Mark Chesnutt Revitalizes the Country Heartbreak Song In “Tradition Lives”
One of the big stories of the last few years in country music has been the rehabilitation of the commercially-oriented artists from the late 80’s and early 90’s as the current wave of “country” performers continue to discover new lows of where to take the genre, making the classic music of guys like Garth Brooks sound not half as bad in contrast. But Mark Chesnutt’s catalog never needed such rehabilitation. About the only criticism of his music that might stick for some folks is perhaps it was a little boring to them, but that was just an unavoidable outcome when you’ve established your career in sticking to traditional country sounds and rarely wavering (except for that Aerosmith cover, but that’s another story).
Calling Tradition Lives a traditional country record stops short of telling the full story. What really defines Mark Chesnutt’s first record in six years is one song of heartbreak after another. Tradition Lives is a full blown breakup album the likes we haven’t heard in country music and beyond in many years, merciless in how it delves into the themes and moments of living alone, losing the love of your life, and the heartbreak that follows. If country music today is much too saccharine with all of the fun-loving party anthems, Tradition Lives is a massive, 800 lb. counterweight tethered to the other side of the spectrum, trying to wrench country music back to equilibrium.
This is one of those records that can make grown ass men weep, so if you don’t want to expose your teddy bear side to the public, perhaps you should listen alone, and put a handkerchief on your knee. One of the symptoms of so many bad songs being cut by today’s country artists is that ample material is out there just waiting to be discovered and cut. One argument people levy against artists like Chesnutt is they tend to not write their own stuff. But picking the right songs and making them your own is an art to itself, and one that Chesnutt has excelled at throughout his career. Tradition Lives continues that track record and includes a few songs that if they were released 25 years ago during Chesnutt’s heyday, may have added to his resume of 20 Top 10 hits, and eight #1’s.
“Is It Still Cheating,” first recorded by Justin Haigh back in 2011, is exquisitely-written, and one of those songs that illustrates there’s still original sentiments out there for country songs for those willing to dig for them. “Oughta Miss Me By Now” written Tony Ramey and Trey Matthews is a real gut-puncher, speaking to the time when you realize a previous love has really moved on. Keep digging deeper into Tradition Lives, and it doesn’t relent with songs like “You Moved Up in Your World,” and “Losing You All Over Again.” Though traditional country traditionally covers more ground than crying-in-your-beer songs, that’s what spoke to Chesnutt when constructing this record, it’s what he’s always been best at performing, and what has defined his career. No point in second guessing now.
But there are a few screwballs he throws out near the end of the record. “Never Been to Texas,” co-written by Chesnutt with Roger Springer and Slugger Morrissette is a protest song done right, chiefly because it’s just so incredibly true. As much as people complain about today’s country, try going to Gruene Hall, Floore’s Country Store, or dozens of other places in Texas on Friday night and convincing the thousands of folks who show up to two-step of that. Nowhere else are the traditions being kept alive not just by nostalgic hipsters and howdy-doody songwriters, but by the common man as they are in the honky tonks of Texas. Mark Chesnutt may be most associated with 90’s mainstream country, but he’s never stopped being a boy from Beaumont, and still lives there today.
The next to last song is called “Hot,” and is a little levity in an otherwise weighty album. Then Chesnutt saves arguably the best for last, and really encapsulates the theme of the record with an exquisite rendition of “There Won’t Be Another Now.” Written by Red Lane and recorded by Merle Haggard, it delivers a double meaning of heartbreak.
The biggest days of fame for artists like Mark Chesnutt are more behind than they are ahead, and that’s just the way of things. But that’s in no way a commentary on the quality of music Chesnutt can still create. He’s not slipped a bit in his understanding of why people listen to country music. There’s plenty of options for those looking for a bit of escapism on the morning commute, or to blast at the bonfire party. But we all hurt. None of us have been spared from the touch of heartbreak. And at certain times when you’re at your most lonely or broken, you need someone or something to remind you that you’re not alone in that heartbreak, but that millions have suffered through and persevered as well, and are doing so at this very moment. That’s what the music of Mark Chesnutt is for.
