Mainstream Country Independent Fans Should Give A Chance
It’s so easy to get swept up in stereotyping mainstream country as being completely void of anything worth your time these days, but in truth there’s still a lot of great music in the popular music world, however a small percentage it might be of the total package. Saying the mainstream has nothing good to offer is narrowing your musical experience no different than saying that music is bad because it’s not popular. Life is too short to impose unnecessary limitations on your music perspective, and a strong case could be made that mainstream country has actually become better over the past few years when it comes to mainstream country’s females.
Some quick ground rules: Not included here are legends who still might be considered part of the mainstream but are obvious even to independent fans like George Strait, Alan Jackson, Vince Gill, Reba, and even more contemporary names like Martina McBride and Lee Ann Womack. They go without saying. Many consider Eric Church and Miranda Lambert as exceptions to the mainstream rules, but they’re both sort of their own case studies. Same could be said for the Pistol Annies who it is unclear if they even still exist at the moment. And of course if you think there’s a mainstream artist worth listening to not mentioned here, please feel to leave their name below in the comments. And just to clarify the term “mainstream,” consider it an artist that is on a major Nashville label, or has been on a major Nashville label recently.
Kellie Pickler
In many respects you can’t blame independent fans of being a little suspicious of a former American Idol contestant signed to Sony who just won Dancing With The Stars. But Kellie Pickler’s staunchly authentic album 100 Proof was so damn good, Sony dropped her and she became the poster girl for taking back the music in 2012. Since then Kellie Pickler has done nothing but re-affirm her career path of doing things her own way and fighting for the integrity of the music, measuring success not by album sales, but how true she is being to herself. Pickler may not top the Billboard charts, but she’s become a critic’s favorite and an inspirational story of what can happen when a mainstream artist stands up for themselves.
Easton Corbin
I’m not sure what is more miraculous, that Easton Corbin is able to get away with being as country as he is in the mainstream, or that’s he’s actually been able to find some commercial success with that sound. Though some independent fans might find him a little cheesy, it is hard to deny that Easton Corbin’s music has substance, and the songwriting and traditional approach to his music is refreshing. Even his big #1 “A Little More Country Than That,” which some may decry as a laundry list song is at least country as it lists out its countryisms, and was written by Roy Lee Feek of the traditional group Joey + Rory. Singed to Mercury Nashville, Easton Corbin deserves as much credit as anyone for trying to keep the mainstream honest.
Kacey Musgraves
Though her much-anticipated debut album maybe have been a little more cautious than what her long-time fans know she’s capable of, Kacey Musgraves still remains the symbol of how songs and songwriting are making a resurgence in 2013. Though she has yet to have one Top 10 single, with support from her label Mercury Records, she has reached the very top echelon of female performers in the country music industry, somehow becoming a perennial shoe-in for the “Female Vocalist of the Year” nominations from both the CMA and ACM Awards seemingly overnight, and getting nominated for more CMA Awards in 2013 than anyone except for Taylor Swift who she equals with 6. Though Musgraves still needs to prove her muster as a country superstar by delivering a big single, she has already proven to be a fan and critic favorite, and has springboarded to the very top of the business despite her underdog status.
The Mavericks
They may be signed to the Country Music Anti-Christ Scott Borchetta’s Big Machine Records (same as Taylor Swift, Rascal Flatts, etc.), but you won’t find a better, and at times, more outspoken artist and band than Raul Malo and the Mavericks. In 1995, The Mavericks won “Vocal Group of the Year” for both the CMA’s, ACM’s, and the Grammy’s, but their hard-to-define sound proved to be too much for mainstream country to handle on its journey south to pure pop. But The Mavericks remain solid members of the mainstream world, even working as the house band for the 2013 CMT Awards. Their latest album In Time is as good as any.
Ashley Monroe
The vixen-esque career songwriter with eyes the size of Cajun tires has been slaying audiences for years with her solo material and her work with the Pistol Annies, and now that she’s unleashed her much-anticipated solo album Like A Rose through Columbia Nashville, Ashley symbolizes the one glimmer of what could be considered traditional country in mainstream channels. As expected, with music as authentic as hers, the industry has been timid to get behind her and deliver the radio plays and awards she deserves, but she still remains one of traditional country’s biggest mainstream champions.
Gary Allan
Because Gary Allan has always resided just one tier shy of country music’s top names, it’s easy to be mislead just how much commercial success he’s seen over the years. Over his 17-year career with Decca and MCA Nashville, he’s been awarded two platinum records, two gold records, eleven Top Ten hits, and four #1’s. Yes, he’s had some singles that are clearly courting of mainstream radio, and he himself would tell you his sound is just as much, if not more rock than country. But Gary Allan is one of those guys that can still get attention from country radio without making you gag, while album cuts show a real sincerity to his music. He also has been outspoken about the state of country music recently (though he did back peddle somewhat afterwards).
Jamey Johnson
Say what you will about one of the co-writers of “Honky Tonk Badonkadonk,” Jamey Johnson was able to take a very traditional sound and authentic country songs and make it to the very top of the charts and industry awards in a business that is usually unforgiving to this type of true style. His double album opus The Guitar Song sneaked its way all the way to #1 on the Billboard charts upon its debut, and his song “In Color” won Song of the Year accolades from both the CMA and ACM Awards in 2009, and was nominated for a Grammy. Though his original output has slowed as of late and he’s apparently not writing and frustrated at his contract situation, his 2012 Hank Cochran tribute still charted #3 on the Billboard Country Albums chart.
Zac Brown Band
After Zac Brown recently made some inflammatory statements about Luke Bryan’s song “That’s My Kind of Night,” his own country career came under intense scrutiny. Brown has always been out front saying he believes he is more Southern rock than country, but appreciative of all the support the country industry has given him, which has been huge to the tune of being a perennial contender for Vocal Group awards at both the CMA and ACM’s. Songs like “Chicken Fried” and his numerous beach tunes leave him open to criticism, but it is still hard to not name Zac Brown as so much better than your average mainstream country music fare.
