Review – Vincent Neil Emerson’s “Fried Chicken and Evil Women”
I don’t know what the hell has gotten into 2019, but damn if this year just doesn’t keep feeding us excellent debut records from artists you feel like you’ll be listening to for years to come, and ones that have that down home country roots goodness and sincere authenticity that you crave. You haven’t even gotten your fill of your last favorite record yet, and here comes another you feel obligated to pay attention to. The latest down the pike is Vincent Neil Emerson’s Fried Chicken and Evil Women, and go ahead and add it to the stack of stuff you need to spin.
Good ol’ vintage Texas country music bliss is what greets your happy ears when you pipe up this album. It’s a little bit of Western Swing flavor added to Texas Troubadour Ernest Tubb styling that nestles right in your sensibilities as an old soul, filling you with fuzzy feelings. With the steel guitar, the brushes on snare, Fried Chicken and Evil Women doesn’t try to fix what’s not broken, it understands that classic country music done right is timeless in its appeal. This is the kind of record you put on to enjoy a lazy summer afternoon, or a late Sunday morning. It pairs well with front porch swinging, chili and cornbread, and peach pie.
From Fort Worth, Texas, Vincent Neil Emerson is already familiar to quite a few after opening for the Turnpike Troubadours (weep), American Aquarium, and other bigger names over the last couple of years. Raised in Van Zandt County in East Texas by a single mother of part Native American Choctaw-Apache descent, he left home at 16, working odd jobs as he traveled around, eventually taking up guitar. Emerson was also was a beneficiary of a big shout out by Aquaman actor Jason Momoa along with Colter Wall and Ian Noe when they were all playing in Vancouver earlier this year. With the success Colter Wall is already having, the fast rise of Ian Noe in 2019, and now with Vincent Neil Emerson making noise, we might look back on that Aquaman moment years from now as an auspicious precursor for three significant artists.
It’s not that there isn’t enough of these throwback dudes dressing in their grandad’s duds out there trying to make a career at crooning out old-sounding country songs. Arguably there may be too many of them at the moment, including hipster types embedded in the population that are hard to separate from the crowd. What makes Vincent Neil Emerson so unique is his singing style. Instead of putting on some affected voice, it’s his understated, almost lazy delivery that makes him a unique performer and such a pleasant listen. It also fits perfectly with his smooth, almost lounge like country sound that has those little inflections of jazz. It’s reminiscent of JJ Cale and some of Jerry Jeff Walker in its eased back nature.
If there is a knock on Fried Chicken and Evil Women, it’s that it might be a little too laid back for some to find engaging. There isn’t a lot of dynamics or stylistic changes between the respective songs, aside from swaying back and forth between Western Swing, early country, and honky tonk. But that’s also what gives the record its continuous listen quality and mood setting attributes, where you put it on in the background and it just makes whatever else is going on that much better. It may be a little lazy, but it’s not tired. It would be hard to call the up tempo of “Devil in My Bed” boring, or ignore the pep of the Western Swing-sounding “Willie Nelson’s Wall.” Yet the strolling rhythm and repeated melody of “Cactus Blossom Special” has this uninhibiting nature to it that helps take the edge off of modern life.
Style instead of songwriting is more likely the reason you would listen to Fried Chicken and Evil Women on repeat, but that doesn’t mean Vincent Neil Emerson is a slouch in the word department either. He’s just more attune with setting a vibe than spinning deep poetry, yet he gets plenty of fine lyrical licks in to give the record some depth along with the entertainment value.
Give yourself a treat by carving out some time from your busy listening schedule and the constant priorities of life to slow down and enjoy the passing of time with Vincent Neil Emerson, and his sweet little laid back treatment of classic Texas country called Fried Chicken and Evil Women.
1 3/4 Guns Up (8/10)
Throwback Country
September 18, 2019 @ 7:52 am
This is good stuff. OLD SCHOOL country. I do agree with Trigg, though, that there are moments when it gets a little too degage. Otherwise, well worth the listen.
Chucky Waggs
September 18, 2019 @ 8:00 am
I love what this guy is doing! I love the songwriting, the feel of the music, his vocals, I love it all. There are plenty of loud, fast country acts, alt country, southern rock, bluegrass, retro country, folk/Americana country acts out there to fill those spaces but the beauty of him and his band is in its simplicity. It’s straight forward, tasteful stuff, focused on the fundamentals and its done well! I get that some may not be “wowed” by it’s presentation but I don’t think that’s the point. This is the type of country music that people who don’t like country won’t like. No posturing, gimmicks or bells and whistles, just stripped down presentations of good ol country songs. I dig it!
Tex Hex
September 18, 2019 @ 8:03 am
Spot on. Been enjoying this one since last week. Solid laid back vibes, in a similar wheel house as Brent Cobb (JJ Cale being the common thread), albeit with a dusty ol’ Texas flavor rather than a swampy south Georgia flavor. Really enjoying the western swing and jazz flourishes, coupled with the low key vocals. A tough record not to enjoy.
