantly dropping the name of John Prine in interviews, and Prine was honored by the Country Music Hall of Fame right beside Isbell in their “American Currents” display.
The same goes for Sturgill Simpson who recently toured Ireland with Prine, and the two shared a tour date at Radio City Music Hall in New York coinciding with the album release. Sturgill also shares an office with Prine in Nashville, and Simpson showed up to support Prine on his recent appearance on The Late Show with Stephen Colbert. So did Brandi Carlile, who is also playing a pivotal role in the independent roots resurgence.
2) John Prine is peaking at the right time, and right when he was ready to release his first original album in 13 years. After the recent passing of many other legacy songwriters, John Prine is being ensconced as the greatest living songwriting legend in roots music. Last year at the Americana Music Awards, Prine won Artist of the Year.
3) John Prine’s The Tree of Forgiveness is the latest record to benefit from bundling ticket sales with album sales. Certain attendees at recent shows received a copy of the record for purchasing the live ticket. This is a practice that is being employed by many mainstream acts to help drive album sales. In the case of Prine’s management, they said if it’s good for the goose, it should be good for the gander. Some folks are too stingy these days to pay $10 or $15 for a CD, but are more than willing to drop 3 figures on a live ticket. So by bundling an album with a show ticket, they’re able to drive sales of physical and downloadable copies of albums.
4) John Prine’s son Jody Whelen, Eileen Tilson, and everyone at John Prine’s label Oh Boy Records distributed via Thirty Tigers have just proven how research, understanding of the marketplace, and persistence can pay off in huge dividends when implemented correctly. And now that Prine has shattered sales expectations, they have moved on to making big waves on Spotify in hopes of putting Prine in front of even more people via streaming services.
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What John Prine has done here will be studied, and should be studied by all independent labels and management companies of how to maximize sales and chart performance in the modern era. And the biggest achievement has nothing to do with sales or charts or the business of music at all. Through their efforts, the music of John Prine is finding its way to more ears that ever, and this will have immeasurable value in the hearts of listeners, and the influence on other artists for years to come.
April 23, 2018 @ 10:19 am
This album is in a purchase category called “of course.”
April 23, 2018 @ 10:23 am
Well deserved. Great album. Get’s better with every listen.
April 23, 2018 @ 10:37 am
Totally agree. I can’t stop listening to it. Brilliant songwriting!
April 23, 2018 @ 10:38 am
My LP should hopefully be arriving today…ordered directly from them along with his new book.
This is such awesome news. Number 5 on the list should be: “Because John Prine.” He’s special.
April 23, 2018 @ 10:41 am
Good for Prine! This makes me happy. I got two albums with my ticket purchase. Trying to figure out whom to gift the second album to. We are currently dealing with a death in my family, and this album has been tremendous on helping me handle the face with dignity and perhaps a little joy that our loved one will be hanging out at “The Tree of Forgiveness.”
April 23, 2018 @ 10:42 am
Not that this is important to the story, but I can’t help but be curious about the bottom line as opposed to the top line, in comparison to the pop country album mentioned here. I would think the Aldean camp must shell out substantially more in expenses.
April 23, 2018 @ 10:51 am
Oh, it’s not even close. The amount of money spent to produce the two records is night and day, and the take home percentage for an artist who owns their own label as opposed to a Music Row 360 deal is the not even in the same ballpark. Also, physical sales and downloads pay off greater than streaming equivalents.
April 23, 2018 @ 11:06 am
Good points. Slight difference in songwriter payout…The already in my “rearview album” credits 3-4 of them per track, none that share a name with the artist.
April 23, 2018 @ 10:49 am
Great news and I completely agree that his approach with this release was so well done.
April 23, 2018 @ 11:01 am
How did he do it?
5. It’s a bloody good record.
April 23, 2018 @ 1:12 pm
Great news! Great artist. Great music.
April 23, 2018 @ 1:23 pm
That’s pretty impressive from an artist who, by certain definitions, does not exist.
In all seriousness, good for him.
April 23, 2018 @ 1:38 pm
give the audience something worth purchasing and they will spend their money
why is this so hard for the music industry to understand
also i have not been “posting comments too quickly.”
no matter what that error screen says.