Dierks Bentley (sometimes)
When discussions are broached about mainstream country artists that still have substance, Dierks’ name invariably comes up. Throughout his career, he’s strived to create a balance between courting radio and creating a music legacy that isn’t devoid of creative expression. With albums like Up On The Ridge, Dierks progressive and traditional fans glimmers of hope. But then he will turn right back around on you and put out the biggest cry for commercial attention, giving listeners a headache of where they’re supposed to be with him. In the end it’s best to resolve that Dierks will likely always be a mixed bag, but is worth appreciating when he does decide to do country music right.
Mark Currey
October 14, 2013 @ 9:16 am
I’d add Radney Foster. Been awhile since he has recorded a big hit (See the Mavericks) but he has always operated within the mainstream and always stayed pretty true to his Texas Singer/Songwriter roots.
Trigger
October 14, 2013 @ 9:20 am
That’s a good name. I sort of eliminated all Texas/Red Dirt guys from contention here, even though some of them might be on major Nashville labels because they will always be underdogs to the industry. The Mavericks I know are sort of an anomaly on the list, but being on Big Machine, and just being so damn good, I couldn’t pass up another excuse to talk about them again.
Mark Currey
October 14, 2013 @ 10:04 am
No argument regarding the Mavericks. They are as good a representative as their is as to how good country can be. And Raul’s voice…. Geez.
musicfan
October 14, 2013 @ 10:56 am
Thanks for another shout-out for The Mavericks. As good as “In Time” is (and it is fabulous), as well as any of their earlier albums, they are really incredible live–anyone reading this who has a chance to see them in concert should NOT miss it.
emfrank
October 14, 2013 @ 6:24 pm
Do The Mavericks get any mainstream radio play these days? I know they did in the 90s, but now? I would think that would be one other measure you could use, rather than label. I have never thought of them as mainstream, though their sound does move toward pop at times, it is an older, richer pop sound. I understand using the excuse to promote them, though! Malo definitely is one of the best voices in country today.
emfrank
October 14, 2013 @ 6:29 pm
I should have noted that I am genuinely asking, not disagreeing, since I don’t listen to mainstream radio enough to know.
Scotty J
October 14, 2013 @ 6:49 pm
I think their last radio single peaked in the 50s.
Trigger
October 14, 2013 @ 8:55 pm
I don’t think they get much radio play at the moment, but being the house band for the CMT Awards is pretty mainstream, and that was just a few months ago. I agree they’re the oddball here, but I didn’t want to pass up an opportunity to talk about them.
Jake
October 14, 2013 @ 9:20 am
I would add Lee Brice to the list. Admittedly, Parking Lot Party was his laziest effort to date, but I can excuse that as needing more high-energy content for his live shows. In general, his albums and singles are thoughtful and original. I look forward to his upcoming work and hope that he does not go the Chris Young sellout route, but sticks to what brought him success in the first place.
Marv
October 14, 2013 @ 9:40 am
I’ll admit, Lee Brice has his moments. He has a few really pretty songs. But yeah, “Parking Lot Party” and “Beer” are pretty damn awful. I saw him in a dive in Santa Margarita before he had any commercial success. He was a very very cool and down to earth guy.
Trigger
October 14, 2013 @ 12:47 pm
Lee Brice is another fair name, though like Dierks, comes with baggage.
T-9
October 14, 2013 @ 9:25 am
Listen to Gary Allan’s first album and his sound is real country and even did a cover of Waylon’s Song “Her Man” and a cover of “Wine Me Up”.
Easton Corbin “A Little More Country Than That” could of been sung by George Strait. He even sounds like a young George Strait.
I thought Dierks Would be the next Waylon with his songs, and he has a few with his sound, but Jamey Johnson came along and took over that area. I hope Jamey Johnson comes out with new music soon.
Zac Brown Band does not get the recognition it deserves. They should of released Natural Disaster as a single off their latest album. It’s an amazing song.
“Colder Weather” was one of the best songs to come out in awhile.
Josh
October 14, 2013 @ 9:29 am
I don’t know if you’d consider them “mainstream” anymore, and I do see they got a shout out in the Easton Corbin section, but Joey + Rory are great. Their music is simple songwriting and simple arrangements through and through. They epitomize the farm lifestyle on their TV show as well. It’s about family and working hard, not muddin trucks and beer. Their song “Josephine” is one of the best I’ve heard in the past few years. And they are adamant about not selling out for radio play. They are a group with a big voice due to their show and they are doing everything right… They deserve a lot of credit.
Totally agree with the rest of the list, good group! It’s pretty early in his career to tell, but I’d throw Charlie Worsham in there too!
Trigger
October 14, 2013 @ 12:51 pm
Joey + Rory deserve a lot of credit for keeping it real, but I’m not sure they have the radio play or industry recognition anymore to be considered mainstream. Either way, a great duo folks who like traditional country should check out.
Marv
October 14, 2013 @ 9:36 am
It’s tough to find a more beautiful voice in all of music than Raul Malo. Every song on What A Crying Shame has never left the rotation on my ipod. Not sure if Naomi Judd was familiar with them when she made her comments about them performing a George Jones cover at the CMAs. As a whole, What A Crying Shame is one of the greatest country albums in country music history in my opinion. In Time is also a very quality album.
lugnut
October 15, 2013 @ 1:55 am
What *did* ever happen with Naomi’s comment, by the way? I’d forgotten all about that, but remembered being dumbstruck at the time that she included them in her little rant and thought they were an alt-rock band. Was there ever an apology or a “Oops, sorry, I screwed up” statement?
Marv
October 15, 2013 @ 9:55 am
You’re right, an apology was definitely deserved. Especially since she wasn’t talking about newcomers. The Judds were still touring when The Mavericks were in their heyday. They definitely did not deserve to be lumped in with all the other bullshit going on at the CMAs.
Janice Brooks
October 14, 2013 @ 9:41 am
Concur on the Mavericks and Gary Allan
Joe
October 14, 2013 @ 9:57 am
Greg Bates is another artist I’d add. His whole EP was fantastic and he openly ttalks about how he doesn’t like the direction of country music.
Phil
October 14, 2013 @ 10:03 am
That picture you used of Kacey Musgraves doesn’t even look like Kacey Musgraves. Big eyes and bangs aren’t her normal look I guess. I think she still looks good without makeup. Since it’s almost Halloween, look-up what Pop start Katy Perry looks like without makeup.
