Jon Pardi Is Saying & DOING The Right Things Ahead of New Album
Mainstream traditionalist Jon Pardi’s third album Heartache Medication isn’t out for another two months yet (September 27th), but the California native continues to not just say, but do all the right things to get you excited for what he has in store. While some purists continue to scoff at Pardi as a half measure towards real traditional country, he continues to releases songs from the album that go all the way, with ample steel guitar and fiddle, and themes you would expect to hear from traditional country songs. And Pardi is doing it all while remaining popular, opening the door for more traditional-sounding country in the mainstream.
“There’s a big void to fill in country music, to be more country, or traditional,” Jon Pardi says point blank in a new press release about the album, which is full of affirmations and assurances that Pardi will not only uphold the more traditionally-sounding style that made him popular, but double down on it and even take it a step further with the new record. “You can’t be too soft, and you have to have some attitude. I just like the fiddle and the steel and guitars all working together. This is not like a throwback, just a different era of traditional. So, you know, this is what I do; this is me. I love a good beat, good lyrics and a good melody. Put a bunch of great country sounds around that, and it’s pretty awesome.”
After the surprising success Jon Pardi had with his second album California Sunrise, he’s earned the trust of his record label Capitol Nashville to do what he wants, which is one of the most important elements when it comes to major label artists who want to keep it country. “My label was like, ‘Don’t be afraid to be more traditional. The ball’s in your court, man. We’re perfectly fine with this!'”
The first two songs from Heartache Medication—the title track and “Ain’t Always The Cowboy”—have both been very traditional and compelling, and now Pardi has released a third in “Me and Jack” that makes you just as excited for the album as the first two. A country music breakup/drinking song with a twist, it’s a little more lighthearted than the first two selections from Heartache Medication, but just as traditional.
Some of the concerns about the new album is that it will be too heavily weighted towards drinking songs. But according to Pardi, that’s part of the record’s theme. “Why do we love ‘Misery & Gin’ so much? Because we’ve all been there,” Pardi says. “But it’s beautiful and sad, so it makes you feel better.”
There’s also a song on the album titled “Call Me Country” Pardi co-wrote that could be one of the standouts from the record. “There’s a lot of sneaker country, a lot of people just trying to be hip,” Pardi says. “For me, ‘Call Me Country,’ that’s my stuff. Boots, straw hats, saying, ‘Ma’am,’ that’s not a thing of the past for me. It’s a fun, old school song, with some phaser on it—and just some of the stuff I loved about Waylon and Merle, and Willie, who’s still here.”
As much as purists love to sing the praises of staunch traditionalists such as Dale Watson, Whitey Morgan, and Cody Jinks, their prospects at mainstream radio play are few. Meanwhile Jon Pardi’s current single “Heartache Medication” has already cracked the Top 40, and will likely climb to near the top of country radio charts once the release of his new album nears.
“There’s that line about being ‘a ghost on the radio,'” Pardi says about the song “Call Me Country” from Heartache Medication. “But maybe with these songs, that kind of country can live again.”
July 23, 2019 @ 10:12 am
sounds like Marty Stuart circa 1992, so it’s perfectly fine.
July 23, 2019 @ 10:27 am
“You can’t be too soft, and you have to have some attitude. ”
that sure sounds like ‘ radio-speak’ ….it doesn’t get ‘softer’ than HELP ME MAKE IT THROUGH THE NIGHT , WHISKEY LULLABY and THE HOUSE THAT BUILT ME ….some of the best , most well-written and memorable COUNTRY songs ever
BUT ….this is a great COUNTRY song …..maybe my favourite Pardi song to date .
….no concessions on this one ……..this is so good it could have been a sarah shook song
July 23, 2019 @ 12:37 pm
Whiskey Lullaby may have a “soft” sound, but the content on the song is anything but.
July 23, 2019 @ 4:55 pm
my point exactly , bugman . there’s nothing wrong with ‘soft’ .
July 24, 2019 @ 2:50 am
I don’t think that’s what he meant by soft. Rather, I think he was referring to themes and lyrics. Whiskey Lullaby may have been a slow song with soft instrumentation but lyrically it was far deeper and heavier than most songs on country radio.
July 24, 2019 @ 6:04 am
By “soft” I thought he meant the crap being played on radio right now such as Speechless by Dan+Shay and that dumb FGL song, Talk You Out of It. “Soft”: mindless drivel that will be forgotten in a year.
July 23, 2019 @ 10:36 am
Oooooooooo that song is fun! Way to go my home state of CA! Haggard and Pardi!
Thank god the dark clouds of bro are parting. Maybe Pardi will duet with a upcoming female act and help get women back on radio, though I wish women were able to get on radio all by their own merits.
And I am glad to see I’m not SO jaded that I throw out all mainstream country based on the last 8 years. I will be putting this one on at dances for sure.
Just a last moment musing: I don’t know Pardi’s history but it seems like Music Row doubled down on bro and refused to back any kind of traditionalists until they found somebody who THEY could push and claim turn they tide in the mainstream country narrative. Not some outsider who did it their way outside the system (Sturgill) or somebody with even slightly controversial lyrics (Musgraves). And Pardi seems to be their guy. But what do I know. know.