April 23, 2018 @ 3:23 pm
Sturgill is done. Isbell hasn’t peaked yet as a writer, but it won’t be at Prine levels when it comes (I hoe I’m wong). OHora is mining a different vein; so is Outlaw. Snider is still too angry or something, but his instincts are good. Paul Thorn has the humor; he has this diffident edge, though. Maybe it’s Kenoshan roots, I don’t know.
My Prine money is firmly on Tyler Childers. He has the literary gift, the humor, the drugs, and the soft spot for children.
April 23, 2018 @ 5:08 pm
Spot on sir. Tyler channels that down home wit like no one since Prine. I’ve often made that connection in my head.
April 23, 2018 @ 5:16 pm
I think its very premature to declare Sturgill as being done. I mean, I get for a variety of reasons he has become an easy target on this website and other traditional country/Americana sites, but the man has literally only released 3 albums. Saying he is done is as foolish as Yankee fans booing Giancarlo Stanton after 15 games.
April 23, 2018 @ 5:23 pm
His heart doesn’t seem in it. I could be wrong. I keep waiting for him to enjoy it. Instead, it looks difficult or complicated.
April 23, 2018 @ 8:08 pm
Wanting something to happen and believing that it is happening are 2 different things. Seems like quite a few people want to see him fail. I am not one of him. I would love for him to make more records like Metamodern. But I think I agree with you, unfortunately, that he is done making those type of records. Not sure that he’s not enjoying what he is doing or about to do though. He seems pretty confident about it.
April 24, 2018 @ 3:25 am
I place Sturgell in the same category as an artist like Neil Young. Both are way too creative and independent to be making the same albums over and over. They seem to care more about doing what pleases them and if others want to come for the ride then that’s great. But if not they are going to take their journey without you. Personally I wouldn’t be surprised to see Sturgell make a more country flavoured album somewhere down the road, but only when he wants to and on his terms.
April 23, 2018 @ 4:26 pm
He deserves it, you can tell this is as heartfelt an album as he’s ever put out. Thanks to him for sending me 2cds for buying tix to his show!
April 23, 2018 @ 4:43 pm
yet another case to be made for servicing a market that most definitely exists and definitely appreciates and will support good , honest, sincere and timeless art .
it kind of makes you scratch your head that nashville keeps pumping out poorly written trendy crap and cookie cutter pop acts when so many actual ARTISTS have demonstrated the demand for REAL . even the acm’s , cma and grammys acknowledge REAL more often than nashville’s labels do.
April 23, 2018 @ 5:09 pm
It’s also helps that the album is actually good. After all this time, John has stayed humble and still has something relevant and poignant to say. He’s officially living legend status, with guys like Townes and Guy gone.
To your point about Isbell, Simpson, etc.. I don’t think it happens very often that the current crop of musicians is so fiercely loyal and reverent to their heroes. Lots of guys like to name drop Hank Jr and Willie for laundry list cred, but you don’t see them touring together. And they clearly aren’t drawing musical inspiration from them either. The folk/Americana/singer-songwriter scene has yet to be seriously infiltrated by corporate poster boys and lame excuses, and we owe a debt of gratitude to guys like John Prine for that. If Prine is anything, he’s authentic.
Great album.
April 23, 2018 @ 6:47 pm
This album is what I expected and I’m glad to share it on my live broadcasts.
April 23, 2018 @ 6:58 pm
Great album, great singer ,, Well diserved!!
April 23, 2018 @ 7:23 pm
To me John Prine is right up there with Johnny cash,
April 23, 2018 @ 9:51 pm
Somehow I haven’t bought this thing yet. That changes right now.
April 23, 2018 @ 11:58 pm
All I can say is that if you like this one – you should get his first 10 or so albums!
April 24, 2018 @ 6:27 am
i believe he needs to be made poet Laurette . his lyrics stand alone. plus he is a nice guy
April 24, 2018 @ 6:50 am
I’m sure glad to see John Prine get at least some of the recognition he deserves.
April 24, 2018 @ 7:09 am
Oh I understand the what and the why, but that doesn’t mean I don’t have my own personal preference.
April 24, 2018 @ 12:27 pm
I am from the 50 and 60 era loved many artists have discovered John after seeing him in Ithaca my love his music and his wonderful guitar iam now 74 thought music was over for me but iam back thanks john great to see you finally get what you deserve