I watched the Zac Brown”™s Southern Ground Music & Food Festival concert special that featured her a few days ago on AXS (Nashville Riverfront). She was the last performer before the Zac Brown band went on (and they killed it, as did she). I’m not sure if it’s going to replay on AXS, but if it does it’s worth recording just to see her and Zac.
With Ashley Monroe you did have Blake Shelton sing a duet on her album and Miranda did bring her into the Pistol Annies. She also was one of the few people that performed with Willie Nelson on his 80th birthday celebration (that was also a TV special). Ashley singing Blue Eyes Crying in the Rain with Willie gave me goose bumps. I wish there was video of that on the Internet but it seems to be pulled from everywhere it was posted. She’s still young. There’s always hope the industry will really put some weight behind her. If Miranda hangs up her boots anytime soon their going to need another token female artists to give all the awards to. Seems like they can only deal with one big female artist at a time.
Big Stem
October 14, 2013 @ 10:09 am
Randy Houser is a name I would at to the Sometimes category like Dierks Bentley.
Trigger
October 14, 2013 @ 12:53 pm
Problem with Randy Houser is there are a lot of really awful songs out there with his name in the songwriting credits. Doesn’t mean he doesn’t have some good songs either though.
Scotty J
October 14, 2013 @ 1:11 pm
Agreed. But I think ‘Anything Goes’ at least lyrically is very good. Another problem I think is we suffer from judging many acts in the present time. I guarantee you we could go back and search through the catalogs of all the greats and find terrible songs that don’t stand up to the rest of their work but it’s hard to see what was happening in their careers at that particular time. Plus the longer the career the easier it is to forget the bad and remember the good. Not an excuse for crappy music but nobody’s immune.
RWP
October 14, 2013 @ 10:10 am
I’m glad you said “sometimes” with Dierks Bentley. He’s kind of another Jake Owen,he wants it both ways.A few good songs followed up by the “po-po” song,among many other pieces of crap.
And lets not forget at the height of the Zac vs Luke thing,he made sure to post a pic of Lukey boy on twitter with the tweet “That’s my kind of night is my jam!!”…..I think I may forever hate him just for that alone.
Can’t we just have a numbers only CAPTCHA??
Marv
October 14, 2013 @ 11:14 am
I agree on the reCaptcha… I just failed about 3 times until I got a series of numbers.
Trigger
October 14, 2013 @ 12:57 pm
Trust me, there’s nobody that hates the Captchas more than me. The simple fact is with the traffic SCM is getting, they are here to stay, and in their present form for the time being. There are hours that SCM gets 8,000-9,000 spam comments, and if it weren’t for the Captchas it would basically continually knock the site out. The plan in the future is to try to eliminate them, but it is our only option right now.
Rachel
October 14, 2013 @ 10:10 am
The most annoyingly sappy country power ballads hurt my ears. They become the anthems for weddings and graduation ceremonies.
The power ballad cliche will not end any time soon as dramatic songs give way to the extreme dramatic music video.
The cringe-worthy sappy power ballad singers are aging…as their voices now strive to hit the high notes…they melt my ears off.
RootHog Radio
October 14, 2013 @ 10:18 am
Kinda shocked with Pickler being on this list. I will have to give her another listen. As for the rest of the list I agree. Love the Mavericks, Zac Brown, Kacey Musgraves.
Matt
October 14, 2013 @ 12:42 pm
You need to listen to 100 Proof if you haven’t already. I don’t think you’d be as surprised with her on the list if you had listened to that album.
Chris
October 14, 2013 @ 12:49 pm
100 Proof is #1 or close on many critics best country album of 2012 lists. It deserved to win CMA, ACM, and Grammy album of the year but couldn’t even get nominated because radio didn’t play it. Kellie’s next album The Woman I Am will be out in a few weeks and should be just as good.
Trigger
October 14, 2013 @ 1:00 pm
Kellie Pickler’s “100 Proof” was my 2012 Album of the Year. If there’s one name on this list I would encourage people to check out, it would be her.
Eduardo Vargas
October 14, 2013 @ 10:30 am
Chris Young? a maybe?
ChrisLewisLouie
October 14, 2013 @ 11:24 am
I would add Chris Young to the maybe list too, but with his new song “Aw Naw” it seems he might have sold out to the machine on Music Row.
Scotty J
October 14, 2013 @ 11:37 am
Agree about the sometimes with Chris Young. It seems as though a certain tier of artists almost has to cater to the latest trend simply out of career preservation. It’s all fine and dandy to stick to your guns and never compromise but that doesn’t pay the bills in the end. This is nothing new either many an act has chased the latest trend in many different formats (think disco era).
Trigger
October 14, 2013 @ 1:02 pm
2010 Chris Young, maybe. But it looks like he’s currently on the sellout path as hard as anyone. Also remember he was one of the guys that came out staunchly in support of Blake Shelton during the whole “Old Farts & Jackasses” blowup.
Dave
October 15, 2013 @ 8:25 am
It’s tragic, really, because just a few months to a year ago, his songs “Neon” and “I Can Take It From There” absolutely jumped off the radio from sounding so different from the rest of the morass.
Acca Dacca
October 15, 2013 @ 10:35 am
Yeah, I was going to ask you about him. I would definitely agree that 2010 was Chris Young’s peak year as far as music with substance goes. I absolutely LOVED “The Man I Want to Be” and “Tomorrow.” Heck, he even covered “Rose in Paradise” on the Man I Want to Be album and brought in Willie Nelson to sing it with him. “Voices” and “Neon” were pretty good too, but they felt a tad bit cornier than his previous output. However, my personal favorite single of his was his very first release back in 2006. It was a little song by the name of “Drinkin’ Me Lonely” from his self-titled album. It only got to 42 on the charts, but I thought it was excellent.
http://www.youtube.com/watch?v=GMbs-NAdREM
Bobby
October 14, 2013 @ 10:37 am
I heard Ray Scott on the Highway XM station the other day. I’ve never heard of him but he sounded more country than anything I’ve heard on pop country radio in years. I didn’t hear the whole song, and haven’t gotten a chance to listen to more of his stuff, but he might be someone worth keeping an eye on.
ChrisLewisLouie
October 14, 2013 @ 11:26 am
Ray Scott is a great traditional artist but has never really hit the mainstream. He had a 1 hit wonder but that was about it and I’m not sure how high that one hit actually went.