July 24, 2019 @ 2:51 am
He’s got a duet on this album with Lauren Alaina that was co-written by Church and Miranda. Hopefully that’s a song deserving of a huge radio push by the label.
July 24, 2019 @ 2:53 am
theres going to be a duet with Lauren Alaina on the album that was co-written by Church and Miranda. Hopefully it’s deserving of a huge radio push from the label.
July 23, 2019 @ 10:42 am
Jon’s “the goods”. Many of us are looking forward to the full album release day. No problem with any of the first 3 so I’m sure I won’t be disappointed.
July 23, 2019 @ 11:18 am
Ill consider it
July 23, 2019 @ 11:22 am
“While some purists continue to scoff at Pardi as a half measure towards real traditional country…”
half measures are better than no measure at all which is what we have with most current artists today. Go Pardi!
July 23, 2019 @ 11:50 am
Man im looking forward to this album! Traditional sounds with just enough modern flare to be fresh to the ears. This one, Justin Moores and Midlands upcoming albums all sound great. I do believe the tide is turning in the mainstream….bout freakin time!
July 23, 2019 @ 12:41 pm
As much as Midland’s backstory might be fabricated or exaggerated, their debut album was the real deal.
July 23, 2019 @ 3:36 pm
Absolutely! Couldnt agree more. Just about as country as it gets. One of my favs of last few years, very underrated.
July 23, 2019 @ 12:37 pm
The success that Luke Combs is having now is what I was picturing Jon Pardi to have when he first hit the scene. I wasn’t a huge fan of “Head Over Boots” but he’s grown on me since.
July 23, 2019 @ 12:55 pm
Guess I’ve never really given him a fair shot. But based on my first taste of “Me and Jack,” I’ll be sampling more of what he’s selling. It’s not really the hard stuff, but it quenches my thirst for something country.
July 23, 2019 @ 12:56 pm
Stiff, but I won’t look a gift Old Fashioned in the mouth. Ok to put me on the Pardi wagon.
July 23, 2019 @ 1:07 pm
Yep, both Pardi and Midland’s pre-release songs are encouraging about the quality of the LP as a whole. We’ll see, but I certainly don’t expect anything out of left field. Hopefully the pandering production choices (that plagued, for example, Justin Moore’s previous album) are hopefully a thing of the past.
I’ve been keeping a notepad list of new album releases, so I don’t forget:
Justin Moore – July 26
Tyler Childers – August 2
Tracy Lawrence – August 16
Midland – August 23
Tanya Tucker – August 23
Vince Gill – August 23
Paul Cauthen – September 6
Whiskey Myers – September 27
Jon Pardi – September 27
Michaela Anne – September 27
July 24, 2019 @ 6:09 am
Cody Jinks – October 4
July 23, 2019 @ 1:15 pm
The ending of this song pleases me real good.
July 23, 2019 @ 1:22 pm
I am looking forward to more music. I throughly enjoy all his songs. He has his own style. And that voice.
July 23, 2019 @ 1:24 pm
Just keep doing what your doing brother! I remember seeing you at Cowboys Arlington and talking to you after show many years ago
July 23, 2019 @ 2:15 pm
I love the idea of Jon Pardi. But pretty much every song of his I’ve listened to I’ve been disappointed by.
Some more than others (Night Shift isn’t bad, but Heartache on the Dance Floor makes me change the radio station), but in general I think his grating tone just isn’t a fit for me.
July 23, 2019 @ 7:21 pm
“Head Over Boots”? “She Ain’t In It”? That’s where to start. Or his cover of “Nobody In His Right Mind Would’ve Left Her.” His vocals are indeed an acquired taste, but that’s what I like about some of my favorite country vocalists. John Anderson comes to mind.
July 23, 2019 @ 3:37 pm
I don’t like most mainstream country but I like this guy.
July 23, 2019 @ 6:11 pm
Pardi on Jon!
July 23, 2019 @ 8:21 pm
Time to get the Pardi started.
July 23, 2019 @ 9:45 pm
“She Ain’t In It”—What about a great country song you don’t here like that on country radio. Jon, keep it real like that on your next album. (and keep the hat on!)
July 24, 2019 @ 7:28 am
Jon’s voice and his song selection on his previous albums leave a lot to be desired but this one knocks it out of the park and fits his style perfectly. I am really looking forward to this album.
July 29, 2019 @ 6:42 pm
I can’t stand Pardi. He sounds like the Florida Georgia line singer most of the time and just bad the rest of the time. “Dirt on my boots” burned the bridge that can’t be rebuilt. I thought it was FGL when I heard it at a store
September 5, 2019 @ 8:17 am
Sorry but Working on Night Shift is Worst Song I have Ever heard on Radio Period! And Jon Purdi has sang the worst I have ever heard! And I am a Country Music Fan! Idea of song is ripped off and it is horrible, terrible, Bad dribble! Are you kidding me!!!
Please Stop Putting Crapp on the Air! I hope every person that had a hand in putting this on air is put out of their position!!!