Koozie
October 4, 2019 @ 11:02 am
Yep, really digging this. I get almost a Dr. John-ish vibe from his voice. Very laid back and the jazz elements are a cool reminder that country is more than twangy Teles and simple chords, even though they’re critical parts.
Daniele
September 18, 2019 @ 8:03 am
Discovered this guy through SCM podcast and imediately liked him! Great stuff.
Benny Lee
September 18, 2019 @ 11:06 am
wait – Trigger has a podcast too?
Trigger
September 18, 2019 @ 11:09 am
She’s talking about the Top 25 Playlist. Still no podcast … yet.
Daniele
September 23, 2019 @ 1:09 am
Yes i meant playlist…sorry. Old audio-dinosaur here.
Tex Hex
September 18, 2019 @ 8:16 am
FYI – Emerson is buddies with Charley Crockett, whose third studio album The Valley drops this Friday. Crockett does an upbeat double-time version of Emerson’s “7 Come 11” on that album. There’s a live performance on YouTube.
I love the fact that there’s a whole new generation of young country and country-adjacent artists pushing each other and working together in the “underground” (for lack of a better word). Makes me think the creative tide is rising, similar in spirit to the outlaws and left-field country artists of the 70’s. Maybe the albums won’t sell a ton, but they’ll leave their mark.
Tex Hex
September 18, 2019 @ 8:39 am
Correction – The Valley is Crockett’s fourth studio album (apart from two covers albums).
albert
September 18, 2019 @ 8:35 am
this is SWEEET ! and again ..THIS should and could easily be the sound of today’s COUNTRY radio . I’m loving this ‘unaffected ‘ vocal , arrangements which include string sections , a B3 , steel-a-plenty , piano …even some guitar overdrive . all that’s missing is a slide trombone or clarinet ….and even that may be buried somewhere on the record .
VNE seems to have borrowed from the best elements of rootsy/country music , delivered it to us with clean production and his unique-sounding vocal and created something very fresh -sounding in the process .
sbach66
September 18, 2019 @ 8:47 am
More good stuff. On one hand, thanks Trig for sharing. On the other hand, I blame you once again Trig for depleting my disposable income.
albert
September 18, 2019 @ 9:00 am
I don’t think there is any question these days about what mainstream ‘country’ radio is doing .It’s competing with pop ( non-country ) fans for younger listeners right across the board . and its found some success doing so . the more important issue for COUNTRY music is ensuring that folks like Vince Emerson and so many others are offered and given exposure to the young listeners . and again , like many other more authentic artists , perhaps they shouldn’t even try to get down to the same level as the junk on mainstream . there’s a hard fast rule in the club circuit for players …” never argue with a drunk ” .
if music like VNE , Emily Scott Robinson , Gethen Jenkins , Yola , and countless others can somehow be successful by avoiding competing head-on ( vying for radio attention ) i’m wondering if this may serve it better in the long run and save it from being watered down in an effort to sit alongside that current mainstream crap built to pander .
when stapleton launched a few singles to mainstream radio , they seemed to be out of place amidst the in-your-face crush of bro , rap , and popsters trying to sound the same song in and song out . understandably , to a listening audience conditioned to that sameness and unconcerned with its lack of substance or authenticity it was a bit like trying to play dylan to a four year old . thankfully stapleton didn’t capitulate to the hip productions and arrangements or subject matter and instead successfully delivered his music live to audiences who totally ‘got it ‘ and continue to do so .
VNE and others , I think , need to find the listener who ‘gets it ‘ …someone who ‘sees the light ‘ that will guide them out of that bro wilderness they didn’t even know they were lost in. they need to find that four year old who doesn’t KNOW he wants dylan until he hears dylan and ‘gets it ‘ on SOME level . playing someone like VNE on today’s country radio alongside the usual shit would be akin to an insult to this artist .
Sam Sanchez
September 18, 2019 @ 9:02 am
Great review for a great bunch of guys playing their great music the way they want it to sound! Congrats VNE! You guys keep doing what you do the way you want to do it and I’ll keep the beer cold for you.
OlaR
September 18, 2019 @ 9:09 am
Fine album…but the voice of Vincent Neil Emerson is kinda bland.
New Music:
Elaina Kay – Issues – Album (8 Tracks) – Released (08/02)
From Texas. Produced by Paul Cauthen. First single is called “Daddy Issues”. Edgy country songs. My highlights: “Saint” & “Wild Horse”.
The Earl Of Grey – Prince Charming – EP (5 Tracks) – Released (09/12)
Australian singer/songwriter with country/folk/throwback sound & a great EP.