Bobby
October 14, 2013 @ 12:43 pm
The Highway (satellite’s crappy pop country station) has been playing his song “Still Screaming My Name” a lot lately. He might not be in the mainstream yet but I think there’s a good chance of seeing him there soon.
Scott
October 14, 2013 @ 10:42 am
Good list. I would throw Pat Green in this group as well.
Saw Jamey Johnson play recently. He didn’t have very nice things to say about his record label or mainstream country. He put on a hell of a show though, as always.
Michael
October 14, 2013 @ 10:56 am
If we’re talking about mainstream country with country sound, I would say Garth Brooks. Though Garth did put the arena elements on his live shows, there’s no denying most of his songs sound better than 75% of what’s on country radio nowadays.
However if we’re talking about artists promoted as country artist but whose music resembles the 70’s southern california/westcoast-AOR than country music then I would say Little Big Town and Love and Theft.
I also like the westcoast-AOR sound hence I have no problems with bands like Collin Raye, Restless Heart, and Lonestar. I just don’t call them country. Atleast not in the country music I understood it to be.
Trigger
October 14, 2013 @ 1:05 pm
Garth is an interesting one, but since he’s not releasing music or touring, I’m not sure it’s fair to include him. However, rumor has it 2014 will see a new album and tour, and this will definitely add a new dynamic to the mainstream landscape.
Marv
October 14, 2013 @ 11:12 am
He had a semi-hit with “My Kind of Music” a few years back. It was tongue-in-cheek… Good song. He’s got a good barritone country voice.
Brendan
October 14, 2013 @ 11:14 am
Love the list and completely agree with everyone on it! What are your thoughts about Eli Young Band and Jack Ingram. They both come from the Texas side of country and sing real country music. Eli Young did justice to a great Will Hoge song in “Even If It Breaks Your Heart.”
Trigger
October 14, 2013 @ 1:09 pm
I thought about those two names and a few others from the Texas scene, and if I had expanded the list out, they probably would have been included. But I think the Texas thing is its own animal, and so I don’t consider it mainstream, even though there is definitely some bleed over there. However these are definitely names folks should check out.
Hunter
October 14, 2013 @ 11:26 am
Josh turner? I love his music. Most of it anyway
Trigger
October 14, 2013 @ 1:10 pm
Josh is another good name that would work here. I agree.
Kevin
October 15, 2013 @ 8:08 am
i was just going to say, how is Josh Turner not on this list? But you beat me to it!
Mike
October 14, 2013 @ 11:28 am
I would like to add Josh Turner to this list.
Mike
October 14, 2013 @ 11:32 am
If you look beyond their radio singles; Craig Campbell and Joe Nichols have some good tunes.
Simon
October 14, 2013 @ 11:56 am
Josh Turner deserves some kudos.
Keith L.
October 14, 2013 @ 11:58 am
Raul is the man! I dig his solo stuff too, that Latino/TexMex sound. It reminds me of the stuff that Ry Cooder produced on the Buena Vista Social Club.
Matt
October 14, 2013 @ 12:07 pm
Easton Corbin is just about the only artist played on the radio that I’ll listen to. “A Little More Country Than That” may actually be a veiled shot at the really shallow laundry list songs that are popular. I think the whole point of the song is to say that all of the idiotic steroeotypes don’t make somebody “country”, it’s what they value and the way they live their life.
Mike
October 14, 2013 @ 8:17 pm
I don’t think that it’s a dig at the laundry list song, but I don’t think it’s a laundry list song to begin with.
I don’t see anything wrong with singing about being from the country, it’s when the song basically turns this into
Having grandparents who fought in a war, guns, trucks, cold beer, being blue collar, redneck etc. that it becomes cliche.
Chris
October 14, 2013 @ 12:37 pm
Nice list. I might add Joe Nichols, Charlie Worsham, and Chris Stapleton. Also American Young and Striking Matches upon further listening. There are more mainstreamers I like but don’t like their change in direction.
Noah Eaton
October 14, 2013 @ 12:41 pm
All in all I agree, with the possible exception of Easton Corbin.
His latest album “All Over The Road” is an overall letdown. Just because an album has traditional-ish styled production does not automatically make it good, and the album is weighed down by weak songwriting and filler without any distinctive point of view. Not to mention the title track is awful lyrically and insulting to the intelligence, despite being undeniably catchy.
“All Over The Road” put him down a peg or two after a better-than-average debut album, and it remains to be seen whether he can recover.
*
I honestly try and give virtually all mainstream artists a fair listen, including deeper cuts, and while many of the top artists of the current format including Luke Bryan, Jason Aldean and Tim McGraw hit more than they miss, I still usually find at least one or two gems per album buried under the dust.
I admitted in another thread that I actually like the title track from Aldean’s current album “Night Train” because as limited as Aldean’s vocal obviously is, he occasionally knows how to make the most of his limitation by projecting an accessible, emotive tone, and he elevates that track because of the urgent, even melancholic, air he gives what would have otherwise been another dime-a-dozen song about summer evening romance. I also liked his previous singles “Tattoos On This Town” and “The Truth” for similar reasons, even while he’s responsible for some of the very worst of radio singles too.
And though nothing on Luke Bryan’s two latest albums has impressed me, he has already demonstrated he can sell a damn poignant song with a few offerings from his debut album “I’ll Stay Me”, most notably “Tackle Box”, “The Car In Front of Me” and “We Rode In Trucks”. He comes close but not quite with “I See You” off his current album.
And while I don’t regard him as an effective vocalist whatsoever and his attitude and image just makes my skin crawl, even Brantley Gilbert comes through and knows how to write a passable to even decent song when he puts his mind to it. “Saving Amy” is a clear example of that.
The point is, I like to scratch beneath the surface and actually probe what I assume (which usually turns out to be the case! 😉 ) will be the worst of the crop so I can 1) explain WHY the bulk of the material sucks, and 2) optimistically try and find redeeming qualities amidst each scrap heap.
Still, I get what you are saying. There’s only so much music, and so little time, so it helps to isolate those with superior batting averages from those with inferior ones on the mainstream radar.
