New Grammy Americana Award Only Partially Solves Problem
Last week, the Grammy Awards announced a host of new awards that will be handed out in 2023. Much more than what the public sees on the big telecast each year, the Grammys now have 90 separate awards they hand out annually, many being awarded during the “Premier Ceremony” which happens before the big television presentation, and to musicians who often are the best in their field, and would otherwise not be recognized by any big awards organization. This is what makes the Grammy’s unique.
Take country music for example. While the CMA and ACM Awards often only focus on major label artists and commercial success, the Grammy Awards have a whole “American Roots” category that includes bluegrass, Americana (where many actual country artists get categorized), folk, and blues awards. There were eight total American Roots awards in 2022. But in 2023, there will be nine.
Along with adding a new award for “Songwriter of the Year” which could definitely impact the country and roots world, the Grammy Awards also added a new award for music featured in video games and interactive media, spoken word poetry, a new alternative music performance category, a category for social justice song, and a new “Best Americana Performance” award.
The Grammy Awards define the new Americana category as, “A track and single Category that recognizes artistic excellence in an Americana performance by a solo artist, collaborating artists, established duo, or established group.” Unlike “Best Song” categories, this award will go to the performer, not the songwriters.
The new award will give one more opportunity for Americana artists (and some country artists by proxy) to be nominated and win in what has become one of the most crowded categories in all of the Grammy Awards. In 2021, Best Rock Performance was the most crowded field, with 523 entries, followed by Best American Roots Performance with 521, and Best Pop Solo Performance with 454.
There are two song awards within the American Roots category: “Best American Roots Song,” and “Best American Roots Performance.” But unlike the new “Americana Performance” award, all of the American roots genres—contemporary and traditional blues, folk, bluegrass, as well as regional roots—compete with each other for those awards. This new award will strictly be for performance tracks designated as “Americana.”
But therein lies the first problem with this new category: most anything that isn’t outright pop, heavy metal, Latin, electronic, jazz, or classical can be categorized as “Americana,” including much of traditional country, now significant portions of vintage influenced rock, certain indie rock, and even some jazz, Latin, R&B, and classic pop tracks if they have some roots influence.
For example, in 2022, Jon Batiste won both the Best American Roots Song and Best American Roots Performance Grammy Awards for the song “I Cry.” Jon Batiste is mostly known as a jazz and R&B artist, but when listening to “I Cry,” sure, you could classify it as “Americana,” because so much is classified as Americana these days.
But the dilemma that was presented by Jon Batiste winning was you had an artist with little or no ties to Americana or the American Roots realm winning not one, but both American Roots song awards, keeping that distinction out of the hands of artists more native to the American roots world, namely artists such as Allison Russell, Valerie June, Yola, and Rhiannon Giddens who were all nominated in 2022, and lost out to Jon Batiste.
Meanwhile, Jon Batiste went on to win the all genre category of Best Video, and the biggest award of the night, Album of the Year. He also performed on the main telecast, with backup dancers, choreography, a major stage presentation, etc.—stuff counterintuitive to the often non-commercial realm of American roots and Americana music.
Adding a new Americana performance category will definitely give another Americana artist a shot, and it can only be seen as a sum positive for the roots world. But there’s nothing keeping a popular artist like Jon Batiste from coming in and winning the new Americana award next year too.
Furthermore, another common problem these American Roots song categories face is that when an artist wins one, they tend to win them all, just like Jon Batiste did in 2022 for “I Cry,” and John Prine did in 2021 for “I Remember Everything.” In both 2016 and 2018, Jason Isbell won both Best Americana Album and Best American Roots Song. In 2014, Rosanne Cash won Best Americana Album, Best American Roots Song, and Best American Roots performance.
In other words, once you win the Grammy for Best Americana Album or for one of the American Roots song categories, there a good chance you’ll win multiple Grammys. Maybe it’s because those Grammy Awards are deserved. But there’s also the chance this new Best Americana Performance will be captured by this same multiple win phenomenon, meaning it won’t be another artist winning a Grammy Award, but the same artist winning more Grammy Awards.
