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June 4, 2025

Album Review – Big City Brian Wright’s “Sky Trucker”

9 Comments
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Country traditionalist Big City Brian Wright isn’t the first to record a country trucker album, and he won’t be the last. But he is the first to take a country trucker album, and make it fly.

February 29, 2016

Video Review – Chris Stapleton’s “Fire Away”

37 Comments
chris-stapleton-1

Fearlessly the “Fire Away” video meets a very real issue head on—an issue that seems to have no governor on who it affects: rich and poor, men and women, and individuals from stable homes with ample love, concern, and attention surrounding them. It also delves into how even the purest love can be a flimsy firewall for the destabilizing, and sometimes catastrophic effects of mental illness.

February 29, 2016

Song Review – Frankie Ballard’s “It All Started With A Beer”

29 Comments
frankie-ballard-it-all-started-with-a-beer

We used to complain that most all country songs these days were about beer and trucks. The point was to hopefully expand mainstream country’s thematic subjects. Bo in concession they cut most of the references to trucks out, leaving only one piece of subject matter on the table. There’s only one little Indian left, and it’s amber and comes in a bottle or can.

February 29, 2016

Jason Isbell’s Long Lost Twin Clyde is Jealous of Brother’s Success

40 Comments
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This is one of many accusations from Clyde Isbell, the rarely talked-about identical twin brother of Americana star Jason Isbell, and co-frontman of a local Allman Brothers cover band in Alabama. Saving Country Music tracked down Clyde in a trailer park outside of Muscle Shoals to ask him about his brother’s recent success, and attempt to determine why the lives of the siblings have forked in separate directions.

February 28, 2016

10 Years Ago Today, Hank Williams III (Hank3) Releases Magnum Opus “Straight To Hell”

31 Comments
hank-iii-straight-to-hell

Time is the ultimate judge and critic of music. 10 year anniversaries don’t always fall favorably for legendary records. They’re still too young to be considered vintage or retro, but are just old enough to be out of style. But unfolding the flaps of “Straight to Hell” today, re-living the music, it’s hard to not feel the same magic you heard when you listened to the record for the first time.

February 28, 2016

Album Review – “Summertime: Willie Nelson Sings Gershwin”

10 Comments
summertime-willie-nelson-sings-gershwin

Similar to the Gershwin Brothers, Willie Nelson transcends genre and era. Willie reprises “Someone to Watch Over Me,” and ten other Gershwin tunes on his latest release Summertime—a stylized and smooth journey back to the classical era of pop, yet still mostly defined by Willie’s signature warble and nylon string tone.

February 27, 2016

Waylon’s Eldest Son to Release Memoir, “Waylon: Tales of My Outlaw Dad”

13 Comments
Waylon-tales-of-my-Outlaw-dad

Waylon Jennings was just 19-years-ol when Terry was born, and by the age of 15, Terry had dropped out of school and was a regular roadie working for his father. During that time, Terry not only got to witness the rise of his father to the status of a country legend and a Hall of Famer, but he got to see performers like Willie Nelson, Johnny Cash, Kris Kristofferson, and Waylon’s final wife Jessi Colter do the same.

February 27, 2016

Luke Bryan Can’t Hold His Beer, Falls on Stage (Again)

30 Comments
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When they compile a highlight (or lowlight) reel of Luke Bryan’s career, along with his Greatest Hits, they’ll have to include his greatest falls. There was a reason that at the CMA Awards in November, co-host Carrie Underwood referred to the Georgia son and spitting image of Gomer Pyle as “Luke Stagefaller” in their opening Star Wars skit.

February 26, 2016

This Kesha vs. Dr. Luke vs. Sony Business

43 Comments
kesha

Yes, it’s very easy, and very popular and seductive to rally behind Kesha in this matter. The press and popular culture love to hate stories about women being kept down or even abused by overbearing men and the companies they run or hide behind. Kesha doesn’t have a particularly compelling reason to lie, though the way major label contracts are constructed, who wouldn’t want out of one . . .

February 25, 2016

Jon Pardi’s “California Sunrise” & William Michael Morgan’s EP to Bring Tradition to the Mainstream

34 Comments
william-michael-morgan-ep

Three of the most promising male artists in the mainstream are William Michael Morgan, Jon Pardi, and Mo Pitney. If there’s a traditional country insurgency looming in the wings, it might be carried on their backs. But with so many albums getting delayed, the big question was if any of them would see a proper album release, or be stuck in limbo like so many other artists. Luckily, there’s been some movement.

February 25, 2016

Granger Smith’s #1 “Backroad Song” Is No Victory for Texas Country

89 Comments
granger-smith

But what’s the fun of getting to the top when you’ve compromised everything to get there? Despite some declaring the #1 for “Backroad Song” as a victory for Texas country, it is anything but. It was Granger’s abandonment of Texas country and the values of that scene, and walking away from the decent songwriting evidenced earlier in his career that finally got him the commercial success he has clearly craved.

February 24, 2016

Willie’s Luck Reunion Offers Stupid Good Lineup & Best Alternative to SXSW

11 Comments
luck-reunion

Starting around 2011 or so, if you hung around and talked to up-and-coming country and roots bands attending SXSW, you’d hear whispers about an invite-only event out at Willie Nelson’s ghost town outside of Austin called Luck, TX. Luck was originally constructed as part of the set of the movie The Red Headed Stranger released in 1986—a companion to Willie Nelson’s legendary album.

February 24, 2016

A Bigger Concern for Country Than Some Festivals Going Belly Up

38 Comments
dega-jam

As Bro-Country was on the rise, think pieces all across media questioned the sustainability of such shallow music. And it turns out they were right. Florida Georgia Line and others brought throngs of new fans into the country fold, but they weren’t there to stay. Listeners moved on to the next craze, and even when country’s footprint was growing, it wasn’t growing at such a clip that it could sustain all the festivals . . .

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