Rex
October 14, 2013 @ 1:06 pm
Personally I would add Eric Church,aside from a couple songs he’s got some good ones. Most notably Lightning,and Those I’ve Loved,
Alex
October 14, 2013 @ 1:11 pm
I know you have said before that Brad Paisley is tough to hate because he is poppy but he is a hell of a guitar player. Brad does have some laundry list songs but when he does them he puts his own little clever spin on them, and Wheelhouse did a really good job at saying hey there’s more to country music and to the world that we need to embrace. I don’t know if you’ve listened to the acoustic version of Southern Comfort Zone but he did a great job with it. His first few albums were amazing in my opinion and even had Buck Owens call him up in disbelief that he was playing the guitar on his songs and even invited him to come out and play with him on multiple occasions, also brought little Jimmy Dickens, George Jones, Vince Gill and countless other country artists onto his albums hell he even had Clint Eastwood open the instrumental song “Eastwood”. Brad is who turned me on to country music back when the only country I listened to was Johnny Cash and now all I listen too is the old stuff, blue grass and the exceptions to pop country and I really think he deserves more credit than a lot of people give him. As you’ve said in a previous article he’s tough to hate.
mike
October 14, 2013 @ 1:19 pm
I’d recommend Brad paisley. As for Lee Brice, as mentioned in some comments earlier, no just, no. And Dierks Bentley, outside of his most recent CD his stuff is good.
Marv
October 14, 2013 @ 6:35 pm
Not quite sure how Paisley is infinitely better than Brice.
Jordan
October 14, 2013 @ 1:58 pm
I’m not sure what record label he is signed with, but Drake White is someone who definitely deserves to be listened to. His music is 100% authentic and the performance he puts on live is second to none. Drake White is a true country artist who all country fans should know.
Dave Myers
October 14, 2013 @ 2:18 pm
Chris Stapleton
Derek
October 14, 2013 @ 6:56 pm
Stapleton isn’t exactly a mainstream guy… yet. If Trigger compiles a list like this one next year, hopefully Chris’ status in Nashville will have risen to the point that he can be considered. There’s no doubt he’s got a voice that is several notches above some guys on this list.
blue
October 14, 2013 @ 2:29 pm
Dierks. Love the guy. It doesn’t bother me that he jumps between radio/pop country and his vanity stuff. Ridge is a great record… he understands trad and is most respectful to it. But he’s a regular guy and likes the good time stuff. I think he’s laying the groundwork for his future. I was excited for his current album’s release but I was unfullfiled. I only like the first 4-5 songs and then it just gets too average.
I understand his next release will be another trad album but not much bluegrass tinge to it. Not sure but I think it’s going to be more in the vain of Haggard and such. Don’t quote me on that, though.
I love guys with good country voices. Easton, Chris Young and Joe Nichols come to mind. Josh Turner has kind of slipped back for me. Love his voice but he ‘s a bit too polished. Too safe.
This may be an unpopular comment but I really do like Kenny Chesney. For what he does, he does it extremely well. Not country enough? Probably. Hillbilly Rockstar? For sure. But I like him. I’m not so much of a purist that I can’t appreciate the more “accessable” stuff. His voice is pretty good and it goes well with his laid back island style.
Charlie
October 16, 2013 @ 12:11 pm
Kenney Chesney’s voice is whiney, nasally, and flat. It is god-awful, IMHO. Like nails on a blackboard. I hate it. Just hate it.
Wayfast
October 14, 2013 @ 3:29 pm
Billy Currington is the one radio singer that always gets my attention. Such an original sound and style to his voice. When he gets a hold of a decent song he can make it great. With that said he is prone to singing some really dumb songs… “Hey Girl” is awful
Josh
October 14, 2013 @ 3:34 pm
I dig Kip Moore -other than that god awful “Somethin About a Truck” song- quite a bit.. He’s probably more like Jason Aldean/Luke Bryan than I think he is, but I think due to the the lack of exposure he gets, I haven’t quite put him in their company yet. Glad to see Easton Corbin’s name on this list, though.
On an unrelated note to this article, have you checked out Matt Woods? He just released a 7″ with a really great song called “Deadman’s Blues” and a rad cover of Kris Kristofferson’s “Help Me Make It Through The Night”. I know you don’t review EPs, but still thought it might be something you’d enjoy checking out. His album, “The Matt Woods Manifesto” has some killer tracks on it as well.
Noah Eaton
October 14, 2013 @ 4:58 pm
As far as early impressions are concerned, I agree with you (overall) on Kip Moore.
“Up All Night” actually had a surprising amount of emotional depth and texture for a “frat boy country” album. Honestly, “Beer Money” is a guilty pleasure of mine because there is a deceptive emotional pull and yearning behind the song in that the woman in the first verse is depicted as forlorn and sad, and the narrator offers to lift her spirits by treating her to a night of reckless passion. And you have to give credit to Moore for bucking against the standard song-structure composition with “Hey Pretty Girl”, where his vocals also have some emotive texture.
And Moore’s vocals remind me of John Mellencamp in how husky and rock-tinged they sound. Which you won’t find me complaining about, given I grew up on a lot of John Mellencamp and still consider “Human Wheels” and The Lonesome Jubilee” among my favorite albums.
Trigger
October 14, 2013 @ 5:41 pm
Matt Woods is definitely on the radar.
Ryan
October 14, 2013 @ 4:01 pm
Jarrod Niemann(too lazy to check spelling) is one that caught my attention. He had some decent songs and success to go with it a couple of years ago. Haven’t heard anything new from him though. Anyone know what his status is?
Andrew
October 14, 2013 @ 6:37 pm
His most recent single peaked at 29 earlier this year. The first song from his next album will be hitting radio in the next week or two. I have mixed feelings about it: http://www.youtube.com/watch?v=qnN7tVfuiRg
Chris
October 14, 2013 @ 8:08 pm
I hate it. Another average copycat overproduced drinking/party pop/rap song going for the Taylor Swift sound. There’s really no difference between Drink To That All Night, Aw Naw and 100 other songs like it. Guys, you aren’t Taylor or anything like her. Sheesh.
Ryan
October 15, 2013 @ 2:36 pm
Oh man, that song was flat out awful. I’m sorry I even mentioned his name and subjected people to that mess!