Meanwhile, many country fans continue to wonder why some of their favorite artists continue to be nominated under Americana, if they’re nominated at all. While the Grammy Awards are considering adding new categories, one or two for traditional country could help give true country artists some more representation, while also alleviating some of the overcrowding in the Americana Grammys, and in the American Roots categories in general. Best Traditional Country Performance and Best Traditional Country Album awards could help give greater representation to artists often overlooked by the Grammys.
Let’s not look a gift horse in the mouth. With this additional Grammy award, that’s one more winner, and five more nominees who can subsequently call themselves Grammy recognized, which believe it or not, can make a major difference in the career of an artist. But the most important thing is how this new award is used, namely that it goes to actual Americana artists, and that it’s not “just another award” for the Americana artist each year who virtually sweeps the Grammy Americana/American Roots Song categories.
Countryfan68
June 16, 2022 @ 7:29 am
I really do not care for awards, IF my favorite singer wins awards, fine, if they never win a single award , then fine as well, awards do not make great singers, so awards mean nothing to me. Great singers get passed up all the time, so I don’t cry about it. I know how great my favorite singers are, and I don’t need to see them get an award to tell me that.
John R Baker
June 16, 2022 @ 7:30 am
The most bizarre thing to me was excluding Brandi Carlile who more specifically is rooted in Americana and then handing all the awards to a jazz guy.
The grammies are very confused about what they are doing here.
MJ
June 16, 2022 @ 7:57 am
This just underscores the need for “country” to better defined. Pop being considered as country, and country considered Americana, just obscures everything so badly. I liked Jon Batiste and his work earned him the Grammys, but it wasn’t competing in a category that made sense IMHO. Maybe there’s an argument that he couldn’t win jazz or R&B – but that argument makes no sense since he won Album of the Year. What are the chances now that more artists in his vein compete in this category and crowd out already-ignored country Americana artists? And maybe I would be less annoyed by this if Americana categories and artists who aren’t playing indy-sounding jazz/R&B got airtime.
And maybe that’s the key- what I consider Americana may more properly considered indy or alternative country, and has its own, unrecognized category anyway.
Unlike some I don’t mind awards, but just like with film, the various academies nominate and award artists less according to worthiness than what they want the narrative to be. Maybe the Recording Academy does this less than the CMA or the Academy of Motion Picture Arts and Sciences, but it doesn’t feel like it.
Daniele
June 16, 2022 @ 9:48 am
after all this time i’m still confused by the term “americana”
Di Harris
June 16, 2022 @ 10:17 am
Don’t worry Daniele.
It’s just made up crap.
ala, Momma Pimp/Ho Kardashian, making up a lot of slang.
Robert's Country Blog
June 16, 2022 @ 10:24 am
I’m also confused by it. The first year I went to Americanafest was 2016 and I saw country acts like the Malpass Brothers, Lee Ann Womack, Wynonna Judd, and Luke Bell. Since then, it appears that it has become less country music and more political agenda.
wayne
June 16, 2022 @ 11:52 am
Robert’s,
Exactly.
Ian
June 17, 2022 @ 12:41 am
I think Michael Bloomfield was probably one of the first artists that I have heard of using a similar term, with his band Electric Flag (which was after his work with Paul Butterfield and Bob Dylan) he simply said they were an “American Music Band” which of course is slightly different than Americana but not by much. When he put out his first solo album it started with a hard country honky tonk song and from there moved through blues, R&B, back to country, to sort of soulful folk, all that to say it blended the lines. At the same time you have people like Doug Sahm who of course started as a pedal steel prodigy even playing shows with Hank Williams, but he was from Texas so spanish music and all kinds of other sounds worked their way into his music. To me “Americana” is when you like Flaco Jimenez, Floyd Cramer and Professor Longhair equally. At the end of the day all genres are just a way to make organizing record stores a little easier. But my records are just sorted alphabetically and I also have a random area simply called “bullshit”! I don’t really care what “genre” an artist is playing as I like the song. Speaking of genre, the king of country music Jimmie Rodgers played with Hawaiian musicians, Louis Armstrong and The Carter Family so maybe he was the one who started Americana!
Daniele
June 18, 2022 @ 1:24 am
To me “Americana” is when you like Flaco Jimenez, Floyd Cramer and Professor Longhair, ok so that’s me.
Rlm
June 17, 2022 @ 7:14 am
I’ve heard it said that Americana is country music for liberals
JF
June 16, 2022 @ 11:21 am
The only good thing I can say about the Grammy nominations and winners, is that it is usually pretty funny. Get a good laugh out of it every year.
