Mr. Show’s Bob Odenkirk & David Cross Make Perfect “Checklist” Country Parody
Ha! I love it.
Before culture writer Jody Rosen famously coined the term “Bro-Country” and it became the common parlance to describe terrible pop country doing nothing more than listing off country-isms like beer, trucks, backroads, tailgates, biscuits, barbecue, etc. etc., the music was regularly called “laundry list” or “checklist” country. The idea was that on the desk of these terrible songwriters was a checklist of things each song must include to be a hit. Even songwriters and other folks on Music Row began to use the terms “laundry list” or “checklist” (and sometimes “grocery list”) to describe the music.
Anyway Bob Odenkirk and David Cross—previously-known as the comedy duo who starred in the HBO series Mr. Show that ran from 1995 to 1998—have now revitalized their comedy stylings on Netflix in a new series called With Bob and David. And in one of the new episodes, they’ve put the terrible “checklist” culture of modern country right in their crosshairs.
Dubbing themselves the country duo “Banes and Dunfrey,” they’ve released a song and video called “All I Need.” Though it starts off appearing to be yet another stereotypical parody of pop country, which have become so pervasive these days, they’re just as bad as the checklist songs themselves. But then it delves right into the heart of the “checklist” phenomenon in quite an amusing manner.
Also, at the beginning and end of the video, it says the song is from the album, “Send To: Banes and Dunfrey, 1362 Bishop Street, Nashville, TN 37206.” That’s not an actual address to anywhere, but my guess is there’s a fun riddle to solve there too.
I enjoyed this.
November 13, 2015 @ 1:06 pm
Is that the same house / pool as Joe Nichols “Tequila Makes Her Clothes Fall Off”? Funny song
November 13, 2015 @ 1:10 pm
…this isn’t satire.
November 13, 2015 @ 1:12 pm
😀 This was great! Bob’s rapping was an especially nice touch.
November 13, 2015 @ 1:17 pm
That was awesome. When she started making the shopping list I lost it.
I love me some Saul Goodman.
November 13, 2015 @ 1:26 pm
Probably will be #1 on country radio in the next week or so!
November 13, 2015 @ 1:48 pm
Ronnie Dobbs!
November 13, 2015 @ 4:04 pm
Sorry man thought it was mine
November 13, 2015 @ 2:03 pm
I still say we should have a contest to see who can write the worst “country” song.
November 13, 2015 @ 4:28 pm
But that isn’t fair to actual songs! =(
I think I can try penning a candidate for worst “country” ditty, though! 😉
November 13, 2015 @ 4:52 pm
“Imma streamin’ a lil’ Hank, Drake and Timberlake,
on my pimped out Pandora playlist,
dem city boys better shut their sissy traps,
cuz they got nothin’ on our biscuits!
Yeah, we be nae naein’ it in the club every Friday night,
wilder than Party Down South any day,
then we be preachin’ it to the god man every Sunday,
cuz Jesus got it goin’ on, bae…
*
How’s that for a rock bottom verse? =P
November 13, 2015 @ 2:25 pm
Hahahahaha, this is too awesome! It’s funny because it’s true! ^__^
November 13, 2015 @ 4:01 pm
Better call Saul!!!!
November 13, 2015 @ 4:40 pm
That song wasn’t bro-country… it had a steel guitar lick. 😉
November 13, 2015 @ 5:22 pm
If you listen carefully enough to a fair amount of bro-country songs, they actually have token pedal steel and banjo (albeit buried deep in the mix to where you’d have to strain to hear sometimes). Florida Georgia Line’s “Stay” is a good example.
Metro-bro songs, on the other hand………….yeah………. =P
November 13, 2015 @ 6:08 pm
I’ve noticed a lot of that. What’s the point of having it in there if you can barely hear it? If the goal is to attempt to pass off a non-country song as country, what good does it do when the people who hate Bro-Country and will never listen to it close enough to hear it? The people who actually like those songs don’t typically have good enough ears to pick out the distinct sounds, and many don’t even know what a pedal steel is. Barely anybody will ever know these songs, such as “Bottoms Up,” even have a steel guitar or banjo in it, so what’s the point of having it? These bros never bring pedal steels out on stage even when they’re in the songs. Personally, I think it’s more offensive to put a split second of a steel guitar or a barely audible banjo in a song than to just not have it in there at all.
November 13, 2015 @ 7:32 pm
I notice banjo in a lot of bro-country songs, but no steel guitar. Steel virtually disappeared from mainstream country around the time bro-country took root in 2012.