ChrisLewisLouie
October 14, 2013 @ 4:02 pm
I would add Ryan Bingham to this..although he is probably more of the Americana world now.
http://www.youtube.com/watch?v=PJdUz3jB7S0
http://www.youtube.com/watch?v=CihHoxiPGmQ
http://www.youtube.com/watch?v=dhcle0ZcZjM
Trigger
October 14, 2013 @ 5:43 pm
I never considered Ryan Bingham mainstream except for maybe winning an Oscar, but that was kind of a fluke. Great artist though, and his set at Willie Nelson’s 4th of July picnic this summer still stands as one of my favorite sets of music all year.
ojaioan
October 14, 2013 @ 10:18 pm
I liked the 3 links you posted but when I hit this’un, http://www.youtube.com/watch?v=Xz5SNppHRxc , not enough to turn me off of checking out more of his music but, though I like Ryan Binghams sound I still can’t even imagine “Todays” Country FM playing him (allbeit it has been quite a few years since I’ve been able to stomach “Todays” Country FM), The man has talent. Great Post!
Boondock
October 14, 2013 @ 4:52 pm
I like to think Joe Nichols is another one of the “sometimes” artist, though I do understand his more radio-friendly songs like, “Take it Off”.
Noah Eaton
October 14, 2013 @ 4:53 pm
As for names I’d include to the mainstream-worthy-of-a-chance list, I’d say:
*
1) Little Big Town (Say what you will about “Pontoon” and “Boondocks”. They function like a true honest-to-God group in sharing vocal duties, fusing multilayered harmonies into many of their songs, and have a dynamic stage presence that makes them a live favorite. Plus they’ve written a few of the better singles in recent memory, including “Shut Up Train” and “Little White Church”.
2) David Nail (His most recent album “The Sound of a Million Dreams” impressed me quite a bit. Though his two biggest hits to date are certainly not among his best work, at least them for not succumbing to laundry list song cliches or feeling the need to explain why he’s “country”. And the title track, “Songs For Sale”, “That’s How I’ll Remember You” and “Catherine” all deliver as compelling cuts.)
3) Eli Young Band (Their current single is merely passable, but even so they maintain a strong sense of melody, craftsmanship and authenticity as a mainstream-friendly band. They kind of remind me of the Gin Blossoms a bit, which is a good thing.)
*
scott
October 17, 2013 @ 5:57 pm
Noah, I agree with you regarding LBT. Great harmonies, and live, they kill. Vastly underrated.
Noah Eaton
October 14, 2013 @ 5:05 pm
He’s working on his third album, and released its lead single “Drink To That All Night” a month ago.
I don’t know what to even think of Niemann overall. You can stamp a lot of adjectives on him, but one thing is for sure: boring and predictable are not among them. So I have to give Niemann credit for keeping me guessing.
Unpredictably doesn’t always work to his advantage though. I for one am disappointed by “Drink To That All Night”, whether it is intended as tongue-in-cheek of other songs of its ilk or not. It doesn’t do anything to enthuse me about what more he has in store. And “Free The Music” was an uneven mixed bag. For every “Fraction of a Man”, you had a “Real Women Drink Beer”. I respect artists who experiment and go against the grain, but when your entire album sounds tentative and all over the map, it calls into question whether he even has an artistic identity or integrity or not.
Dyl
October 14, 2013 @ 5:28 pm
I would like to see Maggie Rose added to this list. I would also say that Gloriana could be on this list.
Scotty J
October 14, 2013 @ 5:41 pm
David Nail seems like he should have more success. The Sound Of A Million Dreams was pretty good I thought and when the first single went to #1 it seemed like he was heading for bigger things but then the title track flopped as the second single and then poof it was gone. His new single is just OK so we’ll see. I root for Little Big Town just because they have stuck it out through countless labels (both major and indies) and even though Pontoon wasn’t the greatest I was still happy it won them more recognition.
Scotty J
October 14, 2013 @ 5:44 pm
Oops this was supposed to be a reply to Noah Eaton but this recaptcha thing got me about three times.
PYA
October 14, 2013 @ 5:47 pm
To me, Dwight Yoakam is the most underrated Country artist out there. An absolute genius with a distinct style and voice. His latest ‘3 pears’ is an amazing album as well as “most” of his discography. His acoustic album is a favorite of mine as well.
Brett
October 14, 2013 @ 6:17 pm
Enjoyed this article. A lot of mainstream artists aren’t our cup of tea I know but I have to admit I own albums from at least half of the artists mentioned, and I thoroughly enjoy them. “That Lonesome Song”, “Up On The Ridge”‘ “Smoke Rings In The Dark”, in my opinion are all instant classics, they all deserve the props for the times they stay true and attempt to save this thing we call country. It’s really good to also see The Mavericks winning over so many new fans, they have to be one of the most underrated bands in my lifetime for sure!
Jesse David
October 14, 2013 @ 7:16 pm
I completely agree on Randy Houser. I love most of his music, but I think most of his last album was a big miss. His first two were pretty good and I’ve seen him live several times. Don’t judge him to harshly on some of the songs he’s written though. Sometimes you got to do what you got to do to make some money. Don’t forget that Willie & Waylon were stuck in the Nashville system in the beginning. Mr. purified country, don’t you know what the whole things about? Or is your head up your ass so far, you can’t pull it out? The worlds getting smaller and everyone in it belongs. If you can’t see that Mr. Purified country, why don’t you just write your own songs?
ChrisLewisLouie
October 15, 2013 @ 8:15 am
I’ve always liked Randy Houser. I think the man is very talented but I can’t figure out the guy. He has flipped flopped on his music and style so much. I really liked the rough bearded outlaw version of Randy when he came out with the song “Whistling Dixie”, but then he got the new label and is now clean shaven and his music has even changed. So I’m not sure who the guy really is. Was the “outlaw” look just a sellout tool brought on by his previous label? Or was it that his new label is making him more marketable clean shaven like Luke Bryan and such.
ojaioan
October 14, 2013 @ 10:06 pm
I liked the 3 links you posted but when I hit this’un, http://www.youtube.com/watch?v=Xz5SNppHRxc , not enough to turn me off of checking out more of his music but, though I like Ryan Binghams sound I still can’t even imagine “Todays” Country FM playing him (allbeit it has been quite a few years since I’ve been able to stomach “Todays” Country FM), The man has talent. Great Post!
ojaioan
October 14, 2013 @ 10:42 pm
oops! double post…sorry!