1 3/4 Guns Up (8/10)
– – – – – – – – – – – –
July 11, 2016 @ 7:58 am
Speaking of natural evolution…
July 11, 2016 @ 8:06 am
Nice review, will check it out
July 11, 2016 @ 8:10 am
should have this by Wednesday. Agreed it sounds like the Texas acts I’m following these days.
July 11, 2016 @ 8:11 am
I really like this album. It sounds like a 90s neo-traditional album but with the great recording technologies of today. It’s masterfully produced and doesn’t sound too slick unlike some other recent albums from the class of 89. The songs are well-written and although he didn’t write them, that’s okay cause he did a good job picking them. I really hope he sees some success with this album.
July 12, 2016 @ 9:56 am
You’ve summed up my thoughts perfectly. This was really really good. I first got into country music in the 90’s, so I have an affinity for a lot of the popular 90’s artists. It’s good to see some of them keeping it up and still releasing quality music.
July 11, 2016 @ 8:26 am
“So you can’t hurt me anymore” was such a powerful song. Wasn’t what I was expecting at all. Great album!
July 11, 2016 @ 8:41 am
as the current wave of “country” performers continue to discover new lows,,, Good Stuff!
July 11, 2016 @ 8:42 am
Had this cranked up yesterday… I’m a big fan of Mark Chesnutt. Not everything he’s done is great, but he averages better than good. Lots to like here, but all in all this whole thing just made me nostalgic for a time when lyrics carried weight and songs weren’t just a cog in the marketing of an artist’s social media-based image.
July 11, 2016 @ 8:42 am
I’ve been listening to it pretty much non-stop for about three days now. I am very impressed. I think I was prepared to be disappointed like with Clint Blacks new album. But Mark knocked it out of the park. From the first song to the last, just excellent country music. It made me remember I kinda miss hearing him on the radio.
July 11, 2016 @ 8:53 am
Yes, no offense to Clint Black, but I keep thinking how excited we were for his long-anticipated album, and though there was nothing bad about it, it was just a flat effort. This Mark Chesnutt album is full of passion for the music and vitality. It’s the best of late 80’s country done anew.
July 11, 2016 @ 7:30 pm
#ClintBlackLiveMatters
July 12, 2016 @ 6:17 pm
That’s fuckin funny.
July 12, 2016 @ 8:39 pm
Clint Black records have had diminishing returns for years now. Not so with Mark Chesnutt.
July 11, 2016 @ 8:46 am
This is the best album I’ve heard in a long time. It’s one of those albums you can enjoy the whole way through without pressing the skip button once. What surprised me about this album was some of the cowriters on the songs. Guys like Randy Houser, Jerrod Niemann, William Michael Morgan, Blaine Larsen, and Brett Eldredge. It’s nice to see some of these younger fellas taking part in writing some great country music.
July 11, 2016 @ 8:56 am
See, these guys are capable of writing good songs, and they WANT to write good songs. But since they don’t sell, nobody releases them. However someone like Mark Chesnutt can come by and have his pick of the litter, and put out an album like this that feels almost like a Greatest Hits compilation. It’s not that there aren’t any good songs out there anymore, it’s that nobody has the guts or freedom to release them like Mark Chesnutt does.
July 11, 2016 @ 9:14 am
I completely agree. It makes you wonder just how many great songs are out there that we will never get to hear. It is always my belief that someone in Nashville will hear an album like this, realize this is the music they want to make, and make stand for it. As far as country has gotten away from its roots, an unrelentingly country album could be the fresh new perspective that could catapult someone to stardom.
July 11, 2016 @ 10:17 am
I really wish Blaine Larsen’s career would have gained traction. “How Do You Get That Lonely” was incredible.
July 11, 2016 @ 10:19 am
Also, Brett Eldredge is an incredible songwriter forced to pander for the time being. I have no doubt that 10 years from now he’ll be releasing much better music.
July 11, 2016 @ 9:07 am
I can’t wait to buy this cd. I am a big fan of Mark Chesnutt. His career stated when I was a freshmen in High School in 1990.
July 11, 2016 @ 10:02 am
The song is great.
I just saw this on FB under Montgomery Gentry page:
Jerry Greer
Jerry Greer
Jerry Greer, the 19-year-old son of country artist Craig Morgan and wife Karen Greer, is missing after a boating accident.