Eric
June 16, 2022 @ 11:42 am
The music industry doesn’t bother with taking creative risks, or taking the time to really develop new artists. Maybe this is why most award shows seem so pointless.
(Still) The Ghost Of OlaR
June 16, 2022 @ 11:56 am
…The Best Americana Performance Grammy goes to…Beyonce feat. Lil Nas T & Da Whoppa Tha Stallione!…
Tex Hex
June 16, 2022 @ 12:59 pm
The dominant trend in mainstream American culture now is to dismantle language and meaning, so meaning is absolutely subjective. Nothing is ever one thing or the other, it’s multiple things, or nothing at all – and if you try to define something, you’re a fascist or racist.
When a novelty hip-hop recording like “Old Town Road” gets designated as “country” by the larger culture, and any protest against that designation is deemed as racist, defining anything in music at large becomes next to impossible. The fact that the Grammies now have a “best social justice song” category tells you where the priorities are.
Jake Cutter
June 16, 2022 @ 1:09 pm
Is that picture from the future, of Jason winning the SJW Song of the Year award?
Marc
June 16, 2022 @ 1:49 pm
We look forward to winning a Grammy in the Americana Roots category……Sincerely, Jethro Tull.
Kevin Smith
June 16, 2022 @ 2:40 pm
Heard about this on a late afternoon talk radio show. The guys talking were asking what Americana is, they were totally unfamiliar. I laughed. Even the Americana people really can’t define it. Its like Tex Hex alluded, its an ever changing (rolling) definition and largely influenced by pop culture political whims of the day. I sound like grandpa here, but in the old days, back in the early oughts, it was a thing called Alt-Country, and it was Cash, Emmylou, Crowell, and others Country radio put to pasture, and a bunch of Bloodshot label artists and people like Alejandro Escovedo, Son Volt , Buddy Miller, Jim Lauderdale, Lucinda Williams, and others. Then, there was a moment where it was, all the string bands all of a sudden were “Americana”. You had to be a progressive old-timey string band. Then, they ditched the poster boy Lauderdale, and replaced him with some folky band called Milk Carton Kids. And then people like Stephen Stills and John Oates were all of a sudden considered “Americana”. And along the way R&B became “Americana” as well as some blues acts and gospel acts. So you saw people like War and Treaty, Mavis Staples, and others getting all the love. But what you don’t see much of, is honky-tonk acts, authentic Country acts and the like. So, I to this day find it impossible to define, but I hear the word umbrella tossed around. Best quote was Dale Watson, who was assured his brand of Country was definitely “under the umbrella”, he told them if we are under your umbrella, then why are we getting wet? Meaning, why is traditional Country ignored mostly.
I dont watch Grammy Awards, as I no longer feel they are relevant to much of anything in my universe. So, ehhhhh….
Mac Sledge's Revenge
June 17, 2022 @ 6:51 am
Solid analysis.
The “Alt Country” term was also getting thrown around a lot in the mid-to-late 90s to try and define bands like Whiskeytown, Old 97s, Bottle Rockets, etc. I thought it was just a convenient shorthand for “non-radio country,” as you mentioned.
I appreciated that term and movement, because it was the catalyst that split by musical worldview open like a bolt of lightning and introduced me to new sounds and artists. But, like you say, that nebulous, undefined blob known as “Alt Country” joined with other nebulous blobs over the years to culminate in this big mother blob called “Americana” that we all argue about today.
As Trigger argues, it’s not a bad thing. Any spotlight on these artists is a positive, however major industry folks choose to define it. But it’ll never be defined and always argued about the parameters of it, and it will probably splinter into even newer, smaller different terms in the coming years. And then we can argue and split hairs about those terms too.
Remember (probably misremembering) a quote from a young, drunk, obnoxious Ryan Adams back in the early ’00s:
“Alt Country is just a term for nerdy types with college degrees and David Alan Coe records.”
Smithy
June 16, 2022 @ 6:43 pm
Fuck Jason Isbell
Bettina Paulsen
June 17, 2022 @ 8:56 am
Well, let’s not get ugly. Shall we? You can say you disagree with things he has said, but IMHO, you cant beat him up for not knowing how to write a song.
