Review – Dillon Carmichael’s “I Do For You” (Song & EP)
When populating your list of insurgent acts from Kentucky helping to turning country music right side up, don’t forget to key in Dillon Carmichael. In fact he might be one of the most important names to remember since he’s right in the thick of the mainstream as a signee to Riser House Records, working from the inside out to return twang and truth to country music.
Following up his well-received debut record Hell On An Angel from 2018, Carmichael released a somewhat unexpected EP in October called I Do For You. Doing an EP release in between your freshman and sophomore records should be generally discouraged since it commonly results in whatever tracks contained on the EP getting forgotten. Does anyone remember the EP that Margo Price released between her first two albums called Weakness? You probably didn’t until just right now, if you even knew about it in the first place. That’s the problem with EPs; they get regulated to the also-ran category of music, and are often overshadowed by their LP counterparts.
But there’s one major reason for this Dillon Carmichael EP, and one reason only: mainstream radio play. We wondered what Riser House would be able to do with Dylan Carmichael since he fits so far outside the standard mainstream model. If you’ll remember, the release of his debut album was delayed a few months, and some of his earlier (and best) songs didn’t make the cut for the debut record. And even though Riser House made a few stabs at radio with his debut, there was no real push in that direction.
Dillon Carmichael is a grassroots, album-based artist, building his career off of critical acclaim and traditional country appeal. But perhaps seeing the success that Luke Combs, Jon Pardi, and other more country-sounding artists are having on radio at the moment, Riser House now spies a window where Dillon Carmichael can slide in and find some success in this hardest nut to crack in country music too. That’s why the success of guys like Combs and Pardi is so important. It opens doors for others.
Full page ads in country trade periodicals, and calls from label reps to DJs and radio programmers have accompanied the I Do For You EP, and specifically the title track which was released as a proper radio single. It recently emerged in the #50’s on the charts and is slowly gaining traction. Whether this EP and its tracks eventually gets rolled into a bigger album later, or they stand alone until kingdom come, the I Do For You EP was a radio push, and so far it’s showing some preliminary success.
“I Do For You” is a quality Dillon Carmichael single, with plenty of twang from his Kentucky voice, fiddle and steel guitar, and is a decently-written tune talking about how his love for another changes his perspective and behavior in life. Lyrically, it fits well in the current “Boyfriend Country” trend, which isn’t entirely a bad thing. It will ingratiate itself to radio, and hopefully find its way up the charts, despite the pretty hard country production.
But when regarding the I Do For You EP in it’s entirety, it’s a little hit-miss-hit-miss-hit. “It’s Your Fault” is a good compliment to “I Do For You” with it’s pulsating beat and emotional moments. But “99 Problems (A Fish Ain’t One)”—which owes a hat tip to that Jay-Z song not about fishes, but female dogs—doesn’t really get it done as a good song. Of course you can’t take a song like this too seriously or you run the risk of the joke being on you. But the production feels wrong, and the list-like lyrics don’t do it any favors. This is an idea that should have been quashed in the writing room, or at the least left for a fun next-to-last track on a 14-song album. Here it feels a little exposed.
“Hung Up On You” is the kind of song you feared Carmichael would cut if Riser House ever insisted he needed to be on radio. The segments of electronic beats, and the predictably-structured chorus make it sensible for radio, but faulty for the type of true country fans that gravitate to Carmichael, even though the writing isn’t terrible, and the fiddle and harmonica still keep it somewhat rootsy.
So what you have with this EP is sort of a mixed bag, though probably more better than worse. Ultimately, when regarding EPs, you can’t take them too seriously. If the I Do For You EP gets the “I Do For You” single out there to country radio and it’s successful, more power to it. This would be a win for the good guys. But don’t get too caught up in the idea that this 5-song EP symbolizes some wholesale change in direction for Dillon Carmichael. A couple mild songs aside, he still should be considered a strong hope for country music’s future.
7.5/10 for “I Do For You” single.
6.5/10 for I Do For You EP.
apatriot1776
December 6, 2019 @ 12:25 pm
Also notable is the music video for “I Do For You” features two big stars from The Bachelor/Bachelorette. That alone shows me that they’re gonna put a big push behind this single and hopefully more of his music. Hopefully it gets on the level of a more palatable Hurricane, that can open up the door for more traditional-sounding songs much like This One’s For You Too.
OlaR
December 6, 2019 @ 12:33 pm
“A mixed bag”. Well said Trigger.
“I Do For You” is middle-of-the-traditional-leaning-road 90’s radio fodder. It might become a hit. It’s a good song. But the other 4 tracks are fillers like “Feel That Way Again” or b-sides like “Hung Up On You”.
I don’t think his label has a clue what to do with Dillon Carmichael. His voice is one dimensional & there is already Luke Combs dominating the chats right now.
A hope? Well…
A strong hope? Nope.
