Possessed By Paul James Finds Breakout Success with New Album
Since Texas-based singer-songwriter Possessed by Paul James released his latest album There Will Be Nights When I’m Lonely out into the big scary world on October 29th, it has been on quite the tear, especially for an artist that up to this point was thought to only be known by a small, but dedicated sect of fans. The album held steady at #2 on Amazon’s Alt-Country/Americana MP3 chart for well over a week after the release, touched the #1 spot Friday night, and has remained in the top 10 since the release. Then this week, he received an email from Billboard informing him that his little independently-released album on Hillgrass Bluebilly Records had made it all the way onto the Americana/Bluegrass chart at #12, in between the latest albums from Old Crow Medicine Show and Noam Pikelny.
“I went over to our neighbors and we were just laughing our asses off in the driveway that it’s being that well-received,” says Possessed by Paul James, who lives in the small Texas Hill Country town of Boerne. “This is the first interaction with industry if you will—that level of industry with Billboard. We’re blown away, we’re amazed. I think what that tells us is that even though there’s been minimal opportunities, we obviously have done a very nice job making sure people see how sincere it is, and the quality and sentiment behind the music really reaches people in a powerful way. I think that’s the one recurring theme that keeps us in it, because people keep responding so positively. Otherwise, I don’t know how in the world we would be even in the situation to have this type of interest right now.”
It’s not as if Possessed By Paul James spends his days on the phone doing interviews with radio stations and newspapers, or is out touring non-stop behind the album like many full-time musicians. Leading up to the release and in the weeks after, Possessed by Paul James, whose real name is Konrad Wert, has been busy running a classroom of developmentally-disadvantaged elementary-aged children as a full-time special education teacher—an occupation that has awarded him similar accolades to what he’s receiving in the musical world. Last year, Konrad Wert was named Teacher of the Year for his school, and was awarded a “Golden Apple” award in September as a regional distinction for teachers who excel at their discipline.
While in the classroom, Konrad’s attention is clearly focused on the children, far away from the dimly-lit bars and clubs he plays when he can during vacations and long weekends. “Teaching feels like that first line of focus and defense when families are struggling in our country. It is in the trenches of social change. It is investing in children, and if you’re investing in children, you’re investing in what society is going to develop into.”
Even though his music is a part-time pursuit, it receives full-time love when Teacher of the Year Konrad Wert morphs into Billboard-charting Possessed by Paul James.
“The biggest difference with this album is we’re at a very unique time in our lives as a family,” says Konrad. “I think foremost that was the biggest difference with where the material was coming from. The writing style, the approach with what we wanted to record, and how we wanted to record was very different. I think that in itself opens up another channel for listeners. And for me as a musician, I wanted to get to another element within the music, another way to hear the music, sing the music, and write the music because that the whole reason we do it to begin with because it’s fun that way. And it’s going to keep developing in a different way. Our next record is going to be different than how we put this one out. It’s going to be a different style. It’s just bound to be the case.”
Possessed by Paul James says he didn’t start out to make a breakout album, but if that is what There Will Be Nights When I’m Lonely becomes, he’ll take it.
“In starting, the only goal an artist should have is what can you write, and what can you share. That should be the only goal. Nothing else. But when that feels solid, when you feel confident in what you’re writing and sharing, then the other pieces—the tools and the management of it—how to manage that and share it with a wider audience come into play. We didn’t have the intention of contacting NPR or Billboard necessarily. They were ideas, but all of a sudden, they’re contacting us. That in itself I think is an amazing accomplishment and a coincidence all happening at the same time around this release.”
Possessed by Paul James usually performs as a one man band, but There Will Be Nights When I’m Lonely features a full band sound on many tracks, while still respecting his live performance with many stripped-down songs as well. Appearing on the album with Konrad were world-renown steel-guitar player Lloyd Maines, Texas music Hall of Famer and harmonica player Walter Daniels, Cary Ozanian and Darren Sluyter from The Weary Boys, and members of Austin-based band East Cameron Folkcore. Watler Daniels, and Cary and Darren from The Weary Boys joined Possessed by Paul James on stage November 2nd during the CD release party at Antone’s in Austin, TX.
Nick
November 9, 2013 @ 10:22 am
Wow! This album is a knock out! It is great to see a truly independent artist break out. In a world of Mumford mania, artists like Possessed By Paul James, and the Devil Makes Three keep string band influenced music honest.
Synthetic Paper
November 9, 2013 @ 11:24 am
This album deserves all the accolades and success it is receiving. I want to say it’s a very accessible album, though that word can have a bit of a bad connotation in underground music and I don’t mean it in that way at all. Maybe “engaging” is a better word. You put the album on and it just immediately grips you and doesn’t let go until the end, and it leaves you wanting to hear it all over again.
I honestly can’t imagine anyone with a predilection for this type of music not liking it immensely. Heck, even people who aren’t normally into this type of stuff seem to be responding very favorably to it, judging by the reactions “Songs We Used to Sing” has gotten when I played it for friends.
Bill
November 9, 2013 @ 5:51 pm
It’s one of my favorites of the year and it came along at just the right time. I can’t get enough of it.
ojaioan
November 9, 2013 @ 10:35 pm
KUDOS AND CONGRATULATIONS to Konrad Wert, Paul James and you Triggerman! It warms my skepticle(music industry)heart to see a talented artist get his due “cog”!
Eric
November 9, 2013 @ 11:44 pm
“In starting, the only goal an artist should have is what can you write, and what can you share.”