EmmonsDay
June 18, 2022 @ 2:45 pm
Super insightful bud. Really furthers the conversation. I’d say anything written on a bathroom wall is worth publishing on the internet, and I’m glad you agree.
Neil Young’s Potatoes
June 19, 2022 @ 2:55 pm
To be fair, he is the worst.
Trigger
June 16, 2022 @ 8:22 pm
Well I’m glad the peanut gallery has been heard from, and though it may be hip to say you don’t care about any of this stuff, strange you took the time to comment on it. Seems like you really do care, just in the negative. The Grammy Awards are no different than any institution, and deserve to be fought for. You may not care, but in 2020 Tyler Childers flew in all the way from Norway while he was on tour just to watch himself lose during the pre-telecast. There is a reason Sturgill Simpson brought his Grammy along with him when he busked in front of the CMA Awards a few years ago. It’s because these awards do matter to the artists, partly because it’s other artists that award them.
I get that some folks get incensed by the term “Americana,” including the aforementioned Tyler Childers. But there’s a lot of great music being supported there that is not being supported in “country.” I choose to care not because I’m trilled with the term, or because I agree with the politics of Jason Isbell. I care because good music is worth caring about, and our cousins in “Americana” deserve our support. So do bluegrass, folk, and blues artists, which this issue also affects.
Ian
June 17, 2022 @ 12:51 am
It is interesting how definitions change, that is how languages develop. Take for instance “meme” which basically started as a way to describe anything that has gone viral, pre-internet such as various urban legends and even songs. It did not mean, picture with text interposed, but now it basically does. Look at the word “ballad” which most definitely means a narrative story song, but good luck telling someone that a tear jerking love song is actually better described as a “torch song” because most people have latched on to the idea that a love ballad is a thing. They are wrong but it’s fine, there has been a second definition added to the dictionary. I think even “irregardless” is in the dictionary as an incorrect word that has been somehow added to the lexicon. All that to say, I have always considered Jason Isbell “southern rock” and nothing is going to change my mind!
Jake Cutter
June 17, 2022 @ 5:39 am
The idea that in order to care about good music, you MUST care about a corrupt institution like the Grammy’s, is a bit sus. Now excuse me while I go find some more peanuts, cuz I obviously hate “good music.”
Trigger
June 17, 2022 @ 9:27 am
I’m not saying that you must care or that if you don’t then you obviously hate “good music.” But maybe not slag the people who do care.
I arrived at the Telluride Bluegrass Festival yesterday, right as Bela Fleck was taking the stage with Sierra Hull, Brian Sutton, Michael Cleveland, and others. Jerry Douglas, Chris Thile, Molly Tuttle, and others joined them throughout the set. They were celebrating Bela’s “My Bluegrass Heart” winning the Grammy for Best Bluegrass Album, which was nominated right beside Sturgill Simpson and Billy Strings. We’re talking about some of the best musicians on the planet, playing bluegrass. I don’t know what kind of corruption compelled the Grammy Awards to distinguish it, but I’m all for it. I was standing a few feet from Tyler Childers who plays tonight, who was in awe watching all those players.
Bluegrass is in the American Roots category of the Grammy Awards, which this topic affects. And there is no more fundamental version of country still in popular practice today than bluegrass. That is why I care. If you don’t, so be it. But these are not the CMAs.
Di Harris
June 17, 2022 @ 9:41 am
“I arrived at the Telluride Bluegrass Festival yesterday, right as Bela Fleck was taking the stage with Sierra Hull, Brian Sutton, Michael Cleveland, and others. Jerry Douglas, Chris Thile, Molly Tuttle, and others joined them throughout the set.”
You lucky dog!
Wishing you a great weekend!
Jake Cutter
June 17, 2022 @ 9:42 am
Nice anecdote, but not representative of their overall track record.
Enjoy the festival.
Doug Carter
June 18, 2022 @ 5:31 am
Jason Isbell has 2 black eyes in that photo, yes? WTF?
Tex Hex
June 18, 2022 @ 9:03 am
Nah, just droopy bags from losing so much sleep ‘cause he can’t stop thinking about new ways to virtue signal.
EmmonsDay
June 18, 2022 @ 2:50 pm
Americana is a good problem to have. Also inevitable, as they’ve eliminated so many categories over the years.