Recovery efforts to locate him are underway, according to a statement released jointly by Morgan’s publicist and record label, as well as Humphreys County Sheriff Chris Davis.
The accident occurred Sunday (July 10) on Kentucky Lake in Humphreys County, Tennessee. The family resides in Dickson County.
The statement concluded, “The family is grateful for everyone’s support and prayers and requests privacy during this difficult time.”
July 11, 2016 @ 10:16 am
There’s a song on that album that sounds exactly like Willie Nelson’s Bloody Mary Morning.
July 11, 2016 @ 10:31 am
I like the single you posted. It reminded me of what Gary Allan should have released as his first single instead of the disappointment he did a few months ago. I’ll have to check out the album. Thanks again, Trig.
July 11, 2016 @ 11:03 am
When I heard “So You Can’t Hurt Me Anymore,” I would have sworn I’d heard that acoustic intro on a heavy metal song. Kind of eerie and cool at the same time.
July 11, 2016 @ 11:43 am
This is truly a great record but I being a longtime Mark Chesnutt fan have never found his works boring. I will concede some of the MCA albums had a bit of filler but he was still hitting above average compared to most of the Nashville hit makers of the day. That being said this album deserves a wide audience, it really is a strong record top to bottom. I feel the review left out the one TRULY brilliant stone cold classic song on here and that is “So You Can’t Hurt Me Anymore”. That’s one of the most powerful songs I’ve heard come out of Nashville in years, incredible.
July 11, 2016 @ 2:04 pm
My vote for SCM album of the year
July 11, 2016 @ 2:13 pm
It just sounds so darn good. I truly miss this style of country.
July 11, 2016 @ 2:32 pm
I’ve already given this album lotsalove on another thread so I won’t repeat . To my eyes and ears , the most important thing about this record ( besides MC’s INCREDIBLE way with a lyric …absolutely gifted ) is the fact , as Trigger has pointed out once again , that there are indeed some absolute gems around when it comes to songs waiting for the right artist and the right treatment . MC finds them here and does justice by each and every last one . The reason country was so much better in times past is that REAL skilled , experienced songwriters vied for a cuts on albums by REAL country artists so you had better bring your A-Game to the table when you were pitching . Not so now . The Urbans and the like sit around a room , dream up some lightweight fluff of a topic and polish it off in an hour or less and move on to the next . Dress ’em all up with pop gloss , loud everything , generic ” whoa whoa whoas ” some 4 on the floor EDM cut -time kik and listeners are none the wiser . You can put a necklace on a pig but its still a pig .
“It all USED to start with a song ” as they say in Nashville …but not anymore . THAT’s why an album like this stands apart in its importance . Its a throw-back to when the song was king and was often cut by several major artists over a short time BECAUSE it was cream that had risen to the top and THEN often became a standard . The emphasis on songwriting is long gone in that town where mainstream ‘country’ is concerned . The focus is on the production (which seems to be responsible for short shelf lives of almost everything released with no chance of becoming a standard) and the growing role that marketability of an artist seems to play . The song just doesn’t matter nd isn’t respected the way it once was .
Alan Jackson , Stapleton , Isbell , George Strait (his latest album is another gem top to bottom ) , Chesnutt and many many others still understand this …they live and die by the song …the lyric …the substance and not by production trends or flavor- of- the- month producers chasing an uninitiated demographic for the label . The honest writers are still out there , the authentic ‘ lifer’ artists are still out there and the listener is out there aching for this past alchemy to regain its rightful place . But as long as Nashville can find a gullible market for whatever the hell it is they are peddling as ” country ” music , they aren’t interested is seeing that happen.
July 11, 2016 @ 3:26 pm
Totally unrelated, but I want to mention somewhere that in September Jason Isbell is headlining a concert at Tulsa’s BOK Center, an 18,000 seat arena. Apparently, ticket sales are lagging, as I got an email today stating that prices have been cut to $20 a seat (two thirds cheaper than the ones I bought a couple months ago). Shaky Graves and Lucero are opening. If you’re in Tulsa or close, it should be a great night.
July 11, 2016 @ 5:30 pm
Mother Road Revival Weekend
http://www.bokcenter.com/mrr/#/
“A four-day event this September that celebrates folk music and film while paying homage to Route 66”.