Wyatt Massingille – No Jones On The Jukebox – EP (6Tracks) – Released (08/17)
Traditional country songs. My highlights: the titletrack, “Blame It On Vern” & “I Might’ve Stood Your Leavin'”
Singles & Tracks:
Luke Combs feat. Brooks & Dunn – “1,2 Many” (typical Brooks & Dunn sound)
Colt Ford – “Lucky Scars” (surprisingly good)
Alex Aguilar – “You + Me + TX” (will be a hit on the Texas charts soon)
Casey Barnes – “A Little More” (australian pop-country)
Lucy Pace – “Twang It Like Yoakam” (australian uptempo country)
Rhonda Vincent – “Like I Could” (slowtempo bluegrass)
Jon Stork – “Facts & Lies” (sounds like a massive hit not only in Texas)
Ned LeDoux – “Old Fashioned” (uptempo radio track)
Brooke Lambert – “The Cat Song” (australian alt-country artist with an a acoustic track)
Emma Jene – “Feels So Good” (australian mainstream country already on the charts)
In The Pipleline:
Gary Allan – Smoke Rings In The Dark (Deluxe Edition) – Album – 10/25
James Blundell – “Slip Away” – Single – 09/26
The Sunny Cowgirls – Happy Days – EP – 09/19
Emma Jene – Erosion – Album – October (tbd)
Aly Cook – Caught In The Middle – Album – 09/26
Jon Stork – Radio Cowboy – Album – 09/26
Jetty Road – Because We Can – Album – 09/19
Angus Gill – Welcome To My Heart – Album – 09/19
Normal Street
September 18, 2019 @ 11:23 am
I know just how good VNE is, having seen him live twice earlier this year. I have a massive dislike of downloads though, so will have to wait until I can get my hands on a CD version of the album before I can hear it in full!
Jared S.
September 18, 2019 @ 11:34 am
I’m halfway through listening, and I really enjoy it. Good stuff.
Crum
September 18, 2019 @ 11:37 am
I definitely get the JJ Cale/Brent Cobb vibe. There’s also a little “Shotgun Willie” in there too. Good stuff.
Joe
September 18, 2019 @ 12:48 pm
I’m with Normal Street. Do we know when or where you can purchase this on CD ?
Terry
September 18, 2019 @ 3:08 pm
I just purchased the cd directly from his website.
Steel&Antlers
September 18, 2019 @ 7:05 pm
I was worried for this album as I didn’t like any of the singles from it. However, in the full album I was able to find the gems Highway Shine and the title track Fried Chicken and Evil Women which now grace my playlist.
Bill Goodman
September 18, 2019 @ 7:17 pm
Album of the year material right here.
Solvitur Ambulando
September 19, 2019 @ 5:44 am
I posted earlier that I thought the decisions in the studio were disappointing (especially concerning the down-tempo turn of “Fried Chicken and Evil Women” and “7 Come 11”), but upon several more listens, I’ve come around. I have been a VNE fan for a while now and this is the best full album release I’ve heard this year, my quibbles aside.
Now I’m really looking forward to Charley Crockett’s full release of “The Valley,” for which every track dropped so far has been gold, and the 45 Colter Wall and the Scary Prairie Boys will release – both later this month. September will be country music gold!
Sam
September 19, 2019 @ 7:34 am
The JJ Cale comparisons didn’t occur to me at first, but I totally hear it. I get some Hayes Carll vibes from him as well, more so in his writing/vocal delivery. I’ve been playing this record over and over again since it came out last week. I had to give myself a break from “Country Squire” so I wouldn’t ruin it for myself.
Ol' Merle
September 19, 2019 @ 8:04 am
I liked “25 & Wastin’ Time” better when it was called, “I Think I’ll Just Stay here and Drink.”
Blockman
September 19, 2019 @ 8:16 am
I can dig it. Great record. Love the vocal style and how they’re producded up high. Some killer tunes on it too. Overall I love the vibe. I will be listening to this much more. Everything about it is great.
JM
September 21, 2019 @ 1:06 pm
This is one of my favorite albums you’ve covered lately. It’s a throwback to more classic sounds for sure, but the songwriting and arrangements are really well thought-out. My favorite track might be “Letters on The Marquee,” which starts out stripped down, then the full band eases in, pedal-steel first. The lyrics are direct and defiant but also poetic: “I wanna be a bottle on the top shelf/ covered up in dust / no they won’t be able to afford me / they won’t have enough / don’t want to be bought / don’t want to be sold / don’t want to be talked down to / don’t want to be owned.” Just good shit.
No, he doesn’t have one of those three-octave voices, but he has a unique cadence and delivery and something to say. My impression is that he’s pretty young and has a long career ahead of him.
Corncaster
September 23, 2019 @ 6:41 pm
I’m liking this.
EWP
September 30, 2019 @ 7:46 pm
I saw him open for Colter Wall in Memphis and was blown away by the sound his little three piece band was capable of. He was great with the crowd and brought a really good energy to the room. When I finally got around to listening to his album, I was disappointed that the depth and emotion in his voice just wasn’t captured. You have to see this guy live. This album is in no way a reflection of the quality of his voice. The steel guitar is half of why I’m listening to it on repeat, anyway.
Koozie
July 31, 2020 @ 3:19 pm
Circling back to this album once again, and this has been one of the best to come out of the past couple years (and that’s saying something). VNE has quite the knack for clever phrasing. I’d argue that the lines “I’m as drunk as an uncle in a Walmart parking lot / Blaring Margaritaville and takin’ up two spots” is an undisputed champion of country music lyrics.