Scotty J
October 14, 2013 @ 10:10 pm
It really is too bad that we don’t here anything from Lee Ann Womack anymore. She has always been so good and I think ‘There’s More Way That Came From’ is modern classic. She has always been a critical and industry favorite (I May Hate Myself In The Morning won CMA Single Of The Year) but seems to always be having label issues and delaying release dates. Apparently she has parted ways with MCA now so who knows when we will hear anything from her.
Wayfast
October 15, 2013 @ 8:08 am
Lee Ann Womack’s past two records have been timeless classics. Underrated songwriter and singer.
Brian
October 15, 2013 @ 10:14 am
Great list, I agree with them all. I have to say that I went to the Eric Church show in Austin this past weekend for the after ACL show at Stubbs. It was my first time to see him and he put on one hell of a show and that whole crowd stayed the entire time, even though it was coming down rain on us from the very beginning. I could not have been more drenched if I had jumped in the lake with all my clothes on. I was also very happy that they did not cut the show off, even thought there was lightning around us and over us for almost the last hour of the show. I don’t know if this was Eric and the band’s call or Stubb’s, but I was glad they didn’t shut it down once the lightning started flashing around the sky. I really hope he can cut his own path and distance himself musically from a few of these others that he appears to be friends with.
ojaioan
October 15, 2013 @ 10:25 pm
If the stage and equipment was dry…it was prolly a “Play or no Pay” contract…?
Rachel
October 15, 2013 @ 10:49 am
Sometimes…I get this feeling that Eric Church is watching this site very closely.
A few times I have the impression that Trigger is as good lookin’ as Eric….
Heck_a_toot…I’ve even wondered if Trigger really is Eric Church!! ROFLMAO
Trigger
October 16, 2013 @ 9:20 am
Janice Leftwich
October 15, 2013 @ 1:03 pm
I can’t believe that you all would leave out Mr Dwight Yoakam who has just one AMA’S Artist of the Year award. why is it that some of our most talented artist are the lease recognized by the industry. 2
ojaioan
October 15, 2013 @ 10:38 pm
Just my opinion but I think Dwight spawned the FCK YOU NASHVILLE movement (or at least put it in the popular majorities ear). He has made an appearance or two in a TRASHVILLE sponsored event when TRASHVILLE deemed it necessary but they will always work to keep him below the radar…because he made it with out them in California.
Seth
October 15, 2013 @ 3:23 pm
I gotta put him on here even though he’s part of Texas Country but he’s also putting in a big effort to get into the mainstream: Wade Bowen, his most recent album The Given is quite possibly a masterpiece to own. Also gotta put Sarah Darling on the list but not gonna lie her most recent song “Little Umbrellas” always makes me flinch.
Trigger
October 15, 2013 @ 4:34 pm
I wouldn’t consider Dwight Yoakam a part of the mainstream, and it is debatable if he ever was. Dwight is his own animal, and doesn’t need anything to prop him up. I would in no way consider his omission here anything more than his name doesn’t belong.
ojaioan
October 15, 2013 @ 10:44 pm
I Disagree. This post was not titled CURRENT Mainstream Country Artists Independent Fans Should Give A Chance.
tammyswift
October 15, 2013 @ 5:01 pm
I usually give most female mainstream singers a chance. I’ve always been more drawn to female voices and I just don’t find their music as generic as some of their male counterparts.
I also like a bit of Josh Turner, Dierks,Brad paisley and even little big town, I don’t mind some of their stuff. I’m also a sucker for great live performers so I’ve always had a soft spot for Kenny chesney and Keith urban. They’re electrifying live performers, Keith in particular. I also like the craftsmanship in alot of Keith’s music especially his guitar and banjo or ganjo work on some of his songs. It’s a pity he’s not a better lyricist. But still, there are always a couple of decent songs on his albums. Even on his new album, he has duet with Eric Church called “raise em up “. Its a good example of how to mix sonic sounds with country organic sounds without it sounding overbearing or generic. Not a bad track.
truth5
October 15, 2013 @ 5:40 pm
Jamey Johnson is tops for traditional country with mainstream success and its not even close. That Lonesome Song may be one of the top 10 country albums of all time. He is even better live. I guarantee you no other artist in the mainstream can cover Jones, Haggard, Paycheck, Hank SR, Vern Gosdin, Whitley, Waylon and mix in his original material without missing a beat. The thing about Jamey is he doesn’t care about mainstream success and proved that by releasing a tribute to a songwriter most of the mainstream audience has never heard of, after two very successful albums of original material.
possumrules
October 15, 2013 @ 10:29 pm
That’s the cold hard truth. Anyone who likes real traditional country music needs to see Jamey Johnson live. Over two hours of awesome music, half the show covering the legends. He seems to try to promote the country legends more than his own music. He’s really trying to save country music.
ojaioan
October 15, 2013 @ 11:04 pm
or if you’d like to fall asleep during a country CLASSIC…listen to this I passed on Jamey when he put this one to sleep. Thanks but no thanks!
ojaioan
October 15, 2013 @ 11:10 pm
http://www.youtube.com/watch?v=aLWkwV-nmho
Tim
October 23, 2013 @ 5:55 am
Here’s some other clips for you to check out. Not sure how these wouldn’t change your thoughts.
Nobody pulls this off, mainstream or underground.
http://www.youtube.com/watch?v=6aYSHBENcDI
And NOBODY, stands alone in front of 50,000 and covers this.
http://www.youtube.com/watch?v=mBFmlZhGhEY
And he’ll do some Patsy, just for the heck of it to.
http://www.youtube.com/watch?v=J0FoSVqnqzU
This guy is in a different league.
Mike W.
October 15, 2013 @ 6:43 pm
How about Craig Campbell? He kinda falls in the Dierks category, but has had some really good songs on his albums. Family Man was kinda sappy, but more grounded in reality than 90% of mainstream Country.
Rick
October 15, 2013 @ 6:47 pm
I have to say I pretty much agree with every artist on Trigger’s list.
There are very few of the current Mainstream Top 40 acts that I find interesting when they perform on the Grand Ole Opry, but there are exceptions. I agree about Easton Corbin who is carrying on the George Strait / Alan Jackson tradition and getting away with it! (lol)
Jamey Johnson has sort of gone underground lately but he still is about as “authentic” as any country artist in Nashville these days and remains a point of interest. It’s a crying shame his excellent first radio single from a big label “The Dollar” never got the airplay it so richly deserved.
