On Zach Bryan Declaring “I Don’t Want to Be a Country Musician”


Thank God.

In a moment in popular music when everyone wants to declare themselves country, here’s a musician who’s more country than he is anything else, but due to his respect for what country music is, his honesty with the public and his inattention the marketing of his music, and his desire not to be pigeon-holed in a specific genre, he’s actually speaking the truth.

This is what we all hoped that Sam Hunt, Walker Hayes, and Florida Georgia Line would do in their heyday, and didn’t. This is what we wished that Jelly Roll would do now. This is what Taylor Swift actually did right before releasing her album 1989, and that honesty is what won her lots of good will within the country music community for finally being truthful about her music, and bowing out.

This is also what Beyoncé said in no uncertain terms before releasing her latest album Cowboy Carter, and wanted to emphasize this so emphatically, they broadcast her “This Ain’t a Country Album” declaration on the side of the Guggenheim Museum in New York as part of the album’s marketing campaign. And even still, due to false media narratives and the misunderstanding of Stans, Billboard has slotted her album on country charts, and the Grammys have it competing in country categories for the upcoming awards.

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In a one-on-one interview with Bruce Springsteen posted on Wednesday, October 16th, Zach Bryan declares point blank, “I don’t want to be a country musician. I don’t want to be a country musician. Everyone calls me it. I want to be a songwriter.”

And that’s what Zach Bryan is. He is a songwriter. When Saving Country Music reviewed Bryan’s latest album The Great American Bar Scene, the album was slotted on the Country Music Dewey Decimal System as “#570.15 (Singer/Songwriter-inspired Americana),” not as a straight country album. Because that’s what The Great American Bar Scene was.

That doesn’t mean that Zach Bryan hasn’t released country songs in the past, or that there’s not country songs on his latest album. Whether a song, album, or artist is “country” or not deserves to be considered on a case by case basis. You’d have a hard time convincing anyone that Zach’s songs “Open The Gate” or “Heavy Eyes” aren’t country songs. Far and away the most popular song on Zach’s new album is “28.” It’s a song set in waltz time where the melody is carried forward with a fiddle. It’s probably fair to call it a country song.

Overall though, Zach Bryan is a songwriter, just like Guy Clark, Townes Van Zandt, John Prine, Lucinda Williams, and others that never fit well in country, but contributed to the country music canon, and fit better in country than anywhere else. Would we consider Zach Bryan hip-hop? Pop? Heavy metal or rock? No, we would consider him a songwriter. Noah Kahan is a similar case. But Zach’s music is more roots-based and akin to country, while Noah’s music is a bit more folk/pop based.

It’s important to understand that Zach Bryan isn’t declaring he doesn’t want to be considered country out of distaste. In the interview with Bruce Springsteen he says to Bruce, “I’m not insulting your genre, but when I listen to your music, I’m like ‘If you put different production to this, it’s a country song.'” And Zach Bryan is right. Bruce agrees with Zach, saying, “Right, right. There’s a lot of country influences,” just like with Zach Bryan.

The two also talk specifically about Bruce’s album Nebraska, which many consider Bruce’s country or “Americana” album. Zach Bryan says he was aiming for something similar with The Great American Bar Scene—to make an album that defies audience’s expectations and almost purposely under-performs commercially to slow everything down for a performer that’s gone from enlisted in the Navy to now selling out stadiums in five years. As Zach Bryan puts it, he wants to catch back up with himself.

So is all this talk why Zach Bryan recused himself for Grammy consideration for this year? He says at the start of the interview, “I feel like everything is trying to be on top of other music, competition-wise when it comes to awards and things like that,” so it seems like this is less about genre, and more about his artistic intention to have a more muted impact with The Great American Bar Scene, which frankly you can hear in the more hushed and slow songs from an album that lacks a true “single.”

Zach Bryan’s intentions deserve to be respected when he says he does not want to be a country star. So should Beyoncé’s, though she’s not being respected. Ironically, certain people and institutions are afraid of coming across as insulting to Beyoncé by saying she’s not country, when just like Zach Bryan, this boxes her into a genre as opposed to honoring her artistic intent.

Ultimately, genre is there to help connect creative expressions with the people who they are most likely to resonate with. Calling Zach Bryan straight country creates some of the conflict you see when his name is broached in country circles. Acting like his music isn’t akin to country at all is also a disservice to many of those who can, will, and do connect with Zach Bryan’s music, which embraces the long-standing singer/songwriter aspect of the country genre.

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