November 13, 2015 @ 9:05 pm
I actually think the fiddle is the most familiar country instrument that has been conspicuously absent from both bro-country and metro-bro (basically a mutation of bro-country but with even less token country instrumentation and lyrical descriptors)
I’ve seen someone do this monthly report on Pulse Music Board where the Top 30 songs on mainstream country/”country” radio are evaluated for the presence (even if negligible) of pedal steel, banjo and/or fiddle in each song. Then, a final score for each category is recorded, including the fewer songs where more than one instrument is detected.
This past week featured a dismal SOLE song that features all three instruments: “Country Nation” by Brad Paisley (which is nonetheless passable at best). Only two other songs feature two of the three instruments (“Anything Goes”, “Die A Happy Man”) of which I dislike both tracks. And eight songs don’t feature any of these instruments.
The silver lining here is, I think an increase in country instrumentation looms on the horizon beginning the third week of January when the holiday “chart freeze” ends. Besides Chris Stapleton’s ripple effect in the industry, we have already begun to see a number of entertainers cut tracks that are an improvement over their preceding releases. Frankie Ballard and Justin Moore just landed their best singles yet. Tim McGraw just landed a new album replete with above-average songs with a decent amount of country instrumentation. Zac Brown Band’s current underperforming travesty will all but certainly force the band to recalibrate and quite likely rush to begin making amends with a solid follow-up like “Bittersweet”. Miranda Lambert surely is smart enough to follow her momentum-crushing string of chart disappointments with one of her most intimate and personal records yet which is more than likely to be dialed back. And I think the industry has to be noticing a consistent thread of Adult Top 40-chasing bombs from Danielle Bradbery, The Band Perry, Jake Owen, Hunter Hayes, Cassadee Pope, Eric Paslay and others………….and conceding it just isn’t a profitable strategy. Heck, Kelsea Ballerini, Canaan Smith and Dustin Lynch may have hits under their belts, but they have to be looking at their pitiful sales by now and are thinking: “We can have it so much better!”
November 13, 2015 @ 9:33 pm
I find Blake Shelton’s “I’m Gonna” or whatever to be especially offensive. Why? Because it has Metro-Bro sound the whole time until he says “We can bump it on the boulevard or kick it in the country.” When his says “kick…” a fiddle plays. That’s supposed to be the one country part of the song. He illustrates country with the fiddle. He’s saying the rest of the song isn’t country. Just think about it. If a fiddle is how they express country, then why isn’t it in any of these other songs? The song is admitting it’s not country and it is referring to something that is actually country. In a way, the song is admitting that none of these Metro or Bro-Country songs are country, and those 2 seconds are what country actually sounds like. I can’t explain it very well, but try to interpret what I’m saying. I feel like Trigger should rant about the song. He might not interpret it the same way I do, but at least he could explain it better.
November 13, 2015 @ 9:20 pm
Florida Georgia Line:
Itz cuz thay thank itz to old scool. Itz hard to party and danse to that hi pitched skreechin sownd. A steal gitar wud be for old timy balad tipe songs. We dont do those. We dont wont thangs to be slow and boring and sofisticated and sumthing ya gotta thank abowt and nether do ar fans. We just wont to party all the time and rappin and edm help us do that. Wer stil kuntry cuz we sang abowt wat kuntry peple do everyday. If itz sang by rednecks and itz abowt wat kuntry peple do and itz on kuntry radeo than itz kuntry.
And yes, I know Lil Dale does it better.
November 13, 2015 @ 6:40 pm
It’s like goldy or bronzy, only it’s made of iron.
November 13, 2015 @ 7:24 pm
The soccer mom turns it up. Lol.
November 13, 2015 @ 8:45 pm
Awesome. This show, back in the day, was absolutely hilarious. Had it all on DVD at one time til I over drafted and sold all my DVDs to Hastings.
November 14, 2015 @ 9:34 am
Sorry if I’ve missed this, or its already been asked, but is there going to be a review of McGraws new Damn Country Music album coming up soon?
November 14, 2015 @ 9:58 am
I am constantly working on reviews. I try to post as many as I possibly can. McGraw’s new album is a priority. Thanks for the interest.
November 14, 2015 @ 2:03 pm
Saul helped save Pinkman’s ass, now he’s helping to save country music.
Saul for President
November 15, 2015 @ 8:38 pm
Better Call Saul!!!
That was freakin awesome.
November 16, 2015 @ 11:57 am
The address probably doesn’t mean anything beyond “we needed a fake address of some kind in Nashville to make the joke work.”