Ashley Monroe and Kacey Musgraves are just true talents that are at least getting some recognition for their accomplishments. Here’s to hoping both have long and fruitful careers. You Go Girls!
I had respect for Zac Brown doing his own thing even before he told the truth about that wretched Luke Bryan song, and now I respect him even more!
I have a copy of the indie Dierks Bentley debut album “Don’t Leave Me In Love” and it’s darn near a country masterpiece! Dierks wisely went “commercial” when he got a big label deal and has been pleasing his fans and Country Radio ever since. I will always be grateful for “Don’t Leave Me in Love” and will always ignore pretty much everything else he has recorded since then! (lol) (Except for the brilliant “She Won’t Choose Me”.)
Noah Eaton
October 15, 2013 @ 7:18 pm
I just wish Easton Corbin and his team would write stronger material. Almost every track off his current album is a fluffy, lightweight love song. Granted it’s obviously several steps up from all the jacked-up tailgated, daisy duked, store-bought moonshine, “Nickelback ‘country'” anthems dominating the airwaves presently…………….but it’s also leagues away from most anything George Strait has trotted out (even though Strait’s current album is also mediocre, I unfortunately have to admit! =/ )
cecil
October 15, 2013 @ 8:31 pm
Ive given alot of Easton Corbins stuff a listen and I like most of it. Hes what Luke Bryan is trying to be, the soft spoke atractive good ole boy all the girls want… Luke Just comes off as a air humping douche. Eastons music is the logical progression to what pop country should be. Country that stays away from most typical outlaw subjects and is a little catchier. I find nothing wrong with that. Or laundry list songs like Dierks country and cold cans. What irks me is when a talentless no hack (see FGL Luke Aldean etc.) make a 12 song album with 11 laundry list songs.
Gena R.
October 16, 2013 @ 8:32 am
Agreed on Easton Corbin — he’s just about the only one of the newer male artists I actually like. Most of what I’ve heard so far is light and fun without being too dumbed-down. (And yeah, he’s really quite adorable, to boot!) But I must say I also agree with Noah’s comments — with his George Strait-like vocals, it would be great to hear Corbin tackle more substantial material in the future. 🙂
Jamie
October 16, 2013 @ 5:15 am
Good list. I agree about Eric Church being his own case study, though. I’ll be the first to say I’m a big fan of his. Funny thing about him is, the first song he released that gained real traction was “Love Your Love”. He came out in a recent interview and said that he wrote it out of frustration with the laundry list songs on the radio! He pretty much had the attitude of “Fine. You want songs filled with Country-isms and cliches? Here ya go, dammit.” His strength is in his songwriting, to me. Especially in his deeper tracks. “Lightning,” “Over When It’s Over,” “Where She Told Me To Go,” and on and on… I’ve seen him live, several times, and he never fails to put on a hell of a show! He’s the only mainstream artist I’ve seen live, who expects his audience to give just as much as he does during a show. From rocking the house with a number like “Smoke A Little Smoke,” or stripping it down to an acoustic set and doing “Carolina” with just himself and his guitar. I came away from each of his shows believing he appreciated me being there and taking part in his passion. Dig past the badass facade, and there’s a real artist hiding just behind it…
Jake
October 18, 2013 @ 8:44 am
Definitely agree, Jamie, and I hope Trigger gives that “study” its due course when EC comes out with his next album. Now that he’s achieved star status, I think this album will really make or break Eric’s reputation among the independent fans. I sure hope he continues writing unique songs with emotion and substance, rather than try to be Luke or Jason. He’s the only artist in the industry who I think can be a superstar AND do things pretty much his own way. As you mentioned, his live shows are just incredible as well.
Jordan
October 19, 2013 @ 8:19 am
Randy Houser.. His latest songs have been let downs for me, but on his albums he does have some great songs
eric
October 20, 2013 @ 1:47 pm
Good List
I’m wondering where Josh Thompson falls into the mix here. He writes just about all of his own songs and he’s pretty authentic. His new single seems like a pretty good song as well.
Billy Currington has a nice style too i wouldnt consider him a sell-out either
Also Aaron Lewis, Craig Morgan, and Joe Nichols can be included on this list
Trigger
October 20, 2013 @ 1:57 pm
I feel like Josh Thompson started off on a real bad foot coming out trying to be a “new Outlaw” and name-dropping Waylon in his songs. But I think he’s turned a corner and his latest music has not been nearly as conceited and calculating. He’s still a mixed bag with me personally, but I wouldn’t blame anyone for liking him.
Mark
October 22, 2013 @ 5:17 pm
Though Brad isn’t the greatest lyrical genius in the world. As a guitar player it is really amazing as to some of the shit he pulls off WHILE singing those sub par lyrics.
Though if your looking at just lyrical structure I guess you could make an argument to Brice in the lyrical department but in terms of overall music writingplaying ability, Brad is at the top of the game.
Tim
October 23, 2013 @ 5:41 am
I don’t know that I would consider all the artists listed as “mainstream” that should be given a chance.
I see several artists that do music to fit play, but I also see a few artists that their music was so solid radio couldn’t ignore them. I don’t consider the latter to be mainstream just because the artist couldn’t be ignored by mainstream.
The Mavericks
Gary Allen
Jamey Johnson
I don’t think they make any mainstream music on purpose. I think their stuff is hard for radio to ignore. I would put Dwight in that category too.
The others, they cut radio friendly stuff because they need to.
Now, writing a song for radio success, that another artist cuts, is a whole different ballgame in my mind. What you cut and perform to me says more about your motives than what you may write for a paycheck here and there.
Rachel
November 8, 2013 @ 8:14 pm
What happened to Easton Corbin? I don’t see or hear anything from him anymore.
harry
December 6, 2013 @ 10:12 am
His Album “All Over the Road” came out in September 2012 so it hasnt been long since hes released an album
harry
December 6, 2013 @ 10:10 am
did anyone mention Josh turner?
Chris
October 7, 2014 @ 5:07 pm
What about Jon Pardi?
Zack
September 21, 2015 @ 7:00 pm
I always loved this old article……If we did an updated version though this list would only unfortunately get shorter 🙁