On The Split of Country Duo Maddie & Tae

You can’t say you didn’t see it coming, and you can’t really say you blame them. It’s hard in country music for women, for duos, for mothers, for performers who want to keep their integrity in tact, and all of these things describe Maddie & Tae, probably best known for their breakout single and Bro-Country kiss off, 2014’s smash #1 single “Girl in a Country Song.”
On Monday, December 8th, Maddie Marlow Font and Tae Dye Kerr announced they are officially splitting up as a duo, but insist it’s not a permanent breakup. They’re leaving the door open to working together in the future, and remain close friends. This decision wasn’t the result of some contentious feud or fight. It was due primarily to Tae Kerr wanting to spend more time at home with her two children and growing family.
“It’s been such a hard, hard—honestly, heartbreaking—decision,” Tae Kerr says. “This was the only dream I’ve ever had since I exited the womb. I had a very specific vision of creating music and singing music. When we met at 15, that’s what we set out to do, and we’re both just so grateful that we’ve had the journey that we’ve had. This career has been everything we’ve ever wanted.”
But now Tae Kerr wants to spend time at home being the mother to her four year old daughter and 13 month son, and the wife to her husband Josh Kerr, who is a hit country songwriter and Grammy winner. Maddie Font has a two year old son of her own, but her husband is the stay-at-home member of the couple, and Maddie looks forward to launching a solo career.
“I’m a mother, too, so I totally understand the pull,” says Maddie Font. “We both were very aware of Tae’s heart just not being in touring as much,” which ultimately led to the decision. The duo says recording music or performing live together in the future is not out of the question.
The legacy Maddie & Tae leave behind (or put on pause) is a complex one to consider. Though some regard them as a one hit wonder via “Girl in a Country Song” who never really developed beyond the shticky track, that’s not true at all. The duo followed up the song with the Top 10 “Fly” that was later Certified Platinum.
Then five years later in 2019, the duo’s song “Die From a Broken Heart” became a massive hit, cresting at #1 and becoming Certified 4X Platinum. “Friends Don’t” only reached the 30s on radio, but was a major organic hit, and has been Certified Platinum too, giving Maddie & Tae four Platinum certifications.
But the story of the duo really is a story of only a few genuine breakout hits over a span of 11 years, with not much in-between. Though they were nominated for the CMA’s Duo of the Year 11 times, and the ACMs Duo of the Year nine, this speaks more to the weakness of the category than any real staying power or cultural cache that Maddie & Tae enjoyed. They were the anti-Bro duo, yet ironically feel like a relic of the Bro-Country era in some respects.
Irrespective of the measure of their success, the duo has always been easy to root for. They were a bit more country than their mainstream counterparts, and were willing to have a little fun and be funny, and take chances. They caused a stir in the mainstream, with Florida Georgia Line’s Brian Kelley getting heated over “Girl in a Country Song.” They were one of the few mainstream country female success stories of the era. If nothing else, they outlasted Florida Georgia Line.
However, the backdrop of the pseudo breakup is the duo’s 2025 album Love & Light that didn’t seem to raise the pulse of just about anybody. They tried to make “Heart They Didn’t Break” into a single, but it failed to chart. The fire and frivolity of some of their early music felt replaced by complacent musings on life and maturity—perhaps appropriate for their moment in life, but not especially compelling to audiences. It was also more contemporary in a more country moment.
Maddie & Tae met in 2010 in Dallas when they were 15 after being paired up by a vocal coach. One was from Oklahoma, and the other was from Houston, and they met half way. They’ve literally spent half of their lives together as duo singers and co-writers.
“I just want to make sure that our fans know how much we love them and how grateful we are for them,” says Maddie Font. “We have kept doing this for so long because of them. They have been the gasoline in our tank.”
The duo still has about a dozen shows on their calendar through June of 2026 before officially calling it quits.
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December 8, 2025 @ 8:27 pm
I enjoyed this article. Not a group I’ve thought that much about but it was nice to reflect on them. Wish them the best
December 8, 2025 @ 9:16 pm
I thought Through the Madness from 22 was a great album, but was disappointed in the Josh Kerr produced Love & Light record. Hopefully, Maddie, who’s the real vocal talent in the duo, will find a better producer than Tae’s husband for her next project.
December 9, 2025 @ 4:34 pm
I would argue that they’re both talented vocalists. What Maddie has going for her is a unique voice. Nobody else sounds like her.
Also, credit to both of them for singing properly in an era where so many female singers are either overly breathy or, in the worst cases, sing with really strange accented enunciation that is almost child-like.
December 8, 2025 @ 10:37 pm
Good for Tae Kerr that she wants to have a normal family life and is taking the time off to do it.
BTW, quick persusing of Wikipedia and Google shows that Tae’s husband Josh Kerr is the brother of Hannah Kerr, a Christian music singer on the Black River label, and Josh and Hannah Kerr are the grandchildren of the head of Black River Entertainment, Terry Pegula, a petroleum engineer who owns the Buffalo Sabres and is also part owner and president of the Buffalo Bills and is descibed as being worth $7 billion.
So I wouldn’t worry about any of these folks. Seems they have the resources to juggle raising a family and stepping away from and restarting careers.
Wild guess: In a year, we’ll hear that Tae’s husband described as “Buffalo Bills assistant GM and and part-time songwriter…”
December 9, 2025 @ 8:07 am
Holy Nepotism, Batman!
December 9, 2025 @ 7:09 am
Never listened to them on regular rotation, but they’ve always seemed to be a bright spot in the mainstream. If Tae is taking a step back, I do hope Maddie keeps going as a solo artist. We need more strong female artists out there.