New Stuff:
Tom Curtain – We’re Still Here – Album (11 Tracks) – Released (11/14)
Golden Guitar winning australian country star Tom Curtain released his new album & his fans will be pleased. Multi-week #1 single “We’re Still Here” is the kind of heritage country Tom Curtain stands for. The album starts with the anthem-like “In The West” & is one of my highlights.
Sara Storer is featured on the former single “Speak Up” & on the new single “She Gave Us the Song” (together with Lee Kernaghan).
“She Gave…” is a tribute to the first lady of australian country music Joy McKean (singer, songwriter & wife of the legendary Slim Dusty). My other highlight is “Something Going On Out Here”.
Don’t compare Tom Curtain & his very australian album with the big money Nashville products. He is an indie-artist in a small market but already a star.
Della Harris – “Must Have Been The Wine” – Single/Track – Released
Next chart entry for Della Harris (#15). Should give her the next Top 10 hit. Slowtempo & melancholic.
Brad Cox – “Give Me Tonight” – Single/Track – Released
Australians award winning answer to Luke Combs. Strong vocalist. The single is up to #24 in the 2nd week. Midtempo & radio-friendly.
Joe Diffie & Marc Broussard – “Pride & Joy” – Single/Track – Released
Blues. Not country. Good one.
Joe Noto – “Chasin’ After You”- Single/Track – Released
Joe who? Noto! Oh…
His second single is pure 90’s country radio stuff. Will not win a Grammy but good to sing along.
David Noah
December 6, 2019 @ 12:46 pm
Another great write up! Dillon’s deep growl and hard hitting grooves are really great. It’s always nice to discover another great country artist.
63Guild
December 6, 2019 @ 1:18 pm
Dillon is a salt of the earth guy and everytime I’m back home and get a chance to see him and catch up, it’s the same Dillon that played the bar years ago, nothing has changed. I’m definitely rooting for him
618creekrat
December 6, 2019 @ 1:27 pm
When I first downloaded the EP a few weeks back, I was a bit surprised (and a bit disappointed) at how commercial it sounded. Then I remembered I had a gripe about his album – there are a few times in it when I feel he strived a bit hard to fit into a Jamey Johnson sorta sound. I think his best sounds on the LP are when he’s singing in a spot where he’s got room to work his voice up and down, rather than the cuts where he’s backed his voice up against the wall. So, I’d say his debut, while remarkable, wasn’t quite perfect either.
Bottom line on the EP: if it gets him a little radio exposure, I’d say it’s a win. And going forwards I wouldn’t mind hearing a few of these lighter cuts mixed in with the weightier cuts on his larger projects.
JB-Chicago
December 6, 2019 @ 3:09 pm
Saw him this summer on a hot day at a fest opening for McCreery & Swindell (who I didn’t stay for) and he sounded great. Vocally clear & powerful ending the short set with as I think he put it….”my next number #1 single”….lol I like a guy with confidence. I’ve had the EP awhile as well, it has a couple songs besides the single that are ok. I like Feel That Way Again and I like the riff in 99 Problems. Unlike Combs I’d prefer it if all of these songs were NOT on the next album. I know we’ve had the discussion about EP’s before on here but I’ve warmed up to the idea because even though they may be forgotten or irrelevant in the grand scheme of things sometimes I just have time for a 15-20 minute thing in the car tooling around town etc….like this, Grayson Jenkins’ EP, or a Charlie Marie.
Corncaster
December 6, 2019 @ 4:36 pm
Call me when the boyfriend bullshit is over.
Tyler Pappas
December 6, 2019 @ 6:45 pm
Hey Trigger sorry to get off topic but have you heard anything new music wise coming up for Gary Allan. I kept reading that he has a new album done and stated that he wanted for it to be more traditional and sound like his old records. He’s one of the few mainstream people I will still listen to.
Matt
December 7, 2019 @ 7:02 am
I know you have talked at length about why EPs don’t usually work in country/roots, and I think a lot of your points made sense. I cant help it, but I keep thinking about Charlie Marie and how the quality of those tracks have risen despite being an EP. And maybe that again speaks to just how good it is. I would like I hear if you had more to say about why it worked for her, or if it is simply that “if the music is that good, it doesn’t matter”. I was thinking it might be that she is a “new” artist, but I think we just see her as “new” because we have only heard about her now. She released an EP in 2015.
albert
December 7, 2019 @ 10:00 am
EP’s .
Bring ’em on , I say .
Get rid of the 14, 15 ,16 song albums . There’s ALWAYS too much filler on albums and there’s simply too much music fiiler in the environment . If I have a strong 6-song EP that packs a punch , promotes and showcases my A-game skills and vision as a writer/singer , is less expensive to record and package , brings people to my live shows , garners media attention and exposure and hell ….maybe even SELLS , I’m going that route in a heartbeat .
I’m sure there are arguments to support a larger collection of songs in a full album , but I have yet to hear the full length “country” album that isn’t nearly 50% filler with the possible exception of Golden Hour which is borderline country at best . Weight Of These Wings could easily have been pared down to a fairly solid single album but not with 15 tracks .