I do hope Isbell’s Saturday concert is well attended, and I’m glad you mentioned it. Hayes Carll and Travis Linville are part of the event too, with a Free outdoor concert on Sunday.
July 11, 2016 @ 5:54 pm
Thanks Connie. Just to be clear, I’m not affiliated with BOK or any of the artists in any way. Just a fan of the music, and a long time fan of SCM, but infrequent commenter. Thought some folks here might be interested.
July 11, 2016 @ 2:49 pm
Bought it today…have listened to it twice. Absolutely incredible. If you like genuine country music, this album is calling your name. It’s definitely a must have. Kudos Mark!
July 11, 2016 @ 3:44 pm
After hearing “Oughta Miss Me By Now,” this is a must-buy album. If it could get any traction on radio, it would be amazing!
July 11, 2016 @ 6:00 pm
I don’t know how to dance LOL, but the music of “Oughta Miss Me By Now” sounds like it would be fun to dance to.
July 11, 2016 @ 7:01 pm
Wow that song is straight outta the 90s. Damn. And his voice is still strong unlike some older acts who have dipped into auto-tune a little these days.
July 12, 2016 @ 2:52 am
I luv it. This is the traditional sound of our music, before Garth
July 12, 2016 @ 6:52 am
I was a little surprised how many songs on here I had actually heard before. “I’ve Got a Quarter in My Pocket” was on one of Gary Allan’s early albums.
“Is It Still Cheating” is not only a killer song that Justin Haigh did but was written by Jamey Johnson, Randy Houser and Jerrod Niemann. I have recording of it on my computer that is a demo of Jamey singing it as a duet with Lee Ann Womack. Sadly I’ve had it long enough I couldn’t tell you where I found it but it’s fantastic.
“Never Been To Texas” was done by Jamie Richards about 10 years ago and “Hot” was written and recorded by Wynn Varble about five years ago.
That said, even though I’d heard several of these songs before Mark made them sound fresh and showed that he’s still great at picking songs to record when his label stays out of it. This is easily my favorite album of the year so far.
July 12, 2016 @ 10:55 am
Andrew …thanks for the info on the songs ..much appreciated . I’m happy to hear that songs this good have had several lives already and just keep going . Also goes to show , again , what some of these guys are capable of writing and how incredibly frustrated they must be having a label’s gun at their heads forcing them to sing nursery rhymes to school kids .
July 13, 2016 @ 4:48 am
Don’t know when Randy Rogers and Wade Bowen might release a “Hold My Beer” follow up (I know they released “Watch This” around last month). But I think this album is “Hold My Beer 2016” if Randy and Wade went into a serious direction.
July 13, 2016 @ 1:59 pm
i listened to some tracks from this on youtube when you posted this review on monday and still haven’t stopped it’s nice to hear true country again and even better to hear mark chesnutt still doing his thing saw him open for randy rogers band at my county fair last year and he was awesome
July 19, 2016 @ 1:07 pm
Finally got my copy I ordered last week. It stands on its own. I’m glad you reviewed this to bring it to my attention. I hadn’t bought one of his albums since “Savin’ the Honky Tonk,” which I also liked a whole lot.
March 25, 2017 @ 8:52 am
between this and T-Byrd’s album released(both rather silently) last year, i hope and pray that good ole style county is coming back…if not to the mainstream, at least to amazon, where i will happily buy it, put it on my ol android, and listen to it in the truck…let the radio stations play the bro country stuff all they want…i’ll just listen to this
December 2, 2017 @ 7:42 pm
Two things 1.I wish this site had a message board or some type of chat where could post concert info .Not a complaint Trig ,just an observation.
2.Watching Mark Chesnutt at a benefit concert tonight and its a breath of fresh air for those of us who don’t live in Texas or East Nashville .Nice moment when he walked out on stage and said ” Were not here to play what you hear on the radio ” .Were here to play country music the way its supposed to be played” .He’s doin exactly that.
October 27, 2018 @ 3:39 pm
I’m listening to this on Spotify right now… good stuff… on the 5th song…
June 25, 2020 @ 8:36 am
Really have enjoyed this album. It is great to hear Mark Chesnutt still making good music. Discovered this album yesterday and got it on repeat for the past 1.5 days.