December 9, 2025 @ 8:09 am
Man, I hate to see this (although I totally understand and support the decision). My daughter absolutely loved their music and Die of a Broken Heart is one of our very favorite songs. They were such a positive influence (although vastly underappreciated) on other up and coming female acts. Will miss new music from them.
December 9, 2025 @ 8:41 am
Sad to hear. The type of pop-country (think late 90s/early 2000s) that was still rooted in country. Released the best album of their career this year. Wish them the best!!
December 9, 2025 @ 9:03 am
It’s hard for Country music for women,A THOUSAND TIMES HARDER for us blacks,TEN THOUSAND TIMES harder for us handsome black cowboys,but I wondered what happened to Maddie and Tae,because “Girl In A Country Song” perfectly illustrates women’s struggles to be heard in the genre.(I should have written and sung,”Handsome Black Canadian/American Cowboy Never Sung About.”) Hopefully,those talented ladies can reconcile and resume their career.
December 9, 2025 @ 11:01 am
The agricultural industry is always hiring…
December 9, 2025 @ 9:06 am
Unfortunately,Ms. Kerr and Ms. Font came along during the onset of “Bro-Country,” which torpedoed their career.
December 9, 2025 @ 9:18 am
My wife and I enjoy their music, and we loved seeing their lives reflected in songs like “Chasing Babies & Raising Dreams.” As a father of a 3 year old and a 1 year old, though, I can imagine the intense strain of juggling touring and motherhood. I hope it’s a much-needed hiatus for a few years until coming back together, since they have always been genuine and heartfelt and solid role models, much needed in our day.
December 9, 2025 @ 9:57 am
I’ve always enjoyed their music and rooted for them, but it felt like their label just never gave them all that much support for whatever reason.
December 9, 2025 @ 9:57 am
It’s a bummer, but like others have said totally understandable. Can’t help but think their legacy would have been a bit different if not for that unplanned 5 year gap between albums 1&2.
December 9, 2025 @ 9:58 am
Not a big fan but I respect and admire Tae’s decision to focus on her family. And I wish Maddie nothing but success as she continues her career.
December 9, 2025 @ 10:26 am
I would imagine touring is hard on family life and children grow so quickly. I can understand why Tae is focusing on her children, they are very young. Family must come first. Good luck to both of them.
December 9, 2025 @ 11:41 am
Never my particular flavor but I had to hear “shut up and fish” lots when my girls were younger and I know those two sound amazing together – very few not sisters harmonize that well. King Margo doing it right and right now, save that you gotta go back a good while.
Hope they both stick the landing.
December 9, 2025 @ 11:44 am
Not a hater – and not a listener of them, but the amount of award nominations they have received is ridiculous.
December 9, 2025 @ 11:51 am
It’s quite an achievement that I managed to get to the end of their run without ever knowing which was which.
December 9, 2025 @ 4:37 pm
big deal. Once saw Dan + Shay open for Turnpike, and I still can’t tell you which one is Dan and which one is Shay?
December 9, 2025 @ 5:47 pm
Going five years between each album ruined their momentum.
Imagine being thirteen – just becoming a teenager – and excited about their first album, and being told that the next one will be out when you’re an adult.
December 9, 2025 @ 7:27 pm
To be fair it was largely label interference as well as corporate shakeups that jeopardized their momentum.
I’d also argue releasing “Fly” as the direct follow-up to “Girl In A Country Song” was a costly mistake with how lethargic and anonymous it sounded. It just simply didn’t play to their strengths and halted all of their momentum for a while there needlessly burning through all of those months to barely scraping the Top Ten by the end of its run.
December 9, 2025 @ 7:34 pm
Their label shut down after their first album so they had to deal with all that.
Then they chose to release their 3rd album (through the madness) as 2 EPs in 2022 for some reason.
December 9, 2025 @ 7:22 pm
The quality of their output really declined after their debut album, in my opinion. Their personality and some degree of wit was what drew me to them in the first place…………..but then it’s as though their label squelched them of any personality or identity thereafter with “The Way It Feels” and “Love & Light” suffering from sounding dull and lifeless and lacking any clear artistic angle aside from their only other major hit “Die Of A Broken Heart”.
Tragically I blame label interference primarily for their precipitous decline: pointing to their six years between debut and sophomore studio albums as additional evidence of this. I also always thought it was a huge mistake following up “Girl In A Country Song” directly with the instantly forgettable adult contemporary ballad “Fly”. It absolutely should have been “Downside Of Growing Up” if they wanted to take a more mature track or “Shut Up And Fish” if they wanted to double down on the playful side. The glacial months-long radio push for “Fly” just instantaneously sucked all of the momentum out of their career at the time until rebounding with “Die With A Broken Heart” five years later.
I do genuinely sympathize with where they’re at and although I suspect it will be a long time before they reunite, I’m wishing them both the best.
December 10, 2025 @ 12:14 pm
I think “Downside of Growing Up” might be their best song. It absolutely should have been a single.
December 10, 2025 @ 12:12 pm
End of an era. I liked the first album but their next few were kind of dull. There were some good songs but it seemed like they didn’t have another “Girl in a Country Song” in them. With that said I have a soft spot (guilty pleasure) for Sad Girl Summer that released this year. I could have seen that as a first album song.
I wish them all the best and hope they reunite again in the future.
December 10, 2025 @ 3:50 pm
Good for tae. Kids dont stay little very long. Enjoy them while you can. I liked them though like some have said, the lack of music for a long time hurt them. I wish them both well.
December 11, 2025 @ 7:36 am
I wonder if the “Bro-Country” era was the “Girl In A Country Song” backlash. Anyway,hopefully Maddie and Tae resume their career as their children mature to the age they don’t require as much supervision.