Yes ….it sold ..but that is the very rare exception .
For most mainstream artists in these ADD musical times recorded music is an audio calling card ….a tool used to promote YOU the artist as a means to an end and not a money-making product . I’m all for delivering the cream of the crop …your BEST six songs …your BEST six performances and if you are calling yourself an ARTIST but can’t deliver six knockouts there’s no way we need 16 in times when music rains down from the sky and is nearly free to access .
Trigger
December 7, 2019 @ 10:25 am
Though I generally discourage EPs, there are instances where they do work. The Ward David “Asunder” EP from 2018 is a great example. He wanted to express his feelings around a divorce in song, and it worked great as a autonomous work, and arguably would have been worse if he had diluted those songs with some other unrelated tracks he had written in a full length album.
Releasing an EP or EPs before you have released a full blown LP is also more acceptable, though generally I would still advocate for debuting with an LP if possible. The reason Carlie Marie’s EP has been so widely accepted is simply due to the strength of the music. But I still think if she could have put out a full record, it would have been better. She’s getting plenty of attention here, but many of the other major periodicals will ignore it because it’s an EP, just like they ignore most all EPs in end-of-year lists. And for fair reasons. 10 excellent songs will always be better than five excellent songs. Charlie Marie’s five songs just happen to be so exceptional, they can compete with longer works.
albert
December 7, 2019 @ 12:03 pm
I agree , Trigger , that If YOU HAVE 10 excellent songs then I wanna hear all 10 . But 10 excellent songs would be the max….. and rare . And I understand your point about an EP being ignored because its ‘ just an EP . But if the EP could become accepted as the norm with every artist ….new or veteran- I think we’d see an improve musical climate .
woogeroo
December 7, 2019 @ 11:30 pm
well done song about getting domesticated, sounds like something colin raye woulda released in the 90s. meh.
albert
December 9, 2019 @ 9:00 am
or ‘lonestar’
albert
December 8, 2019 @ 11:18 am
a rock n roll / bro list song pandering to women . LOVE his voice ….but sorry ……. not something i’d listen to more than once .guys wouldn’t sit around the table together talking about sacrificing all the stuff they enjoy just for a woman . and I don’t know a woman who’d want a guy to sacrifice all of the stuff he loves or sit in a bath with candles . or , at least , I wouldn’t want to know that woman . the song sounds like it should be a theme for ‘ the bachlorette ‘ or some kinda mainstream hoak .
It will probably be HUGE …..
Di Harris
December 8, 2019 @ 7:46 pm
Hang on, hang on …
I agree that i ddn’t want my guy sacrificing doing what he loved. He either did it with or without me. He surely was patient, along with the other guys, in their dedicated man club, & taught me how to play poker very, very well. He taught me how to play it a little too well, as i was dis-invited to play, by one of the guys. I Totally respected being dis-invited.
EVERYBODY needs their space.
But, there is nothing wrong now & then, being with your man, face-to-face, in a tub, candles or no.
Just sayin’
albert
December 8, 2019 @ 11:39 pm
note to self: never play poker with di harris
Di Harris
December 9, 2019 @ 3:16 pm
*The guys were wonderful allowing me into their mancave, and slowing down enough for me to learn all of the crazy variations of poker they played.
And then it got Really fun once i understood what the hell was going on.
My husband would ask, from the other end of the table – Baby, you taking us to The Cork this evening? I would smile and say, yes sir, i’m taking my man to dinner.
Those guys put up with me for about 11 months.
albert
December 9, 2019 @ 3:20 pm
now THAT is some serious poker strategy ! probably threw the whole table off their game …..lol
Blockman
December 8, 2019 @ 11:05 pm
If I knew I had to give up living like a barn yard animal does I doubt I ever would’ve fallen in love. I prefer the Croy and the Boys take on this theme.
Blockman
December 8, 2019 @ 11:10 pm
Ugh. Another one for the bored housewives or soccer mom’s to play at home mixing wine and Clonazepam or in their minivans. No thanks. Also I can’t help but feel like this guy is playing dress up whenever I see him in something.
Blockman
December 8, 2019 @ 11:19 pm
Whoa. 7.5? Really Trig? How many lone stars and enchiladas did they plow you with to get that rating?
Trigger
December 8, 2019 @ 11:52 pm
I think 7.5 is very fair. Remember, this is a country radio single. It would be extremely hard to convince me or anyone else this isn’t at least better than 75% on mainstream country radio. I would say it’s probably better than 85%-90% of country radio singles.
Blockman
December 8, 2019 @ 11:54 pm
I guess that’s fair. Thanks for the enchiladas btw they were delicious!
Pierre Brunelle
December 9, 2019 @ 9:08 am
Country radio should play country artist. Dilion is a country artist unlike most of the stuff we have on the radio. It’s a good news and another sign that you can be country and have radio exposure. That’s the whole point. Good luck to him.