What if the artist is not a strong writer? What if his/her creativity lies in vocals and/or instrumentation rather than in writing? What if the artist is great at composing melodies but not at writing lyrics, or vice versa?
Aaron
November 10, 2013 @ 4:19 pm
hey amigo, i think that maybe composing melodies could be seen as ‘writing’ melodies, and i’d say ‘sharing’ would encompass that other stuff. i don’t think old boy is trying to put down instrumentalists or singers, hey. from yer comments it sound’s a bit like you don’t really dig PPJ ( i could be wrong), why’s that man?
Eric
November 10, 2013 @ 5:03 pm
I actually like Paul James quite a lot, including his new album. I just have a kneejerk reaction to the whole idea of “write your own songs” that I see all the time in underground circles, although I am not completely sure if that was the point that Konrad was making here.
Not everybody is good at writing whole songs. Some are good at just writing lyrics and not melody, while others are good at just composing melody but not lyrics. Others still are great interpretive vocalists or great instrumentalists, but not strong at writing songs at all. My point is that underground country fans should not use such a one-size-fits-all standard as “write your own songs” when it comes to judging music.
Aaron
November 10, 2013 @ 8:56 pm
yeah righto man, and i agree with you in that i think a lot of powerful music has been made by people who weren’t the original songwriter. and as a tasmanian kid i don’t really know enough about the underground country scene to make any kind of valuable comment. sorry fer making the assumption about your tastes too, hey.
Eric
November 10, 2013 @ 11:28 pm
No problem!
Eric
November 9, 2013 @ 11:59 pm
Interesting observation: it seems to me that Americana artists are much more liberal than mainstream country artists. This comment gives away Wert’s political views:
“Teaching feels like that first line of focus and defense when families are struggling in our country. It is in the trenches of social change.”
ojaioan
November 10, 2013 @ 12:49 am
http://youtu.be/0r4H3u1mrWc
Eric
November 10, 2013 @ 2:06 am
Interesting song. In general, though, I dislike songs that preach excessively. Using anecdote is a much more effective method for promoting a point of view.
Ojaioan
November 10, 2013 @ 2:42 am
and your point is…?
Eric
November 10, 2013 @ 3:01 pm
“and your point is”¦?”
To comment on the song that you posted.
Gillian
November 10, 2013 @ 11:55 am
Right on! It’s good to see things happen for talented artists.
Jay
November 10, 2013 @ 11:59 am
I can’t believe you’re criticizing Konrad for believing education is important. Why would you be anti-education?
Eric
November 10, 2013 @ 2:58 pm
Who’s criticizing Konrad for saying that education is important?
I was making an observation that he connected education with the concept of social change. That is a liberal way of thinking about education.
Konrad W.
November 10, 2013 @ 4:23 pm
Eric amigo; what we’re trying to convey by using the word ‘social change’ is directed towards the breakdown of intervention with kids in public school. I’m not intending for “the great revolution” rather I’m suggesting that while in the class room we have the greatest opportunity to reach out to children that unfortunately find themselves within the proverbial crack. Now that ‘crack’ has grown, doubled even. Our classroom sizes are larger, our resources are smaller, our state representation continues to dwindle, our students are facing even greater challenges and our overall adult to student ratio isn’t coming close in meeting such needs. Eric I appreciate the dialogue amigo. My concern in all of this is that we’re seeing this across the country, in all states and districts. Social change = Stronger intervention for children in need. Cheers ya’ll.
Eric
November 10, 2013 @ 4:43 pm
I agree with you, Konrad. Greatly appreciate the hard, crucial work that you do!
Acca Dacca
November 10, 2013 @ 8:10 pm
This is great news. As you’ve said, Trig, it’s a good (or better) year for country music. I was really happy that Sturgill Simpson achieved some measure of breakout success this year and the same seams to be happening for Possessed by Paul James.
This is off topic and has nothing to do with country music, but I respect your musical opinion more than most, Trigger, even if I frequently nitpick your statements. I don’t necessarily think that you’ve listened to it (or, for that matter, are even aware of it), but what do you think of Creed frontman Scott Stapp’s new solo album “Proof of Life”? I personally love it, and the reason I thought to ask is because one of the user reviews on iTunes mentioned it being “more country than rock” which is complete ignorance, but it reminded me of your site and theories on the genre.
Trigger
November 11, 2013 @ 3:29 pm
I’m honestly not familiar with the project, but maybe I’ll put an ear on it if I have some time.
Acca Dacca
November 13, 2013 @ 1:21 pm
Please do. I’d love to hear your thoughts on it and who knows, you might be surprised by the music like I was. It’s obviously not relevant enough for an article, but a few sentences would suffice. It’s on Spotify and only runs about 40 minutes for the standard album (I got the Best Buy edition with two bonus tracks), so it shouldn’t take too much time out of your day.
Funkywheel
November 11, 2013 @ 10:07 am
Such a nice guy! hung out with him some at roots. he puts his heart and soul into everything he does. Great album!
johnny k
November 12, 2013 @ 5:35 pm
Then again, is it important to make it a big through the “underground” mainstream ? Trigger s promoting good underground bands, so i think talent has got nothing to do with making it “big”. It s more of a question of being at the right place at the right moment. And i don t think making it big is what these guys had in mind when they wrote all those songs, so i m glad for them, but i ll still have an ear out for the others. And still enjoy the more famous, and the less famous.
Scotty J
January 30, 2014 @ 3:19 pm
Video for ‘Songs We Used To Sing’
http://www.cmtedge.com/2014/01/30/possessed-by-paul-james-shares-songs-we-used-to-sing/
Good stuff!